Would you save the life of the man who stole yours? AJ (WWE Superstar Paul Triple H Levesque) always wanted a nice quiet life. For the past 13 years his best friend Jack (Michael Rapaport True Romance) has been living it for him. Now after paying his debt AJ is finally coming home - but he's about to learn getting out of prison doesn’t mean you're free. When Jack finds himself in the crosshairs of the local crime boss AJ must revisit the sins of his past to protect the people he loves. Parker Posey (Best in Show) Julie White (Transformers) and Bruce Dern (Big Love) co-star in this explosive story that proves sometimes the only way out is back in. Special Features: The Game. The Rapper. The Rap Co-stars Triple H and Michael Rapaport interview eachother Inside Out-takes: Bloopers and fun stuff from the set Triple H: Under Investigation Go Behind the Scenes with Triple H
Best known for making movies about men and violence, director Walter Hill scored a misfire with this ambitious but ultimately dreary remake of Akira Kurosawa's samurai classic Yojimbo. The story's essentially the same but the setting has been switched to a dusty, almost ghostly Texas town in the 1930s, where two rival Chicago gangs are locked in an uneasy truce. Bruce Willis plays the lone drifter who allies himself with both gangs to his own advantage, working both sides against each other according to his own hidden agenda. The violence escalates to a bloody climax, of course, with Christopher Walken, David Patrick Kelly and Michael Imperioli as trigger-happy lieutenants in a lonely, desolate war. Fans of gangster movies will want to see this, and, if nothing else, Hill has brought his polished style to a vaguely mythic story. It's far from being a classic, however, and although its action is at times masterfully choreographed, the movie's humourless attitude is unexpectedly oppressive. --Jeff Shannon, Amazon.com
Tom Hanks stars in The 'Burbs, a sporadically funny extended sketch piece about a gaggle of suburban neighbours so preoccupied with mysteries taking place behind the closed doors of a newcomer that they go to extremes to look inside. The film is essentially a simple satire from director Joe Dante, for whom suburbia has been ripe territory for such comic-horror stories as Gremlins, Explorers, Matinee and Small Soldiers. Of all Dante's movies, The 'Burbs has the least story material to go around, and it depends heavily (and with modest success) on the comic powers of its cast--including Bruce Dern as a paranoid nut, Hanks as a Mr Normal type who loses perspective, and Rick Ducommun as Hanks' neurotic best friend. These appealing people hold one's attention, but by the end of the film, with nothing much having happened, even the cast can't mitigate an empty feeling. --Tom Keogh, Amazon.com
Alfred Hitchcock's final film Family Plot is understated comic fun that mixes suspense with deft humour, thanks to a solid cast. The plot centres on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine
In Alexander Payne's "Nebraska" a father and son steer the American road comedy into a vanishing Midwest on the trail of a dubious fortune - and in search of an understanding of each other that once seemed impossible.
An Oscar winning biopic about Aileen Wuornos, a highway prostitute who was executed for killing seven men in the state of Florida during the 1980s.
A delusional man - who believes he's a cowboy -starts a relationship with a rebellious young woman.
A bold girl discovers a bizarre, threatening, and mysterious new world beyond her front door after she escapes her father's protective and paranoid control.
Audiences overlooked Wild Bill at the cinema, but it's one of the better Westerns of the 1990s, featuring yet another terrific performance by Jeff Bridges, America's most underrated movie actor. As James Butler Hickock, he captures the sense of a man at the end of his career, one of the first media superstars who discovers that his legend is more burden than blessing. As he heads toward his final hand of poker in Deadwood, South Dakota, he flashes back to his younger days and the events that built his reputation, even as he copes with encroaching blindness caused by syphilis. Walter Hill blends action and elegy, utilising a screenplay based both on Pete Dexter's novel Deadwood and Thomas Babe's play Fathers and Sons. Wild Bill features strong supporting performances by John Hurt (as a Hickock sidekick) and Ellen Barkin (as the tough, lusty Calamity Jane)--but the centrepiece is the sad, manly performance by Bridges, who more than measures up to the part. --Marshall Fine
A bold girl discovers a bizarre, threatening, and mysterious new world beyond her front door after she escapes her father's protective and paranoid control.
A down-on-her-luck sex worker unexpectedly finds love and is determined to get her life back on track. However, she soon finds out that going straight is never simple and becomes embroiled in a spiral of violent crime as she escalates from petty theft to serial murder. Product Features Archive audio Commentary with Writer / Director Parry Jenkins, Actor / Producer Charlize Theron and Producer Clark Peterson Making a Murderer: a new interview with Director Patty Jenkins Producing a Monster: a new interview with Producer Brad Wyman Light From Within: a new interview with DoP Steven Bernstein Monster: The Vision and Journey Based on a True Story: The Making of Monster Deleted and Extended Scenes with Director Commentary Monster: Evolution of the Score Original Trailer English subtitles for the hearing impaired Limited Edition Contents Rigid slipcase with new artwork by Daniel Benneworth-Gray Soft cover book with new essays by Anton Bitel, Hannah Strong & Shelagh Rowan-Legg 6 collectors' art cards
In a small US costal town a motorcycle gang arrives on holiday. Also in town trying to reconnect with his pregnant girlfriend Karen is businessman Paul Collier. Paul and the leader of the gang J.J. knew each other years before so when menacing Bunny beats up Paul and begins a sexual assault on Karen J.J. tries to intervene. He suggests they hold cycle-riding contests where the winner can claim Karen (he promises to set her free if he wins). After the contests commence Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?
Trying to escape his past, famous gunslinger, Wild Bill Hickok (Luke Hemsworth), moves to the frontier town of Abilene, Kansas. When Mayor George Knox (Kris Kristofferson) hires him to be town marshal Hickok is tasked with his greatest challenge yet: taming the wildest town in the west. While delivering his own brand of frontier justice, Hickok finds himself confronted by outlaws, bandits and a powerful saloon owner (Trace Adkins), all angered by this new brand of law enforcement. As tensions mount in Abilene, a bounty is placed on Hickok's head and Wild Bill's reputation as the fastest draw in the west is immediately put to the test.
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
An orphaned teenager is taken in by a Malibu couple but discovers they aren't the caring friends they seemed to be.
The Cowboys gave John Wayne one of his juiciest late-career roles as a leather-tough rancher who deserted by his regular help hires 11 greenhorn schoolboys for a cattle drive across 400 treacherous miles.
From director Joe Dante comes a family-friendly adventure that explores the fears and secrets buried in the mind of kids. After moving into a new neighbourhood brothers Dane (Chris Massoglia - Vampire's Assistant) & Lucas (Nathan Gamble - Marley & Me) and their neighbour Julie (Haley Bennett - The Haunting of Molly Hartley) discover a bottomless hole in the basement of their home. They find that once the hole is exposed evil is unleashed. With strange shadows lurking around every corner and nightmares coming to life they are forced to come face to face with their darkest fears to put an end to the mystery of The Hole.
1978 American neo-noir, directed by Walter Hill (Warriors) and starring Ryan O'Neal, Bruce Dern and Isabelle Adjani. The Driver (Ryan O'Neal) is the best wheel man for hire. His work in driving getaway cars are exhibitions in excellence, works of art.The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job, the Detective lays in wait for him. But the Driver has already planted his alibi and is one step ahead of him.Product FeaturesMasterclass: Walter Hill Interview with Walter Hill Alternate opening sequence Trailer Teasers
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Robert Redford is Jay Gatsby the dashing enigmatic millionaire obsessed with the elusive and spoilt Daisy Buchanan (Mia Farrow) in an era in which recklessness with money liquor women and fast cars pervaded the American consciousness...
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