All Clara wants is a key a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key - which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regent who preside over the three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world.
In Annabelle: Creation, several years after the tragic death of their little girl, a doll maker and his wife welcome a nun and six girls from a shuttered orphanage into their home. They soon become the target of the doll maker's possessed creation, Annabelle.
Mike Nichols' superbly directed cinematic adaptation of Joseph Heller's scathing black comedy. 'Catch 22' is the tale of a small group of flyers in the Mediterranean in 1944. There are winners and losers opportunists and survivors. Separately and together they are frightened nervous often profane and sometimes pathetic. Almost all are a little crazy. 'Catch 22' is an anti-war satire of epic proportions!
Ralph Bakshi's 1978 animated adaptation of The Lord of the Rings is a bold, colourful, ambitious failure. Severely truncated, this two-hour version tackles only about half the story, climaxing with the battle of Helm's Deep and leaving poor Frodo and Sam still stuck on the borders of Mordor with Gollum. Allegedly, the director ran out of money and was unable to complete the project. As far as the film does go, however, it is a generally successful attempt at rendering Tolkien's landscapes of the imagination. Bakshi's animation uses a blend of conventional drawing and rotoscoped (traced) animated movements from live-action footage. The latter is at least in part a money-saving device, but it does succeed in lending some depth and a sense of otherworldly menace to the Black Riders and hordes of Orcs: Frodo's encounter at the ford of Rivendell, for example, is one of the movie's best scenes thanks to this mixture of animation techniques. Backdrops are detailed and well-conceived, and all the main characters are strongly drawn. Among a good cast, John Hurt (Aragorn) and C3PO himself, Anthony Daniels (Legolas), provide sterling voice characterisation, while Peter Woodthorpe gives what is surely the definitive Gollum (he revived his portrayal a couple of years later for BBC Radio's exhaustive 13-hour dramatisation). The film's other outstanding virtue is avant-garde composer Leonard Rosenman's magnificent score in which chaotic musical fragments gradually coalesce to produce the triumphant march theme that closes the picture. None of which makes up for the incompleteness of the movie, nor the severe abridging of the story actually filmed. Add to that some oddities--such as intermittently referring to Saruman as "Aruman"--and the final verdict must be that this is a brave yet ultimately unsatisfying work, noteworthy as the first attempt at transferring Tolkien to the big screen but one whose virtues are overshadowed by incompleteness. --Mark Walker
The Durham Bulls are in a slump and have spent a hefty sum of money acquiring an untested young pitcher in the hopes of reversing their standings. Crash Davis a 12-year veteran ballplayer who has spent most of his time bumming around as a minor league catcher is assigned to mature the rookie pitching phenom named ""Nuke."" But a beautiful and enigmatic team groupie comes between the tutor and his student enlightening both with her game of life love and verse.
The original Planet of the Apes is that rarity of the genre: a science fiction film that has dated not one bit: its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of rational, articulate apes. However, the ape community is riven with internal dissension, centred in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic finger prints of The Twilight Zone's Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all of his own, helped along by Jerry Goldsmith's terrifyingly avant-garde score. And time has not dulled the monumental emotional imp act of the film's climactic payoff shot. --Miles Bethany, Amazon.com
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
Nicolas Roeg's iconic science fiction odyssey, The Man Who Fell to Earth, has been stunningly restored in 4k to mark the 40th anniversary of this cult classic. Featuring a startling and era defining lead performance from David Bowie in his debut feature role and based on the cult novel by Walter Tevis, The Man Who Fell to Earth endures as, not only a bitingly caustic indictment of the modern world but, also, a poignant commentary on the loneliness of the outsider. Thomas Jerome Newton (David Bowie) is a humanoid alien who comes to Earth from a distant planet on a mission to take water back to his home planet in the midst of a catastrophic drought. Using the advanced technology of his home planet to patent many inventions on Earth, Newton acquires incredible wealth as the head of a technology-based conglomerate (aided by leading patent attorney Oliver Farnsworth Buck Henry, The Graduate) that he intends to use to finance the construction of a space vehicle to ship water back to his planet. Newton embarks on a relationship with hotel maid Mary-Lou (Candy Clark American Graffiti) and makes progress with the construction of his vehicle but soon finds his true identify at risk via his roguish colleague and confident Dr. Nathan Bryce (Rip Torn Men in Black) who threatens not only his relationship with Mary-Lou, but his freedom and chances of ever returning home. EXTRAS: New interview with costume designer May Routh featuring original costume sketches New interview with stills photographer David James featuring behind the scenes stills New interview with fan Sam Taylor-Johnson New interview with producer Michael Deeley New The Lost Soundtracks featurette Interview with Candy Clark Interview with writer Paul Mayersberg Interview with cinematographer Tony Richmond Interview with Nic Roeg Trailers / TV spots Watching the Alien featurette
Your horse is a mirror to your soul and sometimes you may not like what you see. Sometimes you will. So says Buck Brannaman a true American cowboy and sage on horseback who travels the country for nine grueling months a year helping horses with people problems. Buck a richly textured and visually stunning film follows Brannaman from his abusive childhood to his phenomenally successful approach to horses. A real-life 'horse-whisperer' he eschews the violence of his upbringing and teaches people to communicate with their horses through leadership and sensitivity not punishment. Buck possesses near magical abilities as he dramatically transforms horses - and people - with his understanding compassion and respect. In this film the animal-human relationship becomes a metaphor for facing the daily challenges of life. A truly American story about an unsung hero Buck is about an ordinary man who has made an extraordinary life despite tremendous odds.
This fourth film in the ""Planet of the Apes"" series picks up the action a few years after ""Escape from the Planet of the Apes"" left off. At the end of the third movie the ape Cornelius and his wife Zira were murdered by humans when they traveled back in time. However their son Caesar remained behind with kind-hearted circus owner Armando who kept the ape's existence a secret. ""Conquest of the Planet of the Apes"" opens in 1991 after an epidemic has wiped out the dog population
Is there love after death? Acerbic everyman ALBERT BROOKS (Lost in America) finds a perfect balance between satirical bite and romantic comedy charm as the writer, director, and star of this wonderfully warm and imaginative existential fantasy. After he dies suddenly, the hapless advertising executive Daniel Miller (Brooks) finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia (The French Lieutenant's Woman's MERYL STREEP) offers him a chance to finally feel alive. Buoyed by a brilliant supporting cast that includes RIP TORN, LEE GRANT, and BUCK HENRY, Defending Your Life is a rare feat of personal, philosophical filmmaking that happens to also be divinely entertaining. Special Features: New 4K digital restoration, supervised by director Albert Brooks, with 2.0 surround DTS-HD Master Audio soundtrack New conversation between Brooks and filmmaker Robert Weide New interview on the afterlife with theologian and critic Donna Bowman New program featuring excerpts from 1991 interviews with Brooks and actors Lee Grant and Rip Torn Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by filmmaker Ari Aster
The film packed with stunning images jaw-dropping scenes and superb performances from Robert De Niro and Mickey Rourke is a fusion of two genres - the classic Chandleresque detective story and the supernatural. Harry Angel is hired for $125 a day to track down the big band swinger Johnny Favourite. What seems like a straight-forward missing person case dramatically becomes a murder hunt for this down-and-out private detective. His client Louis Cypher a mysterious stranger is forced to up his fee to keep Angel on the case. Each of Angel's leads ends up as a victim of a ritualistic act of murder as he begins to put together the pieces in the jigsaw of Johnny's strange story... the nightmare has just begun.
In 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed off by a mummy, which can be revived by reading the words off the prince's burial shroud.
In Annabelle: Creation, several years after the tragic death of their little girl, a doll maker and his wife welcome a nun and six girls from a shuttered orphanage into their home. They soon become the target of the doll maker's possessed creation, Annabelle.
The Story and Sounds Behind the Most Famous Photo in the History of Jazz! In August of 1958 in front of a Harlem brownstone first-time photographer Art Kane assembled 57 of the greatest jazz stars of all time and snapped a picture that would live forever. Narrated by Quincy Jones this ""irresistible"" (Kevin Thomas Los Angeles Times) Academy Award-nominated documentary examines the fascinating lives of the musicians who showed up that day to make history. Through remarkable interviews with nearly 30 jazz greats (including Dizzy Gillespie Sonny Rollins and Art Blakey) home movies shot by Milt and Mona Hinton and rare archival performance footage A Great Day In Harlem tells the story behind a legendary photograph that is still alive and kicking - and jammin'!
Nicolas Roeg's iconic science fiction odyssey, The Man Who Fell to Earth, has been stunningly restored in 4k to mark the 40th anniversary of this cult classic. Featuring a startling and era defining lead performance from David Bowie in his debut feature role and based on the cult novel by Walter Tevis, The Man Who Fell to Earth endures as, not only a bitingly caustic indictment of the modern world but, also, a poignant commentary on the loneliness of the outsider. Thomas Jerome Newton (David Bowie) is a humanoid alien who comes to Earth from a distant planet on a mission to take water back to his home planet in the midst of a catastrophic drought. Using the advanced technology of his home planet to patent many inventions on Earth, Newton acquires incredible wealth as the head of a technology-based conglomerate (aided by leading patent attorney Oliver Farnsworth Buck Henry, The Graduate) that he intends to use to finance the construction of a space vehicle to ship water back to his planet. Newton embarks on a relationship with hotel maid Mary-Lou (Candy Clark American Graffiti) and makes progress with the construction of his vehicle but soon finds his true identify at risk via his roguish colleague and confident Dr. Nathan Bryce (Rip Torn Men in Black) who threatens not only his relationship with Mary-Lou, but his freedom and chances of ever returning home. EXTRAS: New interview with costume designer May Routh featuring original costume sketches New interview with stills photographer David James featuring behind the scenes stills New interview with fan Sam Taylor-Johnson New interview with producer Michael Deeley New The Lost Soundtracks featurette Interview with Candy Clark Interview with writer Paul Mayersberg Interview with cinematographer Tony Richmond Interview with Nic Roeg Trailers / TV spots Watching the Alien featurette
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted his life in the hands of a benevolent chimpanzee scientist... Winner of an Honorary Academy Award for Outstanding Make-up Achievement and nominated for two Oscars (1968 Best Costume Design and Best Original Score) Planet of the Apes is grand entertainment from its visually arresting beginning to the chilli
All Clara wants is a key a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key - which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regent who preside over the three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world. Bonus Features: On Pointe: A Conversation With Misty Copeland Unwrapping The Nutcracker and the Four Realms Deleted Scene: The Stahlbaums Arrive Follow Your Ribbon Clara Asks About Her Mother Left, Left, Left, Left, Left Out With The Old Music Video - Fall On Me Performed by Andrea Bocelli Featuring Matteo Bocelli Music Video - The Nutcracker Suite Performed by Lang Land
On 4K UHD for the first time, Nicolas Roeg's classic 70's sci-fi classic stars the inimitable David Bowie in one of his finest role. Thomas Jerome Newton (David Bowie) is a humanoid alien who comes to Earth from a distant planet on a mission to take water back to his home planet in the midst of a catastrophic drought. Featuring a startling and era-defining lead performance from David Bowie in his debut feature role, and based on the cult novel by Walter Tevis, THE MAN WHO FELL TO EARTH endures, not only as a bitingly caustic indictment of the modern world, but also as a poignant commentary on the loneliness of the outsider. Extras David Bowie interview French TV 1977 New interview with costume designer May Routh featuring original costume sketches New interview with stills photographer David James featuring behind the scenes stills New interview with fan Sam Taylor-Johnson New interview with producer Michael Deeley New The Lost Soundtracks featurette, featuring interviews with Paul Buckmaster and author Chris Campion Interview with Candy Clark Interview with writer Paul Mayersberg Interview with cinematographer Tony Richmond Interview with director Nicolas Roeg Watching the Alien featurette Trailer
Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her three-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioural problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw, Amazon.com
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