Written by Ashley Pharoah (Life on Mars Ashes to Ashes) this two-part adaptation of the much-loved John Meade Falkner novel is set in the small Dorset village of Moonfleet. In the story young John Trenchard (Aneurin Barnard - The White Queen) is desperate to join the local band of smugglers led by Elzevir Block (Ray Winstone - The Departed Hugo). Together they embark on an adventure full of action friendship and humour and hunt for a fabled lost diamond. Their journey takes them from 18th Century Dorset to the jewellery quarter of The Hague and on to a gripping final sea voyage. Sophie Cookson joins the cast as John's first love Grace who is also the daughter of Moonfleet's anti-smuggling magistrate Mohune played by Ben Chaplin (Mad Dogs Dorian Gray). Omid Djalili (Gladiator) appears as a diamond merchant Aldobrand and Martin Trenaman (The Inbetweeners) as the Turnkey.
A single mother who gifts her son Andy a Buddi doll, unaware of its more sinister nature.
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
The title Ice Cold in Alex refers to the beer the heroes of this 1958 British World War Two classic plan to drink in Alexandria, once they have escaped from the Germans, negotiated minefields and survived both mechanical failure and the killing heat of the North African sands. The setting is Libya in 1942, at the height of the campaigns featured in The Desert Fox (1951) and The Desert Rats (1953), and a disparate group in a military ambulance--which include a Nazi agent to add tension of one kind and a beautiful nurse to add tension of another--must make an epic journey to safety. Staring John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews the terror and poignancy comes from our certainty that not everyone will survive, such that the suspense sometimes reaches near unbearable levels. Director J Lee-Thomson was clearly inspired by the then recent French masterpiece, The Wages of Fear (1952) and handles both the character drama and set-pieces with great skill. He would go on to make another great war adventure, The Guns of Navarone (1961), also starring Anthony Quayle, who then returned to the desert for the ultimate British war classic, Lawrence of Arabia (1962). --Gary S. Dalkin
Set in 1797 at the beginning of the Napoleonic Wars, HMS Defiant is an enthralling British naval drama made to capitalise upon MGM's epic remake of Mutiny on the Bounty, also released in 1962. Based on the novel Mutiny by Frank Tilsey and starring Alex Guinness as a fair-minded captain locked in psychological conflict with Dirk Bogarde, his manipulative, coldly malicious first officer, the parallels with the famous true story are clear. However there were many naval mutinies at this period and this large-scale saga, which includes some spectacularly staged widescreen naval battles, offers a realistic depiction of life in the British navy at the time--from the press gangs and floggings, to the appalling food and living conditions. Director Lewis Gilbert--who previously helmed Sink the Bismarck! (1960)--strikes a good balance between the personal drama and sweeping maritime adventure. Guinness successfully varies his firm-but-fair officer from The Bridge on the River Kwai, Bogarde is chillingly hateful and Anthony Quayle gives strong support. ITV's recent Hornblower cumulatively offers a more detailed portrait of the British navy during the Napoleonic Wars, though the TV series cannot match the visual scale of this big-screen production. On the DVD: HMS Defiant is presented anamorphically enhanced at 2.35:1, though a little of the original CinemaScope frame is still cropped at the sides. The image is generally very good, though a handful of scenes near the end show considerable print damage and there is an inconstancy of colour grading between some shots. Grain is variable, but not generally a problem, though some unattractive "ringing" from edge enhancement is noticeable, particularly around Alex Guinness when he stands against a bright sky. The sound is in very clear mono with just occasional distortion on the music score. The disc offers the option of watching with dubbed French, German, Italian or Spanish soundtracks. The original trailer is included--under the American title of Damn the Defiant!--as are trailers for three other classic war films. The only other extra features are a small gallery of original publicity materials and three very basic filmographies. --Gary S Dalkin
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "The kings of horror battle to the death" in Dracula vs Frankenstein. The last of the Frankensteins (J Carrol Naish) works in a carnival horror house with his sidekick Groton the Mad Zombie (Lon Chaney Jr). A Frank Zappa-like Dracula (Zandor Vorkov) and a monster with a face like a big mushroom slug it out. The film also features Russ Tamblyn as a beach biker and a Vegas showgirl heroine on LSD. This Region 2 DVD is sadly bereft of the extras found on the US Troma Region 1 disc. --Kim Newman
Set in the Second World War when Nazi Germany occupied Italy. This film deals with the Vatican's involvement in the entire movement during the occupation of Rome.
German World War II plot to capture Winston Churchill, based on Jack Higgins' best-selling novel. Colonel Radl discovers that Churchill is planning to spend a couple of days in an almost-deserted village in Norfolk. Radl is convinced an attempt to kidnap him should be made and enlists the help of Colonel Steiner, who is under suspended sentence of death, and Liam Devlin, an Irishman. A crack force of German paratroopers lands safely in England, poised and ready for the kidnap. All appears to be going smoothly until an unforeseeable incident exposes the Germans, but the kidnap plan continues and Steiner, his finger on the trigger of his luger, approaches the unmistakable figure of Churchill. The star-studded cast includes Michael Caine, Donald Sutherland, Robert Duvall, Jenny Agutter, Donald Pleasence, Anthony Quayle, Jean Marsh and Judy Geeson.
HALLOWEEN Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow up to Carpenter's 1978 classic. HALLOWEEN KILLS The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Hitchcock's most notorious work remains terrifying after all these years, digitally presented, this reissue marks this milestone work's 50th Anniversary.
Premiering on stage in March 1939 Ivor Novello's enchanting musical romance set in pre-Great War Vienna became one of the most popular West End shows during the dark days of the Second World War. This radiant film adaptation proved no less popular with Dennis Price's sensitive portrayal of the lead character winning great acclaim and Novello's score featuring a string of melodies that swept the world. The Dancing Years is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. 1910: a small band of army officers arrive at an inn on the outskirts of Vienna. It is home to Rudi Kleber a gifted but impoverished composer who is asked to play while they eat. Rudi plays his own composition and the officers immediately bid against each other for its purchase – but a woman's voice outbids them all; it is Maria the lovely and brilliant star of the opera... Special Features: Original Theatrical Trailer Image Gallery Original Promotional Material PDF
Anthony Newley stars as an actor who walks off the set of a banal sit-com and into a fantasy world of his own imagination in this surreal odyssey through one man's personal alternative reality. An unpredictable, absurdist fantasy, the series was created by Newley and written by comedy legends Sid Green and Dick Hills (soon to become key writers for Morecambe and Wise). Restored in High Definition from original 35mm film elements, this limited anniversary edition also includes: Three Saturday Spectacular shows from 1960 featuring Anthony Newley alongside Shirley Bassey, Peter Sellers, Janette Scott, Lionel Blair and others. These variety specials feature Newley's initial attempts at building the internal monologue character that would eventually become Gurney Slade. Original Gurney Slade promotional shorts Extensive image galleries The Small World of Sammy Lee: the classic 1963 British crime film starring Anthony Newley The Small World of Sammy Lee special features: newly-discovered archive film material featuring an alternative ending, textless titles and a promotional interview with Anthony Newley Commemorative booklet with contributions from Andrew Pixley, Dick Fiddy and Andrew Roberts
A pair of widowed grandparents are forced to cohabit in their children's basement. Daphne (Angela Thorne) is a snobby Cheltenham-bred lady while Sam (Michael Elphick) is the cockney wide boy who has designs on Daphne. First broadcast in 1985 this release includes all the episodes from Series One and Two of Three Up Two Down. Episode titles: Your Place Or Mine? Widower's Mite Ill Wind From Cheltenham Epping's Not Far Just Desserts Two Down One To Go Major Inconvenience Sweet
The world according to Alf Garnett - the most opinionated loud-mouthed and prejudiced bigot in all comedy creation! Londoner Alf chronicles the hilarious history of the put-upon Garnett family from the war with Hitler to another battle with the Germans - the 1966 World Cup Final!
Anna Neagle, George Baker and Anthony Quayle take leading roles in this star-studded medical drama, with an early film role for Sylvia Syms as a beautiful young nurse at the very beginning of her career. Presented here in a brand-new transfer from the original film elements, No Time for Tears is a moving, sympathetic portrayal of the challenges faced by all those who enter this most demanding yet rewarding of professions from routine operations to more serious conditions, from anxious, sometimes hostile parents to workplace romance.The lives of the staff and patients of Mayfield Children's Hospital are inextricably woven together with the laughter, tears and devotion that lie behind the work of restoring children to health and happiness. When we take a closer look at the rich patterns formed by these lives, we can trace individual threads emerging...SPECIAL FEATURES: Original Theatrical Trailer Image Gallery Promotional Material PDFs
Stockbroker Terry orthodontist James art dealer Patrick and decking king Gary are friends from schooldays. Except for Gary who is still married there is nothing to stop the boys as they indulge what they believe is their last chance to recapture their youth. Their efforts to bring back their heady carefree bachelor days mostly make them look absurd. They have the money for the hip clothes motorbikes and beautiful young girlfriends but these things really are the domain of much younger men. And although they'd never admit it there are worries about health impotence ex-wives and children that will not go away.
A single mother who gifts her son Andy a Buddi doll, unaware of its more sinister nature.
Geraldine McEwan takes over the coveted mantle of the titular super sleuth in a box set of all-star cast adaptations of Agatha Christie's Miss Marple novels. Episodes Comprise: 1.Sleeping Murder 2.The Sittaford Mystery 3.The Moving Finger 4.By The Pricking Of My Thumbs
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