Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb, to give it its full title, is a perfect spoof of political and military insanity, beginning when General Jack D Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids", mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad scientist Dr Strangelove; George C Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses". With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon, Amazon.com
Doctor Doolittle was an expensive 1967 movie that nearly wiped out the studio (20th Century-Fox) that made it, owing to public apathy. It doesn't engender much more excitement today. Rex Harrison still looks lost in the overblown production, the songs are still awful (except "Talk to the Animals", of course), the story of one man's communication with beasts devoid of enchantment. Director Richard Fleischer (The Vikings) certainly shares in the blame. --Tom Keogh
Millionaire businessman Thomas Crown (Steve McQueen) is also a high-stakes thief; his latest caper is an elaborate heist at a Boston bank. Why does he do it? For the same reason he flies gliders, bets on golf strokes and races dune buggies: he needs the thrill to feel alive. Insurance investigator Vicky Anderson (Faye Dunaway) gets her own thrills by busting crooks, and she's got Crown in her cross hairs. Naturally, these two will get it on, because they have a lot in common: they're not people, they're walking clothes racks. (McQueen looks like he'd rather be in jeans than Crown's natty three-piece suits.) The Thomas Crown Affair is a catalogue of 60s conventions, from its clipped editing style to its photographic trickery (the inventive Haskell Wexler behind the camera) to its mod design. You can almost sense director Norman Jewison deciding to "tell his story visually," like those newfangled European films; this would explain the long passages of Michel Legrand's lounge jazz ladled over endless montages of the pretty Dunaway and McQueen at play. (The opening-credits song, "Windmills of Your Mind," won an Oscar.) It's like a "What Kind of Man Reads Playboy?" ad come to life, and much more interesting as a cultural snapshot than a piece of storytelling. --Robert Horton
This collection presents the entire first season of 'Little House On The Prairie' the beloved television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family that settles on the wild Minnesota frontier. With no cowboys indians or feisty town saloons this isn't your typical western; instead it is a story of a loving family in search of a future in a young and growing community. Episodes comprise: 1. Harvest Of Friends 2. Country
Wickedly dark comedy features Peter Sellers (in three roles) in the midst of impending nuclear war. Co-stars George C. Scott and Sterling Hayden. Special Features: 4K: Stanley Kubrick Considers the Bomb Featurette Mick Broderick Interview Joe Dunton and Kelvin Pike Interview Richard Daniels Interview David George Interview Rodney Hill Interview Archival Stanley Kubrick Audio Interview The Today Show Clips featuring Peter Sellers and George C. Scott Exhibition Trailer Theatrical Trailer Blu-ray: The Cold War: Picture-in-Picture and Pop-Up Trivia Track No Fighting in the War Room Or: Dr. Strangelove and the Nuclear Threat Inside: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Best Sellers Or: Peter Sellers and Dr. Strangelove The Art of Stanley Kubrick: From Short Films to Strangelove An Interview with Robert McNamara Split-Screen Interviews with Peter Sellers and George C. Scott
A stunning new restoration of the first Technicolor film from the great Ealing Studios. In the 18th century, Sophie Dorothea (Joan Greenwood) is forced into marriage with Prince George Louis (Peter Bull), an aristocrat destined to inherit the British crown. But after he becomes king, Sophie meets suave Swedish mercenary Count Philip Konigsmark (Stewart Granger) - the two quickly fall in love and plot to flee England together. Their scheme is discovered, and the lovers must figure out a way to escape the tightening noose of retribution. Product Features A Strange Adventure: Phuong Le and Matthew Sweet discuss Saraband for Dead Lovers (New) A Technicolor Dance: Interview with Film Historian Dr. Josephine Botting (New) Restoring Saraband for Dead Lovers (New) Behind the Scenes stills gallery
Ballet has an exceptional capacity to strengthen tone and increase mobility and fitness. So who better to devise a ballet based workout programme than Joey Bull - a fitness expert of international renown a former 4 x UK Fitness Champion and a classically trained dancer. In Ballet Steps Workout Joey combines years of ballet education with her stellar career as a great trainer and motivator to create and deliver a sequence of energising exercises for total body benefits and fabulous results. 'I studied ballet for many years and know that it can bring a whole new and wonderful dimension to our workouts. There are so many great all round benefits. Ballet works wonders for the body structure.' Ballet Steps Workout has strength cardiovascular and stretching elements of differing degrees of intensity to guide you to a tighter trimmer tummy improved posture and better all-round shape and vitality. 'I have combined various elements of ballet in exercise sequences of different levels and intensities to engage everyone from the novice to the more experienced ballet dancer.' In this fun and truly effective new innovative workout Joey Bull will unlock the ballet dancer inside you and a firmer fitter and slimmer body will be your reward! Joey Bull is a top international trainer a 4 x UK Fitness Champion experienced Adventure Athlete and a classically trained dancer. She writes regularly for magazines and has authored 'Tidy The Temple'.
The complete second season of Little House On The Prairie the beloved television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family that settles on the wild Minnesota frontier. With no cowboys indians or feisty town saloons this isn't your typical western; instead it is a story of a loving family in search of a future in a young and growing community. Episodes Comprise: 1. The Richest Man In Walnut Grove 2. Four Eyes 3.
The third in the critically acclaimed BFI Flipside series continuing its ongoing mission to curate an alternative Brit-screen history of overlooked rarities in deluxe home-entertainment editions is a further compelling compendium of strange, striking, thrilling, horrific, eerie and eccentric short subjects from the heyday of the British cinematic supporting programme. Settle down for another strange cinematic journey through uncanny stories, twists in the tale, low-budget weirdness, stylish spectacle, avant-garde art, peculiar public information, monstrous music and provocative experiment many ultra-rare and all with oodles of atmosphere and in High Definition. The Films: Return to Glennascaul (Hilton Edwards, 1951, 22 mins) Strange Stories (John Guillermin and Don Chaffey, 1953, 45 mins) Strange Experiences (1955, 10 mins) Maze (Bob Bentley, 1970, 15 mins) Skinflicker (Tony Bicât, 1973, 41 mins) Beach Litter: Broken Bottle (1 min) Firework: Chick (1 min) Wings of Death (Nichola Bruce and Michael Coulson, 1985, 20 mins) The Terminal Game (Geoff Lowe, 1982, 40 mins) Product Features Interview with filmmaker and artist Bob Bentley, director of Maze (2023) Interview with Tony Bicât, director of Skinflicker (2023) Interview with Nichola Bruce and Michael Coulson, directors of Wings of Death (2023) Interview with Colin Towns, composer of the music for The Terminal Game (2022) The Strange Stories Scrapbook (2023): video essay on 1950s British film producer Roger Proudlock by Vic Pratt Interview with Geoff Lowe, director of The Terminal Game (TBC) Rare scripts, stills, images and behind-the-scenes footage (TBC) **FIRST PRESSING ONLY** Illustrated booklet including new writing by directors Bob Bentley, Nichola Bruce and Tony Bicât
Titles Comprise: Them French teacher Clementine and her novelist partner Lucas have recently moved into a large rambling house in the woods on the outskirts of Bucharest Romania. Their life there seems tranquil almost idyllic. However one evening without warning or reason everything is turned upside down. The telephone keeps ringing; there are distant whispering voices on the end of the line. Slowly the couple realise they are not alone. They don't know it yet but they are being spied upon they're being surrounded. When night falls Clementine and Lucas will come up against THEM. They are there they are everywhere they are even in their home...Who are they? What do they want? The answers will take them to the very limits of fear itself. You'll never feel safe in your home again... Manhunt In the summer of 1974 four friends embark on a camping trip in the remote forests of northern Europe. They are ambushed and awaken to find themselves part of a savage game in which they are the prey. Cold Prey Following a gruesome accident five friends' idyllic snowboarding expedition to the Jotunheimen mountains takes a turn for the eerie when they are forced to take shelter from a ravaging storm in an abandoned ski lodge. Empty and silent the cavernous lodge seems deserted -- but there are secrets here. These secrets are long buried thought forgotten and very very dangerous. Before the night is out those who survive will have discovered the true meaning of terror and looked into the very face of evil. In the classic tradition of seminal horror films Wolf Creek Halloween and My Bloody Valentine Cold Prey is a tense stylish and viciously unnerving journey into a frozen nightmare.
Hailed as one of the most successful adaptations of Shakespeare Derek Jarman's 'The Tempest' is also unsurprisingly one of the most unconventional. Though keeping the essence of the text the films greatness lies in Jarman's skill at creating a visually stunning erotically charged world of haunting imagery. Flamboyant highly atmospheric and full of Jarman's punk era attitude the famous finale in which Elizabeth Welch sings `Stormy Weather' surrounded by sailors is one of th
Best known for its life-affirming lessons and heartwarming adventures. Little House On The Prairie made its TV debut in 1974 and significantly altered the landscape of television. Loyal fans will relive these exciting and touching adventures while new viewers will discover the Ingalls' unconquerable courage to build a new way of life. The series nominated for 17 Emmy Awards and 3 Golden Globes has become a TV milestone
Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens' character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon, Amazon.com --This text refers to another version of this video.
The African Queen, John Huston's 1951 classic set in Africa during World War I, garnered Humphrey Bogart an Oscar for his role as a hard-drinking riverboat captain who provides passage for a Christian missionary spinster (Katharine Hepburn). Taking an instant, mutual dislike to one another, the two endure rough waters, the presence of German soldiers, and their own bickering to fall finally into one another's arms. Based on CS Forester's novel, this is classic Huston material--part adventure, part quest--but this time with a pair of characters who'd all but given up on happiness. Bogart (a long-time collaborator with Huston on such classics as The Maltese Falcon and Key Largo) and Hepburn have never been better, and support from frequent Huston crony Robert Morley adds some extra dimension and colour. --Tom Keogh, Amazon.com On the DVD: A trailer, a gallery of contemporary posters and stills, plus some text biographies of the principals, simply whet the appetite for the main extra feature here: an audio commentary by veteran cinematographer Jack Cardiff. The man responsible for the lush, albeit studio-bound jungle textures of Black Narcissus faced innumerable challenges lighting real Borneo jungle in the heart of the Congo for Huston's ambitious project, and here he relates all the behind-the-scenes anecdotes of disease, infestation and disaster that plagued the production. It's a real treat to hear one of the last survivors of the Golden Age filmmaking happily reminiscing about one of cinema's classic pictures, talking companionably of Huston, Bogie and Katie Hepburn and what everyone--cast and crew alike--endured to finish the picture, from lepers carrying their gear to the location, Huston fishing while directing, hornets stinging the crew, to terrible sickness brought on by drinking unfiltered lake water (except Bogie and Huston, who stuck religiously to the whisky!). The movie itself, in its original 1.33:1 ratio, looks just fine, and the sound is an unfussy digitally remastered mono. --Mark Walker
Get ready for the wildest adventure of a lifetime in the most ambitious musical production ever brought to film. Earning a 1967 Academy Award nomination for Best Picture this dazzling fantasy turns both ordinary and exotic animals into talking dancing and singing sensations! Rex Harrison is unforgettable in this inspiring adaptation of Hugh Lofting's classic stories. Step into the English country home of the good doctor as he performs remarkable treatments on the wildest variety of patients you could imagine. Discover his secret cures and watch wide-eyed excitement as he and his four-legged fine-feathered friends charm their way into your heart!
The Rebel (1961) and The Punch and Judy Man (1963) are the only two feature films made expressly as star vehicles for the great television comic Tony Hancock. The Rebel is by far the more ambitious, being in colour with Parisian locations, a large cast, and not least a supporting role for international star George Sanders. The opening rebellion against office life surely inspired The Fall and Rise of Reginald Perrin, while references follow to Look Back in Anger (1958) and Billy Wilder's The Apartment (1960) and Some Like It Hot (1959). Hancock goes to Paris to follow his artistic muse and as he rises through the art world his naivety is taken for genius, allowing for some very funny moments and spot-on satire, which are just as relevant today as 40 years ago. Filmed in black-and-white in Bognor Regis, The Punch and Judy Man is a more modest yet evocative portrait of life in a small coastal resort. Hancock is the titular beach entertainer who is happy to live from day to day with the affable companionship of John Le Mesurier and Hugh Lloyd. The problem is he's burdened with a socially ambitious wife, Sylvia Syms. Gentle humour comes from Hancock's frustrations as a proto-Basil Fawlty, and the film, packed with familiar British character actors, has an old-fashioned charm. It makes for an enjoyable supporting feature to The Rebel, which is undoubtedly a minor classic. On the DVD: Tony Hancock Double Feature presents both films at 4:3 ratio. The earlier film looks decidedly cropped in several scenes, though the latter survives the reformatting largely unscathed. The Rebel's colour is faded and the image grainy, while The Punch and Judy Man generally has a much stronger black and white image. Even so, there is some flickering and print damage. The music is distorted in The Rebel but the mono sound is fine during The Punch and Judy Man. There are no extras. --Gary S Dalkin
The 1960 children's feature The Three Worlds of Gulliver brings to life the first two sections of Jonathan Swift's Gulliver's Travels in a version which, while sanitised for youngsters, retains some of the satire and intelligence of the original. It also boasts excellent-for-the-time special effects by Ray Harryhausen, though the effects wizard keeps his trademark stop-motion animation to a minimum, featuring it only when Gulliver (Kerwin Mathews from 1958's The Seventh Voyage of Sinbad), has problems with an outsized crocodile and a foraging squirrel. Instead, Harryhausen concentrates on portraying the miniature Lilliputians and the giant Brobdingnagians, and the results still impress over 40 years on. This is a colourful, witty, charming film, though it is also heavily Americanised, the dialogue anachronistic and some of the accents decidedly trans-Atlantic. Mathews is a little stiff in the role of a British doctor, but English actress June Thorburn makes a spirited and beautiful Elizabeth, Gulliver's fiancée who in this version comes along for the journey. While the 1996 TV mini-series Gulliver's Travels comes much closer to Swift's intentions Harryhausen's version will delight younger viewers and has the advantage of a beguiling score from the great Bernard Herrmann. Some viewers may be startled to learn that in the 17th century there were Spanish mountains just outside London, and that Wapping was just a minute's walk from the beach. On the DVD: The Three Worlds of Gulliver on disc has good mono sound while the picture, which is anamorphically enhanced and presented at 1.77:1, is of variable quality. There are very distracting fleck marks where the emulsion has been damaged on the print in many shots featuring Gulliver against a bright blue sky. These really should have been restored before transfer to DVD. Although the packaging refers to "The Ray Harryhausen Chronicles" featurette, this is actually the same superb 57-minute TV documentary which has appeared on other Harryhausen titles. Everyone should have it in their collection once. "This is Dynamation" is a three-minute special effects promo for The Seventh Voyage of Sinbad. Also included is a five-minute original "making of" featurette and trailers for The Three Worlds of Gulliver (1.70:1 letterboxed), The Golden Voyage of Sinbad (4:3) and Sinbad and the Eye of the Tiger (1.77:1 anamorphic), as well as basic filmographies of Jack Sher, Arthur Ross, Ray Harryhausen and Kerwin Mathews. --Gary S Dalkin
Following the success of Karel Reisz's 'Saturday Night and Sunday Morning' Alan Sillitoe adapted another of his works for the screen this time a short story of a disillusioned teenager rebelling against the system to make Tony Richardson's 'The Loneliness of the Long Distance Runner' one of the great British films of the 1960s. Newcomer Tom Courtenay is compelling as the sullen defiant Colin refusing to follow his dying father into a factory job railing against the capitalist bosses and preferring to make a living from petty thieving. Arrested for burglary and sent to borstal Colin discovers a talent for cross-country running earning him special treatment from the governor (Michael Redgrave) and the chance to redeem himself from anti-social tearaway to sports day hero. With Colin a favourite to win against a local public school tensions build as the day approaches...
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