John McClane travels to Russia to hep out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces.
This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy
Set Comprises: Signs (2002): The Hess family in Bucks County Pennsylvania wake up one morning to find a 500 foot crop circle in their backyard. Graham Hess (Mel Gibson) and his family are told extra-terrestrials are responsible for the sign in their field. They watch with growing dread at the news of crop circles being found all over the world. Signs is the emotional story of one family on one farm as they encounter the terrifying last moments of life as the world is being invaded. Get ready for a close encounter of the scared kind... The Sixth Sense (1999): After the assault and suicide of one of his ex-patients award-winning child psychologist Malcolm Crowe (Bruce Willis) is left determined to help a young boy named Cole who suffers from the same diagnosis as the ex-patient - they both see dead people. Malcolm cannot rest until he makes amends for his feelings of failure created by the mental breakdown of the first patient. Cole is a young boy who is paralyzed by fear from his visions of dead people. His mother is at her wits end trying to cope with Cole's eccentricities. With the help of Dr. Crowe Cole goes on a journey of self as he learns to overcome his fears all the while discovering the purpose of his gift. Unbreakable (2001): Bruce Willis and Samuel L. Jackson star in a mind-shattering suspense-filled thriller that stays with you long after the end of this riveting supernatural film. When David Dunn (Willis) emerges from a horrific train crash as the sole survivor - and without a single scratch on him - he meets a mysterious stranger (Jackson) who will change David's life forever. Interrupting his life at odd moments it's Elijah Price's presence and probing that force David to confront his destiny on a journey of self-discovery and purpose that will absolutely stun you with its power.
This gritty, action-packed crime thriller pairs action legends Bruce Willis (Die Hard) and Frank Grillo (Captain America series) in a chilling tale of justice and revenge. After surviving a brutal bank robbery, Jacob (Grillo) teams with his ex-cop neighbor (Willis) to track down the ruthless thief and avenge the assault. Desperate for cash to help treat his diabetic daughter, Jacob plans to take advantage of the situation, but in doing so, puts his family in the crosshairs of a killer
In this Kung Fu adventure hour hero plays Yeh Chen Lung a wealthy young man who owns a bank and protects it by learning martial arts skills. However the Kung Fu he has learnt is bogus and is no match for thugs who want to take over his business. In due course he looses the bank and everything he owns. Just when he thinks he is totally out of luck he meets blind Kung Fu master who teaches him Blind Fist Ghostly Hand Kung Fu.
Bruce Willis first starring vehicle was 1987s Blind Date, a Blake Edwards comedy in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he was warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hot-headed former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern.--Tom Keogh, Amazon.com
School boy Patrick Smash has an amazing ability to fart! As he learns to harness his strange power he begins a weird and wonderful journey that takes him from fame to deathrow and finally onto his life-long goal: to become an astronaut.
Follow the epic story of the X-MEN, a group of humans with genetic mutations that give them extraordinary abilities. Engaged in a constant battle for acceptance in society, the X-MEN must learn to use their powers to fight those intent on world domination. Join Professor X, Storm, Jean Grey, Cyclops and Wolverine as they try to save themselves and the world from Magneto, Sentinels, and Apocalypse, a powerful mutant whose vengeful wrath threatens the planet. Special Features Includes hours of special features
Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.
A computer genius is systematically shutting down the computer infrastructure of the US. The mysterious figure behind the scheme seems to have figured out every digital angle but he hasn't counted on an old fashioned 'analogue' cop John McClane.
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. The town works together to search for them and is turned upside down - which might not be such a bad thing.
Synopsis and product details to follow
Eureka Entertainment to release MINDWARP [aka BRAIN SLASHER], the post-apocalyptic gore-filled sci-fi horror classic of the early 90s, on Blu-ray for the first time in the UK as part of the Eureka Classics range from 22 February 2021. The first print run of 2000 copies will feature a Limited-Edition O-card Slipcase and Collector's Booklet. In the future, life will be a dream. And reality a nightmare. In a post-apocalyptic world, one woman (Marta Alicia) relies on computer fantasies to entertain herself, but a glitch sends her to a far-off wasteland to deal with monsters called Crawlers. She is saved by a young rebel (Bruce Campbell; the Evil Dead franchise, Bubba Ho-Tep), but the pair are later captured and brought underground by the Crawlers. There, an overlord called the Seer (Angus Scrimm; the Phantasm series) presides over the kingdom and tries to make life miserable for his captives. The first film produced as part of the Fangoria Films label, Mindwarp is a gore-filled sci-fi horror classic of the early 90s, and Eureka Classics is proud to present the film on Blu-ray for the first time in the UK. Special Features: Limited-Edition O-card slipcase (First Print Run of 2000 Copies Only) | 1080p presentation on Blu-ray | LPCM 2.0 audio | Optional English SDH | Brand new feature length audio interview with Tony Timpone, former longtime editor of Fangoria Magazine | Fangoria's Weekend of Horrors 1990 footage from the horror convention, with Bruce Campbell and Angus Scrimm in attendance after recently filming Mindwarp | Reversible sleeve artwork featuring original poster artwork for both the original US release, and the international Brain Slasher artwork | PLUS: Limited-Edition Collector's Booklet featuring a new essay by film scholar and author Craig Ian Mann; and a reprinted article from Fangoria sister publication, Gorezone (First Print Run of 2000 Copies Only)
When Karen and Fred Schouten finally conceive a child they feel it is the most important achievement of their lives. But their unborn baby develops a brain defect which means that it will only survive for a few hours after birth. Out of this tragedy however comes a gift of hope and life. For Alice and Gordon Hole whose baby will die unless he receives a heart transplant it could be the answer to a desperate prayer...
In this edge-of-your-seat supernatural thriller featuring Hollywood's hottest stars a study in fear escalates into a heart-stopping nightmare for a professor and three subjects trapped in a mysterious mansion. For over a century the dark and forbidding Hill House has sat alone and abandoned...or so it seemed. Intrigued by the mansion's storied past Dr. Marrow (Liam Neeson) lures his three subjects -Theo (Catherine Zeta-Jones) Nell (Lili Taylor) and Luke (Owen Wilson) - to the
Ashley Judd plays a succesful lawyer shocked to find her husband as a secret past as a military operative. When he is committed of a terrible war crime she must defend him in a top secret military courtroom, where none of the rules she knows apply.
The girl who became the greatest show in show business. Ringing with the show-biz sass of its Jule Styne/Stephen Sondheim score the film version of the Broadway hit Gypsy takes you on a grand vaudeville tour. It sweeps you up in the roller-coaster relationship of Louise (Natalie Wood) the wallflower later to blossom into sophisticated stripper Gypsy Rose Lee and her ambitious mother Rose (Rosalind Russell whose performance won her a fifth Best Actress Golden Globe
Follow the epic story of the X-MEN, a group of humans with genetic mutations that give them extraordinary abilities. Engaged in a constant battle for acceptance in society, the X-MEN must learn to use their powers to fight those intent on world domination. Join Professor X, Storm, Jean Grey, Cyclops and Wolverine as they try to save themselves and the world from Magneto, Sentinels, and Apocalypse, a powerful mutant whose vengeful wrath threatens the planet. Special Features Includes hours of special features
On its theatrical release Thirteen Days was pummelled by American critics for taking liberties with the facts of the Cuban missile crisis and smothering its compelling drama with phoney Boston accents by its primary stars. But anyone who enjoys taut, intelligent political thrillers will find little to complain about here. Co-star and co-producer Kevin Costner drew criticism for fictionally enhancing the White House role of presidential aide Kenneth O'Donnell, but while Costner's Boston accent may be grating, his fine performance as O'Donnell offers expert witness to the crisis, its nerve-wracking escalation and the efforts of John F Kennedy (Bruce Greenwood) and Robert F Kennedy (Steven Culp) to negotiate a peaceful settlement with Russia. While Soviet missiles approach operational status in Cuba, director Roger Donaldson (who directed Costner in No Way Out) cuts to exciting US Navy flights over the missile site, ramping up the tension that history itself provided. Donaldson's occasional use of black and white is self-consciously distracting, and he's further guilty of allowing a shrillness (along with repetitive, ominous shots of nuclear explosions) to invade the urgency of David Self's screenplay. Still, as Hollywood history lessons go, Thirteen Days is riveting stuff. You may find yourself wondering what might happen if reality presented a repeat scenario under less intelligent leadership.--Jeff Shannon, Amazon.com
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