One of the most shocking films of all time, Alfred Hitchcock's Psycho changed the thriller genre forever. After its original release in 1960, the film was censored for decades until now. Join the Master of Suspense on a chilling journey as an unsuspecting victim (Janet Leigh) visits the Bates Motel and falls prey to one of cinema's most notorious psychopaths - Norman Bates (Anthony Perkins). Featuring one of the most iconic scenes in film history - the famous shower scene, Psycho is still terrifying after all these years (Leonard Maltin's Classic Movie Guide). INCLUDES 2 VERSIONS OF PSYCHO PSYCHO UNCUT: The extended version of the movie as seen in theaters in 1960 is exactly as intended by Alfred Hitchcock and now available with additional footage for the first time ever PSYCHO: The most widely seen version of the movie was edited for content and subsequently used for TV broadcasts, theatrical re-releases and home entertainment over the last 60 years BONUS FEATURES The Making of Psycho In the Master's Shadow: Hitchcock's Legacy Hitchcock / Truffaut Interview Excerpts Newsreel Footage: The Release of Psycho The Shower Scene: With and Without Music The Shower Sequence: Storyboards by Saul Bass Feature Commentary with Stephen Rebello (author of Alfred Hitchcock and the Making of Psycho) And More
In the Watergate Building lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts denials and discouragement. The entire President's Men is their story. The film also explores a working newspaper where the mission is to get the story - and to get it right.
A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbours, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason.
Raid On Entebbe tells the amazing true story of a daring mission by Israeli commandos to free hostages of a terrorist hijacking at Entebbe Airport in Uganda and is presented here in its full length version.In 1976 four militants hijacked an Air France plane, diverting it to Entebbe, their cause was to secure the release of militants in Israel and four other countries. They held the hostages captive for three days before releasing a large number, keeping 100 passengers who were Israelis or Jews on board. What followed has gone down in history as one of the most daring rescue opertaions ever mounted.Directed by Irvin Kershner this Golden Globe winning film grips to the very end. The stand out cast includes Peter Finch as Prime Minister Yitzhak Rabin, alongside Charles Bronson and Martin Balsam.
Breakfast At Tiffany's: The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday: Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
It helps to have one of history's greatest scoops as your factual inspiration, but journalism thrillers just don't get any better than All the President's Men. Dustin Hoffman and Robert Redford are perfectly matched as (respectively) Washington Post reporters Carl Bernstein and Bob Woodward, whose investigation into the Watergate scandal set the stage for President Richard Nixon's eventual resignation. Their bestselling exposé was brilliantly adapted by screenwriter William Goldman, and director Alan Pakula crafted the film into one of the most intelligent and involving of the 1970s paranoid thrillers. Featuring Jason Robards in his Oscar-winning role as Washington Post editor Ben Bradlee, All the President's Men is the film against which all other journalism movies must be measured. --Jeff Shannon, Amazon.com
The Stone Killer teams Charles Bronson with director Michael Winner again in this hard-hitting classic 1973 cop movie released on DVD for the first time ever. Detective Lou Torey (Bronson) is transferred to Los Angeles and uncovers a plot by Sicilian Mafioso Vescari (Martin Balsam) to use Vietnam veterans to murder all his enemies in a rerun of the 'Sicilian Vespers' when the previous generation of Sicilian Mafioso were all killed on a single day. Torrey sets out to ruin Vescari's plans. Torr...
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
In this sweeping epic that swings from high comedy to drama, Oscar-winner Dustin Hoffman gives a virtuoso performance (The Hollywood Reporter) as the 121-year-old sole survivor of Custer's Last Stand. Narrating his colourful life story, he tells about everything from his adoption by Cheyenne Indians to his marriages and his friendship with Wild Bill Hickok. His tall tales indicate he just may be one of the biggest liars who roamed the West. Academy Award-winner Faye Dunaway, Chief Dan George, Martin Balsam and Richard Mulligan co-star.
The original 1962 version of Cape Fear is directed by J Lee Thompson (The Guns of Navarone) in a deliberately Hitchcockian manner, and stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Superior to Martin Scorsese's punishing 1991 remake, which seems trapped in its explicitness, Thompson's film accomplishes a lot with a more economical and telling use of violence. The result is a rich character study that explores the nature of guilt. Martin Scorsese's 1991 remake dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. The stars of the original film, Robert Mitchum and Gregory Peck, each make a cameo appearance. --Tom Keogh, Amazon.com
Here is just one of the many mishaps chronicled in Tora! Tora! Tora!: "Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." The epic film shows the bombing of Pearl Harbour from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While Tora! Tora! Tora! lacks the strong central characters that anchor the best war films, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary war. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, Patton. --Sean Axmaker, Amazon.com
In Arthur Penn's adaptation of Thomas Berger's novel Little Big Man, Dustin Hoffman stars as Jack Crabb, the only white survivor of the Battle of Little Big Horn. Giving a bravura performance, Hoffman plays Jack from teen years into old age in this picaresque fable of the Old West. Jack's story is a fantastic one: captured by Indians as a boy, reared as an Indian, shuttling back and forth between the white and Indian worlds. In the process, he befriends everyone from Wild Bill Hickock to George Armstrong Custer and is a gunslinger, a snake-oil salesman and an Army scout. This is a solid blend of comedy and tragedy, making a strong statement about America's treatment of Native Americans without sermonising. A terrific cast includes Faye Dunaway, Martin Balsam and Richard Mulligan, but this show is all Hoffman's. --Marshall Fine
Robert Dapes (Connery) is a cynical mercenary who comes to Cuba at the request of one of Batista's most corrupt functionaries General Bello (Martin Balsam). Once there he finds himself unable to ignore the brutality and depravity of the Batista regime - or Alexandra Pulido (Adams) an older lover who is now married to a wealthy Cuban landowner. Surrounded by volatile guerrilla fighters and the human vultures present at all coups he must come to terms with himself and his shifting v
A follow up of sorts to his earlier film, the seminal Caliber 9 (1972), Blood and Diamonds (1977) blasts its way into familiar poliziotteschi territory, leaving scars, bullets and tire tracks in its bloody wake. After being set up by the Mafia gang he is part of, Guido (Claudio Cassinelli) is sent to prison upon which he vows to take revenge on those who betrayed him. Another must for all collectors of high octane Italian crime thrillers from the 1970s. Product Features Limited Edition Slipcase Limited Edition Booklet 4K Restoration in 1.85:1 Aspect Ratio High Definition Blu-ray (1080p) presentation LPCM 2.0 English Audio LPCM 2.0 Italian Audio with Newly Translated English Subtitles Audio Commentary with Italian Cinema Expert Troy Howarth Journey of love - Discovering Fernando Di Leo - Feature Length Documentary Blood and Di Leo - A Portrait by Luc Merenda Italian Opening, Intermission and Closing Titles Italian Theatrical Trailer Reversible Sleeve with new artwork by James Neal and Original Poster Artwork
An all-star cast, including Robert Shaw (Jaws) and Oscar-Winners Walter Matthau and Martin Balsam delivers sure-fire entertainment that's gripping and exciting from beginning to end. Based on the sizzling best seller by John Godey, this pulse-pounding picture is guaranteed to give you the ride of your life! Somewhere underground, in New York's subway system, just outside the Pelham Station, a gang of armed men hijack a train, threatening to kill one hostage per minute unless their demands are met. Forced to stall these unknown assailants until a ransom is delivered or a rescue is made, transit chief Lt. Garber (Matthau) must ad-lib, bully, con and shrewdly outmanoeuvre one of the craftiest and cruellest villains (Shaw) in a battle of wits that will either end heroically or tragically.
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