Annabel isn't herself today - neither is her mother this morning. They became each other! When a mother and her teenage daughter both wish at the same time that they could switch places for one day each has to live the life of the other on one seriously freaky Friday...
Make Way for Tomorrow, by LEO McCAREY (An Affair to Remember), is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap. BEULAH BONDI (It's a Wonderful Life) and VICTOR MOORE (Swing Time) headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up separated and subject to their offspring's selfish whims. An inspiration for Yasujiro Ozu's Tokyo Story, this is among American cinema's purest tearjerkers, all the way to its unflinching ending, which McCarey refused to change despite studio pressure. Special Features High-definition digital restoration, with uncompressed monaural soundtrack Tomorrow, Yesterday, and Today, an interview from 2009 featuring filmmaker Peter Bogdanovich discussing the career of director Leo McCarey and Make Way for Tomorrow Video interview from 2009 with critic Gary Giddins, in which he talks about McCarey's artistry and the political and social context of the film PLUS: A booklet featuring essays by critic Tag Gallagher and filmmaker Bertrand Tavernier, and an excerpt from film scholar Robin Wood's 1998 piece Leo McCarey and Family Values
Jennie - Lady Randolph Churchill: The Complete Series (2 Disc)
Imagine waking up in a in a cube-shaped room with a bunch of strangers. Nobody can remember how and why they are there and nobody knows how to get out. Feel the suspense as you witness the horror of eight people who find themselves in just such a predicament. Trapped in a world where the rules of physics do not apply each of the eight must use a special skill to help them survive - unfortunately only one of them can!
Fellini's most acclaimed work, 8 1/2 won two Oscars ® including Best Foreign Film. Fellini is unanimously voted by film critics - and notably, by filmmakers - as one of the greatest directors of all time. And Fellini's 8 ½ is revered as the most important European film ever made and film buffs' ultimate film of all time! MARCELLO MASTROIANNI is Fellini's alter ego, Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete director's block: he has no story to tell ! Harassed by his producers, his mistress (SANDRA MILO) and his wife (ANOUK AIMEE) while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy - personified by the heavenly beautiful CLAUDIA CARDINALE - his memories and reality merge in the director's mind and on screen - in an astonishing, masterful spectacle which culminates in an electrifying triumph of optimism. As Guido, Fellini's alter-ego says at the end of 8 ½: Life is a party, let's live it together Special Features: New unique intimate interview with Sandra Milo the film's co-lead and off-screen real life companion' of Fellini. Filmed especially for this CultFilms release Interview with Lina Wertmuller, Fellini's Assistant Director on 8 ½. Filmed especially for CultFilms. Lost Sequence documentary on the making of 8 ½ with interviews with cast crew and Fellini himself: the focus is on one of film-lore's great mystery! Where a massive sequence was shot with all the cast, but not included in the film, and it was never seen again. Tribute to Fellini's speech on receiving his Academy Award Oscar
John Mills stars as the eponymous Professor in 1979s Quatermass, the fourth, final and best of the celebrated television science fiction serials. The Professors early adventures were 1950s TV productions, all made into cult Hammer films, including the excellent Quatermass and the Pit (1967). Here Quatermass, now an elderly scientist searching for his missing grand-daughter, finds himself facing a new alien nightmare in a convincingly bleak near-future Britain of urban decay, social collapse and unchecked violence. Written by Nigel Kneale, as were all the Quatermass stories, this was an intelligent extrapolation of 1970s industrial-strife-ridden Britain, a continuation of the apocalyptic British SF tradition of John Wyndham (The Day of the Triffids was serialised by the BBC two years later). Thanks to a generous budget sufficient to allow for an international theatrical version, the production values are impressively large-scale, and the naturalistic performances from a cast including Simon MacCorkindale, Barbara Kellerman and Brenda Fricker add greatly to the sense of reality. Best of all, John Mills brings tremendous class to an adventure which remains a rare example of serious, ideas-based adult TV SF. Director Piers Haggard (Pennies from Heaven) packs considerable tension and not a few scares into Kneales epic canvas. On the DVD: Quatermass is presented on three DVDs with two 50-minute episodes and perfunctory production notes on each of the first two discs. The 4:3 picture is good for a 1970s TV series, though there is some minor print damage. Sound is adequate two-channel mono. Disc 3 offers the 101-minute international theatrical version, called The Quatermass Conclusion. This version contains some slightly stronger, 15-rated material, and different credits. The disc also features an oddly presented but interesting 18-minute interview with Nigel Kneale which is centred on the original three Quatermass BBC serials. A 16-page booklet is informative and the packaging is among the most attractive to grace a DVD set thus far. --Gary S Dalkin
Outside of devoted cult audiences, many Americans have yet to discover the extremely stylish, relentlessly terrifying Italian horror genre, or the films of its talented virtuoso, Dario Argento. Suspiria, part one of a still-uncompleted trilogy (the luminously empty Inferno was the second), is considered his masterpiece by Argento devotees but also doubles as a perfect starting point for those unfamiliar with the director or his genre. The convoluted plot follows an American dancer (Jessica Harper) from her arrival at a European ballet school to her discovery that it's actually a witches coven; but, really, don't worry about that too much. Argento makes narrative subservient to technique, preferring instead to assault the senses and nervous system with mood, atmosphere, illusory gore, garish set production, a menacing camera, and perhaps the creepiest score ever created for a movie. It's essentially a series of effectively unsettling set pieces--a raging storm that Harper should have taken for an omen, and a blind man attacked by his own dog are just two examples--strung together on a skeleton structure. But once you've seen it, you'll never forget it. --Dave McCoy
The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious that Moore looks genuinely frightened, which adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. Featuring lavish sets designed by the great Ken Adam (Dr. Strangelove), The Spy Who Loved Me is a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in its cheek with a plot tailor-made for daredevil escapism. --Jeff Shannon
Workmen unearth prehistoric skulls while carrying out excavations on the London Underground. Very soon a strange and malevolent force is unleashed.
Shot in the bright postal colours of a seaside postcard, 1971's Carry On Henry applies the usual Carry On sniggering to the married life of Henry VIII. Talbot Rothwell's script is standard bedroom farce and full of jokes about choppers, while the threat of beheading and the actuality of torture are constantly present but only as the terrible things that happen to cartoon characters who will be back next time. Sid James turns in one of his better performances as the endlessly lecherous and fickle Henry, married to Joan Sims and lusting after Barbara Windsor. There is a genuine sexual chemistry between James and Windsor, which at times almost breaks open the farce formula. The usual regulars--Kenneth Williams as Thomas Cromwell, Terry Scott as Cardinal Wolsey, Charles Hawtrey as Sir Roger--do their usual turns; Williams is more subdued than usual, while Hawtrey hugely enjoys playing the Queen's secret lover. This was not one of the high points of the series, but it has its own curious charm. --Roz Kaveney
Nobody does it better than Bond, and he proves it once more in this explosively entertaining adventure that takes him from the Egyptian pyramids to the ocean floor and to a gravity-defying mountaintop ski chase! Roger Moore brings inimitable style to Agent 007 as he teams with beautiful Russian agent Anya Amasova (Barbara Bach) to stop the megalomaniac Stromberg (Curt Jurgens) from unleashing a horrific scheme for world domination.
Stuart Gordon takes you on a pulse-pounding rollercoaster ride in Castle Freak… one of the most macabre thrillers you’ll ever experience. John Reilly (Jeffrey Combs – Re-animator), Susan (Barbara Crampton – From Beyond) and their daughter come face to face with terror when they travel to Italy to move into a castle they have inherited. They soon discover it is haunted by a relentlessly blood-thirsty creature. When mutilated bodies start turning up, John must uncover the Reilly family’s dark secret to save his wife and child from the sadistic being.
The Exorcist The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. The Exorcist II: The Heretic Pasuzu the incarnation of evil cast out of little Regan by Father Merrin returns to torment her once again... The Exorcist III A serial killer haunts the streets of
Alfred Hitchcock's final film Family Plot is understated comic fun that mixes suspense with deft humour, thanks to a solid cast. The plot centres on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine
All 24 episodes from the second series of the popular sci-fi show. In 'The Metamorph' a team of Eagle pilots are captured on the planet Psychon by the ruthless Mentor (Brian Blessed). 'The Exiles' has the Alphans revive two aliens who turn out to be rebel leaders. 'One Moment of Humanity' sees Helena (Barbara Bain) and Tony (Tony Anholt) abducted by an alien (Billie Whitelaw) who plans to use them as blueprints for killer androids. In 'All That Glisters' Koenig (Martin Landau) leads a mission to a nearby planet in search of a mineral vital to the life support system on Moonbase Alpha. 'Journey to Where' has Koenig, Helena and Carter (Nick Tate) attempt to teletransport themselves to 22nd century Texas and end up in 14th century Scotland instead. 'The Taybor' sees Alpha visited by a travelling trader who wants to add Maya (Catherine Schell) to his collection of beautiful artefacts. 'The Rules of Luton' finds Koenig and Maya in trouble with the locals during a visit to Luton. 'The Mark of Archanon' has the Alphans discover two aliens frozen beneath the surface of the moon. 'Brian the Brain' sees the moonbase visited by an old Earth spaceship piloted by a lone computer called Brian (voiced by Bernard Cribbins). 'New Adam New Eve' finds Koenig, Helena, Maya and Tony caught up in the plans of one Simon Magus (Guy Rolfe), a cosmic magician who is attempting to discover the secret of life. In 'Catacombs of the Moon' engineer Patrick Osgood (James Laurenson) searches for a rare metal essential for the construction of the replacement heart needed to save the life of his wife Michelle (Pamela Stephenson). 'The AB Chrysalis' has Alpha surrounded by a mysterious ring of moons. 'Seeds of Destruction' sees Alpha endangered by Koenig's evil double. 'The Beta Cloud' finds a huge and terrible creature (Dave Prowse) on the rampage at the moonbase. 'Space Warp' has Maya afflicted with a terrible sickness which causes her to transform into various space monsters. 'A Matter of Balance'
Filmed in the widescreen splendour of "Panavision Super 70" and blessed with the finest production values that Hollywood clout can buy, this tale of spunky Irish immigrants forgot one crucial ingredient: a decent screenplay. The film is entertaining enough, and director Ron Howard brings his technical proficiency to the simple plot, culminating in a dynamic, breathtaking depiction of the Oklahoma land rush of 1893. But the movie is really just a vacuous vehicle for married stars Tom Cruise and Nicole Kidman as (respectively) the poor tenant farmer and rich landlord's daughter who flee Ireland to be American pioneers. The scenery and the stars are never less than stunning, but Howard falls short of the mark in his attempt to match the epic sweep of films by David Lean. On the other hand, this movie is certainly never boring even if it rarely makes sense, and Lean's own Irish epic, Ryan's Daughter, is a snoozer by comparison. --Jeff Shannon, Amazon.com
Peter Greenaway (The Cook, the Thief, His Wife and Her Lover, Drowning by Numbers) continues to delight and disturb us with his talent for combining storytelling with optic artistry. The Pillow Book is divided into 10 chapters (consistent with Greenaway's love of numbers and lists) and is shot to be viewed like a book, complete with tantalising illustrations and footnotes (subtitles) and using television's "screen-in-screen" technology. As a child in Japan, Nagiko's father celebrates her birthday retelling the Japanese creation myth and writing on her flesh in beautiful calligraphy, while her aunt reads a list of "beautiful things" from a 10th-century pillow book. As she gets older, Nagiko (Vivian Wu) looks for a lover with calligraphy skills to continue the annual ritual. She is initially thrilled when she encounters Jerome (Ewan McGregor), a bisexual translator who can speak and write several languages, but soon realises that although he is a magnificent lover, his penmanship is less than acceptable. When Nagiko dismisses the enamoured Jerome, he suggests she use his flesh as the pages which to present her own pillow book. The film, complete with a musical score as international as the languages used in the narration, is visually hypnotic and truly an immense "work of art". --Michele Goodson
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to cash in on the killer fish craze spawned by Jaws, first hit pay dirt in 1974 with Beyond the Door â a gloriously bonkers riff on The Exorcist featuring Emmy Award-winning actress Juliet Mills and distinguished British actor Richard Johnson. Set against the backdrop of San Francisco, Beyond the Door stars Mills as Jessica Barrett, a young mother who starts to develop strange behaviours whilst pregnant with her third child. Before you can say split pea soup, Jessica is displaying signs of full-blown demonic possession â complete with projectile vomiting and fully-rotating head! Could it be that she's carrying the child of the Antichrist himself? Described as disgusting, scary trash and maddeningly inappropriate by film critic Roger Ebert and subject to a lawsuit by Warner Bros. (who claimed copyright infringement against a certain William Friedkin film), the devilish denizens at Arrow Video have summoned up this wickedly entertaining popcorn spiller fit for Satan himself! SPECIAL EDITION CONTENTS 2K restoration of the Uncut English Export Version, released as The Devil Within Her High Definition Blu-ray⢠(1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Archival audio commentary with director/producer Ovidio G. Assonitis and Euro-horror historian Nathaniel Thompson, moderated by Lee Christian Archival audio commentary with star Juliet Mills and filmmaker Scott Spiegel, moderated by film scholar Darren Gross and Lee Christian Archival introduction with Juliet Mills and Lee Christian The Devil and Me an interview with director/producer Ovidio G. Assonitis Barrett's Hell an interview with writer/ cinematographer Roberto D'Ettorre Piazzoli Beyond the Music an interview with composer Franco Micalizzi The Devil's Face an interview with camera operator Maurizio Maggi Motels and Devils an audio interview with actor Gabriele Lavia Beyond the Door: 35 Years Later archival featurette including interviews with Ovidio G. Assonitis, Juliet Mills, star Richard Johnson and writer Alex Rebar Richard Johnson: An Englishman in Italy archival featurette Alternate opening titles Trailers, TV and Radio Spots Image Gallery Reversible sleeve featuring original and newly commissioned artwork by Marc Schoenbach
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