The Railway Children (1970) and Swallows and Amazons (1974) are perfect bedfellows: two classic children's novels, simply and faithfully adapted for the big screen. Together they evoke a poignant nostalgia for the periods in which they are set--Edwardian and 1920s England, respectively--and for the childhood of anyone who has grown up watching them. Sentimentality reigns, of course, but it's never cloying. The truthfulness of the juvenile performances, balanced with restrained sympathy from the adults, sees to that. Flourishing under Lionel Jeffries' delicate direction, Jenny Agutter dominates The Railway Children as the oldest daughter of a family thrown on hard times when their father is wrongly sent to prison. They avert a train disaster, save an imperilled steeple chaser and reunite an exiled Russian with his wife, all with equal enterprise. Happy endings prevail after every crisis. And no number of repeat viewings can ever diminish the impact of father's return. One of the most expert tear-duct work-outs in film history, it hits the spot every time. Perhaps the lack of such a pivotal scene has kept Swallows and Amazons in the relative shade. But its gentle appeal survives with equal charm, not least in the resourcefulness of the eponymous children and the period detail. Together this pairing makes a double bill to treasure, and a piquant reminder that Disney doesn't have a complete monopoly on the rich heritage of children's cinema. On the DVD: The Railway Children and Swallows and Amazons is presented in standard 4:3 picture format, from so-so prints, and with acceptable mono soundtracks. Both films envelope the viewer in a comforting Sunday-afternoon haze. There are no extras, apart from scene indexes. --Piers Ford
The Railway Children (1970) and Swallows and Amazons (1974) are perfect bedfellows: two classic children's novels, simply and faithfully adapted for the big screen. Together they evoke a poignant nostalgia for the periods in which they are set--Edwardian and 1920s England, respectively--and for the childhood of anyone who has grown up watching them. Sentimentality reigns, of course, but it's never cloying. The truthfulness of the juvenile performances, balanced with restrained sympathy from the adults, sees to that. Flourishing under Lionel Jeffries' delicate direction, Jenny Agutter dominates The Railway Children as the oldest daughter of a family thrown on hard times when their father is wrongly sent to prison. They avert a train disaster, save an imperilled steeple chaser and reunite an exiled Russian with his wife, all with equal enterprise. Happy endings prevail after every crisis. And no number of repeat viewings can ever diminish the impact of father's return. One of the most expert tear-duct work-outs in film history, it hits the spot every time. Perhaps the lack of such a pivotal scene has kept Swallows and Amazons in the relative shade. But its gentle appeal survives with equal charm, not least in the resourcefulness of the eponymous children and the period detail. Together this pairing makes a double bill to treasure, and a piquant reminder that Disney doesn't have a complete monopoly on the rich heritage of children's cinema. On the DVD: The Railway Children and Swallows and Amazons is presented in standard 4:3 picture format, from so-so prints, and with acceptable mono soundtracks. Both films envelope the viewer in a comforting Sunday-afternoon haze. There are no extras, apart from scene indexes. --Piers Ford
Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
Continue your Doctor Who archive with the ultimate collectors' set. Continue your Doctor Who archive with the ultimate collectors' set. Starring Sylvester McCoy in his first season as the Seventh Doctor, this set includes serials: Time And The Rani Paradise Towers Delta And The Bannermen Dragonfire All 14 episodes have been newly remastered alongside extensive and exclusive Special Features including: Extended Versions Of All Four Stories, Featuring Previously Un-Transmitted Material. Immersive 5.1 Surround Sound & Isolated Scores Brand New Documentaries - Including A Feature-Length Overview Of Season 24 - Here'S To The Future, Plus The Making Of Delta And The Bannermen. Rare Studio & Location Footage - Over 25 Hours Of Raw Material Never Seen Before, Including Behind-The-Scenes Footage From The Regeneration Scene. In Conversation - Matthew Sweet Interviews Sylvester Mccoy About His Life, Career, And Time As The Seventh Doctor. Behind The Sofa - Four New Episodes With Sylvester Mccoy, Bonnie Langford, Sophie Aldred, Peter Davison, Janet Fielding, Sarah Sutton, Colin Baker & Michael Jayston. The Doctor'S Table - Sylvester Mccoy, Bonnie Langford, Sophie Aldred And Clive Merrison Reminisce About The Making Of The Season. Rare Gems From The Archives - Hours Of Footage Covering The Promotion Of This Season Including Lots Of Previously Unreleased Material. An Audience With Lady Stevens - A Brand New Interview With Season 24 Actor And Rocky Horror Cult Figure Patricia Quinn. Blu-Ray Trailer - A Brand New Mini-Episode. Convention Footage Hd Photo Galleries - Including Many Previously Unseen Images. Info Text - Behind-The-Scenes Information And Trivia On Every Episode. Scripts, Costume Designs, Rare Bbc Production Files And Other Rarities From Our Archive And Lots More! The eight-disc box set also includes hours of special features previously released on DVD and Blu-Ray.
The Railway Children: Three Edwardian children travel with their mother to live by a railway in Yorkshire when their father is wrongly imprisoned as a spy. Based on the novel by Edith Nesbit. (Dir. Lionel Jeffries 1971) Swallows And Amazons: Six young children experience a holiday in the Lake District during the peaceful summer of 1929.... Based on the novel by Arthur Ransome. (Dir. Claude Whatham 1974)
Connie: The Complete Series (4 Discs)
That'll Be The Day: Abandoned by his father at an early age Jim MacLaine seems to have inherited the old man's restlessness. Despite his apparent intelligence Jim decides not to take the exams that would pave his way to university; he begins to think that the life of a pop musician might be the thing for him... Stardust: Jim is now enjoying the nomadic gigs and groupies' life of The Stray Cats. When he achieves all his wildest dreams of international stardom the sweet taste of success begins to turn sour...
We don't have time for subtle," says Brendan Fraser, the star of The Mummy Returns, neatly encapsulating the relentless pace and hammerheaded tone of the film. As is the way of sequels here we have more, more, more of the same formula: more explosions, more action and more mind-numbingly endless CGI effects. Once again borrowing shamelessly from the Indiana Jones series, The Mummy Returns, like its predecessor, has boundless energy but lacks the stylish verve and charm of Spielberg's trilogy. All the original cast are reunited, this time joined by WWF star the Rock in a cameo role designed to plug his spin-off vehicle, The Scorpion King, and young actor Freddie Boath who plays an English eight-year-old in the 1930s whose dialogue borrows from Bart Simpson ("Get a room" and "My dad's gonna kick your arse" are two of his choice phrases). Other cinematic thefts include a Jurassic Park-style creatures-in-the-long-grass sequence and a lengthy triple-threat finale along the lines of Return of the Jedi. Still, despite the wearying relentlessness of its computer-generated effects, endless chases and fights, this is undeniably fun popcorn fodder and provides some memorable scenes along the way, notably Rachel Weisz and Patricia Velasquez battling it out for the affections of nasty old Imhotep.On the DVD: This two-disc "Special Edition" is a treat for fans of the franchise. The first disc has an anamorphic widescreen print of the movie in its 2.35:1 CinemaScope ratio, and a choice of Dolby 5.1 or DTS for the headache-inducing soundtrack. There's a decent commentary from the director and producer, plus a couple of DVD-ROM features. Disc 2 has all the usual stuff, including a 20-minute "making-of" documentary, a five-minute interview with the Rock about The Scorpion King, plus an exclusive trailer for it that is unsurprisingly reminiscent of Conan the Barbarian. There are also some detailed special effects breakdowns of key sequences, a blooper reel of outtakes and a virtual tour of the Universal theme park attraction "The Mummy Returns Chamber of Doom". Sundry trailers, production notes, a music video and an "Egyptology 201" text feature round out a well-loaded second disc. --Mark Walker
When five year old Danny helps deliver a family friend's baby Anna he tells his father that he will one day marry her. But it's not until he moves back to America- twenty five years later- that fate steps in and literally knocks him off his bike- and into the arms of a beautiful grown up Anna (Mol)! And while destiny might be on his side Danny (Law) discovers that time is not... because Anna is not only sure of her feelings for Danny but she's also engaged to be married to someone
This moving evocative and highly original drama recalls the mystery the doubts and the poetry that is childhood – as seen through the eyes of an isolated little boy whose life is turned upside down by the unwelcome arrival of his unruly nephew. Directed by BAFTA nominee Desmond Davis and featuring powerful performances from an accomplished British cast including Rupert Davies Brenda Bruce and Maurice Denham this rare highly acclaimed film is presented in a brand-new transfer from the original film elements. At just seven years of age Gus has been an uncle all his life. When his quarrelsome unmanageable nephew Tom comes to spend the summer holidays with him however he finds the responsibilities of his position almost too hard to bear... Bonus Features: Image Gallery Promotional Material PDF
During the Nazi occupation of Paris in the 1940's a group of men are dragged off the street by soldiers. The twenty nine Frenchman are all quite innocent but the Germans have ordered that one out of every ten men must be executed. One such man a French lawyer named Chavel trades his material possessions for his life with a dying man when condemned to the firing squad. At the end of the war Chavel posing as one of the other prisoners returns to his home which is now occupied by t
Stephanie Beacham takes the title role in a drama of intrigue set in the cut-throat world of the rag trade. Her performance as a feisty fashion entrepreneur led directly to her phenomenal success in The Colbys and Dynasty, and dominates a series bristling with razor-sharp humour and boasting a plot full of surprises. Also starring Pam Ferris, George Costigan and Brenda Bruce, Connie was originally screened in 1985, and features a theme song co-written by the Oscar-nominated Willy Russell (Blood Brothers, Educating Rita). Eight years ago, Connie 'retired' to Greece to run a taverna with a local Adonis. Now, her return to her native East Midlands and the industry she loves sends ripples of fear through the dingy offices of her former rivals; they all guess, correctly, that she wants a slice of the action. But who will give her the all-important toehold? Her family and friends are no help and what nobody knows is that although Connie came back on a first-class ticket, she got off the plane wearing a simple cotton dress, nursing a bandaged hand and clutching a handbag containing nothing but tissues, a lipstick and ten drachma. The people who cheated on her, in or out of bed, had better watch out!
The New Statesman' is a multi-award winning masterpiece of political satire. Rik Mayall stars as the ruthless Alan B'Stard the egocentric MP who will stop at nothing to further his political career. With no morals no depth to which he wouldn't sink and no plot too cunning following the antics of such an immoral MP makes for unbelievable nonstop comedy. This DVD box set features all four series of 'The New Statesman' culminating with the feature length special 'Who Shot Alan B'Stard'.
Regular weekly meetings in a Turkish Bath in London bring eight women of varying backgrounds to a greater understanding of each other, of themselves, and of their own relationships with the men in their lives.
The Flaxborough Chronicles. Murder Most English contains four terrific tales of detective sleuthing based on the Flaxborough novels of Colin Watson. Starring Anton Rodgers as Detective Inspector Purbright and Christopher Timothy as Detective Sergeant Love the series was filmed in 1977 and is a glowing tribute to an England long-gone of heavy tweed jackets dial telephones typewriter ribbons and old-fashioned investigation and deduction. Told over 7 episodes: Hopjoy Was Here Lonelyheart 4122 The Flaxborough Crab and Coffin Scarcely Used tell tales of mysterious murders dire disappearances and conniving conspiracy that are designed to keep the local investigators at bay but their layers of intrigue simply draw the detectives in deeper. One surprising and prescient tale considers the effects of an early variation on Viagra that sets the small town astir in some most unexpected ways. But whatever the crime and whoever the culprit one thing you can be sure of is a case or two of Murder Most English.
Sam Palmer is a cricket player who is playing his last matches of his career. His son Jackson is a poet who disappoints Sam by not attending his next-to-last game. Then Jackson is suddenly invited to the home of Alexander Whitehead. Jackson fears he will miss Sam's last game - but it turns out that Alexander is a cricket fan.
Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (the director in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colourful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full colour photography, documentary techniques and especially its uneasy connections between sex, violence and the cinema. We can thank Martin Scorsese for sponsoring its 1979 re-release, which presented the complete, uncut version to appreciative audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker, Amazon.com
Set within the steamy world of international show jumping Rupert Campbell-Black ad Jake Lovell are top riders and sworn enemies both in and out of the ring. Their bitter rivalry has been escalating until it ultimately erupts at the Los Angeles Olympics with devastating conclusions. The first of the Rutshire chronicles Riders is an explosive mix of romance sex and adventure.
Alexandre Dumas' classic tale of fraternal squabbling makes a more than satisfactory transition to celluloid with this 1976 made-for-television swashbuckler. Viewers familiar with the more recent Leonardo DiCaprio version may be stymied at first by the non-MTV pace and the rather unhip presence of Richard Chamberlain in the lead role(s). This well-lensed action film overcomes a somewhat poky first half to emerge as a terrific adventure, complete with plenty of derring-do, some sharply pointed dialogue, and a wonderful performance by the incomparably malevolent Patrick McGoohan. Rousing fun for burgeoning rapscallions of all ages. Director Mike Newell would later find success in a different genre with Four Weddings and a Funeral. Ian Holm, Louis Jordan, and Ralph Richardson round out the embarrassingly rich supporting cast. --Andrew Wright
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