When the old collides with the new, a perfect storm strikes the school. Clashes with the arrival of a new pupil causes fireworks, while the students continue to rebel. As the school is rocked by a blast from the past, student and teacher alike find themself trapped in a dangerous situation.
Boy genius Wilbur Robinson invents a machine that recovers forgotten memories and inadvertently sends him forward in time.
An unpretentious Brit-flick distinguished by a great cast, This Year's Love is writer-director David Kane's wry, funny study of six singletons in search of something--possibly love, possibly just sex--that will help them make sense of an untidy world. Aside from the acting, the film's strongest feature is its unflinching realism. The setting is North London's Camden Lock, an area that is in equal parts ultra-trendy and horrendously squalid. The characters reflect the locale: a circle of youthful drop-outs, wannabes and never-have-beens united in their common desire to surmount loneliness and find that elusive "perfect match". The central figures are newlyweds Danny and Hannah (the wonderful Douglas Henshall and Catherine McCormack) and the film in essence concerns itself with the fallout from the spectacular and rapid disintegration of their marriage. Danny first hooks up with cleaner-cum-nightclub singer Mary (a marvellously self-deprecating Kathy Burke), while Hannah finds lecherous womaniser Cameron (an unwashed Dougray Scott). Cameron's flatmate Liam (Ian Hart) fails to impress posh single mum Sophie (Jennifer Ehle in dreadlocks), who goes on to reject Danny and Cameron in turn, while Liam becomes dangerously obsessed by Hannah then Mary. So the merry-go-round of relationship swapping, unlikely coincidences and bittersweet life-lessons turns full circle. David Kane's comic dialogue is witheringly sharp, the situations (aside from all the coincidental meetings) are well-observed and the characters sympathetically three-dimensional (helped in no small part by the quality of the ensemble cast). The frequently hilarious comedy is tempered by an underlying despair: if it's not exactly Brassed Off or The Full Monty for neurotic, self-obsessed metropolitans, it's a film that's at least happy to exist in the same genre and achieves the same poignant empathy with its characters. The soundtrack is great, too. Imagine that the cast of Trainspotting gate-crashed Four Weddings and a Funeral and the result would be This Year's Love. On the DVD: Short on-set interviews with the principals and a promotional featurette are supplemented by a sequence of unedited behind-the-scenes footage. The film itself is presented in a good-looking anamorphic (16:9) print. --Mark Walker
Six more feature-length episodes of the acclaimed Swedish crime drama based on the novels by Henning Mankel. Krister Henriksson stars as Kurt Wallander a jaded police detective ground down over the years by difficult events in his personal life. As he investigates a string of grisly crimes in the cheerless town of Ystad Wallander is accompanied in his work by his troubled daughter Linda (Johanna Sallstrom). Episodes are: 'The Photographer' 'The Container Lorry' 'The Castle Ruins' 'Blood Line' 'The Joker' and 'The Secret'.
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones and others. --Mark Englehart
In the first of three new tours of duty, Our Girl Georgie Lane, the Stockport-born army medic with Two Section, has been flown out to Nepal to provide humanitarian support following a massive earthquake. Under the watchful eye of Captain James, Georgie is helping coordinate medical facilities while mentoring Maisie, a reckless young recruit, and liaising with Milan, a local engineer. The aftershocks of the earthquake are nothing compared to the tremors she feels when she runs into Elvis or the unexpected feelings she soon develops for Milan. But alongside their immediate duties, Georgie and Two Section swiftly find themselves on a different and more challenging mission as they stumble across a case of child-trafficking. This soon leads them into conflict with a dangerous criminal gang and a crime boss who rules in a world where no one can be trusted and any move can be deadly. Special features Include Outtakes and a Deleted Scene.
The first two episodes of this BBC miniseries only hint at the delights to come. A lawsuit aimed at church reform in the town of Barchester forces a decent middle-aged clergyman (Donald Pleasence) into a moral crisis and a conflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne, The Madness of King George). The gracefully written and acted narrative shows glimpses of dry wit--but in episode 3, the arrival of a new bishop (Clive Swift, Keeping Up Appearances), his imperious wife (Geraldine McEwan, The Magdalene Sisters), and his devious chaplain (Alan Rickman, Truly Madly Deeply, the Harry Potter movies) launches The Barchester Chronicles into a satirical power struggle all the more mesmerizing because of the smallness of the territory. The scheming of the citizens and clergy of this British town is both Byzantine and wonderfully comic as the tempestuous personalities claw and dig at each other. Rickman, in one of his first film or television roles, turns in a tour de force of oily ambition. McEwan's ferocious machinations are downright terrifying, while the sputtering Hawthorne seems constantly in danger of bursting a vein. At the center of it all is Pleasence. Making goodness compelling has always been difficult, since wickedness is always more dramatic; but Pleasence brings a deep and stirring passion to his role that proves as engaging as all the back-biting that surrounds him. And these are just the more familiar faces; a host of lesser-known actors give equally superb performances. The final episode (of seven) will have you on pins and needles. The Barchester Chronicles, adapted from two novels by Anthony Trollope, is one of those marvels of British television, a skillful production that proves intelligent fare can be hugely entertaining. --Bret Fetzer
Paramount brings Elvis Presley's eye-popping 1961 Technicolor musical to Blu-rayâ¢. Ex-G.I. Chadwick Chad Gates is coming home to Hawaii. Though his mother (Angela Lansbury) expects him to take over the family business, Chad would rather wear an aloha shirt than a white collar. When he goes to work as a tour guide at his girlfriend's agency, it isn't long before a group of amorous gals fights for his attention. The first of three Elvis movies shot in Hawaii, the film's GRAMMY-nominated album totalled 20 weeks at #1 on the Billboard 200. Product FeaturesCommentary By Historian James L. Neibaur Blue Hawaii Photo Scrapbook Original Theatrical Trailer
Poirot (Peter Ustinov) has a set of murder suspects on a boat in the Nile after a rich heiress is killed. Can he find the culprit before they reach port?
Catherine Cookson's story of Tilly; raised by her grandparents lusted after by many men and overcoming the many challenges in her life.
The abduction of a small child threatens the world, when the forces of evil threaten to exploit the extraordinary powers she possesses.
The Salon's thriving and Allie wants to expand and open her own hairdressing academy bringing on a new generation of hairdressers. The venture has financial backing from Liam Carney (James Murray) an ex-boy-band member who's trying to shake off the trappings of his past life with mixed success. Allie's dreams are the least of her concern when she finds out that she has Ovarian cancer but how will Gavin react? Featuring all the episodes of series 4.
Angela Lansbury stars in the role that earned her 12 consecutive Emmy nominations as everyone's favourite super-sleuth Jessica Fletcher a famous mystery writer who has a knack for solving murders on and off the page. Murder seems to follow Jessica Fletcher; a former English teacher and a mystery writer full of charm and a zest for life. She always happens to become ""the investigator"" when traveling around the country to promote her series of novels. Murder always seems to occur whe
Savannah Bernadine Robin and Gloria are all searching for the real thing: true love. Bernadine thought she had it until her husband left her for another woman. Savannah and Robin are successful in business but their love lives are bankrupt. Divorcee Gloria is getting back in the game by flirting with her new very eligible neighbour! Based on Terry McMillan's best-selling novel and featuring the #1 smash Hit ""Exhale (Shoop Shoop)"" this is the film you and your friends have bee
Inspired by the 1973 motion picture of the same name, Westworld is a one-hour drama series about a futuristic theme park populated by artificial beings. Written and directed by Michael Crichton this dark odyssey about the dawn of artificial consciousness and the evolution of sin is set at the intersection of the near future and the reimagined past. It explores a world in which every human appetite, no matter how noble or depraved, can be indulged. 1. Pilot 2. Chestnut 3. The Stray 4. Six Impossible Things 5. Contrapasso 6. Trace Decay 7. Trompe L'Oeil 8. The Adversary 9. Job's Root 10. The Bicameral Mind.
Angela Griffin takes you through another fun and effective dance workout.
They're beautiful they're filthy rich and they can have anything money can buy...so why are they hardly ever happy? Series 5 of Footballer's Wives comes to DVD where you can expect more sex and scandal at the gates of Earls Park F.C.
Bicentennial Man was stung at the 1999 box office, due no doubt in part to poor timing during a backlash against Robin Williams and his treacly performances in two other, then-recent, releases, Jakob the Liar and Patch Adams. But this near-approximation of a science-fiction epic, based on works by Isaac Asimov and directed, with uncharacteristic seriousness of purpose, by Chris Columbus (Mrs Doubtfire), is much better than one would have known from the knee-jerk negativity and box-office indifference. Williams plays Andrew, a robot programmed for domestic chores and sold to an upper-middle-class family, the Martins, in the year 2005. The family patriarch (Sam Neill) recognizes and encourages Andrew's uncommon characteristics, particularly his artistic streak, sensitivity to beauty, humour and independence of spirit. In so doing, he sets Williams's tin man on a two-century journey to become more human than most human beings. As adapted by screenwriter Nicholas Kazan, the movie's scale is novelistic, though Columbus isn't the man to embrace with Spielbergian confidence its sweeping possibilities. Instead, the Home Alone director shakes off his familiar tendencies to pander and matures, finally, as a captivating storyteller. But what really makes this film matter is its undercurrent of deep yearning, the passion of Andrew as a convert to the human race and his willingness to sacrifice all to give and take love. Williams rises to an atypical challenge here as a futuristic Everyman, relying, perhaps for the first time, on his considerable iconic value to make the point that becoming human means becoming more like Robin Williams. Nothing wrong with that. -- Tom Keogh, Amazon.com
AMERICAN HORROR STORY: FREAK SHOW begins its tale in the quiet sleepy hamlet of Jupiter Florida. The year is 1952. A troupe of curiosities has just arrived to town coinciding with the strange emergence of a dark entity that savagely threatens the lives of townsfolk and freaks alike. This is the story of the performers and their desperate journey of survival amidst the dying world of the American carny experience.
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