Hollywood legends Marlene Dietrich (Blonde Venus) and Fred MacMurray (Pushover) collide in the screwball comedy classic The Lady Is Willing. Eccentric Broadway star Liza Madden (Dietrich) longs to become a mother but has no need for a husband. When she stumbles across an abandoned baby, she resolves to adopt it, entering into a marriage of convenience with child-hating, rabbit-obsessed divorcé Dr McBain (MacMurray). Directed by Mitchell Leisen (Remember the Night) and scripted by James Edward Grant (Bullfighter and the Lady), The Lady Is Willing also includes memorable supporting turns from Stanley Ridges (An Act of Murder), Aline MacMahon (One Way Passage), and Arline Judge (An American Tragedy). INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remasterOriginal mono audioAudio commentary with film and arts critic Peter Tonguette (2024)Richard Dyer on The Lady Is Willing' (2024): the academic and author discusses the film and Marlene Dietrich's work as a comedy performerLux Radio Theatre: The Lady Is Willing' (1943): radio play adaptation of the film's screenplay, starring Kay Francis and George Brent Image gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive booklet with a new essay by Iris Veysey, an archival interview with Marlene Dietrich, an archival profile of director Mitchell Leisen, an overview of contemporary critical responses, and film creditsWorld premiere on Blu-rayLimited edition of 3,000 copies for the UK All extras subject to change
The Man from Laramie is the last of five remarkable Westerns Anthony Mann made with James Stewart (starting with Winchester '73 and peaking with The Naked Spur). Only John Ford excelled Mann as a purveyor of eye-filling Western imagery, and Mann's best films are second to no one's when it comes to the fusion of dynamic action, rugged landscapes and fierce psychological intensity. This collaboration marked virtually a whole new career for Stewart, whose characters are all haunted by the past and driven by obsession--here, to find whoever set his cavalry-officer brother in the path of warlike Indians. The Man from Laramie aspires to an epic grandeur beyond its predecessors. It's the only one in CinemaScope, and Stewart's personal quest is subsumed in a larger drama--nothing less than a sagebrush version of King Lear, with a range baron on the verge of blindness (Donald Crisp), his weak and therefore vicious son (Alex Nicol) and another, apparently more solid "son", his Edmund-like foreman (Arthur Kennedy). There are a few too many subsidiary characters, and the reach for thematic complexity occasionally diminishes the impact. But no one will ever forget the scene on the salt flats between Nicol and Stewart--climaxing in the single most shocking act of violence in 50s cinema--or the final, mountain-top confrontation. For decades, the film has been seen only in washed-out, pan-and-scan videos, with the characters playing visual hopscotch from one panel of the original composition to another. It's great to have this glorious DVD--razor-sharp, fully saturated (or as saturated as 50s Eastmancolor could be) and breathtaking in its CinemaScope sweep. --Richard T Jameson, Amazon.com
She saved the best for last. In her final film, Oscar® winning actress Judy Garland gives the dramatic and show-stopping performance of a lifetime in the role of talented superstar Jenny Bowman. This strong-headed, absent mother turns up in the lives of her ex-lover David (Dirk Bogarde) and their son, rocking the boat in these otherwise still waters. Who can resist a showbiz mum who turns up at boarding school and charms everyone she meets; who sings her way into the heart of a nation. David knows he must, because with the best will in the world, this is a woman strong enough to build a mountain of love and bring it crashing down without looking back. Featuring the powerful title song by Oscar winner Harold Arlen (The Wizard of Oz), as well as unforgettable performances of "By Myself," "It Never Was You," and "Hello, Bluebird", I Could Go On Singing "remains a remarkable achievement...[that] captures the extraordinary excitement and magnetism of Judy Garland." - The Hollywood Reporter.
Will Lockhart comes to a small town to find the man who sold rifles to the Apaches and caused the death of his brother a cavalry officer. Beaten and nearly killed by cohorts of the arms dealer he also becomes embroiled with a ranch baron and his overwrought son. Father and son are plotted against by their treacherous foreman who wants the ranch for himself.
Anne Baxter plays a manipulative young woman who moves in with the family of her betrothed - who also happens to be her psychiatrist. She gradually turns the house full of happy loving people against each other and they are powerless to stop her.
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