Star Wars meets A Wrinkle in Time in this adventure of an intergalactic war where one unassuming young man holds the key to dimensional travel and the legacy of his mysterious adventurer father. Boyish Josh Charles is the lucky Luke Skywalker stand-in, a good-natured underachiever shocked out of his lovelorn moping when gorgeous guerrilla fighter Andrea Roth takes the battle to his bedroom. Rutger Hauer is the coffee-chugging freedom fighter who is roused from retirement to fill out the trio and face dimensional mob boss Stuart Wilson. This obviously low budget picture makes the most of limited special effects and striking settings--notably an elevator ride that turns into a free-floating mind game hanging in space and a knock-down, drag-out finale that sends our hapless hero popping up all over the universe. Hauer makes for a surprisingly charismatic mercenary turned father figure and Charles is modestly charming, once he loses the smart-ass wisecracks. Though it reaches for a scope that's beyond its means, Crossworlds is an entertaining bit of sci-fi fluff. --Sean Axmaker, Amazon.com
Years after serving together in the French Foreign Legion American soldier of fortune Franz Propp (Charles Bronson) and French doctor Dino Barron (Alain Delon) are unexpectedly reunited under the most extraordinary circumstances. Hoping to help a friend who has embezzled some bonds Barron tries to break into a safe in the dead of night. Sneaking into an underground vault he is surprised to discover that his old pal Propp is also on the premises likewise intending to crack the saf
From the same kennel as An American Tail ALL DOGS GO TO HEAVEN was a favourite for all children (and adults) when it was first released in 1989 and now it's destined to attract a whole new generation of fans. Burt Reynolds provides the voice for Charlie B. Barkin a loveable canine rogue who's been doing time in the dog-pound for his sins. With the help of his faithful friend Itchy (Dom De Luise) he escapes and discovers that his previous partner-in-crime Carface (Vic Tayback) is now incredibly wealthy. Not only that but Carface has decided that Charlie is now superfluous and wipes him out. At the pearly gates he's refused entry to heaven by the Heavenly Whippet (Melba Moore) as it seems that there is no evidence of Charlie doing any good deeds during his lifetime. Charlie returns to earth where he discovers Carface's secret - a little orphan girl with the remarkable ability to talk to animals who Carface uses to predict racing winners. Charlie kidnaps Ann-Marie hoping to ruin Carface and make a fortune at the races but Ann-Marie believes she has found a good pal. The pair are united in a delightful musical adventure through the animated-animal population of the underworld of New Orleans. All manner of rascally criminals are pursuing Ann-Marie but with the help of reformed German shepherd Charlie she defeats them. This is a classic childrens' fantasy adventure film packed with thrills laughter and puppy love.
Directed by Austrian �migr� Paul L. Stein, Red Wagon features the screen debut of the sixteen-year-old Jimmy Hanley, the Rank Organisation star who would become British cinemagoers' favourite 'boy next door', with American character actor Charles Bickford, silent-era star Greta Nissen, and Hanley's future Huggetts co-star Amy Veness. Adapted from Lady Eleanor Smith's novel, this 1934 feature tells the story of Joe Prince, an orphan child of circus people who, after many struggles, achieves h...
The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. Baryshnikov was at the height of his career as a classical dancer in 1977 when he staged this beloved holiday classic for the American Ballet Theatre. Gelsey Kirkland had left the New York City Ballet to dance with the Russian superstar and their partnership was magical. In this Soviet-influenced version Baryshnikov casts himself as the hero who is transformed from a wooden figure to a soaring prince and Kirkland plays an adolescent girl of delicacy and vulnerability. Alexander Minz portrays Drosselmeyer a mysterious wizard who not only conjures the fantasy but aslo dances with the romantic couple. Kenneth Schermerhorn conducts the National Philharmonic in a fast-paced performance of Tchaikovsky's music. Celebrated by critics and public alike Baryshnikov's The Nutcracker delivers a brilliant and sparkling adaptation of the famous E.T.A. Hoffmann tale along with Tchaikovsky's classic score.
Golden Globe-winner Brian Dennehy is back as star director and co-writer of a hard-hitting crime-thriller featuring Jack Reed Chicago's toughest and most incorruptible cop. Jack Reed is investigating the brutal murder of a 'biker babe' while simultaneously battling corruption within his own department. Besieged by cops and criminals alike Reed wonders just who he can trust - and who exactly is undermining all his efforts.
Ming The Merciless Emperor of Mongo has unleashed his latest terrible weapon for the destruction of Earth a 'purple dust' that is killing the population. Flash Gordon Dale Arden and Dr Zarkov take off for the planet of Mongo to confront Ming and destroy his deadly factory. Before Flash Gordon can 'conquer the universe' he must confront Ming the Rock Men and Annihilations and protect the mining for Polarite the only known antidote to the purple dust.
A sociologist researching a book interviews murderess Camille who tells him the story of her life. Put in a reform school as a child for suspected patricide and later transferred to an orphanage she escaped and tricked a young man called Clovis into marrying her. After attempting to kill Clovis' mother she fled to Paris where she began an affair with a night-club singer. Camille has left a trail of destruction and deceit in her wake which now threatens to engulf the sociologist.
Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old...
When New Yorker Molly Truesdale takes a bus tour of the West rodeo rider Duke Hudkins literally falls into her lap. It's love at first sight for Molly and she sets out to catch her cowboy! 'A Lady Takes A Chance' is vintage John Wayne available to buy for the first time in the UK.
Jim Kelly, the star of Black Samurai, was a multi-talented martial artist perhaps best remembered for his role in Bruce Lee's Enter the Dragon. Black Samurai is essentially a vehicle for his fighting skills in which he plays a secret agent out to retrieve his Japanese sweetheart from the drug-dealing Satanist who has abducted her to blackmail her father. His investigative skills are almost non-existent--much of the plot consists of his arriving at the villains' houses and hitting people. At the same time, the character's utter ruthlessness and the extravagant evil of the villains, the chief of whom, Jannicot, is in the habit of sicking a vulture on his enemies, are entertaining enough and the 1970s styling unselfconsciously entertaining. The director, Al Adamson, was mostly famous for his horror films, and there is a Gothic extravagance to the sets and gimmicks here: Kelly's jet-pack sequence has to be seen to be believed. On the DVD: The DVD comes with a wonderful period trailer for The Green Hornet, the usual chapter selection, biographies of Kelly and Adamson (who was murdered in 1995) and a feature which enables you to look at the fight scenes in isolation. --Roz Kaveney
A large consignment of gold bullion has been stashed by 'Tiger claws' a notorious bandit - a gang called the 'Flash Foxes' are jealous and want the gold for themselves....
Flash Gordon Conquers The Universe Box Set (3 Discs)
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible argument both for marriage and for their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. On the DVD: The picture ratio is 4:3, and as is usual for this series the disc has no added features, which always seems like a terribly missed opportunity.--Roger Thomas
Ming The Merciless Emperor of Mongo has unleashed his latest terrible weapon for the destruction of Earth a 'purple dust' that is killing the population. Flash Gordon Dale Arden and Dr Zarkov take off for the planet of Mongo to confront Ming and destroy his deadly factory. Before Flash Gordon can 'conquer the universe' he must confront Ming the Rock Men and Annihilations and protect the mining for Polarite the only known antidote to the purple dust.
In this romantic tale Paderewski the famed pianist and two other plane crash survivors are guests of a Swedish baroness. Interwoven throughout this gentle and charming story are exquisite piano solos performed superbly by the elderly pianist Paderewski.
Cool, subtle psychological drama is a French speciality, and Anne Fontaine's Comment J'ai Tue Mon Pere ("How I Killed My Father") is an ultra-classy specimen of the genre. A study in the way emotional paralysis gets passed on from one generation to the next, it often recalls Philip Larkin's famous lines, "They fuck you up, your mum and dad; they may not mean to, but they do." Jean-Luc, a wealthy gerontologist to the ageing rich of Versailles (that's the town, rather than the ex-royal palace) gets a letter from Africa telling him his father's dead. Since his parent walked out on him and his brother when they were little, he's not too shattered by the news. But next thing he knows, the old boy has shown up and invited himself in for an indefinite stay. And under his blandly disruptive gaze, all the hidden faultlines in Jean-Luc's life--in his marriage, his relationships with his mistress and his failed-actor younger brother--start cracking wide open. Fontaine's film has points in common with Nanni Moretti's masterly The Son's Room, which also showed a professional man's seemingly flawless life crumbling under unforeseen family stresses. But befitting its Italian setting, that was a far warmer and less inhibited set-up. As Jean-Luc, Charles Berling's ice-blue eyes and chiselled good looks seem frozen in a mask of tight repression, and he's superbly matched by veteran actor Michel Bouquet as Maurice, his manipulative father. Both actors, and Stéphane Guillon as Jean-Luc's brother, are impeccably cast and it's easy to believe these three are closely related. The stiffly formal architecture of Versailles makes an ideal backdrop, and there's a quietly ominous score from British composer Jocelyn Pook, who also scored Kubrick's Eyes Wide Shut. Ultimately Fontaine tantalisingly leaves us guessing whether Maurice really does return, or whether he's a ghost conjured! up from his son's guilt-ridden subconscious. On the DVD: How I Killed My Father on disc offers nothing but the theatrical trailer; a missed opportunity given that Fontaine, whose fifth feature this is, is little-known outside France. The transfer is full-screen; visual and sound quality is flawless. --Philip Kemp
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