The award-winning fourth season of LA Law comes to DVD for the very first time in this brand new 6 disc box set. In this season, Arnie decides to set up his own practice, taking his loyal assistant Roxanne with him, but will it all end well? Victor struggles when his professional and personal lives collide, putting pressure on his relationship with Allison, Leyland ponders the idea of retirement and in the Emmy Award-winning episode 'Blood, Sweat and Fears', a doctor is brought to trial for refusing to operate on a patient with Aids.
A clandestine affair is the subject of this London based movie from Woody Allen.
An affectionate and enchanting portrayal of the life of Queen Elizabeth focusing on her courtship by the shy and retiring future King George VI (known as Bertie) and the love story that followed This fascinating adaptation also covers the abdication crisis of Edward VIII the Coronation of George VI as British King and the strong relationship forged between them and Churchill during the War.
IT'S 1947 HOLLYWOOD, and detective Eddie Valiant is hired to find proof that mogul Marvin Acme is playing hanky-panky with femme fatale Jessica Rabbit, wife of cartoon superstar, Roger Rabbit. But when Acme is found murdered...all fingers point to Roger. This edition of the hilarious Oscar®-winning cult classic combining live action with spectacular animation comes in eye-popping 4K Ultra HDâ¢, with a bunch of Blu-ray⢠bonus extras. Special Features Digitally Restored The 3 Roger Rabbit Shorts Who Made Roger Rabbit Mini-documentary Audio Commentary With Filmmakers Deleted Scene With Filmmaker Commentary Before And After Split-screen comparison With And Without Animation Behind The Ears: The True Story Of Roger Rabbit Behind-The-Scenes Documentary Toon Stand-Ins Featurette On Set! Benny The Cab
After serving 28 years in prison for refusing to give up information on one of his close criminal associates Val (Al Pacino) is released and picked up by his best friend Doc (Christopher Walken). They soon re-team with Hirsch (Alan Arkin) and the three embark on what turns into their last crazy night together. As the sun rises on the guys' reunion a dangerous secret comes to light and they must confront their pasts once and for all. Special Features: Director Commentary Featurettes: The Lowdown of Making Stand up Guys The Stand up Song of Jon Bon Jovi American Muscle: The Stand up Stunt Driving Scenes Deleted Scenes
Boycie - the wheeler dealer from the nations favourite Only Fools And Horses - is in trouble. Local mobsters the Driscoll brothers believe that the tashed one has grassed them up to the Police. Demonstrating his usual steel back bone Boycie decides to quickly uproot from the suburb of Peckham and whisk his family away from danger to start a new life in the countryside. As ever Boycie has idea's above his station but that's not going to deter him from re-inventing himself as a 'gentlemen farmer'!
Dark Star is absurd, surreal and very funny. John Carpenter once described it as "Waiting for Godot in space." (It's also, surely, one of the primary inspirations for Red Dwarf.) Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The story concerns the Dark Star's crew who are on a 20-year mission to destroy unstable planets and make way for future colonisation. The smart bombs they use to effect this zoom off cheerfully to do their duty. But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up." When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope", has the remaining crew drifting away from each other in space, each to a suitably absurd end. --Jim Gay
In this latest film adaptation of a Stephen King novel Anthony Hopkins stars in the tale of a widowed mother and her son whose lives change when a mysterious stranger moves into the apartment above them.
Tom Hanks in collaboration with HBO presents From the Earth to the Moon the dramatic story of the unforgettable Apollo missions and their heroic astronauts from President John F. Kennedy's historic speech through the first manned expeditions into space to the defining moment of the space program- putting a man on the moon. ""One small step for man... one giant leap for mankind."" Powerfully told as never before though the unforgettable performances of Cary Elwes Sally Fiel
Like a soda pop left open all night, Ferris Bueller's Day Off seems to have lost its effervescence over time. Sure, Matthew Broderick is still appealing as the perennial truant, Ferris, who takes one memorable day off from school. Jeffrey Jones is nasty and scheming as the principal who's out to catch him. Jennifer Grey is winning as Ferris' sister (who ends up making out in the police station with a prophetic vision of Charlie Sheen). But there's a definite sense that this film was of a particular time frame: the 80s. It's still fun, though. There's Ferris singing "Twist and Shout" during a Chicago parade, and a lovely sequence in the Art Institute. But don't get it and expect your kids to love it the way you did. Like it or not, it's yours alone. --Keith Simanton, Amazon.com
This mammoth box set includes the following BBC Shakespeare Adaptations: 1. Romeo And Juliet - Directed by Alvin Rakoff (1978) 2. Richard II - Directed by Jane Howell (1983) 3. As You Like It - Directed by Basil Coleman (1978) 4. Julius Caesar - Directed by Herbert Wise (1979) 5. Measure For Measure - Directed by Desmond Davis (1979) 6. Henry VIII - Directed Kevin Billington (1979) 7. Henry IV: Parts I & II - Directed by David Giles (1979) 8. Henry V: Parts I & II - Directed by Davi
Jonathan Creek is back in another spooky tale calling upon his friend and sceptic Joey Ross (Sheridan Smith) to investigate a series of sinister and bewildering events at a house called Green Lanterns. When the beautiful young Emily Somerton is recruited to work as an assistant housekeeper to famous crime writer Hugo Dor'' she discovers the premises are home to a bizarre unsolved Victorian murder mystery... and following the grisly death of her employer's wife Harriet all the evidence suggests Emily is guilty of the crime. Ghostly visions death threats she cannot remember writing and the final accusing words of the victim herself convince Emily she is losing her mind. Once again it is up to Jonathan Creek to dig deep and look beyond the paranormal for an explanation. Using his powers of analysis and deduction he and Joey find themselves in a race against time as they struggle to make sense of the baffling problem before them. A problem which leads finally to the eerie isolated Judas Tree... and a solution more shocking than anyone could have imagined.
Bette Midler plays a Janis Joplin-like singer overwhelmed by stardom and its excesses. Mark Rydell (On Golden Pond) directs what is a kind of hybrid showcase for Midler's concert talents and a standard pop biopic, with the usual rhythms of desire, success, betrayal, failure, and such. Alan Bates is the best thing about the movie as the Rose's ruthless manager, and Harry Dean Stanton and Frederic Forrest add some interesting seasoning. But as a whole, the film can't rise above its mixed purposes or clichés. --Tom Keogh
Headstrong and passionate Bathsheba Everdene (Julie Christie) unexpectedly inherits a large farm in rural Dorset. Struggling to manage the farm herself, she captivates the hearts and minds of three very different men: an honest and hardworking sheep farmer (Alan Bates), a wealthy but tortured landowner (Peter Finch), and a reckless and violent swordsman (Terence Stamp). But as emotions become entangled, free spirited and innocent folly soon leads to devastating tragedy. The restoration process of Far From the Madding Crowd was overseen by the film's cinematographer and acclaimed director, Nicolas Roeg. The Digital Film restoration was funded by STUDIOCANAL in collaboration the BFI's Unlocking Film Heritage programme, Awarding funds from the National Lottery. Extras: New Interview with Terence Stamp New Interview with Frederic Raphael New Interview with Nic Roeg New featurette Devizes, then and now Original Location featurette
This smart, tautly directed thriller from Wolfgang Petersen is about the cat-and-mouse games between a Secret Service agent named Horrigan (Clint Eastwood) and the brilliant, psychopathic assassin (John Malkovich) who's itching to get the President in his cross hairs. In the Line of Fire's back-story--Horrigan is haunted by his inability to prevent John Kennedy's assassination (Eastwood is computer-generated into archival footage)--is more than a little hokey, but the plotting itself is smartly, even ingeniously, constructed. Petersen manages a vice-like grip on the tension and Eastwood even gets to deliver an ever-more-timely lecture on the diminished nature of the office of President. Eastwood's as gruff and as infuriating to the by-the-book Powers That Be as ever and Malkovich oozes delightful menace. Rene Russo capably co-stars as a colleague with whom Horrigan gets friendly. --David Kronke
Good weather for hanging. Billy the Kid's outlaw ingrates are penned like sows in a Lincoln County pit and the Kid is strapped in a nearby hotel. But the hangman will go home disappointed tonight. Billy cleverly breaks himself - then his gang - free. One of the West's greatest legends lives on to ride another day. Emilio Estevez, Keifer Sutherland, Lou Diamond Phillips and Christian Slater saddle up for Young Guns II, featuring Jon Bon Jovi's 1990 Oscar® - nominated* and Golden Globe® Award-winning Best Original Song ʻBlaze of Glory'. By 1879, the Lincoln County Wars have ended but bad blood endures. Billy and his men look to Mexico for haven - if they can elude Billy's one-time friend, pursuing sheriff Pat Garrett (William Petersen).
A lively, humorous caper film of the first order, The First Great Train Robbery is Michael Crichton's ambitious adaptation of his own novel, which was inspired by the facts of the first known train robbery. Crichton sets this attractive, highly enjoyable film in London in 1855, where Edward Pierce (Sean Connery) and Agar (Donald Sutherland) plot to steal £25,000 in gold that is being transported by train to pay British troops in the Crimean War. Lesley-Anne Down plays Miriam, Pierce's sophisticated paramour and the third partner in the scheme; while Pierce and Agar make copies of four keys for the train's closely guarded safes, she uses her feminine wiles to distract a variety of officials and businessmen with connections to the gold.The film boasts a vividly authentic recreation of mid-Victorian England, all the more remarkable since the production was filmed primarily in Ireland on a budget of $6 million--a miraculously modest sum (even in 1978) for such a lavish-looking film. Credit is due to the splendid cinematography of Geoffrey Unsworth and Jerry Goldsmith's ebullient score, both of which enhance the film's look and feel. Although Crichton's directorial style seems somewhat detached and bloodless, he maintains a vivid respect for place and time, and his three leads are splendid in their charismatic roles. Meticulous attention to details of costuming and production design enhance the breezy fun of the heist, which climaxes with an exciting sequence on the rushing train, with Connery performing his own stunt work. While the later hit Mission: Impossible would take a similar sequence to its high-tech, high -velocity extreme, The First Great Train Robbbery remains an entertaining study of crime in a less hectic age, allowing Crichton to emphasise ingenuity over special effects. --Jeff Shannon, Amazon.com
The one and only Chatty Man, is back with his brand new critically acclaimed show YaP, Yap, Yap! Recorded live at the legendary Hammersmith Apollo as part of his mammoth 158 date UK and Ireland tour. Alan is on top form as he regales the audience with tales of his dogs, going on safari with his mum and flying high with Carol Vorderman. Hooting jabberfest' GUARDIAN Everyone's favourite bespectacled toothy comedian' MIRROR Brilliant' TELEGRAPH
This disastrous 1996 film by Sir Richard Attenborough was meant to be part of his informal series of movies about great men, including Gandhi, Chaplin, Cry Freedom (the Steven Biko story) and Shadowlands (CS Lewis). In Love and War is a recounting of young Ernest Hemingway's World War I love affair with Red Cross nurse Agnes von Kurowsky, who was eight years older than he and who became the basis for the Catherine Barkley character in A Farewell to Arms. O'Donnell is terrible, in a word, and Bullock mostly seems out of sorts when playing someone real. Except for the scene in which Hemingway is introduced, fearlessly making his way to a trench under heavy bombardment, you have no idea that this person O'Donnell "portrays" will eventually change the direction of American literature. For a much better experience, look toward Attenborough's previous works. --Tom Keogh
Although he has no plans to step aside as the head of Waystar Royco, the international media conglomerate controlled by his family, aging patriarch Logan Roy is contemplating what the future holds. He has lingered in the limelight longer than even he thought he would, and now family members want to run the company as they see fit. Despite a best-laid succession plan, tempers flare over Logan's intentions. Kendall Roy, Logan's eldest son from his second marriage and a division president at the firm, is the heir apparent. As Kendall attempts to solidify his eventual takeover, he and the three other Roy children face a difficult choice as company control and family loyalties collide.
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