America is in the depths of the Great Depression. Families drift apart when faraway jobs beckon. In this masterful atmospheric adventure a courageous young girl (Meredith Salenger) confronts overwhelming odds when she embarks on a cross-country search for her father. During her extraordinary odyssey she forms a close bond with two diverse traveling companions: a magnificent protective wolf and a hardened drifter (John Cusack). A brilliant moving tapestry woven of courage and pe
The World Is Not Enough is an exhilarating but sophisticated, action-packed adventure. Pierce Brosnan returns as Bond, charged to protect a gorgeous billionaire heiress (Sophie Marceau) from the ruthless hands of the nuclear-obsessed terrorist Renard (Robert Carlyle), who wants control of the world's petroleum supply.
Jane Campion's The Piano struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerised by the film's rich, dreamlike imagery. It is the story of a Scottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to speak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a remote spot on the coast of New Zealand for an arranged marriage to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. The Piano won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin and Campion's screenplay. --Jim Emerson
Ada her nine-year-old daughter and her piano arrive to an arranged marriage in the remote bush of nineteenth century New Zealand. Of all her belongings her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction Ada strikes a bargain with an illiterate tattooed neighbour. She may earn her piano back if she allows him to do certain things while she plays; one black key for a lesson. The arrangement draws all three deeper in
In the entire history of American movies, The Night of the Hunter stands out as the rarest and most exotic of specimens. It is, to say the least, a masterpiece--and not just because it was the only movie directed by flamboyant actor Charles Laughton or the only produced solo screenplay by the legendary critic James Agee (who also co-wrote The African Queen). The truth is, nobody has ever made anything approaching its phantasmagoric, overheated style in which German expressionism, religious hysteria, fairy-tale fantasy (of the Grimm-est variety), and stalker movie are brought together in a furious boil. Like a nightmarish premonition of stalker movies to come, Night of the Hunter tells the suspenseful tale of a demented preacher (Robert Mitchum, in a performance that prefigures his memorable villain in Cape Fear), who torments a boy and his little sister--even marries their mixed-up mother (Shelley Winters)--because he's certain the kids know where their late bank-robber father hid a stash of stolen money. So dramatic, primal, and unforgettable are its images--the preacher's shadow looming over the children in their bedroom, the magical boat ride down a river whose banks teem with fantastic wildlife, those tattoos of LOVE and HATE on the unholy man's knuckles, the golden locks of a drowned woman waving in the current along with the indigenous plant life in her watery grave--that they're still haunting audiences (and filmmakers) today. --Jim Emerson, Amazon.com
Having established himself as the biggest box office draw in Hong Kong, Bruce Lee leveraged his success into a new deal with Golden Harvest that would allow him to write and direct as well as star in his own projects. He only got to complete one film under this deal before his untimely death, but it's arguably his most personal and exciting: The Way of the Dragon. Tang Lung (Lee) is a naive country boy from Hong Kong who is shipped off to sunny Rome in order to assist a family friend whose Chinese restaurant is under threat from a local gangster. Training the waiters in self-defence while taking on Italian thugs single-handedly, the gangster decides to retaliate by flying in some of the best fighters from America (including Colt, played by Chuck Norris) and Japan to take Tang down. Soon the columns of the Colosseum will rumble with the sound of Tang Lung's fury! Lee's only completed directorial effort is unlike any kung fu film that came before it, mixing thrilling action, stunning international location filming and charming humour in a way that would prove heavily influential on other Hong Kong filmmakers in the years since.
Frank Moses (Willis), Joe Matheson (Freeman), Marvin Boggs (Malkovich) and Victoria Winslow (Mirren) used to be the CIA's top agents - but the secrets they know just made them the Agency's top targets.
In an attempt to reconnect with his son Danny, successful Wall Street broker Will takes his family on a vacation to the cabin where he grew up. While Will and Danny are hunting, their trip takes a deadly turn when they witness the murder of a crooked police officer as a bank robbery goes awry. When Danny is taken hostage by the criminals, Will is forced to help them evade the police chief investigating the murder and recover the stolen money in exchange for his son's life.
Frank Moses (Willis), Joe Matheson (Freeman), Marvin Boggs (Malkovich) and Victoria Winslow (Mirren) used to be the CIA's top agents - but the secrets they know just made them the Agency's top targets.
Travel into the fifth dimension once again with the Twilight Zone, testing the limits of reality and exploring the mysteries of the universe. Airing from 1985 to 1989, this critically acclaimed anthology series carried on the legacy of the original Rod Serling programme and attracted a brand-new audience of fans Casts featured such stars as Bruce Willis, Helen Mirren, Morgan Freeman, Martin Landau, Joe Mantegna and Fred Savage. Episode Directors include Wes Craven, William Friedkin, Joe Dant...
All 17 episodes from the classic children's series. Get on board get on board come and join the Double Deckers... A song that brought joy to a whole generation of children thanks to Here Come The Double Deckers a huge TV hit in the early '70s. This much-loved series follows the trials and tribulations of the Double Deckers; Brains Billie Doughnut Sticks Scooper Spring and Tiger as they hold secret meetings on an abandoned bus in a junk yard and embark on numerous adventures often joined by Albert the street sweeper (Melvyn Hayes). Originally aired in the UK in 1971 this wonderful comedy adventure series complete with lots of singing and a fair amount of detective work ran for just one memorable season of seventeen episodes it has never been seen on DVD until now.
Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film The Fifth Element incorporates presidents, rock stars and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley
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Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they prepare for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralised and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane
Season One When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life. Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday's bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It's a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they've lost. As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it. Season Two Season Two finds the battle between Old Gods and New Gods moving inexorably towards crisis point as their destinies collide with those of men. In this strange new world, faith requires terrible sacrifice.
In a 1990s Midlands town, youth from local housing estates are struggling to find purpose. Recently returned to his town, Alan Darcy (Bob Hoskins) interrupts their lives by reviving the local boxing club of his youth.Directed by cult favourite Shane Meadows (This is England), TwentyFourSeven charts the story of working-class youth finding friendship, self-respect and meaning in post-industrial Midlands. Shot in black and white and scored with classical music, this alternatingly heartwarming and confronting story is threaded through with a sense of undeniable hope.ExtrasNewly remastered by the BFI and presented in High DefinitionExtras tbc
Bruce Willis plays a former hostage negotiator forced to make an impossible choice in this taught thriller.
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
Stephen King's Doctor Sleep is the continuation of Danny Torrance's story 40 years after the terrifying events of Stephen King's The Shining. Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the shine. Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra's innocence and fearless embrace of her shine compel Dan to call upon his own powers as never beforeat once facing his fears and reawakening the ghosts of the past. Key Features: RETURN TO THE OVERLOOK-See how the iconic hotel was faithfully recreated while honoring its film legacy. THE MAKING OF DOCTOR SLEEP: A NEW VISION-Go behind the scenes and discover the thrilling cinematic world created by Mike Flanagan with his cast and crew. FROM SHINING TO SLEEP-Author Stephen King and director/screenwriter Mike Flanagan look back at the original novel, the classic film and discus how they took on the sequel.
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