A drama based on the life of Jesse James Hollywood, a drug dealer who became one of the youngest men ever to be on the FBI's most wanted list.
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
There goes the neighborhood - in a pine box. When hit man Jimmy The Tulip Tudeski moves into a comfy suburb everyone's suddenly in danger of pushing up daisies. And it's not all Jimmy's doing either. Jonathan Lynn directs and a top cast packs heat in this manic comedy about life love and plenty of ammo. Bruce Willis is Jimmy whose arrival sparks a chain reaction in which just about everybody wants to clip somebody else...
Tom Hardy (Bruce Willis) is a fifth generation Pittsburgh cop. Formerly a homicide detective he publicly challenged the police department including several of his family members about the identity of the serial killer who took his father's life. Convinced that a newly active serial killer is the same gunman who murdered his father - despite the fact that another man is already behind bars for that crime - Hardy is working out of his jurisdiction to catch the killer. The maverick
They are mutants, genetically gifted human beings - the worlds newest and most persecuted minority group.
Is it time, after the anonymous disaster of Mission to Mars, to give Brian De Palma's famously doomed film of Tom Wolfe's bulky novel Bonfire of the Vanities another chance? The uproarious ins and outs of the film's troubled production have become well-known via Julie Salamon's account of its making, The Devil's Candy, and fans of that might want to flick between page and screen to see just when Melanie Griffith caused untold continuity problems by having her breasts inflated. Techno buffs will surely appreciate the pointless but somehow wonderful trickery of an extended tracking shot at the outset that exists only to last a few seconds longer than the one in Orson Welles Touch of Evil (1958). Tom Hanks was rather better cast than was generally allowed, as "master of the universe" Sherman McCoy, who comes a cropper after a hit-and-run accident, since his nice-guy act shows intriguing cracks. And even Bruce Willis does his best on a hiding to nothing as the drunken writer. It is funny in parts, agonising in others, and misses Wolfe's tone--but somehow its failures might make it as symptomatic of the long-gone excesses of the early 90s as the novel was of the 80s. --Kim Newman
Exceptionally well-directed by John McTiernan, Die Hard made Bruce Willis a star back in 1988 and established a new template for action stories. Here the bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet and William Atherton is slimy as a busybody reporter. Director Renny Harlin took the reins for the 1990 sequel, Die Harder, which places Willis's New York City cop in harm's way again with a gaggle of terrorists. This time, Willis awaits his wife's arrival at Dulles Airport in Washington, DC when he gets wind of a plot to blow up the facility. Noisy, overbearing and forgettable, the film has none of the purity of its predecessor's simple story; and it makes a huge miscalculation in allowing a terrible tragedy to occur rather than stretch out the tension. Where Die Hard set new precedents in action movies, Die Hard 2 is just an anything-goes spectacle --Tom Keogh The second sequel, Die Hard with a Vengeance brings Detective John McClane to New York City to face a better villain than in Die Hard 2. Jeremy Irons is the brother of Alan Rickman's Germanic terrorist-thief from the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
Documentary presented by American actor and martial artist John Saxon. Highlighting the best fight sequences in martial arts films up until the early 1990s, the film shows the many different styles of martial arts and their most famous practitioners. The featured fighters include Bruce Lee, Jackie Chan, Jean-Claude Van Damme, Sammo Hung, Cynthia Rothrock and Chuck Norris.
Within These Walls remains a high point of British television drama. A huge success for LWT the series offered an authentic portrayal of day-to-day life for the inmates and staff of a women's prison reflecting the progress of penal system reform and the shift from a Victorian ethos of punishment to an emphasis upon rehabilitation. Within These Walls focussed particularly on the challenges facing the female governor - not least the conflict between adherence to rules and sensitivity to individual needs. Setting the template for later series such as Prisoner: Cell Block H and Bad Girls this outstanding drama is still fondly remembered more than 30 years after its original screening. In this fourth series originally aired in 1976 compassionate reformer Faye Boswell is replaced by Helen Forrester (Katharine Blake) an attractive widow who leads a solitary life in a fl at adjoining the prison. Helen's methods differ radically from Faye's; gone is the easy informality that characterised her predecessor's regime. But Helen has an inner warmth a sense of humour and an equal dedication to the women who find themselves within the closed world of Stone Park.
Bruce Willis is a successful forty year old image consultant who is forced to reevaluate his life when his childhood self from the '70s confronts him in the present day!
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations. But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim Newman
To the disappointment of his wife Carol Ray decides to spend a relaxing week at home and soon gets into trouble with his neighbours - a hefty busybody a freaked-out ex-soldier and a spacey teenager - as they observe the strange happenings next door at the Klopek's bizarre residence. When the neighborhood grouch suddenly disappears the men are convinced the ramshackle house hides some hideous clues. Armed with assault rifles high-powered binoculars and a shovel they decide to see for themselves exactly what is going on in the Klopek place... Tom Hanks portrays suburbanite Ray Peterson whose plans for a peaceful vacation are disturbed by a creepy new family on the block in this outrageous suspense-comedy directed by Joe Dante. Set in an average neighborhood that is anything but average The Burbs blends slapstick comedy and spine-tingling mystery with the type of witty humour that has made Tom Hanks a star.
The first BBC television adaptation of the Charles Dickens classic, Constance Cox's adaptation of Oliver Twist (1962) is now available for the first time to own on DVD. Starring Bruce Prochnik and BAFTA nominees Max Adrian and Peter Vaughan. Constance Cox s uncompromising 1962 adaptation of Dickens tale of a gang of orphan boys turned to crime changed the face of British Sunday teatime viewing. Her unvarnished depiction of despair and depravity in the back alleys of 19th-century London, and the cruel divide between rich and poor, shattered expectations of cosy family drama. But this is Oliver as Dickens intended, without the enforced jollity of the blockbuster Lionel Bart/Carol Reed musical. Max Adrian stars as villainous Fagin, Peter Vaughan an indelibly brutal Bill Sikes, Bruce Prochnik a gentle Oliver, Melvyn Hayes a spry Artful Dodger, and Carmel McSharry the trapped and powerless Nancy. In support are Willoughby Goddard as bullying beadle Bumble, Gay Cameron as kindly aunt Rose Maylie, John Carson s cowardly Monks and Donald Eccles bitter undertaker Sowerberry. This landmark BBC production, released for the first time on DVD, was a gritty game-changer that raised the bar and stretched the boundaries of TV adaptation and serial drama.
Bruce Willis plays a Special-Ops commander who leads his team into the jungle of Nigeria to rescue a doctor (Monica Belluci) who will only go with them if they also agree to rescue 70 refugees.
When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life. Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday's bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It's a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they've lost. As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it.
One of the most popular Disney films ever, The Jungle Book is a song-filled celebration of friendship, fun and adventure set in a lush and colourful world. Inspired by Rudyard Kipling's'Mowgli' stories, Disney's 19th animated masterpiece was the last animated feature that had Walt Disney's personal touch. The jubilant adventure begins when Mowgli, a little boy raised by wolves, is urged by his friend Bagheera, a wise old panther, to seek safety in the man-village. Feeling very much at home i...
Bruce Willis and Christopher Meloni star in this Canadian action thriller directed by Steven C. Miller. After a number of banks owned by high-profile tycoon Hubert (Willis) are robbed by a group of elite terrorists, FBI agent Jonathan Montgomery (Meloni) and his team are called in to investigate. Upon learning that the rich and powerful use the safe deposit boxes of Hubert's banks to store confidential information, Montgomery starts to suspect Hubert himself might have something to do with the robberies. However, when more banks are hit and it becomes clear that the criminal's motivation is not the money, the FBI team begin to realise there is a much bigger conspiracy at hand. The cast also includes Dave Bautista, Adrian Grenier and Johnathon Schaech.
In the tumultuous aftermath of the Civil War Union Cavalry officer John Henry Thomas (John Wayne) takes his heroic men West while Southerner James Langdon (Rock Hudson) takes his soldiers to Mexico. When their paths cross they forge an uneasy friendship that is quickly tested as they get caught between Mexican rebels and the Emperor's forces and find themselves fighting side by side.
Bruce Springsteen & The E Street Band's London Calling: Live In Hyde Park concert film is a two DVD set of the Boss and his band's performance at London's Hard Rock Calling Festival on June 28 2009 in HD. The 172-minute film documents 27 tracks of live Springsteen that begin in daylight and progress through a gorgeous sunset into night. The set list spans from the Born To Run era to Working On a Dream and includes rare covers such as The Clash's London Calling Jimmy Cliff's Trapped The Young Rascals' Good Lovin' and Eddie Floyd's Raise Your Hand. Springsteen also performs fan favorite Hard Times (Come Again No More) written by Stephen Foster in 1854. Brian Fallon from The Gaslight Anthem joins the band as a guest vocalist on Springsteen's own No Surrender. Bonus material includes footage of The River from Glastonbury June 27; and the full music video for Wrecking Ball filmed at New Jersey's Giants Stadium. Tracklist 1. London Calling 2. Badlands 3. Night 4. She's The One 5. Outlaw Pete 6. Out In The Street 7. Working On A Dream 8. Seeds 9. Johnny 99 10. Youngstown 11. Good Lovin' 12. Bobby Jean 13. Trapped 14. No Surrender 15. Waiting On A Sunny Day 16. The Promised Land 17. Racing In The Street 18. Radio Nowhere 19. Lonesome Day 20. The Rising 21. Born To Run 22. Rosalita (Come Out Tonight) 23. Hard Times (Come Again No More) 24. Jungleland 25. American Land 26. Glory Days 27. Dancing In The Dark Bonus Features: 1. The River: Glastonbury Festival 2009 2. Wrecking Ball: Giants Stadium 2009
Nominated for the Best Picture Academy Award 1995, this boldly inventive and expertly orchestrated crime saga is now available as a two disc DVD set that includes such extras as deleted scenes, interviews and a documentary.
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