Ingmar Bergmans Cries and Whispers is a brilliant and at times shockingly traumatic piece of chamber cinema. It also represented a renaissance for Bergman, whose previous few films had flopped commercially. Set in a large house with interiors done out entirely in a disquieting red and against a soundtrack of ticking and barely audible chatter, the film features three of Bergmans female stalwarts. Harriet Andersson plays Agnes--a thirtysomething woman dying of cancer--Ingrid Thulin plays her sister Karin--non-tactile and caught in a marriage with a man she finds physically... repulsive--and Liv Ulmann is the almost childishly sensual second sister Maria. Kari Sylwan, meanwhile, stars as the earth-motherly maid Anna, whose cradling of the dying Agnes against her naked bosom is one of the centrepieces of the movie. Much of what transpires here can be construed as fantasy sequence, including one extraordinary incident in which Thulin cuts her vagina with broken glass and smears the blood over herself, in order to avoid sex with her husband. Agnes unbearable cries of anguish in her death throes, however, are all too real. Many familiar Bergman themes are explored in Cries And Whispers--mortality, the existence of God (here doubted by a Pastor) and the space between people. However, they are set against a singular, blood-red, dreamlike ambience that is irresistible. This is Bergman at his finest. On the DVD: the dominant red backdrops of the movie are richly enhanced in this edition. Text-only extras include notes from Bergmans own memoirs. In a lengthy extract here, he reveals that he had considered Mix Farrow for the part of one of the sisters. Philip Stricks additional notes add further context and background--it seems that the films success in America was due to its distribution by, of all people, Roger Corman. --David Stubbs [show more]
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