The Demoniacs (Les Démoniaques) sees director Jean Rollin eschew his regular subject of vampirism for a brutal nautical tale of ritual horror and supernatural vengeance. A gang of ruthless pirates, known as 'the wreckers', rape two survivors of a shipwreck. The women, now mute, are guided by a mysterious clown to a ruined castle, where they receive magical powers with which to exact their revenge on the gang. Starring Joëlle Coeur (Schoolgirl Hitchhikers), John Rico (Blood Orgy of the She-Devils), Willy Braque (Lips of Blood), and Mireille Dargent (The Iron Rose), The Demoniacs is one of its director's most shocking and violent tales of the fantastique. Product Features Brand-new 4K HDR restoration from the original negative by Powerhouse Films 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Three presentations of the film: the original theatrical version; the longer, explicit export version; and Curse of the Living Dead, the alternative English-language cut Original mono audio Audio commentary with film expert Tim Lucas (2024) Selected scenes commentary with Jean Rollin (2005) Jean Rollin Introduces 'The Demoniacs' (1998) One of the Demoniacs (2024): new presentation of an interview with regular Rollin collaborator Jean-Pierre Bouyxou Newly edited archival interview with actor Willy Braque (2024) Critical appreciation by author and musician Stephen Thrower (2024) Outtake footage Original theatrical trailer Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles New and improved English subtitles for the deaf and hard of hearing for Curse of the Living Dead Limited edition exclusive 80-page book with a new essay by Alexandra Heller-Nicholas, an archival piece on the making of the film by Jean Rollin, an archival interview with Rollin, an archival interview with actor Monica Swinn, and full film credits. World premiere on 4K UHD Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
Winner of five Academy Awards, including Best Picture, Best Director and Best Supporting Actor (Donald Crisp), this Hollywood milestone (Halliwell's Film Guide) from producer Darryl F. Zanuck and director John Ford is one of the finest pictures ever made (Variety). Seen through the eyes of a boy (Roddy McDowall), How Green Was My Valley is the inspiring yet heart breaking story of young parents (Donald Crisp and Sara Allgood) struggling to keep their family together as they endure severe hardship in a small Welsh mining town. Co-starring Maureen O'Hara and Walter Pidgeon, this acclaimed classic captures the sentiments and issues of its time while reminding us of the dreams, struggles and triumphs that can touch every family.
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
Eureka Entertainment to release THE FATE OF LEE KHAN, the action-packed wuxia classic from master craftsman King Hu, as part of The Masters of Cinema Series in a definitive Dual Format (Blu-ray & DVD) edition on 21 October 2019. Available on DVD and Blu-ray for the first time in the UK, and presented from a new 2K restoration. The first print-run of 2000 copies will feature a Limited Edition O-card Slipcase. The final film in King Hu's Inn Trilogy , and the follow-up to his highly-acclaimed A Touch of Zen, The Fate of Lee Khan once again shows the master filmmaker's impeccable talent in creating drama out of a single setting. An espionage thriller with a unique wuxia twist and shades of Kurosawa's Seven Samurai, the film chronicles a tense showdown between warriors on opposing sides of a civil war in a rural inn. When Lee Khan (Tien Feng; A Better Tomorrow, Fist of Fury) a dangerous and cunning Mongol official, and his equally deadly sister Lee Wan-erh (Hsu Feng; A Touch of Zen), arrive at the Spring Inn to obtain a battle map that reveals the location of the Chinese rebel army, a group of resistance fighters, including an all-female group of ex-convicts plan to recapture the map, whatever the cost. As much a pre-cursor to the hangout' movie as it is an action packed wuxia adventure, The Fate of Lee Khan features action choreography by Sammo Hung (Eastern Condors) and also stars the incredible Angela Lady Whirlwind Mao, The Masters of Cinema Series is proud to present King Hu's The Fate of Lee Khan on Blu-ray and DVD for the first time in the UK, from a new 2K restoration.
A classic suspense-filled thriller from some of British cinema's greatest talents. The Fallen Idoltells the story of Philippe (Bobby Henrey), the young son of a diplomat who, trying to understand the adult world as seen through the eyes of a child, lies to defend those closest to him. When his butler friend Baines (Ralph Richardson) is suspected of murdering his wife, the vital information that Philippe holds falls on deaf ears Director Carol Reedand Graham Greene collaborated, as they did on The Third Man, to create this exquisitely crafted, intelligent thriller, which once more demonstrates the unique spark that these two mavericks brought to British cinema. With magnificent performances from Richardson and the child actor Henrey, and evoking comparisons with, among others, Alfred Hitchcock, this classic thriller garnered Academy Award® nominations for Best Director and Best Screenplay.
Stomping, whomping, stealing, singing, tap dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral dynamic arc of Stanley Kubrick's future-shock vision of Anothony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscar nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp. This Collector's Set includes: A Clockwork Orange on 4K Ultra HD & Blu-ray Collectable Steelbook case with new artwork Two unique pins Special Features Commentary by Malcolm McDowell and Historian Nick Redman Channel Four Documentary Still Tickin': The Return of Clockwork Orange New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange Career Profile O Lucky Malcolm! [in High Definition] Theatrical Trailer
Jean Rollin's third feature film, 1971's The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique. Arriving at a decrepit chateau for their honeymoon, young newlyweds undergo a series of surreal and sinister encounters, and come to realise that they are the prey of the resident vampires... With performances from Sandra Julien (I Am Frigid... Why?) and Marie-Pierre Castel (Lips of Blood), ravishing cinematography from Rollin's regular collaborator Jean-Jacques Renon, and a thrilling jazz-rock score by Acanthus, The Shiver of the Vampires is regarded as one of Rollin's greatest films. Product Features New 4K HDR restoration from the internegative by Powerhouse Films 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Original French and English mono soundtracks Audio commentary with director Jean Rollin (2006) Audio commentary with Sylvia Kristel: From Emmanuelle to Chabrol author Jeremy Richey (2023) Virginie Sélavy on 'The Shiver of the Vampire' (2023): appreciation by the author and film historian Rouge Vif (2023): updated documentary on the making of The Shiver of the Vampires by Rollin's personal assistant, Daniel Gouyette Introduction by Jean Rollin (1998): filmed appraisal by the director Interview with Jean Rollin by Patricia MacCormack (2004): lengthy discussion filmed in Paris Deleted scenes: sex sequences filmed for the export market Original French, English and German theatrical trailers Image gallery: promotional and publicity materials New and improved English translation subtitles for the French soundtrack New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 80-page book with a new essay by David Hinds, an archival introduction by Jean Rollin, an archival interview with the director by Peter Blumenstock, an archival interview with actor Marie-Pierre Castel, Andy Votel on Acanthus, the mysterious group behind the film's soundtrack, an overview of contemporary critical responses, and full film credits World premiere on 4K UHD Limited edition of 8,000 numbered units (4,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
Ealing Studio output from the 1940s and the 1950s helped define what was arguably the golden age for British cinema. This Blu-ray collection brings together three much loved comedy classics directed by Ealing stalwarts Robert Hamer Charles Crichton and Alexander Mackendrick and starring the great Sir Alec Guinness in some of his most memorable roles.
Winner of both the Academy Award for best foreign-language film and the Cannes Film Festival's Palme d'Or, MARCEL CAMUS' Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro. With its eye-popping photography and ravishing, epochal soundtrack, Black Orpheus was a cultural event, kicking off the bossa nova craze that set hi-fis across America spinning. SPECIAL EDITION FEATURES: New, restored high-definition digital transfer, with uncompressed monaural soundtrack Optional English-dubbed soundtrack Archival interviews with director Marcel Camus and actress Marpessa Dawn New video interviews with Brazilian cinema scholar Robert Stam, jazz historian Gary Giddins, and Brazilian author Ruy Castro Looking for Black Orpheus, a French documentary about Black Orpheus's cultural and musical roots and its resonance in Brazil today Theatrical trailer PLUS: A booklet featuring an essay by film critic Michael Atkinson Click Images to Enlarge
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
From Here to Eternity offers a much more heartfelt interpretation of the event that propelled the United States into World War II than any film made in recent years. Here there are no angst-ridden scenes where "true love" returns from the dead, no costly CGI and definitely no Hallmark happy ending. This is a film about illicit sex, military machismo and tragic loss of love, friendship and ultimately life. The filmmakers did, however, have to make some compromises when adapting James Jones's novel: Alma becomes a "hostess" rather than a prostitute and the very downbeat ending, where Captain Holmes is essentially rewarded for his brutality by the military, was replaced with the morally acceptable punishment of his actions by a more self-aware army. Although Private Robert E Lee Pruitt's story provides the meat of the film, there are other subplots woven into the narrative, including a couple of doomed love affairs, which explore themes of adultery and social acceptance. Sergeant Warden (Burt Lancaster) begins a torrid affair with the commander's wife Karen (Deborah Kerr) leading to one of the most famous moments in movie history--the "clinch in the surf". From then on everything is challenged. Love, honour and eventually whether you should conform or stand up for what you believe in. At the end the couples are left wondering about the future of their relationship, but fate decides for them as the Japanese launch their attack on Pearl Harbor, leaving us with one of the most dramatic and moving endings of any war film. On the DVD: The black and white film is not anamorphically enhanced but presented full frame in its original aspect ratio of 1.37:1, although the transfer is well done and the picture is pretty sharp. Sound is 2.0 mono rather than the standard 5.1 reworking of the audio track, and it works. The dialogue is clear without any noticeable hiss. There's a 22-minute "making of" documentary, which doesn't really do justice to the film and contains very little information of interest. Along with this is Fred Zinnemann's As I See It, an extract from the director's home video footage from the shoot. You also get the theatrical trailer, but the best feature is the audio commentary, by Fred Zinnemann's son Tim and screenwriter Alvin Sargent, which has some fantastic detail about the struggle between director and studio-head Harry Cohn over casting, along with the run-ins with the censor and US military over the "inflammatory nature" of the film.--Kristen Bowditch
Jean Rollin's third feature film, 1971's The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique. Arriving at a decrepit chateau for their honeymoon, young newlyweds undergo a series of surreal and sinister encounters, and come to realise that they are the prey of the resident vampires... With performances from Sandra Julien (I Am Frigid... Why?) and Marie-Pierre Castel (Lips of Blood), ravishing cinematography from Rollin's regular collaborator Jean-Jacques Renon, and a thrilling jazz-rock score by Acanthus, The Shiver of the Vampires is regarded as one of Rollin's greatest films. Product Features New 4K restoration from the internegative by Powerhouse Films Original French and English mono soundtracks Audio commentary with director Jean Rollin (2006) Audio commentary with Sylvia Kristel: From Emmanuelle to Chabrol author Jeremy Richey (2023) Virginie Sélavy on 'The Shiver of the Vampire' (2023): appreciation by the author and film historian Rouge Vif (2023): updated documentary on the making of The Shiver of the Vampires by Rollin's personal assistant, Daniel Gouyette Introduction by Jean Rollin (1998): filmed appraisal by the director Interview with Jean Rollin by Patricia MacCormack (2004): lengthy discussion filmed in Paris Deleted scenes: sex sequences filmed for the export market Original French, English and German theatrical trailers Image gallery: promotional and publicity materials New and improved English translation subtitles for the French soundtrack New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive 80-page book with a new essay by David Hinds, an archival introduction by Jean Rollin, an archival interview with the director by Peter Blumenstock, an archival interview with actor Marie-Pierre Castel, Andy Votel on Acanthus, the mysterious group behind the film's soundtrack, an overview of contemporary critical responses, and full film credits Limited edition of 8,000 numbered units (4,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
When a scientist (David [Al] Hedison) attempts to transfer matter through space things go horrifically wrong and two grotesque man-fly hybrids are created. Now with the head of a fly and a wing in place of one of his arms the scientist desperately hopes that he his wife (Patricia Owens) and his brother (Vincent Price) can capture the other mutant and reverse the experiment.
"I fell in the family way when I was 18 and I got married to a right bastard". Ken Loach's debut feature tells the story of Joy, a young mother (Carol White) whose chauvinistic thug of a husband is thrown into prison. She takes up with one of his friends, lovable, kind-hearted burglar Terence Stamp, but he too ends up in jail.It's intriguing to compare Poor Cow with Cathy Come Home, which Loach made for TV with the same actress at around the same time. Both are about mums trying to make a go of their lives in adverse circumstances. Cathy Come Home, shot in black and white, is an altogether tougher film. Poor Cow, with its Donovan music, gaudy colour photography, star names, and incongruously bawdy humour, seems lightweight by comparison. Certain sequences--Joy making love in the hay or posing half-naked for lecherous amateur photographers--must surely make Loach grimace now. There are some powerful moments--Joy desperately looking for her son who has wandered off, unattended, onto a building site, or trying to escape from her abusive husband--which anticipate such later Loach films as Ladybird, Ladybird or Raining Stones. The scenes between Joy and Stamp are played with real tenderness and humour. Don't be surprised if you think you've seen them before--some of the footage of Stamp was used in Steven Soderbergh's recent thriller, The Limey. --Geoffrey Macnab
Hailed by critics and fans alike as one of the greatest films ever made, Citizen Kane continues to influence filmmakers and astound viewers 80 years later. Nominated for nine 1941 Academy Awards, with a win for Best Original Screenplay, Orson Welles' controversial masterpiece uses innovative flashbacks and ground-breaking cinematography to follow the epic rise and fall of wealthy newspaper magnate. For any fan of films, this is an essential viewing experience. 4k Ultra HD Collector's Edition Includes: Feature Film on 4k and Blu-ray 48-Page Book 20-Page Souvenir Programme Reprint of Press Release Excerpts Two-Sided Poster 5 Collectable Art Cards 3 Photo Stills Special Features on Blu-ray: Separate Commentaries by Roger Ebert and Peter Bogdanovich Interviews with Ruth Warrick and Robert Wise Opening: World Premiere of Citizen Kane Still Photography with Commentary by Roger Ebert and More
Intense, enthralling, and unforgettable, Sunset Boulevard stars Gloria Swanson as Norma Desmond, a faded silent-movie star, and William Holden as Joe Gillis, a down-on-his-luck screenwriter whom she enlists to help her make her triumphant return to the screen. Directed and co-written by acclaimed filmmaker Billy Wilder, this mesmerising Hollywood classic won three Academy Awards.
Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of DH Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, Women in Love was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine
Dreamlike and nightmarishly surreal, Vertigo is Hitchcock's most personal film because it confronts many of the convoluted psychological issues that haunted and fascinated the director. The psychological complexity and the stark truthfulness of their rampant emotions keeps these strangely obsessive characters alive on screen, and Hitchcock understood better than most their barely repressed sexual compulsions, their fascination with death and their almost overwhelming desire for transcendent love. James Stewart finds profound and disturbing new depths in his psyche as Scotty, the tortured acrophobic detective on the trail of a suicidal woman apparently possessed by the ghost of someone long dead. Kim Novak is the classical Hitchcockian blonde whose icy exterior conceals a churning, volcanic emotional core. The agonised romance of Bernard Herrmann's score accompanies the two actors as a third and vitally important character, moving the film along to its culmination in an ecstasy of Wagnerian tragedy. Of course Hitch lavished especial care on every aspect of the production, from designer Edith Head's costumes (he, like Scotty, was most insistent on the grey dress), to the specific colour scheme of each location, to the famous reverse zoom "Vertigo" effect (much imitated, never bettered). The result is Hitch's greatest work and an undisputed landmark of cinema history. On the DVD: This disc presents the superb restored print of this film in a wonderful widescreen (1.85:1) anamorphic transfer, with remastered Dolby digital soundtrack. There's a half-hour documentary made in 1996 about the painstaking two-year restoration process, plus an informative commentary from the restorers Robert Harris and James Katz, who are joined by original producer Herbert Coleman. There are also text features on the production, cast and crew, plus a trailer for the theatrical release of the restoration. This is an undeniably essential requirement for every DVD collection. --Mark Walker
The visionary first film from George Lucas in a director's cut A chilling exploration of the future is also a compelling examination of the present in George Lucas's THX 1138, starring Robert Duvall as a man whose mind and body are controlled by the government. THX makes a harrowing attempt to escape from a world where thoughts are controlled, freedom is an impossibility and love is the ultimate crime. The real excitement of THX 1138 is not really the message but the medium the use of film not to tell a story so much as to convey an experience. Stunning dazzling chilling and terribly powerful (Charles Champlin, Los Angeles Times). SPECIAL FEATURES Commentary by George Lucas and Walter Murch Theatre of Noise Experience: Isolated Sound Effects Track Master Sessions: Docupod Gallery Showcasing Murch's Pioneering Work 2 Documentaries: A Legacy of Filmmakers: The Early Years of American Zoetrope and Artifact from the Future: The Making of THX 1138 Electronic Labyrinth THX 1138 4EB: Lucas' Original Student Film Vintage Production Featurette Bald Theatrical Trailers
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