The vibrant cultures of India, Uganda, and the American South come together in Mississippi Masala by MIRA NAIR (Monsoon Wedding), a luminous look at the complexities of love in the modern melting pot. Years after her Indian family was forced to flee their home in Uganda by the dictatorship of Idi Amin, twentysomething Mina (Homeland's SARITA CHOUDHURY) spends her days cleaning rooms in an Indian-run motel in Mississippi. When she falls for the charming Black carpet cleaner Demetrius (The Tragedy of Macbeth's DENZEL WASHINGTON), their passionate romance challenges the prejudices of both of their families and exposes the rifts between the region's Indian and African American communities. Tackling thorny issues of racism, colourism, culture clash, and displacement with bighearted humour and keen insight, Nair serves up a sweet, sexy, and deeply satisfying celebration of love's power. Product Features New 4K digital restoration, supervised by director Mira Nair and director of photography Ed Lachman, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-ray New audio commentary featuring Nair New conversation between actor Sarita Choudhury and film critic Devika Girish New interviews with Lachman, screenwriter Sooni Taraporevala, and production designer and photographer Mitch Epstein English subtitles for the deaf and hard of hearing
Rip Murdock (Bogart) and Johnny Drake (Prince) are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to resolve the mystery surrounding his death...
Double bill of festive family adventures directed by Douglas Barr. In 'Northpole' (2014) the magical land where Santa Claus (Robert Wagner) lives is powered by the festive spirit generated by people around the world. However, as modern life takes over and people have less time to spend with their families over Christmas, Northpole is rapidly losing power and so it is left to one young boy, Kevin (Max Charles), to convince his family to save Christmas. In 'Northpole - Open for Christmas' (2015) Mackenzie Warren (Lori Loughlin) hopes to sell The Northern Lights Inn that she has inherited from her late aunt, and enlists the help of handyman Ian (Dermot Mulroney) to fix up the place. Ian and his daughter are charmed by the inn but can't revive Mackenzie's childhood love for the building. But Santa needs the inn to survive so he sends Clementine the elf (Bailee Madison) to restore Mackenzie's holiday cheer. Can they all work their magic on her and save the inn?
Did Rebecca Carlson (MADONNA) use her body as a weapon for murder or instrument for love? Carlson, a striking and seductive young gallery owner, stands accused of using her sexual wiles to murder her much older and very wealthy lover in order to inherit his estate. Ambitious District Attorney, Robert Garrett (JOE MANTEGNA), presses for a conviction and his primary witness is Joanne Braslow (ANNE ARCHER), the victim's very devoted personal secretary who is armed with eyewitness accusations about Carlson's deviant ways. Carlson hires Portland, Oregon's finest attorney to defend her, the aggressive and cocky Frank Dulaney (WILLEM DAFOE). He is a seemingly straight-laced family man taking on a case of prurient proportions. With Dulaney's powers of persuasion, Carlson has the best possible defence as the dramatic trial unfolds. Will Dulaney be able to defend himself from the extraordinary allure of his new client? And how will his obsessive curiosity about Carlson allow him to objectively examine the body of evidence before him?
Rocky Colt and Tum Tum find themselves in action again as they get drawn into a struggle between an American Indian tribe and a ruthless businessman who is dumping toxic waste on their land.
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible example for both marriage and their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. --Roger Thomas
Jack London's classic tale of the Klondike Gold Rush as we follow the lives of the dog Buck and his master John Thornton.
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
Jim Carrey and Jeff Daniels reprise their signature roles as Lloyd and Harry in the sequel to the smash hit that took the physical comedy and kicked it in the nuts: DUMB AND DUMBER TO.
Ninth entry in the Carry On series. Ancient British slaves save Caesar (Kenneth Williams) from assassination in Rome 50 B.C. Meanwhile Mark Antony (Sid James) romances Egyptian Empress Cleopatra (Amanda Barrie). Revolting Britons include Kenneth Connor and Charles Hawtrey while Warren Mitchell plays a partner in the slave-trading firm Markus & Spencius.
In this French drama a group of mourners travel from Paris to Limoges to attend the funeral of a tyrannical painter they all knew.
As a tale of self-discovery, Silkwood, Mike Nichols' 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer's company, works well enough. Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets 'em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can't decide whether it's quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama. On the DVD: Silkwood is well-served on this DVD release by sharp picture and sound quality (Georges Delerue's poignantly jaunty country and western soundtrack benefits in particular), but the extras are static and add little to the package apart from a strictly "budget" feel: standard biographies of the stars and director with some pretty pointless trivia facts, and a brief history of the production. There's nothing here that even the most generalist of film fans won't already know. A director's commentary explaining why the film loses its bottle in the final reel would be more interesting. --Piers Ford
When three outlaws stumble across a dying woman and her baby they vow to escort the infant to New Jerusalem across the white-hot desert...
Shosho a scullery maid in a fashionable London nightclub whose exotic dance routines catch the eye of suave club owner Valentine Wilmot. She rises to become the toast of London and the object of his erotic obsession - to the bitter jealousy of Mabel his former lover and star dancer.
Playwright Skip Donahue (Wilder) and actor Harry Monroe (Pryor) are out of work and penniless. Deciding they have had enough of Broadway they set off to make their fortunes and find freedom down South. On the way their funds get so low that they have to find work; as singing dancing Woodpeckers promoting a bank. Plagued by bad luck thieves steal their costumes and rob the bank and guess who gets the blame and get put jail? Whacky laughs riotous situations thrills and spills ma
Pig and Runt were born moments apart in the same hospital and except for blood are twins. They grow up together and have equal appetites for recklessness and destruction. Just before their seventeenth birthdays Pig's behaviour threatens the private world they have spent a lifetime building. Their special relationship is stretched to breaking point and the survival of one of them depends upon which one can break free.
Dead Poets Society (1989): Academy Award winner Robin Williams delivers a brilliant performance in one of Hollywood's most compelling and thought-provoking motion pictures. Williams portrays passionate English professor John Keating who in an age of crew cuts sport coats and cheerless conformity inspires his students to live life to the fullest exclaiming... ""Carpe diem lads! Seize the day. Make your lives extraordinary!"" The charismatic teacher's emotionally charged challenge is met by his students with irrepressible enthusiasm - changing their lives forever. Magnificently directed by Peter Weir (The Truman Show) Dead Poets Society earned unparalleled praise among audiences and critics alike. Discover for yourself what all the cheering's about. (Dir. Peter Weir Cert. PG) Good Will Hunting (1997): Will Hunting (Damon) is a headstrong working-class genius. After one too many run-ins with the law Will's last chance is a psychology professor (Williams). Experience this powerful and unforgettable movie. From highly acclaimed director Gus Van Sant this triumphant story was nominated for 9 Academy Awards - winning Oscars for Robin Williams and hot newcomers Matt Damon and Ben Affleck and also features nominee Minnie Driver. (Dir. Gus Van Sant Cert. 15)
Based upon harrowing real events which were turned in to a 1955 novel by Jean-Paul Clébert, The Blockhouse starts explosively with an Allied air raid on a Nazi prison camp. Six escaped prisoners take shelter in an underground blockhouse, which is soon destroyed by heavy shelling. Trapped underground, with an almost endless supply of food, wine and candles, the men must endure confinement with no prospect of escape or rescue. Featuring a stunning ensemble cast that includes Peter Sellers (Hoffman), Charles Aznavour (Shoot the Pianist), Peter Vaughan (Symptoms), Jeremy Kemp (The Strange Affair), Per Oscarsson (A Dandy in Aspic) and Leon Lissek (Marat/Sade), The Blockhouse was filmed on the Channel Islands in a horribly dank and dark underground bunker, giving the film a suffocating sense of claustrophobia. This new restoration edition marks the film's worldwide Blu-ray premiere.
A surreal fairytale featuring the world's first communist princess, a bizarre fish and a malevolent dwarf that haunted the nightmares of generations of children from the mid-'60s onwards, The Singing Ringing Tree is presented here in High Definition for the first time.
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. In 1906, Sir Arthur Conan Doyle, having lost his first wife, was overcome with grief; even Sherlock Holmes and Dr Watson refused his call. It was only when his secretary, Woodie, presented him with an apparent real-life miscarriage of justice, that he could be roused to action. The case in question was that of George Edalji, a Parsee solicitor, who was imprisoned for writing obscene letters and killing livestock in Great Wyrley, Staffordshire. George needed Arthurs help to clear his name. However, as the twists and turns of the case unfold, Arthur himself questions Georges innocence. It is only by finding the true culprit, that Arthur can finally put the case, and his grief, to rest; whilst simultaneously becoming influential in a major reform to the English judicial system.
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