Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
Screenwriter William Goldman's novel The Princess Bride earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his sceptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story. And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic atomic movie from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom the alien Klaatu (Michael Rennie) takes to the streets. Klaatu's plea for peace is embraced by a pretty young woman (Patricia Neal) and an eminent scientist (Sam Jaffe) but the rest of humanity reacts with mistrust fear and violence. With time running out Klaatu is forced to demonstrate his awesome powers in a mind-boggling display teaching all of mankind a lesson for the ages. Watch The Day The Earth Stood Still and and you will never forget these words - Klaatu barada nikto!
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Batman races against the calendar when an unknown criminal named Holiday starts committing murders on holidays throughout the year. Special Features A Sneak Peek at the Next Animated DC Universe Movie, Batman: The Long Halloween Part Two - The saga continues as Batman desperately hunts the Holiday killer and Harvey Dent comes face to face with his worst nightmare.
Screenwriter William Goldman's novel The Princess Bride earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his sceptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story. And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
The reign of terror wrought by the Holiday killer continues in Gotham City. With each calculated crime, the stakes rise as tensions boil over between the Falcone and Maroni crime families. As Batman, James Gordon and Harvey Dent race to solve the deadly puzzle, a breach at Arkham Asylum brings villainous players into the game. Based on the critically acclaimed graphic novel, Batman: The Long Halloween Part Two concludes this gripping chapter in the Dark Knight's saga. Bonus Feature A Sneak Peek at the Next Animated DC Universe Movie, Injustice - Sides are chosen and battle lines are drawn as the Earth's greatest heroes go to war with each other. DC Showcase: Blue Beetle - TBD From the DC Vault: Batman The Animated Series: Two-Face Part 1 - Mobster Rupert Thorne attempts to use Harvey Dent's secret split personality to blackmail him. But when Dent meets with Thorne at a chemical plant, Big Bad Harv takes over, and the resulting confrontation leads to an explosion that horribly scars half of Dent's face and his entire body. From the DC Vault: Batman The Animated Series: Two-Face Part 2 - Harvey Dent, now calling himself Two-Face, resurfaces and starts robbing Rupert Thorne's illegal businesses, preparing for a final confrontation with the crime boss. Batman must stop his former friend before he and Thorne kill each other.
Batman races against the calendar when an unknown criminal named Holiday starts committing murders on holidays throughout the year. Special Features Justice Society: World War II - Consumer Trailer HD Batman: Soul of the Dragon - Consumer Trailer HD Batman: Death in the Family - Consumer Trailer HD A Sneak Peek at the Next Animated DC Universe Movie, Batman: The Long Halloween Part Two - The saga continues as Batman desperately hunts the Holiday killer and Harvey Dent comes face to face with his worst nightmare. DC Showcase: The Loser From the DC Vault: Batman The Animated Series: Christmas With The Joker - After escaping Arkham Asylum on Christmas Eve, the Joker takes over Gotham's airwaves and terrorizes the city for a crime. He challenges Batman and Robin to find his hidden TV studio and free his hostages Commissioner Gordon, Detective Bullock and Summer Gleeson before midnight. From the DC Vault: Batman The Animated Series: It's Never Too Late - A mob war between crime bosses Rupert Thorne and Arnold Stromwell is nearing its end when Batman saves Stromwell and tries to persuade him to give up his life of crime and help the police bring Thorne down by testifying against him.
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
A young boy confined to bed with the flu is less than thrilled when his grandfather (Peter Falk) arrives to read him the story of The Princess Bride. It tells the adventures of Buttercup the most beautiful woman in the world and Westley the man she loves in the fairy-tale kingdom of Florin. When Buttercup is kidnapped Westley has to overcome some pretty tough obstacles if he is to rescue her from the clutches of three kidnappers - scaling the cliffs of insanity battling rodents of unusual size facing tortue in the Pit of Despair... True love has never been a snap.
A spaceship lands in Washington D.C. capturing the attention of the world. But the peaceful alien emissary (Michael Rennie) it brings fails to earn the public's trust. When a young woman and her son befriend him they soon realise they may be all that stands between the human race and total destruction.
Nick Falzone (John Cusack) is a control freak. An air traffic control freak.
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic ""atomic movie"" from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom
Jerry Ryan an unhappily married laywer is going through a messy divorce from his wife in Omaha and moves to New York for a fresh start. Lonely during his first month's stay he then meets a liberal young woman named Gittel an impoverished dancer from Greenwich village. Nature takes its course as the unlikely relationship develops between the conservative lawyer and the liberal free-spirited dancer. Based on the two character play by William Gibson and with wonderful black and white
Eddie Foy a vaudeville entertainer marries Madeleine a ballerina and soon their family grows... Eddie realises that his children could help him out of a tight spot....
Starring British blonde bombshell Sally Gray opposite debonair film/radio star songwriter and music-hall veteran Billy Milton Saturday Night Revue is a delightfully engaging musical comedy/drama set in '30s London which showcases some the era's finest light musical talent – including Sydney Kyte and his Orchestra Billy Reid and his Accordion Band and Webster Booth. This rare film is presented here in a brand-new digital transfer from original film elements in its original aspect ratio. There are two clubs in London called Moons; one in Mayfair and one in Soho. Mary Dorland is singing at the cheap one but her father who does not approve of her singing career believes she is performing at the Society one...
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic atomic movie from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom the alien Klaatu (Michael Rennie) takes to the streets. Klaatu's plea for peace is embraced by a pretty young woman (Patricia Neal) and an eminent scientist (Sam Jaffe) but the rest of humanity reacts with mistrust fear and violence. With time running out Klaatu is forced to demonstrate his awesome powers in a mind-boggling display teaching all of mankind a lesson for the ages. Watch The Day The Earth Stood Still and and you will never forget these words - Klaatu barada nikto!
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