Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
A Woman Of Substance: The story starts as an 80-year-old Emma Harte looks back over her life. She remembers herself as a young girl pregnant and abandoned by her rich lover. She remembers the men she has loved her staunch friend Blackie O'Neill and her second marriage to Paul McGill during the First World War. The small shop she started many years ago has grown into a vast commercial empire. Now it is under threat and Emma must fight to protect it. 'A Woman Of Substance' is a film that every woman will love - and every man will find hard to forget. Hold The Dream: The story of Emma Harte and her granddaughter Paula McGill Fairley continues in this compelling sequel to 'A Woman of Substance'.Accomplished beautiful and a millionairess Paula wields immense power at the age of 25; yet her tragic loves and losses mirror those in Emma's life. Set in Yorkshire London New York and Texas in great country homes luxurious penthouses and the boardrooms of the provileged this is the story of one woman's determination to 'Hold The Dream' - to find the happiness and passion that are her legacy. To Be The Best: The powerful and beautiful Paula Harte heir to the Harte Empire finds herself under attack from her vindictive cousin Jonathan who is determined to gain control of Harte's massive worldwide wealth. As death and deceit undermine Paula's position it seems that only one man her attractive head of security. Jack Figg has the expertise and connections to uncover Jonathan's murky secrets and rescue Paula from certain ruin. Romance adventure and stunning locations make 'To Be The Best' the spectacular conclusion to Barbara Taylor Bradford's celebrated trilogy tracing the fortunes of the Harte dynasty.
Not to be confused with the 2002 Matt Damon big-screen version, this adaptation of The Bourne Identity is a 1988 two-part TV miniseries based on the Robert Ludlum paperback bestseller. "How can I find out who I am if I've been turned into another person?", cries amnesiac Richard Chamberlain, fished out of the sea by drunken doc Denholm Elliott, who patches him up and discovers a Swiss bank account number sewn into his thigh. Coming to believe that he is Jason Bourne, international assassin, our hero is sought after by the CIA, several European police forces and the gang of an evil terrorist. He hooks up with unlikely economist Jaclyn Smith to get to the bottom of the mystery, stay alive and face the big baddie. Stretched over three hours, this has room for a lot of the complex plot dropped from the big-screen movie, but it also means that the thrills are often interrupted by soap opera scenes. Chamberlain is perhaps too aptly cast as a man without an identity, but Smith matches him for lack of expression without any excuse given in the script. Aside from Donald Moffatt and Shane Rimmer in the CIA, the supporting cast mostly consists of distinguished Brits delivering value-for-money ham, mostly with cod-French accents, especially Anthony Quayle as a DeGaulle-style General, Jacqueline Pearce as a dress-designing spy and Peter Vaughan as a heavy Swiss banker. On the DVD: The Bourne Identity, though made for TV, is presented in widescreen, which sometimes chops off the tops of actors' heads like breakfast eggs but mostly looks fine. There are optional English subtitles. --Kim Newman
The 'Confessions' series of films are still entertaining examples of 70s British high camp and go to places the 'Carry On' films never dared! Confessions Of A Window Cleaner (1974): The classic bawdy British sex comedy about a window cleaner who doesn't quite clean up his act... Confessions Of A Driving Instructor (1973): Our randy young hero Timmy Lea progresses from the 'ins and outs' of window cleaning to the joys of 'gear shifting' as he sets himself up as a drivi
An outstanding array of screen talent comes together in this compelling courtroom thriller from 1958. Helmed by pioneering producer-director Herbert Wilcox and co-written by legendary crime author and broadcaster Edgar Lustgarten with a top-flight cast headed by Anthony Quayle and Wilcox s wife and film collaborator Anna Neagle The Man Who Wouldn t Talk is a story of Cold War intrigue and of one man s courageous refusal to reveal potentially devastating secret information. The film is presented here in a brand-new digital transfer in its as-exhibited theatrical aspect ratio. Dr Frank Smith and Eve arrive from America apparently on honeymoon. In fact they have only just met and their honeymoon is merely a cover for an assignation from Washington; Eve is a secret agent and Smith is a prominent American virologist. They have been instructed to rendezvous at Victoria station with a Hungarian scientist who has vital information about biological warfare which he refuses to disclose to anybody but an American scientist... SPECIAL FEATURES: [] Image Gallery
Life. Lust. Love. Zorba. Basil a young English writer of Greek ancestry meets an older free-spirited Greek peasant named Zorba (Anthony Quinn) on the island of Crete. While Zorba pursues a relationship with Madame Hortense an aging French courtesan the inhibited Basil summons up the courage to court a young widow. The young unhappy Englishman finds himself learning valuable life lessons from Zorba the earthy peasant who has a zeal for everything he does. Nominated for
Set early in the 22nd century Enterprise focuses on a history of the galactic upheaval that leads to the formation of The Federation. Its compelling stories of team bravery and individual heroism are sure to answer countless questions for both die-hard fans of the series and neophytes to the Star Trek universe. Starring a fresh young cast this exciting new chapter continues to push the edge of the visual envelope with the kind of state of the art special
A New York restaurant owner falls for a young woman chef. When she reveals a dark secret about herself, their relationship takes on deeper meaning.
Franklin J Schaffner's Papillon is quite possibly the definitive prison escape drama. Not as thrilling as The Great Escape, nor as emotionally cathartic as The Shawshank Redemption, its unflinching emphasis on the barbarism of "civilised" societies is nevertheless unparalleled. Significantly, the only characters to display any real kindness in this film are the social outcasts: the lepers and native Indians; everyone else has been corrupted and debased by the true villain, the penal system itself. Based on Henri Charrière' s heavily fictionalised "autobiography", the film's timeless themes of man's insatiable desire for freedom and the indomitability of the human spirit are thankfully not dependent for their impact on the source material's veracity. Dalton Trumbo's liberal-minded screenplay echoes the themes of his earlier script for Spartacus, and Schaffner's innate gift for epic cinema (this was made just two years after his great war biography Patton) is fully equal to the task of realising it on screen. The director's painterly eye for widescreen composition and his careful pacing impart a gravitas to proceedings even during the film's most squalid depictions of brutality, of which there are many emphasising the cheapness of human life among the convicts and their equally criminal prison guards in the penal colony of French Guiana. Steve McQueen and Dustin Hoffman form a remarkable screen pairing, with Hoffman outstanding as the pusillanimous Dega. McQueen magnificently overcomes his tough-guy persona in the extraordinary solitary confinement sequences as he is gradually reduced to a shambling, cockroach-eating wreck. Longtime collaborator Jerry Goldsmith, who had previously scored Schaffner's Planet of the Apes and Patton, attained yet another career high with his music. On the DVD: The anamorphic widescreen print of the original Panavision 2. 35:1 ratio looks fine without being as stunning as some more modern prints; the Dolby 5.1 audio does however do great service to Jerry Goldsmith's score, which can also be selected separately from the Audio Setup menu as an isolated track (note that there's no music at all in the first 20 minutes of the film). The 12-minute "Magnificent Rebel" featurette was made at the time of the film's release , and includes some fascinating footage of Henri Charrière touring the prison se t, reminiscing about his experiences and pontificating ("Society does not want free men, society wants conditioned men"). --Mark Walker
Puccini - La Boheme (Levine Metropolitan Opera Orchestra)
""Only Connect"". This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret (Emma Thompson). Convinced that he is acting in the best interests of his family the patriarcal Henry Wilcox destroys his wife's ""unofficial"" will. But as the lonely repressed Henry falls in love with Margaret and Helen's willful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit.
It is the 7th Century and in Mecca powerful leaders are in conflict with Mohammed who attacks the many injustices their way of life produces - slavery drunkenness and cruelty. Mohammed claims to have seen a vision of the Angel Gabriel and calls to the people of Mecca to worship one God only. After a revelation from God Mohammed agrees to take arms against Mecca and at the Wells of Bedr the inexperienced Moslem troops are victorious. However at the Battle of Uhud they are beate
This wrong-headed adaptation of the very funny (and scatological) novel by T. Coraghessan Boyle was written and directed by Alan Parker, who doesn't seem to have much of a clue. It's not a botch, just a movie that hammers its efforts at humour too hard. The focus is split between three storylines: the life of cereal tycoon John Kellogg (Anthony Hopkins with buck teeth), who has created a health spa for the wealthy that focuses on regular cleansing of the digestive tract (as well as applications of electricity); the troubles of an unhappy young couple (Matthew Broderick and Bridget Fonda), who come to the spa hoping to cure their marital ills (Broderick gets the worst of the deal); and the efforts of a young hustler (John Cusack), who is trying to break into the breakfast-cereal business but gets taken by an even bigger hustler (Michael Lerner). There are subplots about Kellogg's children but they add little. For all the excrement and enema jokes, the joys of this movie are distinctly scattered. --Marshall Fine
Four successful fifty-something men have to deal with an array of different problems: from marriage children and divorce to younger girlfriends and the problems of how to spend their wealth.
After the drudgery of Sudden Impact, the third and worst sequel to Dirty Harry, no one could have expected the fourth to have any signs of life. But The Dead Pool is fairly inspired, even playful--check out a "chase" scene between Clint Eastwood's Harry Callahan character and a remote-controlled toy car wielding a bomb--and it ended the long-running series on an unexpectedly positive note. This time, Callahan investigates a series of murders that appears to be on a "death list," while becoming romantically involved with a television reporter (Patricia Clarkson). Jim Carrey has a small but memorable part as a doped-up rock star, and Liam Neeson is on board, too. IT is directed by Eastwood-surrogate Buddy Van Horn (Any Which Way You Can). --Tom Keogh
A terrorist threat. A captain in panic. And only one man who can end the danger.... Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics the 'Britannic' now in high sea with 1200 passengers. He is asking for a 500 000 ransom otherwise 7 bombs aboard will explode. An experienced anti-bomb squad is sent to the 'Britannic' but although all the bombs are located a very high skill level will be necessary to dismantle them. perhap
WWE champion John Cena dominates the big screen as Marine John Triton. Wherever there's danger Triton is usually smack dab in the middle of it... and he doesn't play by rules! After he's unwillingly discharged from Iraq Triton's beautiful wife Kate (Nip And Tuck's Kelly Carlson) is kidnapped by merciless jewel thieves led by a vicious killer (Robert Patrick)! Now Triton must fight to save her utilizing his most powerful weapon - himself!
Never commercially released before and previously only shown to a highly restricted audience of top military brass from the Ministry of Defence, Captured (1959) is a stunning Prisoner of War drama and a lost gem of British post-war filmmaking. Directed by cult British director John Krish, the film was sponsored by the Army Cinematograph Corporation. This tightly plotted drama shows British POWs enduring brainwashing and torture during the Korean War, thereby revealing what a soldier could expect if he was ever captured by enemy forces. The latest release in the BFI's acclaimed Flipside strand, Captured is accompanied by other rarities from John Krish H.M.P. (a 1978 fly-on-the-wall documentary about the Prison service) and Krish's celebrated 1977 public safety short Finishing Line. All of these films have been transferred to HD by the BFI from the very best available film materials. Special Features: Interview with John Krish Fully illustrated booklet
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