Few monsters lend themselves better to allegory than the zombie. In the years since George Romero first set the shambling mold with Night of the Living Dead, filmmakers have been using the undead as handy substitutes for concepts as varied as mall-walking consumers, punk rockers, soccer hooligans, and every political movement imaginable. (All this, plus brain chomping.) World War Z, the mega-scale adaptation of Max Brooks's richly detailed faux-historical novel, presents a zombie apocalypse on a ginormous level never seen before on film. Somehow, however, the sheer size of the scenario, coupled with a distinct lack of visceral explicitness, ends up blunting much of the metaphoric impact. While the globe-hopping action certainly doesn't want for spectacle, viewers may find themselves wishing there was something more to, you know, chew on. Director Marc Forster and his team of screenwriters (including J. Michael Straczynski and Lost's Damon Lindelof) have kept the basic gist of the source material, in which an unexplained outbreak results in a rapidly growing army of the undead. Unlike the novel's sprawling collection of unrelated narrators, however, the film streamlines the plot, following a retired United Nations investigator (Brad Pitt) who must leave his family behind in order to seek out the origins of the outbreak. While the introduction of a central character does help connect some of Brooks's cooler ideas, it also has the curious effect of narrowing the global scale of the crisis. By the time of the third act, in which Pitt finds himself under siege in a confined space, the once epic scope has decelerated into something virtually indistinguishable from any other zombie movie. Even if it's not a genre changer, though, World War Z still has plenty to distinguish itself, including a number of well-orchestrated set pieces--this is a movie that will never be shown on airplanes--and the performances, with Pitt's gradually eroding calm strengthened by a crew of supporting actors (including Mireille Enos, James Badge Dale, and a fantastically loony David Morse) who manage to make a large impression in limited time. Most importantly, it's got those tremendous early scenes of zombie apocalypse, which display a level of frenetic chaos that's somehow both over-the-top and eerily plausible. When the fleet-footed ghouls start dogpiling en masse, even the most level-headed viewer may find themselves checking the locks and heading for the basement. --Andrew Wright
Based on Stephen Leather's best-selling book, Tango One starring Vincent Regan (300, Top Dog), Brad Moore (North v South) and Sean Blowers (We Still Kill the Old Way) is a fast-paced thriller about the redemption of a dangerous career criminal who is faced with the collapse of his empire and saving his daughter's life. The dangerous mission begins when three recruits are assigned to a team of undercover detectives on their first day of training with the London Metropolitan Police. Their assignment is to take down one of the world's most notorious drug dealers, Den Donovan, alias Tango One'. As the undercover recruits inch closer to their target, they each are drawn in by the charismatic criminal leader, too close, perhaps, to remember the rules. No stranger to the gritty British crime thriller, Vincent Regan gives a career-defining performance that reaffirms his mark as one of the finest gangster actors of our time. Bonus features include interviews from the cast.
Directed with a cool remove by Dominic Sena, Kalifornia falls somewhere between Badlands and Natural Born Killers. David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists the help of his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for LA, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamoured by gun-toting Pitt's recklessness and lawless disregard for, well, everything--simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker, Amazon.com
Director Lawrence Kasdan (The Big Chill) clearly set out to make an old-fashioned Western, but he couldn't help bringing a hip, self-conscious attitude to the proceedings. Silverado thus finds its own funky tone--sometimes rousing, sometimes winking. Four cowboys--Kevin Kline (a distinctly modern kind of Western hero), Scott Glenn, Danny Glover, and the rowdy young Kevin Costner--converge on a little Western burg called Silverado. Kasdan peppers the somewhat generic action with smart dialogue and a parade of quirky supporting players, including John Cleese as a sheriff who seems to have stepped straight from a Monty Python sketch into an Old West saloon. Bruce Broughton supplies the music, a real throwback to the glory days of thundering Western themes. One thing's for sure: Silverado's a lot more fun than the later Kasdan-Costner Western, Wyatt Earp. --Robert Horton, Amazon.com
Bryan Singer's follow-up to his post-modern caper-thriller The Usual Suspects trades in the flamboyant narrative flourish of that film for a moody meditation on the allure of evil. Based on the Stephen King novella (featured in the collection Different Seasons), Apt Pupil follows the disturbing downward spiral of a bright young schoolboy, Todd (Brad Renfro), who discovers a wanted Nazi war criminal is living in his town and then blackmails him into telling stories ("everything they're afraid to show us in school") of the horrors of the Holocaust. The old man, Dussander (a terrifying performance by Ian McKellen), comes alive while telling his tales and is soon reliving his past glories in a SS Halloween ordered byTodd. It's not long before Dussander's homicidal streak is unleashed and he is pulling Todd along with him. Although set against a backdrop of Holocaust history, the issues raised in the stories are ignored in favour of shocks and suspense and the film ultimately sacrifices the opportunity to be a fascinating psychological thriller about the seductive power of evil for a trip into Stephen King territory. Despite such limitations, Singer delivers a stylish and sometimes unsettling horror picture, which is largely due to McKellen's chilling portrait of a slumbering sadist awakened. --Sean Axmaker
The American President is behind in the polls and is looking to increase his popularity. His advisors launch an 'anti-Canadian' campaign which inadvertantly results in bumbling U.S. sheriff Boomer (John Candy) and his hair-trigger deputy Honey (Rhea Perlman) leading their troopers to invade Canada!
Ole Bornedal's thriller about a young law student who takes a job as a night watchman in a creepy morgue is long on style but comes up a little short on quality of storytelling. Bornedal sets things up in high style as Martin Bells (Ewan McGregor doing an American accent) makes his rounds in the middle of the night, with only corpses and his own paranoia for company. When bodies start coming in, the prostitute victims of a grisly serial killer, the imposing detective on the case (a hulking Nick Nolte) begins to suspect that Bells is the killer, as all clues start pointing to him. Coscripted by Steven Soderbergh (Out of Sight) and adapted from Bornedal's 1994 Danish thriller, Nightwatch forsakes out-and-out thrills for a more moody approach with flickering lights, menacing shadows and echoing footsteps down long hallways. If only there was a little more energy before the highly effective denouement, which does get scares, even after the killer is revealed. Still, McGregor is supported by a stronger than average cast: in addition to Nolte, Josh Brolin does an amusing turn as McGregor's out-of-control best friend, Patricia Arquette fares well in the standard girlfriend role and the always creepy Brad Dourif makes the most of a sinister and funny bit part as the on-call doctor. You won't jump out of your seat but by the end of Nightwatch you will find yourself remarkably tense. --Mark Englehart
A movie's lasting value can often be measured by its influence in the years and decades following its original release, and on that basis Run Silent, Run Deep is certainly a classic of sorts. It remains one of the seminal World War II submarine pictures, and its intelligent script and tautly executed action are clearly echoed in such later submarine dramas as Das Boot and especially Crimson Tide, which borrows liberally from this 1958 film. In one of his best and final roles (he appeared in only four films after this), Clark Gable plays a submarine captain without a command, having been saddled with a desk job after his previous ship was destroyed due to his overzealous pursuit of the enemy in dangerous Japanese waters. He finally gets another boat--this time with a vigilant first officer (Burt Lancaster), who stands poised to assume command if Gable puts his crew in unnecessary danger. The tension and mutual respect between these two principled men is superbly written and directed (Robert Wise was just two years away from his triumph with West Side Story), and the crucial inclusion of a strong supporting cast (including Jack Warden and Don Rickles) enhances the movie's compelling authenticity. Based on a novel by former submarine commander Edward L. Beach, Run Silent, Run Deep is rousing entertainment with the added benefit of paying honourable tribute to the men who navigated through the most frightening and claustrophobic channels of the Pacific cinema. --Jeff Shannon
This story centers around Asterix and Obelix and their adventures with the conquests of the Norman Vikings, many centuries in the past.
Nica (Fiona Dourif) is grieving over the gruesome suicide of her mother when her domineering older sister Barb (Danielle Bisutti) arrives with her young family in tow to help settle their mother's affairs. As the sisters butt heads over Nica's plans for the future Barb's young daughter comforts herself with a grinning red-haired talking doll named Chucky (Brad Dourif) that recently arrived mysteriously in the mail. But as a string of brutal murders begins to terrorize the household Nica suspects the doll may hold the key to the bloodshed. What she doesn't know is that Chucky has a personal score to settle. He's determined to finish a job he started more than 20 years earlier and this time he's going to see it through to the bloody and shocking end. Chucky's back and better than ever - Brad Miska Bloody-Disgusting.com.
Keeping up an image can be a full time job. Beginning as a one-man show by writer/director Tom DiCillo Johnny Suede is a charming stylized fable of an innocent would-be rock star played by a young Brad Pitt. Johnny Suede is a young guy with an attitude and a sensational pompadour to match. Johnny dreams about being a rock 'n' roll star like his idol Ricky Nelson; he has all the stylistic accoutrements except the desired foot apparel. One night after leaving a nig
Be afraid... Be twice as afraid! Troll: When an evil troll named Torok attempts to bring about cataclysmic changes that will forever erase mankind an ancient sorceress and a young boy join forces to stop him before he can carry out his diabolical plan. Troll II: Trolls live in the woods around Nibog and feed on the town's population. By transforming themselves into people the trolls are able to come into town and pick their menu. This summer their prey is the Waits
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features.
The world of Cars takes flight in Planes Disney's high-flying animated comedy revved up with action and adventure. Join Dusty a crop duster with sky-high dreams and a once-in-a-lifetime chance to take on the world's fastest flyers in the greatest air race ever. Dusty has a huge heart but two big problems...he's not exactly built for speed plus he's afraid of heights. His courage is put to the ultimate test as this unlikely hero aims higher than he ever imagined. With a little help from his friends Dusty finds the courage to be more than he was built for - and the inspiration to soar. Experience Disney's uplifting story of bravery and friendship with never-before-seen bonus features. Special Features: Exclusive Musical Scene: Franz's Song Klay's Flight Plan Introduction To Deleted Scenes By Director Klay Hall And Producer Traci Balthazor-Flynn Deleted Scenes with filmmaker intro: Training Montage Taj Mahal Meet The Racers: El Chu Ripslinger Dusty Ishani Top 10 Flyers Disney Mickey Mouse Croissant de Triomphe
GLUTTONY. GREED. SLOTH. WRATH. PRIDE. LUST. ENVY. Two cops (Brad Pitt and Morgan Freeman) track a brilliant and elusive killer who orchestrates a string of horrific murders, each kill targeting a practitioner of one of the Seven Deadly Sins. Gwyneth Paltrow also stars in this acclaimed thriller set in a dour, drizzly city sick with pain and blight. David Fincher (Fight Club, Zodiac, The Curious Case of Benjamin Button) guides the action - physical, mental and spiritual - with a sure understanding of what terrifies us, right up to a stunning denouement that will rip the scar tissue off the most hardened soul. Product Features Film on 4K UHD and Blu-Ray Steelbook (Design TBC) Box Packaging (Design TBC) John Doe 38-Page Booklet Frosted Pine LITTLE TREES Brand Air Freshener 7x Deadly Sin Comic Books 7x Deadly Sin Crime Scene Art Cards Double-Sided A3 Poster Help Me Glow-in-the-Dark Art Card Investigation Chalkboard Art Card Numbered Sticker of Authenticity On-Disc Special Features 4K: BD: 4 Commentaries Featuring Director David Fincher, Actors Brad Pitt and Morgan Freeman, and Other Collaborators on the Film Additional / Extended Scenes Alternate Endings Exploration of the Opening Title Sequence from Multiple Video Angles with Various Audio Mixes and 2 Commentary Tracks Production Design and Still Photographs with Commentaries The Notebooks: Full Motion Video Details John Doe's Writings Mastering for the Home Theater: Includes Alternate Angles and Audio Between Original and New Masters Theatrical Trailer
All it takes is a little Confidence. After the huge success of Butch Cassidy And The Sundance Kid George Roy Hill re-teamed with Hollywood stars Robert Redford and Paul Newman for this dazzlingly inventive tale about revenge in 1930s Chicago. The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man
Ocean's Eleven (2001): Three casinos. Eleven guys. $150 million. No problem. Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right the payoff will be a fat $150 million. Divided by 11. You do the maths. Ocean's Eleven brings the filmmaking talent of Academy Award winning director Steven Soderbergh and enough starpower to light up the Las Vegas strip to this class
Hitting the Apex is the inside story of six fighters - six of the fastest motorcycle racers of all time - and of the fates that awaited them at the peak of the sport. It's the story of what is at stake for all of them: all that can be won, and all that can be lost, when you go chasing glory at over two hundred miles an hour on a motorcycle. From the director of faster & fastest, hitting the apex takes us to the heart of this exhilarating sport at a time when the speeds have never been higher or the talent on the track more brilliant.
Drink From Me And Live Forever Brad Pitt is Louis lured by Lestat into the immortality of the damned then tormented by an unalterable fact of vampire life; to survive he must kill Stephen Rea Antonio Banderas Christian Slater and newcomer Kirsten Dunst also star. One lifetime alone offers plenty of opportunities for the savage revelries of the night. Imagine what an eternity can bring. Hypnotically directed by Neil Jordan this film offers enough thrills shocks and fiendish fun to last a lifetime and beyond...
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