1. Sultans of Swing 2. Lady Writer 3. Romeo and Juliet 4. Tunnel of Love 5. Private Investigations 6. Twisting by the pool 7. Love Over Gold (Live) 8. So Far Away 9. Money for Nothing 10. Brothers in Arms 11. Walk of Life 12. Calling Elvis 13. Heavy Fuel 14. On Every Street 15. Your Latest Trick (Live) 16. Local Hero - Wild Theme (Live)
From the macabre imagination of Stephen King (the bestselling author of Firestarter, The Shining & Carrie) comes this newly restored trio of thrilling tales linked by a stray cat that roams from one story to the next in search of a girl he must protect. In Quitters Inc.', a New York family man (James Woods) is encouraged to give up cigarettes with the help of a shady self-help operation, who outline a litany of increasingly severe penalties for his loved ones if he cannot resist temptation. The Ledge' features a casino owner (Kenneth McMillan) who kidnaps and forces Johnny Norris (Robert Hays) into a dangerous wager for having an affair with his wife. If he can traverse the exterior ledge of the mobster's penthouse then he can leave safely. But if Norris refuses then grave consequences await. Finally, a young girl (Drew Barrymore) has difficulty sleeping. Though her parents suspect the new family cat of wrongdoing, the girl knows better after she sees a horrifying troll emerging from her bedroom wall Product Features New Interview with Director Lewis Teague Audio Commentary with Director Lewis Teague Johnny Norris on the Edge: Robert Hays Remembers Cat's Eye Like Herding Cats: A Conversation with Animal Trainer Teresa Ann Miller The original theatrical trailer for the Cat's Eye release in cinemas
Let the joyride continue! When high school senior Ferris Bueller (Matthew Broderick) fakes a sick day to run around Chicago with his best girl Sloane (Mia Sara) and his best friend Cameron (Alan Ruck), anything can happen. They twist and shout their way all around town, while staying one step ahead of their suspicious principal and Ferris's envious sister. Legendary director John Hughes (Planes, Trains & Automobiles, Sixteen Candles) helms the iconic coming-of-age film that's in a class by itself. Getting the Class Together: The Cast of Ferris Bueller's Day Off The Making of Ferris Bueller's Day Off Who is Ferris Bueller? The World According to Ben Stein Vintage Ferris Bueller: The Lost Tapes Class Album
Billy Connolly has made the transition from comedy to straight dramatic roles with a great deal more success than most. In The Debt Collector he plays Nicky Dryden, a violent debt collector who has served 18 grim years in prison, only to have found rehabilitation on the outside as a successful sculptor and respectability in marriage to Francesca Annis. However, Keltie (Ken Stott) the policeman who originally arrested him is disgusted at this ex-con's social elevation and undertakes an obsessive campaign of stalking and harassment, refusing to allow him to bury his past. It is Keltie, in a sense, who is the true debt collector of the title--he doesn't believe Dryden either has or ever can repay society. Furthermore, Dryden is idolised by a young thug (Iain Robertson) who bases his psychotic lifestyle on Dryden's past exploits. Stott and Connolly make excellent, craggy adversaries, with the frustrated, embittered ex-cop cutting a menacing, though at times pathetic character, while Connolly's Dryden knows that his past, violent side is capable of erupting at any time. This gloomily compelling drama has moments of sickeningly concussive impact as it winds its way down to its tragic conclusion. Annette Crosbie as Keltie's vulnerable yet curiously strong Mother, turns in a fine supporting performance. --David Stubbs
Mel Gibson is a chauvinistic advertising executive who suddenly develops the ability to understand what women are thinking.
Yes has always been regarded as a unique rock group and progressive rock legends. Never afraid to innovate or draw their inspiration from music that traversed the spectrum from symphonic to rock, Yes has been at the forefront of progressive rock and became a major force in popular music selling over 30 million albums and reaching platinum status multiple times worldwide. During the late 1960's Yes were renowned for their live performances culminating in their seminal album and film of the same name, Yessongs. Filmed in1972 at London's Rainbow theatre, this feature film was released theatrically in the UK the following year with a quadrophonic sound track. The film features their new line-up of the time Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman and Alan White.
American screen siren Hillary Brooke is a consummate femme fatale in this British noir thriller of 1954 – an early feature by Emmy-winning writer-director Ken Hughes (adapting his own novel High Wray) and one of a series of now highly regarded B-movies jointly financed by Hammer Films and American producer Robert L. Lippert. Co-starring Alan Wheatley – soon to feature in an enduring TV role as the Sheriff of Nottingham in The Adventures of Robin Hood – and a pre-Carry On Sid James The House Across the Lake (a.k.a. Heat Wave) is presented in a brand new transfer from original film elements in its original aspect ratio. The bungalow which author Mark Kenrick has rented to toil over his new novel is quiet but for the sounds coming from a lively party across the lake at the exclusive home of Beverley Forrest and his young ex-model wife Carol. When she calls Mark to ask if he would collect some stranded guests he obliges but is shocked to find that Carol is both calculating and manipulative... and he is about to find out just how far she is prepared to go in order to get what she wants! Special Features: Image gallery Original Theatrical trailer
Robert Redford and Lena Olin star in Oscar-winning director Sydney Pollack's passionate romantic adventure set in a place once called ""the sexiest city in the world."" High-rolling poker player Jack Weil (Redford) is trying to make one big score in 1958 Havana a pleasure-seeker's paradise on the verge of revolution. But his plan doesn't include falling for Roberta (Olin) the beautiful enigmatic wife of revolutionary Arturo Duran (Raul Julia). After Arturo is removed by the police Jack is drawn closer to Roberta who ignites a passion that threatens his last chance for the big score. Breathtaking cinematography a powerful story and a sensual score be Dave Grusin make Havana an unforgettable experience.
Both visually and psychologically, Marnie is crass in comparison with Hitchcock's peak achievement in Vertigo--although it shares some of that film's characteristic obsessive themes. Sean Connery, fresh from From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realises that she's a professional thief (she's come to work in his upper-crust insurance office in order to embezzle mass quantities). His patient programme of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge, as it were. Not even DH Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute
Based on the 70s comic book and cartoon show, this is the tale of a girl band that tries to stop the government and record companies corrupting the nation's youth.
The BBC's latest lavish natural history series, The British Isles: A Natural History stirred a minor controversy when first aired because its presenter, the ever-affable Alan Titchmarsh, is better known as a gardener (and writer of saucy novels), not an expert on mineralogy, plate tectonics, or prehistoric flora and fauna. Until this programme the presumption had been that a multi-part flagship BBC documentary would be written and presented by an authoritative figure, David Attenborough or Simon Schama for example. For better or worse Titchmarsh has broken the mould. In fact, once past the glossily superficial opening chapter "3 Billion Years in the Making" (essentially a highlights programme of what is to come), Titchmarsh turns out to be an excellent host, addressing the audience in his familiar chatty way and cleverly exploiting his horticultural roots, noting for example how evidence of major geological changes can be found in the most humble plant, wildflower or weed. And unlike his more academic predecessors, he also uses his TV charisma to the full, finding lighthearted ways of imparting otherwise dry information: sampling malt whiskies to explain how water permeates through different types of rock; scoffing platefuls of clotted cream with jam and scones to show how desert conditions millions of years ago gave Devon its fertile soil; or even getting made up as a Neanderthal and strolling down Oxford Street. It's all far more cosy than Attenborough. The director of this eight-part series has clearly been watching Peter Jackson's The Lord of the Rings, as he never misses an opportunity for sweeping helicopter shots of snowy mountain peaks, rugged coastlines or glacial valleys. Combined with some neat computer graphics, the result makes ideal consumption for Sunday evening TV: easy on the eye and none too taxing on the brain, but informative enough to banish any fears of dumbing-down. --Mark Walker
Bringing the iconic myth to the screen, Kevin Costner (Waterworld) plays one of the most beloved characters of all time in Robin Hood: Prince of Thieves. Robin returns from the crusades to find his father dead and vows revenge. With his Moorish companion (Morgan Freeman) he joins a band of peasant rebels in battle against the evil Sheriff of Nottingham (Alan Rickman). Featuring brilliant swashbuckling scenes of action and adventure, romance and a stellar cast including Christian Slater, Mary Elizabeth Mastrantonio and Brian Blessed, Robin Hood: Prince of Thieves is one of the great blockbusters of the 90s.
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
This box set contains all four series of Jonathan Creek to date. Alan Davies and Caroline Quentin star in this highly successful murder mystery drama series. Jonathan magic expert and amateur sleuth extraordinaire turns out to be less successful in his relationship with investigative crimewriter Maddy Magellen.... All the episodes from Series 1 and 2: 'The Wrestler's Tomb' 'Jack In The Box' 'The Reconstituted Corpse' 'No Trace of Tracey' and 'The House Of Monkeys'
Classic version of Hugo's tragic tale of unrequited love. Quasimodo is the deformed bellringer of Notre Dame taunted and brutalised by the townspeople because of his repellent appearance. Despite his outward appearance however Quasimodo has a tender heart as he demonstrates when he falls in love with beautiful gypsy girl Esmerelda.
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate film-making, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh, Amazon.com
Power, politics, money...it's all in the family in this provocative, bitingly funny drama series about a highly dysfunctional dynasty. When aging, uberwealthy patriarch Logan Roy (Brian Cox), CEO of one of the world's largest media and entertainment conglomerates, decides to retire, each of his four grown children follows a personal agenda that doesn't always sync with those of their siblings-or of their father. After Logan changes his mind about stepping down, he endures the often-childish bickering of his heirs while others in their orbit position themselves for a post-Logan world that seems imminent, though not predestined. Jeremy Strong, Kieran Culkin, Sarah Snook and Alan Ruck co-star as Logan's children; also with Hiam Abbass, Nicholas Braun and Matthew Macfadyen. Bonus Features Season 1 The cast and crew of Succession break down the action of the first season's heart-stopping finale Season 2 An Invitation to the Set with the Series' Storytellers 10 Inside the Episode Featurettes
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Please wait. Loading...
This site uses cookies.
More details in our privacy policy