It's Christmas Eve in the sleepy town of Rockford when Sheriff Rick Langston (Dean Cain, Lois & Clarke: The New Adventures of Superman) arrests a mysterious man who resembles Santa Claus. However, when the townspeople's Christmas wishes all start to come true, the sheriff begins to wonder if this jolly old man just might be the real deal. It is when he is out of love and luck and at his most cynical that the sheriff meets Lucy (Christine Lakin, Valentine s Day) and is shown the miracle of lov.
Supposedly based on an actual event which remains unsolved to this day 'Picnic At Hanging Rock' is suffused with menace mysticism and languorous adolescent sensuality. In the year 1900 a group of schoolgirls set out on a St. Valentine's Day picnic from which two never returned. With this hauntingly beautiful film director Peter Weir marked the dawn of a new age in Australian cinema.
With compelling sympathetic performances from double Oscar nominee Burgess Meredith and accomplished Irish actor Kieron Moore this powerful psychological drama shows the almost super-human demands of a profession that ranks amongst the most challenging. Adapted from his own novel by BAFTA-winning author and screenwriter Nigel Balchin Mine Own Executioner is presented in a brand-new High Definition transfer from the original film elements. Meredith stars as Felix Milne a lay psychiatrist in post-war London who is enlisted to treat Adam Lucian a fighter pilot deeply traumatised by his experiences in a Japanese prisoner-of-war camp. Beleaguered by emotional problems of his own Milne embodies the mixture of dedication self-distrust and self-criticism that characterises someone with a genuine vocation for the psychiatrist's work; but is he qualified to treat a patient as disturbed and potentially destructive as Adam? Special Features: Image Gallery Promotional Material PDFs
He found the enemy...but on the wrong side! Chris Kody (Steven Seagal) the world's best mercenary is freed from prison... but there is a catch. Kody must use his lethal weapons and fighting skills to stop a group of terrorists who have taken over a nuclear submarine...
Imagine if you could make anyone love you look more beautiful or punish your enemies just by casting a spell... Sarah is a a 17-year-old with a troubled past. Uprooted by her parents and moved to LA where she begins the final year at St. Benedict's Academy Sarah is a lonely stranger - until she meets a brigade of black lipstick and nails: Nancy Bonnie and Rochelle. These girls may never be in with the in-crowd - they're barely in with each other but recently they have been dabbling in the strange world of witchcraft and the occult. With the addition of Sarah their union is finally powerful enough to make their wishes come true... and dangerous enough to make their enemies very sorry!
When Emmanuelle was released in 1974 it caused uproar in France. President Pompidou tried to ban it, effectively catapulting it into the year's "must see" category of films and into history as the point at which soft-core pornography dallied with the mainstream and conceived a new kind of arty erotic cinema with equal appeal to both sexes. As a result it acquired the patina of a classic of its kind and spawned a whole series of sequels. Based on Emmanuelle Arsan's erotic novel and dubbed "the longest caress in French cinema", it tells the slight tale of a young expatriate woman in Thailand, encouraged by her husband--and practically everyone she meets--to explore her sexuality through free love and the pursuit of fantasy. It also launched the career of Dutch actress Sylvia Kristel in the iconic title role. Never mind that the original character was Eurasian. Kristel's European good looks and lissom figure earned her a unique kind of big screen immortality. It's dreamily filmed by director Just Jaeckin and director of photography Richard Suzuki, with lots of simulated, soft-focus sex, much of it between Emmanuelle and her female conquests. Only an unpleasant rape scene in which she is the prize in a Thai boxing match, acknowledges that sexual fantasy has its dark side. The picture survives as a period piece from a more innocent time: the men, with their dated moustaches and tight pants, lack only medallions, and there's some deathless dialogue: "You like it [masturbation], don't you?" "Well yes, but I haven't had breakfast..." Even so, parts of Emmanuelle, made in the pre-AIDS era, have an almost quaint charm. True, the languorous escapades of the jetsetters are juxtaposed with rough images of the Thai sex trade, revealing among other things exciting new ways to smoke a cigarette. But Kristel's insouciance is often hypnotic. On the DVD: Presented in 16:9 widescreen format, this release effectively replicates the original cinema viewing experience, down to the dreadful dubbed dialogue. Whichever language you watch it in, the actors' lips move in a world of their own and the Dolby Digital soundtrack only emphasises the muffled quality. Only Pierre Bachelet's "plinky-plonky" theme comes across with any clarity. Extras are limited to the original theatrical trailer.--Piers Ford
If your idea of Austrians is of cheerful folk cavorting about mountains or relaxing in old-world coffee-shops, Dog Days will come as quite a shock. Set amid the residential streets and shopping precincts of a charmless, sterile southern suburb of Vienna, documentary-maker Ulrich Seidl's first feature revels in the ugliness, both physical and moral, of his characters. None of these are people you'd want to spend time with: in fact most of them you'd go several miles out of your way to avoid, which perhaps accounts for the strangely perverse fascination there is about watching them. Dog Days--it takes place, as you might guess, during a sticky, sweltering July heatwave that improves tempers not one bit--comes on rather like a low-rent version of Robert Altman's Short Cuts. We meet a dozen or so main characters, all of whom gradually come to impact on each other's lives in various ways. Among them, a girl with a psychotically jealous boyfriend; an elderly man who obsessively stockpiles groceries, first weighing them to check for the least hint of short measure; an estranged couple still sharing a house, where the wife entertains her lovers under her husband's morose gaze; a middle-aged schoolteacher whose abusive lover invites lowlifes to join in humiliating her; a no-hoper salesman of security systems; and the world's most excruciatingly irritating hitch-hiker. There's a dark humour at work here; after a while the sheer bleakness and collective vindictiveness become wincingly funny. Seidl's disenchanted view of his compatriots, and his contempt for their vaunted gemütlichkeit, is epitomised by his image of a man forced to sing the Austrian national anthem ("A nation blessed by its sense of beauty") stark naked with a lighted candle up his backside. To cap it all, he can't remember the words. --Philip Kemp
The Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798 but in this six-part series Dennis Potter attempted to find a contemporary relevance through his central themes of sex and religion. He commented that Casanova ""was concerned with religious and sexual freedom and these are the things we have to address ourselves to now."" Casanova was imprisoned in Venice in 1755 and Potter used that event as a central device constantly inter-cutting to contrast C
Hell hath no Fury...like Christine. She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is Christine a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil indestructible vengeance that will destroy anyone in her way. She seduces 17-year old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands
Played on ITV 1 to an audience of 1.75 million viewers Presented by Christine Bleakley star of This Morning and Dancing on Ice. The Roman Britain subject has a large, established audience in the UK
A Series About Life After Life After more than a year as a grim reaper George (Muth) has realized that being a teenager in the afterlife is as complex as in real life. There are still unrequited crushes agonizing dilemmas and the occasional bad attitude. Along with her kooky co-reapers Mason (Callum Blue) Daisy (Laura Harris) Roxy (Jasmine Guy) and Rube (Mandy Patinkin) George struggles to collect souls while managing her own awkward development - into an adult reaper! Episodes comprise: 1. Send In The Clown 2. The Ledger 3. Ghost Story 4. The Shallow End 5. Hurry 6. In Escrow 7. Rites Of Passage 8. The Escape Artist 9. Be Still My Heart 10. Death Defying 11. Ashes To Ashes 12. Forget Me Not 13. Last Call 14. Always 15. Haunted
Award winning BBC series set in 1940s Britain returns for a third series of wartime action, suspense and romance. When the military hospital is destroyed by a bomb, Lady Ellen Hoxley organises the Great Hall at Hoxley Manor into a make shift replacement with the help of the Home Guard and Land Girls, Esther, Joyce, Connie and new arrival Iris. As they cope with their everyday duties, the war is never far away. Returning cast members Sophie Ward, Becci Gemmell, Seline Hizli, Corolyn Pickles and Mark Benton are joined by Dominic Mafham (Kingdom), Joe Armstrong (Robin Hood) and Paul Ritter (Vera).DVD Extras: Photo Gallery Subtitles
Like most of the male population at Gilmore High Ryan (Shane West) has a serious crush on the beautiful and popular Ashley Grant (Jodi Lyn O'Keefe) and he is willing to do whatever it takes to win her over. Ryan's best friend Maggie (Marlo Sokoloff) meanwhile has attracted the attention of Ashley's cousin Chris (James Franco) a babe magnet unused to rejection. Although they have never mixed in the same social circles before the guys join forces and weave an hilarious web of fake e-mails plotted phone calls and contrived double dates in order to get the girls of their dreams in time for the prom. A great teen remake of 'Roxanne' 'Whatever It Takes' shows how mistaken identities can be all part of the fun of falling in love.
In a small town in the north of England an experimental pest-control device is being used with horrific consequences. Edna (Cristina Galbo) and George (Ray Lovelock) are unlikey travelling companions - they met en-route when she backed her car into his motorbike and subsequently offered him a lift to his destination. Stopping over near Manchester Galbo is attacked by a man that the locals say has been dead for days. Edna's sister Katie (Jeannine Mestre) is a prostitute addicted to heroin and when her husband is brutally murdered Katie is the chief suspect according to bitter local inspector (Arthur Kennedy). But Edna and George soon realise that inhabitants are being murdered as meals for the re-animated corpses of the morgue: the new pesticides used in the area are bringing the dead back to life and for sustenance they need human flesh. The Living Dead is widely recognised by horror fans as one of the best zombie movies ever made and the unlikely setting of pretty English countryside makes the flesh-tearing bone crunching zombies all the more shocking.
Dockers is a landmark one-off drama suspended somewhere between Ken Loach and Alan Bleasdale's Boys from the Blackstuff. A striking Channel Four production Dockers dramatises the infamous struggle that developed when five Merseyside dockworkers were fired for refusing to work overtime with no pay, and gained the support of co-workers who wouldn't cross their picket line. As a result, those who stood in solidarity with the original five were sacked as well--500 in total--leading to a two-year stand-off. Co-written by award-winning screenwriters Jimmy McGovern (Cracker) and Irvine Welsh (Trainspotting), the two-year ordeal is brought home with startling reality, not least because of the contribution of the real-life Liverpool dockers who helped develop the script in extensive writing workshops, lending the film an authenticity it might have otherwise lacked. While the narrative hangs around the moving central story of one family in which both father and son are caught up in the strike, dramatic conflicts develop on multiple levels: between father and son; between the families of the sacked workers (this is particularly well realised as one long-time friend, played by The Royle Family's Ricky Tomlinson, turns scab); and between the workers and the union that betrays them. Ken Stott and Crissy Rock (Ladybird, Ladybird) are outstanding as the central working-class couple, old before their time at 47, and if nothing else, the film reveals one further reason why Liverpool loved Robbie Fowler quite so ferociously: during post-goal celebrations, Fowler lifts his jersey to reveal a T-shirt emblazoned with a message of support for the wronged dockers, ensuring national attention for the action at a time when all hope seemed lost. --Tricia Tuttle
Discover the true meaning of the holiday season with the live action adaptation of the beloved classic, Dr. Seuss' How the Grinch Stole Christmas. Starring Jim Carrey as the Grinch, director Ron Howard and producer Brian Grazer reimagine one of the most enduring holiday stories of all time. Why is the Grinch (Carrey) such a grouch? No one seems to know, until little Cindy Lou Who (Taylor Momsen) takes matters into her own hands and turns both Whoville and the Grinch's world upside down, inside out... and funny side up. Filled with dazzling scenery, special effects, makeup and costumes, this is an adventure that can make your heart grow three sizes if you're not laughing too hard!(Steve Murray, Atlanta Journal-Constitution). Special Features: DELETED SCENES OUTTAKES SPOTLIGHT ON LOCATION WHO SCHOOL MAKEUP APPLICATION AND DESIGN SEUSSIAN SET DECORATION VISUAL EFFECTS FAITH HILL WHERE ARE YOU CHRISTMAS? MUSIC VIDEO THEATRICAL TRAILER FEATURE COMMENTARY WITH DIRECTOR RON HOWARD
If you met Ray and Mickey Davis you'd swear they had a perfect marriage. But if you read Mickey's diary you'd know that unrest is lurking just beneath the surface. Enter Scott Muller a small time burglar who robs the Davis home-making off with assorted valuables and Mickey's diary. Muller becomes obsessed with Mickey. He plots to seduce her and play out her most secret fantasies. Mickey is an easy target for Muller's advances and soon the Davis's perfect marriage and perfect wor
Tired but watchable adaptation of the popular 60s TV show of a friendly Martian who lives with an agreeable earthling. Like Disney's other live-action remakes 101 Dalmatians and Flubber, the emphasis is on quick-moving scenes and special effects--not character. Jeff Daniels is the bemused earthling who gets to know Christopher Lloyd's alien ways. Much of the film feels like a retread borrowing heavily from other sci-fi comedies (and "fish out of water" films), including Lloyd's own Back to the Future. Lloyd and his talking space suit (voiced by Wayne Knight who brings the same personality as his Newman role on Seinfeld) don't know simple Earth customs but inexplicably know every pop culture reference in the last 10 years. Daryl Hannah and Elizabeth Hurley are along for the ride as Daniels' good-girl and bad-girl flames. TV's Martian, Ray Waltson, shows up as a secret agent alien hunter--and pours more emotion into his scenes than the rest of the movie combined. Ages 6 and up. --Doug Thomas
If there are doubts still lingering about the Royal Opera House's artistic renaissance after its mid-1990s doldrum years, David McVicar's gritty and sexy production of Rigoletto should blow them all away. One of the principal reasons is McVicar's decision to emphasise the tyrannical nature of the Duke (beautifully sung by Marcelo Alvarez), and the appalling social injustice that springs from a corrupt leader: his court is a place of physical and sexual abuse (graphically, but by no means gratuitously, depicted). This violence throws the dual nature of Rigoletto into relief, making his toadyism seem all the worse and his vengefulness all the more sympathetic. The singing and acting are first rate, with Paolo Gavanelli's energetic, insect-like Rigoletto worthy even to stand against Anthony Sher's Richard III. Christine Schafer has a gorgeous voice, an intelligent sense of phrasing, and plays Gilda as a frail, morbid creature whose ultimate self-sacrifice is as much an act of neurotic despair as of love. The production is also a visual and orchestral success. Michael Vale's set is a masterpiece of economy--both the Duke's palace and Rigoletto's home are surrounded by broken objects, wire fencing and gloomy shadows--and Edward Downes draws some stunning playing from the Royal Opera Orchestra. This is undoubtedly the best Rigoletto committed to DVD thus far. On the DVD Rigoletto comes with an entertaining 17-minute BBC biography of the composer, "Verdi Through the Looking Glass", presented by conductor Charles Hazlewood, as well as an illustrated synopsis of the opera, and a revealing 10-minute interview with the director. There are subtitles in English, French, German, Dutch and Spanish.--Warwick Thomson
K-9: James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but after a series of shoot-outs stake-outs brawls and romantic misadventures they develop a grudging respect for each other. It's a heart-warming fast-footed adventure about an unlikely and unbeatable police team that will have you rooting for man's best friend. K-911: They may have lost a step or two but Detective Dooley (James Belushi) and his four-legged partner Jerry Lee are still fighting crime with their mix of heroics and hilarity. Now reluctantly partnered with a younger K-9 team: the beautiful detective named Welles (Christine Tucci) and her highly disciplined Doberman Zeus. K-9 PI: Detective James Dooley (Belushi) and his K-9 partner Jerry Lee are ready to retire from the police force. But before he can retire with his pension he must work as a P.I...
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