Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of brand new extras and a raft of new writing by a range of respected raconteurs. These Cold War Creatures are coming for you! Special Features: High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated 60-page collector's book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper 80-page collector's art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette 2 double-sided posters featuring newly commissioned artwork by Matt Griffin Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1 - Create with the Atom Brain Brand-new introduction by historian and critic Kim Newman Brand-new audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a brand-new feature-length illustrated presentation on the life, career and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2 - The Werewolf Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Lee Gambin Beyond Window Dressing, a brand-new visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3 - The Zombies of Mora Tau Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a brand-new visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado. Theatrical Trailer Image Gallery Disc 4 - The Giant Claw Brand-new introduction by critic Kim Newman Brand-new audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a brand-new visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing. Theatrical Trailer Image Gallery
Home Alone: Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Home Alone 2 - Lost In New York: Kevin McCallister (Macaulay Culkin) is back. But this time he's in New York City - with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits Harry and Marv (Joe Pesci and Daniel Stern) still smarting from their last encounter with Kevin are bound for New York too plotting a huge holiday heist.
Duncan (KSI) and Jack (Caspar Lee) are exchange students with just one night left in the United States - and one final chance to lose their virginity with the girls of their dreams (something they really, really want to do). To have a shot of doing that, though, they need to get invited to the class bully's house-party that night and, sadly for them, they aren't. The two friends hatch an elaborate and desperate bid to get in, which takes them on an unexpected adventure, navigating a minefield of problems from gun-wielding gangsters, to deviant drug lords. The boys must work together to fulfil their fantasies in time to catch their flights home. With an all-star cast, including Josh Leyva, Bobby Lee, Madison Iseman, and Deji Olatunji, this is an outrageous and hilarious story of two boys becoming men. Bonus Features The Making of Laid in America and Exclusive Film Poster Included is a download of the film to watch on your mobile devices. Redeem online using code in pack.
Almost a decade after Lucky McKee burst upon the indie horror scene and became a Master of Horror' in the making thanks to his directorial debut May, he teamed up with legendary cult author Jack Ketchum for his most shocking and brutal film to date: The Woman, an instant cause célèbre on its Sundance premiere. The Woman (Pollyanna McIntosh, The Walking Dead) is the last surviving member of a deadly clan of feral cannibals that has roamed the American wilderness for decades. When successful country lawyer Chris Cleek (Sean Bridgers, Room) stumbles upon her whilst hunting in the woods, he decides to capture and civilize her with the help of his seemingly perfect all-American family, including his wife Belle (Angela Bettis, May) and daughter Peggy (Lauren Ashley Carter, Darling). The Cleeks will soon learn, however, that hell hath no fury like The Woman scorned Experience McKee and Ketchum's uncompromisingly twisted vision of the dark side of the American family in a definitive new edition, including a 4K remaster, brand new bonus features, and a bonus disc featuring a brand new restoration of its gut-churning 2009 predecessor Offspring, also starring McIntosh. Two-Disc Limited Edition Contents Brand new 4K restorations of The Woman and Offspring, supervised and approved by Lucky McKee and Andrew van den Houten Reversible sleeve featuring newly commissioned artwork for both films by Vanessa McKee Collectors' booklet featuring new writing by Michael Blyth, Alexandra Heller-Nicholas and Kevin Kovelant DISC ONE The Woman New 4K restoration supervised and approved by Lucky McKee High Definition Blu-ray⢠(1080p) presentation Original DTS-HD MA 5.1 surround Optional English subtitles for the deaf and hard of hearing New commentary with director Lucky McKee, editor Zach Passero, sound designer Andrew Smetek and composer Sean Spillane New commentary by star Pollyanna McIntosh New commentary by critic Scott Weinberg Archive commentary with director Lucky McKee Dad on the Wall, a brand new 75-minute fly-on-the-wall behind-the-scenes documentary filmed by the director's father Mike McKee Being Peggy Cleek, a newly filmed interview with star Lauren Ashley Carter Malam Domesticam, an archive making-of featurette Meet The Makers, a short featurette on the making of the film Deleted Scenes Mi Burro, a short film by editor Zach Passero Distracted music video by Sean Spillane Frightfest Total Film Panel Discussion, a 2011 onstage chat about the future of American indie horror at the popular horror film festival, featuring Lucky McKee, Andrew van den Houten, Larry Fessenden, Adam Green, Joe Lynch and Ti West Theatrical trailers Image galleries DISC TWO Offspring (LIMITED EDITION EXCLUSIVE) New 4K restoration supervised and approved by Andrew van den Houten High Definition Blu-ray⢠(1080p) presentation Original DTS-HD MA 5.1 surround Optional English subtitles for the deaf and hard of hearing New commentary by director/producer Andrew van den Houten Archive commentary with writer Jack Ketchum, director/producer Andrew van den Houten and producer/cinematographer William M. Miller New interview with Pollyanna McIntosh and Andrew van den Houten Fly on the Wall, a brand new fly-on-the-wall behind-the-scenes documentary Extended interview with Jack Ketchum Restoration comparison Progeny: The Birth of Offspring, an archive behind-the-scenes featurette including interviews with cast and crew First Stolen's Bailout, an archive behind-the-scenes featurette Webisodes, short featurettes used to promote the film online Archive Easter Eggs Theatrical trailer Image gallery BD-ROM screenplay
True virtue triumphs over superficiality in this distinguished BBC production of Jane Austen's celebrated novel Mansfield Park. Set in 18th century England Jane Austen's tale of virtue and vice tells of young impoverished Fanny Price who arrives at the elegant country estate of her uncle Sir Thomas Bertam. Snubbed by everyone except her cousin Edmund Fanny begins her long struggle for acceptance by her shallow relatives who believe wealth automatically means quality. When
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
Filmmaker Spike Lee actor Denzel Washington and other top talents vividly portray the life and times of Malcolm X. ""Heres a man who rose up from the dregs of society spent time in jail re-educated himself and through spiritual enlightenment rose to the top "" Lee says. Academy Award winner Washington was an Oscar nominee and the New York Boston and Chicago Film Critics choice as 1992s Best Actor.
Working together... or not! Work is at the centre of this warm and funny modern sitcom from the award-winning producers of Rev. and Friday Night Dinner and featuring an impressive ensemble cast of renowned comedy actors. It's work - or the lack of it - that brings the characters together, and their relationships - or lack of them - around which The Job Lot revolves. Set in a job centre where the staff attempt, with varying degrees of enthusiasm, to help people find work, it's full of the often laugh out loud moments that anyone who's ever worked in an office will recognise. Neurotic manager Trish runs the Brownall Job Centre aided by a mixed-bag of staff, including reluctant and truculant Karl, the less-than-helpful Angela and two uniquely skilled security guards, all facing the challenges of dealing with customers who don't always appreciate their efforts.
The Sixth instalment of American Horror Story: Roanoke. Presented as a paranormal documentary series, the story follows a married couple whose experiences are re-enacted by actors. The couple settles into their new home, strange and paranormal occurrences begin to haunt them. This instalment of the Emmy® and Golden Globe® winning franchise features an all-star cast of Lady Gaga, Cuba Gooding Jr, Sarah Paulson, Kathy Bates, Angela Bassett, Denis O'Hare, Cheyenne Jackson, Evan Peters and Finn Wittrock.
Only one swashbuckling man of mystery can deliver Royalist rebels from Napoleon's clutches! Paris, 1803: as Napoleon is set to declare himself as leader of the freshly instituted French Empire, an underground movement of Royalist rebels is fired up by the daring deeds of the mysterious Purple Mask. The unknown swordsman boldly rescues noblemen from the guillotine and kidnaps Napoleon's cronies to extort ransom money for the Royalist cause. Laurette de Latour (Colleen Miller), the niece of a jailed marquis, hatches a scheme in which the foppish Count Rene de Traviere (Tony Curtis) imitates the Purple Mask and allows himself to be captured to encourage the release of her uncle. Little does Laurette realise she has engaged the Purple Mask himself! Continuing the charade, and attracting amused ridicule, Rene is swiftly imprisoned alongside the marquis. But the intrepid one has a trick or two up his lacey sleeve, and as the two men are marched towards the guillotine, at an agreed signal rebels spring from the Paris sewers, swords at the ready.
Michele Soavi directs this '70s Italian horror. In Frankfurt, schoolteacher Miriam Kreisl (Kelly Leigh Curtis) is inducted into the Sect of the Faceless Ones, seduced by the charisma of its leader Moebius Kelly (Herbert Lom), and faces a series of terrifying ceremonies and ritualistic killings. After nearly running over the old man and innocently offering him a place to stay, Miriam has no idea what the satanic cult has lying in store for her...
With a touch of glamour, gutsy humour and an overwhelming desire to improve their lot in life, four women in early '80s Sheffield juggle the pressures of family, husbands and making ends meet, striving for happiness and fulfillment. A chance meeting between Steph (Sophie Rundle Peaky Blinders) and Nita (Angela Griffin Lewis) kick starts a transformation as they grasp the opportunity to become Ann Summers party organisers. Pauline (Penelope Wilton Downton Abbey), for whom Steph is a cleaner, agrees to host a party, inviting amongst others the bubbly and confident Dawn (Sharon Rooney, My Mad Fat Diary). Via exotic lingerie the four unlikely friends blossom, gaining confidence and independence as their ambition is ignited.
It's hard to think of a couple better suited to play the romantic leads in Donizetti's comedy L'Elisir d'amore than husband-and-wife team Roberto Alagna and Angela Gheorghiu. Both are charming on stage, and both have voices to die for: Gheorghiu's dark liquid tones are particularly spine-tingling, and her coloratura abilities awe-inspiring, and though Alagna has mainly concentrated on the more spinto (powerful) roles of the tenor repertoire, in 1996 when this live production was recorded his voice was just a little fresher and lighter and thus perfect for the bel canto gracefulness of Donizetti's writing. His performance of "Una furtiva lagrima", for example, is meltingly sung and free from all temptation to overplay the high notes. Frank Dunlop's 1920s-set production doesn't quite produce the belly laughs some stagings manage (in Dulcamara's patter song, for example), but has a certain small-town wistful charm nonetheless. The orchestral accompaniment under Donizetti expert Evelino Pidò is spot on, and never falls into the banal "oom-pah" trap that such simple writing can often lead to. Overall, it's a production of great charm. On the DVD: L'Elisir d'amore comes to disc with a 52-minute film on the history of the opera and its recording, with contributions from Alagna and Gheorghiu, and subtitles in English, French, German, Spanish and Chinese. The Lyon opera house is particularly well set up for video recording, and Brian Large does a sophisticated job of capturing a live performance: it's hard to believe at some points that the cameras aren't actually on stage in the middle of the action. Just occasionally this leads to the singers not knowing where to look and seeming a trifle lost, but generally the performances work superbly well on the small screen. --Warwick Thomson
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
Based on the 1938 book of the same name by Richard and Florence Atwater, Mr. Popper's Penguins is a comedy about how the surprise appearance of a penguin at a New York businessman's door turns his life completely upside down, while simultaneously teaching him an important lesson about the value of family. Far from the small-town painter featured in the book, the film's Mr. Popper is a real estate developer who lives in an exclusive apartment on Park Avenue, has his sights set on becoming a partner in his firm, and is an every-other-weekend father to his two children. A ruthless developer with no time for anything but business, Mr. Popper resolves to deal with his father's parting gift of a penguin by getting rid of the annoying bird as quickly as possible. That process proves much more difficult than expected, even with the help of his ultra-efficient assistant Pippi, who speaks primarily in p's, and Mr. Popper soon winds up with six penguins. Even more unexpected is how markedly those penguins begin to affect the relationship between Mr. Popper and his children and how that change affects the rest of Mr. Popper's life. Jim Carrey's performance as Mr. Popper is very good--he capitalises on the many comic opportunities afforded by the idea of keeping penguins in a New York apartment while showing an uncharacteristic restraint that's quite refreshing. Ophelia Lovibond is quite comical as Pippi and Angela Lansbury also makes a strong appearance as one of Mr. Popper's potential business clients. As Pippi would say, the premise of the power of the penguin to promote personal prosperity and perpetuate personal peace positively prevails in Mr. Popper's Penguins. (Ages 7 and older) --Tami Horiuchi
One of a growing number of female-centred dramas, the first series of Cutting It was a sleeper hit for the BBC. Though its rival hairdresser premise seems fluffy, its classy gloss, off-beat scripting and strong cast make it as addictive as many of the outstanding TV series coming from the US. The drama unfolds when ambitious hairdresser Allie Henshall (Sarah Parish) wants to open a second salon. But her husband and business partner would prefer to start a family. Even when she puts in a bid for a property opposite her salon, Allie is beaten by rival hairdresser Mia Bevan (Amanda Holden). As a business war begins between Allie's Henshall Ferraday salon and Mia's Blade Runner, Allie has to overcome the reappearance of an old flame, Mia's husband, who is happy to rekindle his relationship with her. As the relationship histories among the characters become absurdly intertwined, it is to the cast's credit that the human dynamics of the story surpass its plot. Though there are certainly moments of parody (take Mia's yogic warm-ups with her staff each morning) and questionable twists, Cutting It gives its leading ladies some sharp and funny lines to work with and the space to do so. Both Parish and Holden run the gamut of emotions despite the seemingly clear-cut good woman / bitch divide between their characters initially. Their actions may strain the limits of credibility, but these women hold attention effortlessly. --Laura Bushell
An allegorical story of violence against women and the dangers of victim-blaming wrapped in a classic monster movie, writer-director Gia Elliot takes no prisoners in her multi award-winning debut feature Take Back the Night. Finding herself the victim of a violent monster attack, Jane launches a vigilante campaign to hunt the beast that tried to kill her. But her troubling history of drug use and mental illness bubbles to the surface, causing her family, community and the authorities to question her account. Alone in her fight, Jane starts to doubt her own memory of the attack and to wonder if the monster exists at all. Fuelled by formidable female talent both in front of and behind the camera, Take Back the Night is a terrifying suspense thriller that's both an eye-opening exposé and a powerful rallying cry. Product Features High Definition Blu-Ray (1080p) presentation Original 5.1 DTS-HD MA surround audio Optional English subtitles for the deaf and hard of hearing Audio commentary by writer-director Gia Elliot and Alexandra Heller-Nicholas author of Rape Revenge Films: A Critical Study Please Don't Say the Word Monster' on National Television, a visual essay by film critic Emma Westwood Trauma and Space, a visual essay by film critic Cerise Howard exploring the idea of safe spaces', sanctuary and vulnerability in Take Back the Night What is a Body?, a visual essay by film critic Justine Smith examining bodily autonomy and perception in the digital age #MonstersAreReal, a visual essay by film critic BJ Colangelo looking at survivor unity, sexual violence, and social media Theatrical trailer Image galleries Reversible sleeve featuring original and newly commissioned artwork by Nicole Rifkin FIRST PRESSING ONLY: Illustrated collector's booklet featuring a round table discussion of the film by Anna Bogutskaya, Alexandra Heller-Nicholas and Valeria Villegas Lindvall, plus a double-sided fold-out poster featuring original and newly commissioned artwork by Nicole Rifkin
The Legendary Bruce Lee. Unknown in 1971. Two years later an international cult hero and more than twenty years on still remembered as the star of the biggest martial arts epic ever filmed - ""Enter The Dragon."" ""Enter The Dragon"" takes Lee into the island fortress of a warlord of crime Han who carries on his opium smuggling and prostitution activities under the disguise of a martial arts academy. Determined to avenge the death of his sister Lee penetrates Han's Stronghold and en
Set against the Notting Hill race riots of the late 1950's The Wind Of Change is a gripping kitchen-sink drama focusing on the relationship between a father (Donald Pleasence) a world-weary yet liberal man who spends all his spare time looking after his rabbits and his rebellious unemployed son Frank (Johnny Briggs). Frank is bigoted racist who believes the black immigrants are taking all the British jobs though he doesn't seem too concerned in trying to get one himself. When Frank and his gang of teddy boys beat up a black man who later dies of his injuries he must face the consequence of his actions...
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