Olivia Liv Moore (series star Rose McIver) was a disciplined, overachieving medical resident who had her life path completely mapped out ... until the night she was turned into a zombie. Stuck somewhere between half-alive and undead, Liv called off her engagement with the love of her life, Major (series star Robert Buckley), and transferred her medical residency to the city morgue in order to reluctantly access the only real form of sustenance left available to her -- and the only thing that allows her to maintain her humanity -- human brains. But there are side effects to Liv's new diet: With each brain Liv consumes, she experiences visions -- flashes of the corpse's memories -- including, in some cases, clues as to how they were killed. Her boss, the brilliant but eccentric Dr. Ravi Chakrabarti (series star Rahul Kohli), encourages her to embrace this gift and to work with an eager homicide detective, Clive Babineaux (series star Malcom Goodwin), to help solve these murders. In doing so, Liv finds a measure of peace, and a new sense of purpose in what her life has now become. It's not the same as being alive again, but at least she can find purpose in her undead existence by helping solve the murders of those who are, indeed, fully dead. The series also stars David Anders as Blaine DeBeers, the zombie who was responsible for Liv's undead status.
Ingmar Bergmans Cries and Whispers is a brilliant and at times shockingly traumatic piece of chamber cinema. It also represented a renaissance for Bergman, whose previous few films had flopped commercially. Set in a large house with interiors done out entirely in a disquieting red and against a soundtrack of ticking and barely audible chatter, the film features three of Bergmans female stalwarts. Harriet Andersson plays Agnes--a thirtysomething woman dying of cancer--Ingrid Thulin plays her sister Karin--non-tactile and caught in a marriage with a man she finds physically repulsive--and Liv Ulmann is the almost childishly sensual second sister Maria. Kari Sylwan, meanwhile, stars as the earth-motherly maid Anna, whose cradling of the dying Agnes against her naked bosom is one of the centrepieces of the movie. Much of what transpires here can be construed as fantasy sequence, including one extraordinary incident in which Thulin cuts her vagina with broken glass and smears the blood over herself, in order to avoid sex with her husband. Agnes unbearable cries of anguish in her death throes, however, are all too real. Many familiar Bergman themes are explored in Cries And Whispers--mortality, the existence of God (here doubted by a Pastor) and the space between people. However, they are set against a singular, blood-red, dreamlike ambience that is irresistible. This is Bergman at his finest. On the DVD: the dominant red backdrops of the movie are richly enhanced in this edition. Text-only extras include notes from Bergmans own memoirs. In a lengthy extract here, he reveals that he had considered Mix Farrow for the part of one of the sisters. Philip Stricks additional notes add further context and background--it seems that the films success in America was due to its distribution by, of all people, Roger Corman. --David Stubbs
On a windswept barren island Andreas lives simply and quietly until he becomes entangled with Anna a beautiful mysterious widow and a neighbouring couple harbouring their own sorrows and illusions. But soon secrets from Andreas and Anna's pasts threaten to destroy everything...
Ingmar Bergman's classic drama celebrates its 50th anniversary with this cinematic re-issue.
The Rite was Ingmar Bergman's first made-for-television project. It explores an issue that he continued to return to throughout his career: the artist's place in society and the often troubled relationship betwen men and women. Filmed with a cast of just four principal actors the story revolves around three close friends including a husband and wife who make up a theatre troupe. They have been prohibited from performing a short play called 'The Rite' and are brought before the l
Ingmar Bergman's early masterpiece, a wrenching battle of the sexes, in a new 2K restoration Ingmar Bergman (The Seventh Seal) presents the battle of the sexes as a ramshackle, grotesque carnival of humiliation in Sawdust and Tinsel, one of the master's most vivid early works and his first of many collaborations with the great cinematographer Sven Nykvist (Persona). The story of the charged relationship between a turnofthetwentieth century circus owner (A Lesson in Love's à ke Grönberg) and his younger mistress (Harriet Andersson), a horseback rider in the traveling show, the film features dreamlike detours and twisted psychosexual power plays, making for a piercingly brilliant depiction of physical and spiritual degradation. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary by Ingmar Bergman scholar Peter Cowie Introduction by Bergman from 2003 PLUS: An essay by critic John Simon
Desperately they fought the desires the passions that dragged them down deeper and deeper into... 'The Naked Night' On a gray morning a circus caravan arrives in the town where Albert the ringmaster's family lives. He hasn't seen them for three years and has taken a mistress the young and buxom Anne. Albert calls on his wife; Anne jealous and wanting out visits a theatrical troupe and lets an actor Frans seduce her in exchange for a necklace he says is valuable. Anne finds out it's worthless at about the same time Albert's wife declines to let him live with the family. Albert and Anne are stuck with the circus and each other; there's a show tonight Frans will be there smirking and sardonic the bear is mangy the clown is as sour as they come and suicide offers an exit.
The relationship between three sisters is masterfully explored by Bergman in Cries and Whispers. In rural Sweden around the turn of the century three sisters reside in a vast manor house with their housekeeper. Agnes lives out the last days of her life in pain hoping for companionship and affection. Surrounded by her sisters Agnes takes comfort in the fact that her remaining time can be spent with those close to her. However dissatisfaction in their day-to-day lives and the estrangement that they feel from one another causes the sisters to become increasingly self-absorbed. Special Features: An extraordinarily rich visual experience Cries and Whispers is that rarest of things - a true masterpiece Star and director filmographies Scene selection Philip Strick film notes Extract from Bergman’s book Images - My Life in Film The Bergman collection trailer Region 0
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