1929. China is in unrest as the Republic falls prey to Warlords like Kahn Xin who holds an entire province hostage to the opium trade-and destroys all who oppose him. Only the revered Wudang monks dare stand in Kahn's way in order to protect the very soul of China. Among them is the Westerner White Crane (Golden Globe nominee David Carradine Kung Fu) a spiritual master of the martial arts and protector of the innocent. Revenge is not in Crane's heart - until a mercenary army storms the temple and slaughters the beloved female Grandmaster Myling. Out of the ashes of the temple ruins Crane rises-with vengeance in his heart. From the awesome majesty of the Shaolin temples to the torrid neon nights of Shanghai's underground White Crane Chronicles delivers a thrilling and enlightening adventure in action and suspense.
"Cirque Du Freak: The Vampire's Assistant", based on the popular series of books by Darren Shan, is a fantasy-adventure about a teenager who unknowingly breaks a 200-year-old truce between two warring factions of vampires.
In the future, a nuclear war has left Earth as a desert wasteland, where the ocean has dried up. The world is now ruled by a sinister corporation known as the E-Protectorate. Beyond ruthless, they hoard water and take children from their families to train them to work for the corporation. But when a group of young rebels discover an extraterrestrial sphere with healing powers, they set out to release the planet from the clutches of the oppressors. With its dazzling visual effects and mesmerizing score, Solarbabies is pure entertainment from start to finish.
After a mysterious prisoner with only a few weeks left on his sentence breaks out of prison in Central City, the Elric brothers attempt to track him down. The search leads them to Table City in the southwestern country of Creta, where Alphonse rescues a young alchemist named Julia from the very man they are trying to capture. In the thick of the fight, they literally tumble into Julia's home turf, the slums of Milos Valley, and are embroiled in the grassroots rebellion of her people.
Over the last century thousands of people have gone missing. Suddenly and inexplicably 4400 missing people are returned all at once exactly as they were on the day they vanished. Unclear what this world-altering event means the government investigates the 4400 to piece together where they've been and why they've been returned. It quickly becomes apparent that their presence will change the human race in ways no one could have foreseen.
The thrilling Dollhouse reunites Buffy The Vampire Slayer creator Joss Whedon (Firefly Serenity) and Eliza Dushku (Angel). Echo is an 'Active' - someone whose memories have been wiped and replaced. Hired for nefarious gains she acts with no memory of before. Can she rediscover her true identity before it's too late? Episodes Comprise: 1. Vows 2. Instinct 3. Belle Chose 4. Belonging 5. The Public Eye 6. The Left Hand 7. Meet Jane Doe 8. A Love Supreme 9. Stop-Loss 10. The Attic 11. Getting Closer 12. The Hollow Men 13. Epitaph Two. Return
Originally released in 1902, this legendary 16-minute film is widely considered to be one of the most important works in film history. Created just six years after the invention of cinema this is where narrative cinema truly began. George Melies masterpiece features six members of the Astronomers' Club, fired into space by a giant cannon, on a strange and wonderful journey to the moon to meet its inhabitants. The colour version of A Trip to the Moon, hand-painted frame by frame, was considered lost for many years, until a print, in a desperate condition, was found in Spain in 1993. It is this version which has been meticulously restored - one of the most sophisticated and expensive restorations in the history of cinema. The luminous resulting film is accompanied by a new original soundtrack by French duo AIR. Accompanying the film is a 60 minute documentary, The Extraordinary Voyage, detailing the restoration process and featuring words from esteemed directors such as Michel Gondry, Jean-Pierre Jeunet and Michel Hazanavicius.
As the sixth season of Star Trek: The Next Generation went into production, everyone knew that attentions would soon be permanently divided by the debut of Deep Space Nine. Sure enough that meant crossovers ("Birthright"), guest stars and references back and forth. The sense of baton-passing drew the TNG family closer, however. Directorial debuts begun in Season 5 allowed for repeat group-huddle ownership of several shows. Jonathan Frakes bettered "The Quality of Life" by "The Chase", which finally offered an explanation why most races in the Trek universe are humanoid with knobbly foreheads. Patrick Stewart crowbarred a Western into the franchise in "A Fistful of Datas". LeVar Burton introduced the far more exciting Riker clone Thomas in "Second Chances". But here we still find that inability to follow through a good idea, since it was intended for Tom to replace Will. Barclay outstayed his welcome with a lacklustre "Ship in a Bottle" (despite a hammy cameo from Stephanie Beacham) after he'd injected creepiness into "Realm of Fear". The same happened with Q and the painfully weak "True Q" contrasted by the philosophically challenging "Tapestry", where Picard faced the decisions of his youth. Yet ultimately the year provided more memorable moments than either year 5 did or year 7 would. There was the fun of a pint-sized Starfleet in "Rascals", the shocking comment on political torture in "Chain of Command", the endless Matrix-like guessing game of reality in "Frame of Mind", and even a jokey genre nod often called "Die Hard Picard" instead of "Starship Mine". The two biggest attention-drawing moments came via stellar cameos. There was the bittersweet sight of James Doohan revisiting the original Enterprise Bridge on "Relics", then a quick contribution by Stephen Hawking in the cliff-hanger "Descent". Both were attempts at keeping TNG the connoisseur's Trek incarnation of choice. --Paul Tonks
Lowlife cable TV operator Max Renn discovers a snuff TV broadcast called Videodrome which is much more than it seems.It's an experiment that causes brain damage. Max is caught in the middle of the forces that created and the forces that want to control Videodrome, his body itself turning into the ultimate weapon to fight them.
Notable neither for its director nor its stars, 20 Million Miles to Earth has been given the widescreen spit 'n' polish treatment because of its special-effects man, the legendary Ray Harryhausen. And it's his work here that makes this daft slice of hokum so watchable. When a group of Italian boat fishermen investigate a crash-landed space rocket returned from a trip to Venus, they find one surviving all-American hero and an alien in aspic: the Emere, a tiny homunculus hungry for sulphur and growing faster than a teenager on steroids. Cue man-vs-alien mayhem, screenfuls of avuncular patriarchs and the gratuitous destruction of Rome. A by-numbers B-movie, Harryhausen's sixth feature isn't a patch on his later Technicolor masterpieces, but the unusual Italian setting ("I wanted a trip to Europe") adds an exotic quality and his effects are as solid and convincing as ever. The film only really begins to crackle when his stop-motion creation is onscreen. Like a scaly King Kong, he's as likely to engender sympathy as fear: surely anyone who's been bombed, blasted, burnt, electrocuted, shot at by trigger-happy squaddies and involved in a punch-up with a pachyderm is entitled to lose their rag a little. And fans will enjoy spotting in the Emere the flowerings of Harryhausen's later and greater creations, Sinbad's Cyclops and The Titans' Calibos and Kraken. The denouement, with the creature atop the Colosseum, is as effective as that of Kong's. It wasn't beauty who killed the beast here, however, it was bombs. On the DVD: 20 Million Miles to Earth's black and white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer, and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here, though, is the generously lengthed documentary "The Harryhausen Chronicles". Narrated by Leonard Nimoy, this features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. The claw-slash menu marker is a nice touch, too. If you're a fan, this disc is Harryhausen heaven. --Paul Eisinger
Recon 2020: The Caprini Massacre
A lonesome college student named Jiro (Keisuke Koide) is spending his 20th birthday alone when suddenly a beautiful cyborg girl (Haruka Ayase) turns up. The few hours that he spends with her are the most incredible moments of his life and Jiro is overwhelmed by his good-fortune in meeting her. But his happiness does not last for long since she disappears after that. A year later on his 21st birthday Jiro runs into her again. At least she looks the same but this time she is somehow different. It is the beginning of a love that would change his life forever...
Walk a mile in someone else. After a multimillion-dollar deal goes bust, disgraced venture capitalist Joel (Zack Robdis, Succession) and his actress wife Jessica (Kathy Searle, The Good Guy) are forced to move in with her overbearing parents and try and start their lives again. Desperate to get back on top, Joel runs into old friend Nicolaus (Eric Berryman, Marriage Story) and his business partner Lester (Jay Klaitz, Jessica Jones) tech entrepreneurs seeking new investors for their company Empathy, Inc. Offering users the chance to experience X-VR Xtreme Virtual Reality, they place them in the shoes of the much less fortunate to make them appreciate just how good they have it. As the investments start to roll in, Joel soon discovers that this start-up may have far more sinister plans for their ground-breaking tech which comes with a terrible cost... With shades of Pi, The Twilight Zone and Primer and exploring themes of identity crisis, poverty tourism and the greed of humanity, Empathy, Inc. is a twisted virtual reality chiller for the modern tech age that will really get under your skin Special Edition Contents: High Definition Blu-ray⢠(1080p) presentation Original LPCM Stereo 2.0 Audio soundtrack Optional English subtitles for the deaf and hard of hearing New audio commentary with director Yedidya Gorsetman and writer Mark Leidner Behind the scenes 360 (degrees) Deleted Scenes International Trailer UK Trailer Reversible sleeve featuring original and newly commissioned artwork by Chris Barnes Brutal Posters First Pressing Only: Collectors' booklet featuring new writing on the film by Brian Tallerico
Episodes 12 to 20 of Jupiter Moon first broadcast on BSB's Galaxy Channel in 1990.... The spaceship Ilea is paralysed captured within a cloud of matter that seems able to think and to foil all the ship's efforts to escape. Worse still the Ilea's H2 extractor plant is able to supply oxygen for only a few more days and the magnetic shield is giving way. While the students and crew work desperately to create a defence space-criminal Alex Hartmann (Jason Durr) makes a tempting off
In the wake of a deadly virus that has wiped out the adult population the children of the world must now survive on their own. The sophisticated hi-tech society that their forefathers created has collapsed into confusion anarchy and fear. It is in this dangerous new world where The Tribe must construct a new culture in their own image and learn that in the aftermath of a disaster there come fresh opportunity and new responsibility. The future is theirs to create. Contains all 52 e
Hammer's She might be a travesty of Rider Haggard's epic adventure novel, scaling things down to fit into a budget lavish only by the studio's low standards. At least the film opens with the unexpected sight of Peter Cushing and Bernard Cribbins in a dive in Palestine in 1919, shimmying with belly-dancers and brawling with the locals John Ford-style. Less entertainingly the film then switches attention to blonde clod John Richardson who is dreamily visited by blonde goddess Ursula Andress--her eerie beauty enhanced by the usual Hammer trick of dubbing the foreign crumpet with a posh voice.Our adventurers are given a map which leads them through deserts and mountains to the lost city of Kuma, an Egyptian-style civilisation ruled by Ayesha. This immortal She-Who-Must-be-Obeyed has been unaccountably waiting for Richardson to be reincarnated ever since she pettishly killed him thousands of years ago. In this reading, She is an Aryan fascist given to tipping those who displease her into a pit of molten lava. Her final comeuppance--as she bathes again in the blue flame of immortality and finds the process reversed so she suffers one of Hammer's patented Dracula dissolves to dust--takes place during a native uprising which overthrows her whole corrupt regime.The leads look terrific but can't act for beans so it's a mercy that stalwarts Cushing and Christopher Lee (as the treacherous High Priest) are on hand, not to mention Cribbins (comedy servant in bowler hat), Andre Morell and Rosenda Monteros.The James Bernard music is enchanting in a way Robert Day's direction sadly isn't, but the sets and (especially) costumes are splendid and the film has its moments of magic and terror: as the centurion pours out the remains of Morell's daughter from a jar, as the flame burns blue and the lovers bathe in it.On the DVD: the 2.35:1 widescreen print is in very good shape. Otherwise, there's not even a trailer. --Kim Newman
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