Murder Ahoy (1964): Miss Marple investigates the murder of one of her fellow trustees of a fund which rehabilitates young criminals... Murder At The Gallop (1963): The old and wealthy Mr. Enderby dies of a heart attack but the ever suspicious Miss Marple has her doubts... Murder Most Foul (1964): Miss Marple is the only member of a jury who believes that an accused is innocently charged with murder and sets out to uncover the real killer... Murder She Said (1961): While on board one train Jane Marple witnesses a murder on another train. Can she expose the murderer before all the passengers disembark?
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
In a bid to save their farm, three cows kidnap a cattle rustler with a yodel that can't be beaten...or ignored.
Jack Walsh (Robert De Niro) is a tough ex-cop turned bounty hunter. Jonathan ""The Duke"" Mardukas (Charles Grodin) is a sensitive accountant who embezzled $15 million from the Mob gave it to charity and then jumped bail. Jack's in for a cool $100 000 if he can deliver the Duke from New York to L.A. on time. And alive. Sounds like just another Midnight Run (a piece of cake in bounty hunter slang) but it turns into a cross-country chase. The FBI is after the Duke to testify - the Mob is after him for revenge - and Walsh is after him to just shut up. If someone else doesn't do the job the two unlikely partners may end up killing each other in this hilarious action-filled blockbuster from producer-director Martin Brest (Beverly Hills Cop).
After starring in the now-legendary Dollars trilogy of spaghetti Westerns for Italian director Sergio Leone, Clint Eastwood became a box-office star and imported the style of those classic shoot-em-ups for this 1967 Western directed by Ted Post, with whom Eastwood had worked during their days on the television series Rawhide. Eastwood plays an innocent rancher who is mistaken for a cattle rustler and sentenced to hang by an angry mob. When he is saved from the noose by a passing lawman, he embarks on a renegade campaign of vengeance against the men who attempted to lynch him. Hang 'Em High offers a number of memorable moments and stylistic flourishes, and features a superb supporting cast of Western veterans, including Ben Johnson, Ed Begley, Pat Hingle, Dennis Hopper, Bruce Dern, LQ Jones, and the "Skipper" himself, Alan Hale Jr Made just three years before Dirty Harry, the film marked a turning point for Eastwood, who would soon move into a prolific period of contemporary thrillers. --Jeff Shannon, Amazon.com
A legendary title from the Video Nasties era, Joseph Ellison's relentlessly bleak and disturbing Don't Go In The House has lost none of its power to shock in the decades since it was first censored by the BBFC and seized by UK authorities. Donny Kohler (The Sopranos' Dan Grimaldi in a gripping central performance), a disturbed loner unhealthily obsessed with fire, comes home from his factory job one day to find his abusive mother has died. Now all alone in the large Gothic mansion he calls home and consumed in an inferno of insanity, he is finally able to fulfil his violent revenge fantasies against her. Soon, any woman unlucky enough to enter is forced to come face to face with the worst fate imaginable in the secret steelclad chamber of death he has built in the house's depths Now fully uncut and making its UK high definition premiere in a brand new 2K restoration, the film that dares to ask What if Norman Bates had a flamethrower? is back in a definitive collectors' edition with both original and extended versions. Limited Edition Contents: Limited edition Ocard featuring newly commissioned artwork by Christopher Shy Reversible sleeve and foldout doublesided poster featuring original and newly commissioned artwork by Christopher Shy Illustrated collectors' booklet featuring new writing on the film by Lindsay Hallam and James Flower Disc One: Brand new 2K restoration from the original negative by Severin Films High Definition (1080p) Bluray⢠presentation of two different versions of the film: the 83minute uncut Theatrical Version, and the 89minute Television Version with additional scenes and alternate footage Original lossless mono audio on both cuts Optional English audio description for the blind on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Brand new commentary on the Theatrical Version by director Joseph Ellison and producer Ellen Hammill Archive commentary on the Theatrical Version by star Dan Grimaldi House Keeping, a brand new featurette by Severin Films interviewing associate producer Matthew Mallinson and cowriter/producer Joe Masefield We Went in the House, a brand new featurette by Severin Films with Michael Gingold revisiting the locations from the film, including the iconic house Playing with Fire, an archive interview with star Dan Grimaldi from 2005 Original theatrical trailers and TV spots Image gallery Disc Two: High Definition (1080p) Bluray presentation of the Extended Version (92 mins) of the film, with the additional scenes from the Television Version reinserted into the uncensored Theatrical Version Original lossless mono audio Optional English audio description for the blind Optional English subtitles for the deaf and hard of hearing Brand new audio commentary on the Extended Version by Stephen Thrower, author of Nightmare USA Minds on Fire, a brand new video essay by David Flint putting the film into context Burn Baby Burn and The Burning Man, two archive interviews with director Joseph Ellison Grindhouse AllStars: Notes From the Sleaze Cinema Underground, a documentary by High Rising Productions from 2017 interviewing exploitation filmmakers Matt Cimber, Joseph Ellison, Roy Frumkes and Jeff Lieberman
Random Hearts, starring Harrison Ford and Kristen Scott Thomas, is a compelling love story about two people who never would have met in a perfect world.
A basketball coach searches Africa for raw talent and discovers a Winabi warrior called Saleh...
Dino De Laurentiis' remake of the original hairy monster movie features remarkable special effects by Rick Baker. Fred Wilson (Charles Grodin) head of an oil drilling expedition to the remote island of Micronesia discovers a stow-away on his ship Jack Prescott (Jeff Bridges) a zoologist in search of a prehistoric creature fabled to exist on the island. Off the coast of Micronesia they rescue Dwan (Jessica Lange) a beautiful woman shipwrecked in the treacherous seas. On the islan
Monty Python's Terry Gilliam (Fear and Loathing in Las Vegas) directs this wild, wild version of the stories of Baron Munchausen, pushing the limits of 1989 special effects technology to bring us such sights as a horse divided in half and running around in two parts, and a giant Robin Williams with his head flying off his shoulders. Basically, this is a treat for Gilliam fans, as the sustaining idea of the film runs out of steam, and manic energy alone keeps the momentum going. Casual viewers might find it tedious after awhile. There are nice parts for fellow Python Eric Idle, as well as Sting, Alison Steadman, and Uma Thurman as a dazzlingly beautiful Venus on a half-shell. Gilliam had greater artistic and commercial success with Brazil, The Fisher King and 12 Monkeys. --Tom Keogh
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
Rocky Colt and Tum Tum find themselves in action again as they get drawn into a struggle between an American Indian tribe and a ruthless businessman who is dumping toxic waste on their land.
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
The British Are Coming! Britain's finest athletes have begun their quest for glory in the 1924 Olympic Games. Success brings honour to their nation. For two runners the honour at stake is personal... and their challenge one from within. Winner of four 1981 Academy Awards including Best Picture 'Chariots Of Fire' is the inspiring true story of Harold Abrahams Eric Liddell and the team that brought Britain one of its greatest sports victories. Ben Cross Ian Charleson Nigel Havers Nicholas Farrell and Alice Krige enjoyed their first major movie roles in this debut theatrical feature for director Hugh Hudson. Producer David Puttnam blended those talents to shape a film of unique and lasting impact. From its awesome footage of competition to its Oscar-winning Vangelis score 'Chariots Of Fire' has blazed its way into the hearts of movie lovers everywhere.
Random Hearts, starring Harrison Ford and Kristen Scott Thomas, is a compelling love story about two people who never would have met in a perfect world.
Kind Hearts and Coronets (Dir. Robert Hamer 1949): Sir Alec Guinness became an international star with his extraordinary performance as eight different characters in this 1949 Ealing Studios classic. Dennis Price (I'm All Right Jack Private Progress) co-stars as Edwardian gentleman Louis Mazzini who plots to avenge his mother's death by seizing the dukedom of the aristocratic d'Ascoyne family. But to gain this inheritance Mazzini must first murder the line of eccentric relatives who stand between him and the title including General d'Ascoyne Admiral d'Ascoyne The Duke of Chalfont Lady Agatha d'Ascoyne and four more all brillantly portrayed by Guinness and leading to one of the most delicious final twists in comedy history. Passport To Pimlico (Dir. Henry Cornelius 1949): An ancient document reveals that London's Pimlico district really belongs to France. And the Pimlico community eager to abandon post-War constraints quickly establish their independence as a ration-free state with hilarious results. Nicholas Nickleby (Dir. Alberto Cavalcanti 1947): The classic Charles Dicken's tale of 'Nicholas Nickleby ' a man who is deprived of his inheritance and travels to seek his fortune with a group of gypsies. Went The Day Well? (Dir. Alberto Cavalcanti 1942): The residents of a British village during WWII welcome a platoon of soldiers only to discover that they're actually Germans!
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
From Terry Gilliam director of 'Time Bandits' and 'Brazil' comes 'The Adventures of Baron Munchausen' a spectacular epic fantasy quite unlike any other film ever made. Just who is Baron Munchausen? Liar? Rogue? Madman? Or the greatest superhero ever to battle and triumph against unbeatable odds? Did he really ride through the air on a cannonball slay a three-headed griffin journey to the moon all before breakfast? Helped and hindered by a cast of quite literally thousands including Vulcan Berthold and many more the indomitable Baron succeeds in overcoming every obstacle to face his final greatest challenge: Death itself? There's never been a film remotely like this but then there's never been a hero to compare with the Baron...
Chow Yun-Fat is the mysterious Ko Chun invincible God of gamblers. A freak accident results in amnesia but leaves his supernatural skills unscathed. Unaware of his true identity small time hustler Andy Lau sets out to explore Chun's talents on Hong Kong's notorious gambling circuit only to find himself the target of vicious gangsters hell-bent on eliminating them both and unsurping Ko Chun's crown. Director Wong Jing blends violent action intense drama and classic Hong Kong comedy into the perfect backdrop for Chow's bravura tour-de-force as the enigmatic idiot-savant; a classic!
In his writing and directing debut Sean Penn delivers a profound picture of two very different brothers one a cop with a loving family the other a lawbreaking Vietnam vet. Both coming to terms with each other and trying to maintain the bond they shared as children.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy