Episode titles: Bob's Pizza Wendy's Removal Service Lofty And The Rabbit Mr Beasley's DIY Disaster Roley To The Rescue. Plus the mini adventures: Wendy's Bright Plan Pilchard Sorts It Out Spud In The Clouds.
Fanny and Alexander is one of the more upbeat and accessible films from Ingmar Bergman. This autobiographical story follows the lives of two children during one tumultuous year. After the death of the children's beloved father, a local theatre owner, their mother marries a strict clergyman. Their new life is cold and ascetic, especially when compared to the unfettered and impassioned life they knew with their father. Most of the story is seen through the eyes of the little boy and is often told in dreamlike sequences. Colourful, insightful, and optimistic, this is far less grim than most of Bergman's work. It was awarded four of the six Oscars for which it was nominated in 1984, including Best Foreign Language Film. Though this was announced as his last film, Bergman continued to work into the late 1990s, though mostly for Swedish television.--Rochelle O'Gorman, Amazon.com
The Day After Tomorrow: Extremely concerned by the Earth's extremely rapid rate of climate change paleoclimatologist Adrian Hall (Quaid) races northward to a freezing New York to rescue his son as the rest of humanity streams south to escape the impending ice age... Independence Day: One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders - before it's the end of mankind.
The continuing adventures at the Barbershop where Calvin (Ice Cube) finds his premises under threat from a big name chain of barbers who are taking over the smaller family run ventures in the neighbourhood...
Josef von Sternberg's The Blue Angel is a crowning achievement of Weimar cinema an exquisite parable of one man's fall from respectability. Emil Jannings the quintessential German Expressionist actor stars as Professor Immanuel Rath the sexually repressed instructor of a boys prep school. After learning of the pupils' infatuation with French postcards depicting a local nightclub songstress he decides to personally investigate the source of such indecency. However as soon
Highlights from the 1992 Isle Of Man TT. Steve Hislop wins the Senior TT; the first British win in thirty years on a Abus Norton with a four second win over Carl Fogarty. Fogarty sets a new track record of 123.61mph. Commentators include: Richard Nicolls Peter Kneale and Steve Hislop.
Episodes from the multi-Emmy award winning TV show in which detectives Mary Beth Lacey and her partner Christine Cagney cop-operate in their personal and professional lives... Episodes Comprise: 1. Witness To An Incident 2. One Of Our Own 3. Beauty Burglars 4. High Steel 5. Hotline 6. Internal Affairs 7. Mr Lonelyhearts 8. Conduct Unbecoming 9. I'll Be Home For Christmas
Over a thirty year career in television, David Nixon's subtle blend of magic, music and comedy was loved by millions and is fondly remembered to this day. In his heyday during the 1970s, Nixon was hardly ever offscreen and David Nixon's Magic Box and The David Nixon Show were firm favourites with the viewing public. For Nixon, though, Christmas had its own special magic as can be seen in these two classic festive specials from the mid-'70s, whose guests include the lovely Aimi MacDonald, famed illusionist Robert Harbin, pop chanteuse Lynsey de Paul, vaudevillian comic George Carl, international singing star Caterina Valente and ventriloquist Shari Lewis with her feisty sock puppet, Lamb Chop!
9.79* tells the fascinating story of the controversial 100-metre race at the 1988 Summer Olympics in Seoul, South Korea, where the scandalous tale of illegal substance abuse changed the world of athletics forever. As well as highlighting the issues that the sport has had with drugs in recent times, this revealing documentary released in conjunction with the 25th anniversary of the race on 24th September, focuses on one of the greatest sporting rivalries of the 20th century between Canadian Be...
Stephen Neale is released into WWII England after two years in an asylum but it doesn't seem so sane on the outside either. On his way back to London to rejoin civilization he stumbles across a murderous spy ring and doesn't quite know who to turn to.....
The story of Rocky Balboa, as presented in this five-movie Rocky anthology, looks suspiciously like a barely fictional parallel to Sylvester Stallone's own career. Such a strong vein of autobiography is hardly surprising, really, since Stallone wrote all five movies and directed II, III and IV. The original was a feel-good patriotic update on the American Dream, mirroring Stallone's own journey as a lucky break drags a man from the gutter into stardom; Rocky II was the story of a man who is subsequently plagued by the need to prove that his first success wasn't a fluke, and represented Stallone's attempt to keep his career afloat amidst a sudden explosion of blockbuster movies and superstar actors; the third featured a rival to his position echoing the friendly battle kept up with Schwarzenegger for box-office dominance; Rocky IV appeared at the same time as Rambo: First Blood Part II and was a veritable shower of self-glorification; and the fifth entered old age as gracefully as it could with younger blood ready to pounce from all directions. Balboa may have been "a little punchy", but Stallone was clearly the brains behind the Rockymovies' success.On the DVD: For picture and sound, it's to the first disc connoisseurs should turn. Transfer and 5.1 soundtrack are a notch above instalments III and IV. Inexplicably, II and V are only in three-channel surround. Disc 1 is also the place for the extras. Although the others feature their own trailer and a half-heartedly animated menu, the first has a montage menu that matches the excellent packaging and links rather easily to a hidden feature ("Rocky Meets Stallone"). There's a fascinating 12-minute "behind the scenes" short with director John Avildsen showing fight test footage and two short tributes to the late Burgess Meredith and cinematographer James Crabe. The commentary might seem a little crowded, featuring Avildsen, producers Irwin Winkler and Robert Chartoff, Talia Shire, Burt Young and Carl Weathers. The best feature is a 30-minute interview with Stallone, who remembers writing from an 8x9 room in Philadelphia and being inspired by an Ali fight. There are confessions about injuries, casting and his dog Butkus! As a 25th Anniversary special edition, the first disc alone is excellent value. --Paul Tonks
ased on Liam O'Flaherty's popular novel this gripping thriller is set amongst a group of revolutionaries in the newly independent Ireland of 1922. When one of their number, Francis, kills the chief of police he goes on the run. But when he returns to say goodbye to his mother and former lover he is cruelly betrayed by his one-time friend, Gypo. Newly restored by the BFI National Archive, with a new score from acclaimed violist/composer Garth Knox and premiered at the 2016 BFI London Film Festival, The Informer is one of the finest British films of the 1920s and deserves a place alongside other silent greats such as Blackmail, A Cottage on Dartmoor and Piccadilly. This Dual Format Edition includes the silent version alongside the rare sound version which was produced at the same time Special Features: A new restoration presented in High Definition and Standard Definition The sound version of The Informer (1929, 84 mins) Restoration Demonstration (2016, 5 mins) Shaping the Silence (2017, 10 secs) A selection of Topical Budget films from newly independent Ireland: I Want Peace (1921) Is It The Dawn? (1921) Historic Unionist Conference At Liverpool (1921) Irish Peace Imperilled By Extremists (1921) Further Pictures Of The Irish Peace (1921) Surrender of Dublin Castle (1922) British Evacuate Ireland after Hundreds of Years of Occupation (1922) Dublin's Civil War (1922) Illustrated booklet with full film credits and essays by Bryony Dixon, Garth Knox and Michael Brooke
Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (the director in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colourful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full colour photography, documentary techniques and especially its uneasy connections between sex, violence and the cinema. We can thank Martin Scorsese for sponsoring its 1979 re-release, which presented the complete, uncut version to appreciative audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker, Amazon.com
An Oscar winning film of a gripping study of alcoholism and love. Jack Lemmon and Lee Remmick star as Joe and Kirsten a couple who fall in love get married and have a baby. This happy family scene gradually changes as Joe's addiction casts an ever-increasing shadow over all their lives...
Clayton 'Wolf' Wolfson and his friend Lieutenant George Barwell have been hired by U.S. Colonel Stevens (who's in charge of the Omega Base Communications Operations) to blow a hole in a mountain adjacent to the Omega Base. The Army plans to open up an entrance to an unexplored cave system where they can set up a sonic tester to test communication abilities. Against Wolf's warning that the caves might not be safe Colonel Stevens starts sending down men and equipment. The first night in the cave a technician above ground hears a scream on the radio and then silence. When Wolf and the others go back into the cave the men are missing and the sonic tester is destroyed. Deep within the cave system. the rescue team find caves of breathtaking beauty but there is great danger which they cannot see ''- the one that is waiting for the right moment to attack...
The Work of Director Chris Cunningham, like the other volumes in the acclaimed Director's Series (Spike Jonze and Michel Gondry) offers a feast of visual ingenuity, with one major difference: unlike the relatively playful brightness of Jonze and Gondry, Cunningham wants to involve you in his nightmares. From the urban monstrosities of Aphex Twin's "Come to Daddy" to the limb-shattering weirdness of Leftfield's "Afrika Shox", Cunningham's music videos emphasise the freakish and the bizarre, but they are also arrestingly beautiful and otherworldly, as in the aquatic effects used for Portishead's "Only You", combining underwater movements with ominous urban landscapes. Some of Cunningham's shock effects are horrifically effective (his 'flex" video installation, excerpted here with music by Aphex Twin, is as disturbing as anything conjured by David Cronenberg), while others are cathartic or, in the case of Aphex Twin's "Windowlicker", outrageously amusing. And while the eerie elegance of Madonna's "Frozen" arose from a chaotic production, the signature work in this collection is clearly Björk's "All Is Full of Love", a masterfully simple yet breathtaking vision of intimacy involving advanced robotics and seamless CGI composites. In these and other videos, Cunningham advances a unique aesthetic, infusing each video and commercial he makes with a dark, occasionally gothic sensibility. That these frequently nightmarish visions are also infectiously hypnotic is a tribute to Cunningham's striking originality. --Jeff Shannon
Classic TV cartoon characters Rocky and Bullwinkle come to the big screen to battle their old foes, who have come across to the real world!
The 1976 Best Picture Award-winner Rocky has the look of a contemporary on-the-streets movie like Taxi Driver, but the heart of a fairytale. For the Bicentennial Year, world heavyweight champion Apollo Creed (Carl Weathers), a Muhammad Ali-like stars-and-stripes blowhard, cynically offers a title shot to an unknown over-the-hill Philadelphia club fighter, Rocky Balboa (Sylvester Stallone). Unlike the sequels, Rocky is a rare American sports movie to realise there's more drama and emotional resonance in losing than winning. The unique finale suggests that going the distance against the odds is more of a triumph than a conventional victory. Stallone, then an unknown as actor and writer, crafts the script to his own strengths--mumbling, Brando-like sincerity combined with explosive physicality expressed in his use of a side of beef as a punch-bag or wintery jogs around Philly. Surprisingly little of the film is taken up with ring action, as we follow Rocky's awkward courtship of pet-store minion Adrian (Talia Shire) and uneasy relationship with her slobbish brother (Burt Young), while Burgess Meredith provides the old pro licks as the curmudgeonly trainer. Though it led to a slick, steroid-fuelled franchise, it has a pleasing roughness, exemplified by the memorable funk/brass band score and the array of fidgety, credible method acting tics. On the DVD: 1.85:1 16x9 print, which represents the sometimes-slick, sometimes rough look of the cinematography; feature commentary with supporting cast and crew (Burt Young admits to rubbing vermouth into his neck to make himself repulsive), video interview with Stallone, a retrospective featurette (which includes news footage of the Ali fight that inspired the story), 8mm test fight footage with a flabbier Stallone, tributes to Burgess Meredith and cameraman James Crabe, trailers for Rocky and all the sequels (which makes a solid précis of the whole series). All this and a "special hidden feature" (a comic sketch with Sly meeting Rocky).--Kim Newman
Cannibal Holocaust is extremely well executed and is a powerful and thought-provoking as well as provocative piece of filmmaking, finally reassessed in this Shameless edition and given the fitting “Ultimate Cult Film” accolade it deserves.. A crew of four documentary filmmakers disappears while filming primitive cannibal tribes deep in the Amazonian rain forest; the horrific footage they shot is then found by a second expedition who will discover the horrific real reason for the demise of the four filmmakers.. Special Features:Introduction to the film by director Ruggero Deodato, Ruggero Deodato on the Animal Edit; long version of the film (only 14 secs cut which has been seamless replaced by reaction shots), and, for the first time ever, the director’s own edit of the film reducing the on-screen violence to animals whilst preserving the jaw-dropping, gut-wrenching impact of the film. Interview of Ruggero Deodato & Karl York & Francesca Cirdi; specially commissioned documentary by Cine Excess and critical analysis featuring critics such as Kim Newman etc.; Easter Egg & Shameless Trailer Park
Arnold Schwarzenegger wages an all-out war against an unstoppable enemy in this pulse-pounding action thriller - now in spectacular 3D for the first time ever! On a rescue mission deep within a Central American jungle a team of U.S. commandos find themselves hunted by a terrifying creature more powerful and deadly than any on Earth... because the Predator is not of this Earth.
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