Humphrey Bogart (Sirocco) stars with Alexander Knox (The Damned), and Florence Marly (Queen of Blood) star in Tokyo Joe, a post-war film noir tale of smuggling, treason, and blackmail. World War II veteran Joe Barrett (Bogart) returns to his Tokyo gambling den and finds that his wife, Trina (Marly), has remarried to American lawyer Mark (Knox). After learning that Trina was forced to broadcast Japanese propaganda, he finds himself blackmailed into assisting war criminals in order to protect her. Directed by Stuart Heisler (The Glass Key), Tokyo Joe features a powerful central performance from its iconic star, and also represented a return to Hollywood for former silent screen legend Sessue Hayakawa (The Bridge on the River Kwai). Product Features High Definition remaster Original mono audio Audio commentary with writer and film historian Nora Fiore (2022) Bertrand Tavernier on 'Tokyo Joe' (2017, 34 mins): archival appreciation by the celebrated filmmaker and critic A Superstar Returns (2022, 15 mins): archivist Tom Vincent assesses the career of actor Sessue Hayakawa, the silent-era star who made his return to Hollywood filmmaking with Tokyo Joe Second unit photography (1948, 11 mins): rare footage shot by second unit director Art Black and cameramen Joseph Biroc and Emil Oster Jr in Tokyo for use in the main feature The Negro Soldier (1944, 41 mins): WWII documentary film intended as a recruitment drive for African American enlistees, directed by Stuart Heisler and now preserved by the National Film Registry for its cultural and historical significance Jim Pines on 'The Negro Soldier' (2010, 41 mins): audio presentation by the author and lecturer, recorded following a screening of the film at London's BFI Southbank Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
The latest in the critically acclaimed BFI Flipside series continuing its ongoing mission to curate an alternative Britscreen history of overlooked rarities in deluxe home entertainment editions is a compelling compendium of strange, striking, thrilling, horrific, eerie and eccentric short subjects from the heyday of the British cinematic supporting programme. This carefullycurated collection the first of its kind anywhere includes a plethora of soughtafter titles, some newly remastered in HD for the very first time and showcases an eclectic range of delights spanning the second half of the 20th century from the 1940s right through to the 1980s. A lavish doubledisc limited edition set, it comes complete with an illustrated booklet with full credits and new contextual writing on the films by devotees of the field. Expect strange, spooky stories, odd twists in the tale, imaginative lowbudget weirdness and oodles of atmosphere in these juicy bitesize morsels of cult film delight from decades gone by. Featuring the following films: Lock Your Door (Anthony Gilkison, 1949) The Reformation of St Jules (Anthony Gilkison, 1949) The TellTale Heart (J B Williams, 1953) Death Was a Passenger (Theodore Zichy, 1958) Portrait of a Matador (Theodore Zichy, 1958) Twenty Nine (Brian Cummins, 1969) The Sex Victims (Derek Robbins, 1973) The Lake (Lindsey C Vickers, 1978) The Errand (Nigel Finch, 1980) Extras: Interview with Peter Shillingford (2020): newly recorded interview with the producer of Twenty Nine Interview with David McGillivray (2020): newly recorded interview the writer of The Errand Interview with Kate Lees (2020): the chair of Adelphi Films discusses the 2017 discovery of the long thought lost 1953 short The TellTale Heart starring Stanley Baker Interview with Renee Glynn (2020): newly recorded interview with the scriptsupervisor on Twenty Nine Image galleries for The TellTale Heart, The Lake and The Errand Script galleries for The Lake and The Errand The original short story of The Errand, presented as a viewable gallery Other extras TBC ***FIRST PRESSING ONLY*** Fully illustrated booklet with new writing on the films by Vic Pratt, Dr Josephine Botting, William Fowler, Jonathan Rigby, Peter Shillingford, Lindsey C Vickers and David McGillivray
Bad Boys: When $100 million of seized heroin is stolen from the Miami Police lock-up, Detectives Lowrey and Burnett, Miami's most mismatched cops, are called upon to solve the case before the FBI close their department. Julie is their only lead to the case, but will only speak to Lowrey. As Lowrey is not around when she calls, Burnett impersonates his cool slick partner. A hilarious role reversal begins .. Bad Boys II: The action and comedy never stop when superstars Martin Lawrence and Will Smith reunite as out-of-control trash-talking buddy cops. Bullets fly, cars crash, and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Lawrence discovers that playboy Smith is secretly romancing his sexy sister, Gabrielle Union (Bring it On). Director Michael Bay (Transformers) and producer Jerry Bruckheimer (Pirates of the Caribbean, Black Hawk Down) deliver a high-speed, high-octane blockbuster that will blow you away. Bad Boys For Life: The Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back together for one last ride in the highly anticipated Bad Boys for Life.
The flesh-eating virus is released once again... this time to a bunch of high school students at their prom.
Following the success of Transformers and G.I. Joe, Hasbro brings another of its beloved properties to the big screen, with explosive and cheerfully improbable results. The situation: Aliens splash down outside Hawaii, surrounding the islands with an impenetrable force field and wreaking havoc on the captive population. While the world outside watches helplessly, a skeleton crew of naval officers and civilians (led by Taylor Kitsch's cocky washout and Rihanna's weapons expert) must figure out a way to save the planet while being seriously outgunned. Director Peter Berg, whose previous films The Rundown and Hancock displayed a playful tweaking of genre conventions, keeps things surprisingly high and tight here, depicting military tactics and the chain of command with an honest respect, including casting actual combat veterans in pivotal supporting roles. While such a reverent approach is certainly admirable, it coexists uneasily with the inherent goofiness of the premise, particularly during the climactic scene where the heroes sit down in front of a grid and, yes, fire a missile at B7. (Note: Nobody actually gets to say "You sunk my battleship," but Liam Neeson, in an extended cameo as an admiral, sure looks like he wants to.) However, while the narrative might be missing a few pieces, Berg's film undeniably delivers the action-movie goods, staging a number of all-out combat scenes with verve and ingenuity. (Special kudos to whoever designed the main weapon of the aliens, a razor-toothed sphere of gears that chews up the scenery with a tangible sense of delight.) Audiences looking for coherence may need to keep on looking, but Battleship definitely sports the maximum number of bangs for the summer-movie buck. Bring on Kerplunk: The Motion Picture. --Andrew Wright
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever. Also starring Millie Brady, Eliza Butterworth, Emily Cox, Ian Hart, Rutger Hauer, Timothy Innes, Matthew Macfadyen, Harry McEntire, Toby Regbo, Tobias Santelmann and Adrian Schiller.
Witness the birth of England as you've never seen in the acclaimed series The Last Kingdom from the makers of Downton Abbey. At the end of the 9th century many of the separate kingdoms, which we now call England, have fallen in bloody conflict with invading Danes. Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. For many years fate binds him to Alfred (David Dawson), Saxon King of Wessex. Uhtred must fight for Alfred's dream of uniting the kingdoms. Suffering great personal tragedy, Uhtred is torn between the country of his birth and the people of his upbringing. After Alfred's death, the turbulent reign of the new King Edward threatens his father's dream more than ever. Uhtred confronts a difficult choice - if he deserts Alfred's legacy, the future of the English people will be changed forever.
A disgruntled veteran recruits a group of disgraced colleagues to perform a bank robbery with military precision
Boris Godunov is the quintessential Russian opera and stands as the greatest operatic product of the Russian school. This classic Bolshoi production recorded in 1987 live from the magnificent Bolshoi theatre in Moscow is a chance to see Mussorgsky's opera in a traditional Russian production.The original staging is by Leonid Baratov with designs by Fyodor Fedorovsky. After Mussorgsky's death the work was revised by Rimsky-Korsakov and this is the version sung in t
Martin has two best friends Patrick and Carl who couldn't be more different. One is an irresponsible unreliable feckless womaniser and the other is dead. Guess which one slept with his wife? Martin Grantham is happily married to Jen. They have a son Dan a nice house the works. One day his best friend Carl throws himself under a train setting off a disastrous sequence of events that will change Martin's life forever... Into this mess steps Patrick a friend from way back. Patrick is everything Martin is not - glib self-confident popular and pathologically immature. He's the last person Martin needs in his life right now. Or is he? It's not a matter of life and death; it's much funnier than that.
In 1987, almost 100 years after its first production, the romantic story of Cyrano de Bergerac found new life in a winsome film written by Steve Martin. Roxanne updates the tale with a smart 80s' spin, yet writer-star Martin stays close to the old-fashioned heart of the matter. He plays a small-town fireman named CD Bales, whose otherwise unremarkable existence is crowned by an amazingly long nose. He falls for the world's most beautiful astronomer (Daryl Hannah), but he is embarrassed by the size of his proboscis and prefers to stay on the sidelines. Like Cyrano, the shy CD instead helps a handsome friend (Rick Rossovich) woo the fair lady by providing flowery sentiments and soulful poetry. Not only does the story still work, but director Fred Schepisi captures a dreamy grace in his visual design for the film (some of which will be lost without the widescreen format). Set in Washington State, but filmed in the hilly ski resort of Nelson, British Columbia, the location seems like a fairy-tale town, nearly as unreal as Steve Martin's nose. --Robert Horton, Amazon.com
A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.
Directed and written by legendary rock promoter Simon Napier-Bell, manager of The Yardbirds, T Rex and George Michael, and created to coincide with the 50 anniversary of the partial decriminalisation of homosexuality, this is an engaging journey through the subsequent years of how those changes affected LGBT lives. It features interview with leading activists and cultural commentators including Ian McKellen, Elton John, Matt Lucas, Derek Jacobi and Simon Callow.
Everything is at stake! The fate of all humanity is at stake in the fifth season of this unique, bold, and undeniably sexy series. While Sookie deals with Tara's shooting and her unpredictable faerie powers, Bill and Eric find themselves called into action by the Vampire Authority. Alcide battles new werewolves J.D. and Martha; Sam searches for shifter murderers; and Jason struggles with his attraction to Jessica. It all adds up to a wicked, bloody climax between the Authority and the bloodthirsty vampire fundamentalists that will affect the lives of everyone living and dead in this unrelenting, action-packed season of HBO’s otherworldly phenomenon.
Russian war drama set during WWII, written and directed by Aleksey Sidorov. A Russian tank unit, held as prisoners of war, are tasked with repairing an old Soviet tank. However, while carrying out the job and despite being under strict supervision, the men attempt an audacious escape to gain their freedom.
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90 comes complete in a five-disc box set of the entire 30-episode series. Each disc contains six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. Each disc contains several pages of character biography and background information on the show, a photo gallery and varied extras such as location stills or a gallery of promotional images. --Gary S Dalkin
Having mistakenly been sent as an apprentice to pirates young Frederic is happy to leave his indentures on his 21st birthday. Falling in love with the beautiful Mabel one of the many daughters of Major-General Stanley he decides to marry. However the pirates are all to keen to marry the rest of Stanley's daughters! A spectacular interpretation of the Gilbert and Sullivan classic!
THUNDERBIRDS ARE GO! Blast off into more action and more adventure with the first ever feature-length film starring the International Rescue team! Millionaire ex-astronaut, Jeff Tracy, his five stalwart sons, Brains, the inventor of the Thunderbird crafts and the fabulous secret agent Lady Penelope launch into action in this Supermarionation classic from the mind of the iconic visionary Gerry Anderson!
Once again it's all about chemistry in this second season of Rizzoli & Isles (with 15 episodes, plus bonus material, on three discs). Sometimes that's literally the chemicals used by Dr. Maura Isles (Sasha Alexander), the forensic pathologist who, as medical examiner, figures out what killed the victims whose murderers Boston detective Jane Rizzoli (Angie Harmon) is trying to bring to justice. More often, it's the chemistry between the two title characters that's at the heart of this series. This pair is a younger, much sexier, distaff answer to The Odd Couple, with Isles the meticulous, sometimes prissy Felix to Rizzoli's less analytical, more cynical Oscar. They're both good at their jobs, of course; Isles's knowledge about just about everything is almost laughably encyclopedic, while Rizzoli is an intuitive, courageous cop. But though the procedural aspect of the show is detailed and reasonably involving (this season they deal with vicious rapes, fire bombings, and ice pick killings; there are also fairly preposterous episodes involving a modern-day witch hunt, a baseball star run amok, a So You Think You Can Dance-type competition, and more), it's the constant banter between these two mismatched best friends that fuels the episodes. They talk about man issues; Maura's hot but naive, Rizzoli's skeptical, and both are single. And they have family issues--boy, do they have family issues, what with Jane's mother (Lorraine Bracco) in extreme bitter mode over her impending divorce and her wayward youngest brother having just been released from prison (her other brother's a cop), while Maura's biological dad is a notorious mobster who long ago somehow hooked up with her beautiful socialite mother, played by Jacqueline Bisset. Much of this is presented with an appealing light touch. Notwithstanding some gruesome cases, Rizzoli & Isles is not a gritty show; in fact, there's enough cutesy stuff, even when they're on the job, to make it hard to take the crimes seriously. But with Harmon and Alexander around, crime novelist Tess Gerritsen's works remain in good hands. --Sam Graham
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