In Amusement three women are stalked by a killer with a grudge that extends back to the girls' childhood.
Director Peter Bogdanovich revisits small-town Texas life in the long-awaited sequel to his 1971 masterpiece 'The Last Picture Show'. It's been over 30 years since Duane Jackson Sonny Crawford and Jacy Farrow graduated from high school. Life is still bittersweet as the town prepares to host the county's centennial celebration. Duane struck it rich with oil but is saddled with $12 million in debt and a shopaholic wife Karla. To make matters worse his dysfunctional children are out
From the late 1930s to the mid 1940s,Deanna Durbin was one of the most popular singing stars in the world. Her Hollywood musicals were a hit with the critics and the public alike and she was adored by countless millions of fans.The world reeled when, in 1948, Deanna suddenly announced that she was to retire from film-making at the age of just 27 and her name has since passed into Hollywood legend.Blessed with the voice of an angel, Deanna Durbin is now best remembered for her superb performances as a singer, but she was also an exceptionally gifted actress and comedienne.The five films included in this collection capture Deanna at the height of her career, singing many of her best-loved songs and leaving us with performances to cherish.Titles comprise:It Started With EveUp In Central ParkHers To HoldNice Girl?His Butler's Sister
A huge hit at the box ofice when released in 1950. An action packed WW2 drama.
Instantly recognisable in his red sweater and yellow check trousers and scarf the ever lovable Ruprt Bear joins his friends; Bill Badger Algy Pug Podgy Pig Edward Trunk Pong Ping and Tigerlily for more extraordinary adventures in Nut Wood. Rupert And Ginger: Rupert's encounter with a friendly Stegosaurus in Nut Wood Forest leads him on an adventure to the Jurassic era. Once there he helps his friend The Wise Old Goat repair his malfunctioning time machne and avoid becoming Tyrannosaurus' next meal. Rupert And Pong Ping: When Rupert and Pong Ping journey to China the Emperor's pet dragon becomes jealous of Pong Ping and has him kidnapped by a ferocious fire breathing relative. Rupert embarks on a daring adventure to rescue his friend and in doing so seals the friendship between the emperor and his pet dargon. Rupert And Little Yum: Rupert chooses to disobey his friend Officer Growler and the laws he represents in order to free a rare baby aboninable snowman from the influencial Sir Jasper. However it's only when he plays by Growler's rules that Rupert is able to help his new friend understand that although it may seem slow the law is fair and does punish the wrongdoers.
Kevin Costner is the big name in The War, but the film belongs squarely to Elijah Wood, who plays his son. The film deals with the children of a Vietnam veteran in 1970 Mississippi; as their dad (Costner) tries to cope with post-traumatic stress disorder after serving in the war, the kids build a mammoth tree house in the woods--then must defend it against the local white-trash bullies. The film includes a particularly harrowing contest involving a swim across the reservoir of a decrepit water tower; still, director Jon Avnet can't avoid a certain "can't we all just get along" didactic message. That doesn't put a damper on the youthfully natural quality of the child actors, and Costner is actually quite winning as a sensitive, troubled soul. --Marshall Fine, Amazon.com
When hunter Ben (Andrews) happens upon a fugitive (Brennan) and his daughter (Baxter) living in a Georgia swamp he falls in love with the girl. However for them to be together he must first somehow pursuade the fugitive to return to town... A little seen wartime gem from French maestro Jean Renoir.
Memories of a childhood shaped by the spectre of sectarianism come to the fore, as Maeve (Mary Jackson) returns as an adult to a Belfast still steeped in the politics of The Troubles. Presenting a feminist alternative to the conventional narrative of the conflict, filmmakers Pat Murphy and John Davis broke new ground with their experimental approach, which challenges many of the formal qualities of mainstream cinema. Previously unavailable on Bluray, Maeve is a powerful take on the issues of feminism and nationalism, a film rich in debate and disruption and an overlooked gem of 1980s independent film, ripe for rediscovery. Remastered in 2K by the BFI Being a Woman is a Nationality a Video Essay on Maeve (2021, 14 mins): filmmaker Chris O'Neill explores Maeve's themes of feminism, Republicanism and nationality in this new video essay Irish Cinema Ourselves Alone? (1996, 51 mins): documentary by Donald Taylor Black asking why the most enduring images of Ireland have been made by foreign filmmakers, and showing the struggle to create an Irish cinema. Featuring interviews with major figures including Neil Jordan, Bob Quinn, Jim Sheridan, Pat Murphy and Roddy Doyle Limited edition with a booklet featuring a new discussion on the film between Pat Murphy, John Davies and Robert Smith and essays by Lizzie Borden, Emmie McFadden and Jack O'Dwyer
A smoulderingly laconic Rory Calhoun stars as Cully, charismatic leader of a gang of outlaws on the run after a bank robbery. Their dash for the border is brought to an abrupt halt by a chance meeting with an old compadre and his beautiful young daughter. Taking refuge from a storm in a barn, it's lust at first sight for Cully and the luscious Lolly Bhumer (Colleen Miller) but her trigger-happy father (Walter Brennan) soon puts a stop to that. Fate soon brings them back together when Cully and his men find the father and daughter being attacked by a band of renegade apaches.Heroically, Cully sacrifices his escape from the Sheriff's posse in order to rescue them. This is former actor Richard Carlson's second film and his first Western and perhaps that's why this adaptation of Louis L'Amour's novel is so exceptionally original for its genre. With a terrific supporting cast, including Walter Brennan, John McIntire and Charles Drake, this is a thoughtful and character-driven film. It's also sumptuously shot and thanks to the powerful sexual chemistry between Cully and Lolly, it exudes a steamy sensuality you wouldn't expect to find in a fifties Western!
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara Stanwyck) is rehired and now needs to find someone to play the part of the fictional ""John Doe""... Meet John Doe is often held to be part of a thematic trilogy that includes Mister Deeds Goes To Town and Mister Smith Goes To Washington. It explores a recurring notion in Capra's work that of the universal everyman exploited by a corrupt and powerful establishment. The film's reflections on corporate control of both the media and of ordinary people's lives is still as resonant as ever.
Raining Stones is classic Ken Loach--an overtly bleak piece of drama shot through with defiant humour, a story of life beyond the edge of society. Bob (Bruce Jones in a role that foreshadows his more ludicrous Coronation Street character) is unemployed and struggling to make ends meet, especially with the added pressure of his young daughter's first communion and the expense involved. And that's it really--one man's struggle to maintain his dignity and provide for his family. Despite the film's frequent moments of comedy (more often than not provided by Loach regular Ricky Tomlinson), Raining Stones is ultimately more than a little disheartening. The film is in many ways similar to Loach's previous film, Riff Raff (1991), but here the examples of a community pulling together are countered with backstabbing and exploitation. In the end, there are no winners or losers in Loach's world, only those who survive and those who don't. --Phil Udell
Rutger Hauer (Blade Runner, Batman Begins) delivers a haunting performance as the bringer of death in this terrifying take on the vampire tale, as he unleashes a horrifying brand of religious purification upon a small town. When a Reverend (Stuart Brennan - Risen) arrives to a new parish in a troubled town, he embarks upon a holy crusade to purge the neighborhood of hooligans, criminals and thugs. However, what the locals have yet to realize is that his divine service is driven by an uncontrollable thirst for blood and they soon find themselves sucked into his diabolical world of death and devastation.
While investigating the mysterious death of his beloved wife Matt Trakker uncovers an international organization knows as Venin dedicated to nefarious criminal activities in every corner of the world. Driven by his quest to know the truth he gathers together a number of friends who possess extraordinary talents and creates M.A.S.K. Their objective: to destroy Venin and it's mastermind Miles Mayhem.
An astronaut and his robot companion inadvertantly enter a time-space warp and are hurled into the past where they find themselves in the court of King Arthur!
We will remember them. Four terrorists wanted to turn Flight 93 into a weapon. Forty passengers and crew stopped it from reaching its target... This drama made for US TV documents the final tragic journey of Flight 93 on 11th September 2001 where the passengers managed to heroically overthrow the terrorist threat at the expense of their lives.
The Big Sleep:One of the most satisfying and sheerly entertaining movies ever to come out of Hollywood this marvellous 1946 classic adaptation of Raymond Chandler's hard-boiled novel is the perfect vehicle for the real-life team of Humphrey Bogart and Lauren Bacall whose sultry zingy dialogue adds spice to what has to be the most intricate and most exciting thriller plot ever filmed. In the hands of screen play writers William Faulkner Leigh Brackett and Jules Furthman and master director Howard Hawks who slings the lamps low and keeps violence crackling this movie zips along down Chandler's mean Los Angelino streets as Bogie's world-weary cynical private eye Philip Marlowe begins a search for a missing chauffeur that turns into a blackmail hunt with a pretty girl at each turn and a corpse on each corner. The sexual undercurrents are torrid the repartee remarkable the whole just simply terrific. To Have And Have Not:Help the Free French? Not world-weary gunrunner Harry Morgan (Humphrey Bogart). But he changes his mind when a sultry siren-in-distress named Marie asks ""Anybody got a match?"" That red-hot match is Bogart and 19-year-old first-time film actress Lauren Bacall. Full of intrigue and racy banter (including Bacall's legendary whistling instructions) this thriller excites further interest for what it has and has not. Cannily directed by Howard Hawks and smartly written by William Faulkner and Jules Furthman it doesn't have much similarity to the Ernest Hemingway novel that inspired it. And it strongly resembles Casablanca: French resistance fighters a piano-playing bluesman (Hoagy Carmichael) and a Martinique bar much like Rick's Cafe Americaine. But first and foremost it showcases Bogart and Bacall carrying on with a passion that smolders from the tips of their cigarettes clear through to their souls. Key Largo:A hurricane swells outside but it's nothing compared to the storm within the hotel at Key Largo. There sadistic mobster Johnny Rocco (Edward G. Robinson) holes up and holds at gunpoint hotel owner Nora Temple (Lauren Bacall) and ex-GI Frank McCloud (Humphrey Bogart). McCloud's the one man capable of standing up against the belligerent Rocco. But the postwar world's realities may have taken all the fight out of him. John Huston co-wrote and compellingly directs this film of Maxwell Anderson's 1939 play with a searing Academy Award winning performance by Claire Trevor as Rocco's gold-hearted boozy moll. In Huston's hands it becomes a powerful sweltering classic. The Dark Passage:Bogey's on the lam and Bacall's at his side in Dark Passage Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen Vincent's lone ally. In a supporting role Agnes Moorehead portrays Madge a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas the post-surgery Vincent tells her: ""Don't change yours. I like it just as it is.""
Mark Twain's Beloved Story. Live Action.
Irish drama that follows 'Mad' Mary McArdle (Seána Kerslake) as she returns to her home town of Drogheda after a short stint in prison. Following her release, Mary returns to Drogheda for her best friend Charlene (Charleigh Bailey)'s wedding. As she prepares for her big role as the maid of honour, Mary tends to her duties and prepares her speech while dealing with the social repercussions of her time behind bars for a violent assault and trying to find a date for the big day.
The great Fred Astaire and Ginger Rogers star in this fascinating biopic as the greatest ballroom dancing team of the first half of the 20th Century: Vernon and Irene Castle. This phenomenal dancing pair swept the world with their mastery of dancing and quickly became celebrities before World War I brought their fame to an end.
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