Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
This is the story of Fanny Price, who emerges from this comedic maze of manners having discovered the rightness of of true love.
We don't have time for subtle," says Brendan Fraser, the star of The Mummy Returns, neatly encapsulating the relentless pace and hammerheaded tone of the film. As is the way of sequels here we have more, more, more of the same formula: more explosions, more action and more mind-numbingly endless CGI effects. Once again borrowing shamelessly from the Indiana Jones series, The Mummy Returns, like its predecessor, has boundless energy but lacks the stylish verve and charm of Spielberg's trilogy. All the original cast are reunited, this time joined by WWF star the Rock in a cameo role designed to plug his spin-off vehicle, The Scorpion King, and young actor Freddie Boath who plays an English eight-year-old in the 1930s whose dialogue borrows from Bart Simpson ("Get a room" and "My dad's gonna kick your arse" are two of his choice phrases). Other cinematic thefts include a Jurassic Park-style creatures-in-the-long-grass sequence and a lengthy triple-threat finale along the lines of Return of the Jedi. Still, despite the wearying relentlessness of its computer-generated effects, endless chases and fights, this is undeniably fun popcorn fodder and provides some memorable scenes along the way, notably Rachel Weisz and Patricia Velasquez battling it out for the affections of nasty old Imhotep.On the DVD: This two-disc "Special Edition" is a treat for fans of the franchise. The first disc has an anamorphic widescreen print of the movie in its 2.35:1 CinemaScope ratio, and a choice of Dolby 5.1 or DTS for the headache-inducing soundtrack. There's a decent commentary from the director and producer, plus a couple of DVD-ROM features. Disc 2 has all the usual stuff, including a 20-minute "making-of" documentary, a five-minute interview with the Rock about The Scorpion King, plus an exclusive trailer for it that is unsurprisingly reminiscent of Conan the Barbarian. There are also some detailed special effects breakdowns of key sequences, a blooper reel of outtakes and a virtual tour of the Universal theme park attraction "The Mummy Returns Chamber of Doom". Sundry trailers, production notes, a music video and an "Egyptology 201" text feature round out a well-loaded second disc. --Mark Walker
More than any other filmmaker of his generation, Kenneth Anger is recognized by the public as a maker of underground, experimental cinema. To main-line film critics he is the first-remembered such filmmaker, one who combines cinematic talent and an aura of scandal. This collection of films known as the Magick Lantern Cycle includes:1. Fireworks (1947)2. Puce Moment (1949)3. Rabbit's Moon (1950/1971, the rarely seen 16mins version)4. Eaux d'Artifice (1953)5. Inauguration of the Pleasure Dome (1954)6. Scorpio Rising (1964)7. Kustom Kar Kommandos (1965)8. Invocation of My Demon Brother (1969)9. Rabbit's Moon (1979 version)10. Lucifer Rising (1981)11. Anger Me (2006) - Elio Gelminis documentary on Kenneth Anger
A harrowing, if limited, 1993 thriller, Desperate Justice stars Lesley Ann Warren as Carol, a mother whose young daughter is raped by the caretaker of her school and left in a coma. The culprit is quickly rounded up; however, the case against him is dismissed for lack of rock-solid evidence. In a moment of blind fear and rage, Carol metes out summary justice of her own--and must face up to the consequences. Desperate Justice is suitably restrained in dealing with the violence central to its subject matter. While competently enough scripted and acted to retain the viewer's interest and sympathy, it has a slightly fuzzy, sucrose feel about it that acts as a general anaesthetic against the inevitably disturbing subject matter. The final scenes in particular achieve a tidy, somewhat predictable sense of "closure" so beloved by Americans. Despite its made-for-TV air, Desperate Justice has just enough about it to ensure a passable late night 90 minutes over a mug of Horlicks. On the DVD: This is not the sort of movie that was ever designed to benefit from DVD enhancement. Picture format is 4:3. As well as trailers, there are included here items entitled "About the film" and "About the stars", which turn out to be perfunctory text-only blurbs. --David Stubbs
Tanya (Dina Korzun) a vulnerable and nave young Russian arrives at Gatwick Airport with her English fianc. But when he fails to show up a distraught Tanya claims political asylum and finds herself virtually imprisoned in a nightmarish refugee holding centre in a lonely seaside resort. Desperate to escape Tanya forges an unlikely alliance with amusement arcade manager Alfie (Paddy Considine) which soon develops into something more. But is he just another man who will let her dow
Two young protestors on the run from the police become friends lovers and try to lose their past...
An affectionately tongue in cheek comedy exploring the early 1990's human traffic club culture in Britain where open air raves moved into more respectable indoor premises but the drugs dance music and dramas continued...
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