A 10 DVD box set that houses the complete Matrix story stuffed full of everything you could ever want to know & see! Disc 1 - The Matrix: The film in a new digital transfer supervised by the Wachowski brothers and director of photography Bill Pope. Two all-new audio commentaries with written introduction by the Wachowski Brothers - The Critics: Todd McCarthy John Powers & David Thomson / The Scholars: Dr. Cornel West and Ken Wilber Disc 2 - The Matrix Revisited:
Don't just think of The Wedding Singer as an Adam Sandler comedy--though it most certainly is that. But also think of it as the tip of the wave of the 1980s nostalgia craze that followed on the heels of the 1970s nostalgia craze. Set in the post-disco, new wave era, the film tells the story of Robbie Hart (Sandler), the king of small-town wedding-band singers, who once dreamt of being a rock star. But his contentment with life shatters when his fiancée stands him up at the altar. After wallowing in self-pity (by musically attacking the next wedding couple he serenades) and swearing off women, he helps a new friend, Julia (Drew Barrymore), get ready for her impending nuptials--only to find himself falling in love with her. If you're a Sandler fan, you'll enjoy him as an actual adult, though a wise-cracking one. And dig all those kooky 80s reference jokes and that greatest-hits-of-early-MTV soundtrack. --Marshall Fine
Jim Carrey stars in this live action special effects extravaganza, adapted from the famous childrens book by Dr Seuss.
Robert Redford, usually a pretty good judge of material, got snookered badly in Legal Eagles, an Ivan Reitman comedy which also stars Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows whats hit him, hes involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances but this is a film that doesnt know where its going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr, whose sparkling oeuvre includes Turner and Hooch. --Marshall Fine, Amazon.com
'Round Midnight is a love letter from director BERTRAND TAVERNIER (Coup de torchon) to the heyday of bebop and to the Black American musicians who found refuge in the smoky underground jazz clubs of 1950s Paris. In a miraculous, sui generis fusion of performer and character, legendary saxophonist DEXTER GORDON plays Dale Turner, a brilliant New York jazz veteran whose music aches with beauty but whose personal life is ravaged by addiction. Searching for a fresh start, Turner relocates to Paris, where he strikes up an unlikely friendship with a struggling single father and ardent jazz fan (The Intouchables' FRANÃOIS CLUZET) who finds his life transformed as he attempts to help the self-destructive musician. HERBIE HANCOCK's evocative, Oscar-winning score sets the mood for this definitive jazz film, a bittersweet opus that glows with lived in, soulful authenticity. Product Features New 4K digital restoration, with uncompressed stereo soundtrack Alternate 5.1 surround soundtrack, supervised by composer Herbie Hancock and presented in DTS-HD Master Audio New interview with jazz critic Gary Giddins New conversation with music producer Michael Cuscuna and author Maxine Gordon, widow of musician Dexter Gordon Behind-the-scenes documentary from 19TK[ck] Panel discussion from 2014 featuring director Bertrand Tavernier, Cuscuna, Maxine Gordon, and jazz scholar John Szwed, moderated by jazz critic and broadcaster Mark Ruffin Performance from 1969 of Fried Bananas by Dexter Gordon, directed by Teit Jørgensen[ck] Excerpt from the 1996 documentary Dexter Gordon: More Than You Know, by Don McGlynn ck] New English subtitle translation and English subtitles for the deaf and hard of hearing PLUS: An essay by scholar Mark Anthony Neal
Thunderbirds Are Go followed the remarkable success of the Thunderbirds television series, bringing the three-dimensional puppet animation adventures of International Rescue to the big screen. Set in the 21st century, there is no attempt to explain the background story: as in the TV show International Rescue is a private family organisation who use hi-tech craft to rescue anyone in peril. Here it is the first manned flight to Mars which is in danger, as International Rescue foils a sabotage attempt at the launch, then race to avert disaster when the spaceship returns to earth. What could have made a 50-minute TV episode is expanded to feature length with Martian "rock monsters" and a surreal dream-sequence involving Alan Tracy, Lady Penelope and "Cliff Richard Jnr" & the Shadows, with a new song performed by the real Cliff and the Shadows. In the cinemas this was competing against another British children's TV SF spin-off, the equally colourful Daleks' Invasion Earth 2150AD, and would be followed by Thunderbird 6 (1968). Yet apart from more complex model work, a bigger orchestra and even bigger explosions, on TV this plays like a widescreen double-length episode. On the DVD: The mono sound is powerful, with Barry Gray's stirring music suffering intermittent distortion. Presented in anamorphic widescreen the picture is very good, with strong colours and only minimal grain, though the print does show occasional damage. Unfortunately the original extremely wide 2.74:1 Techniscope image is cropped to more conventional 2.35:1, to the extent that the careful compositions are noticeably damaged, which director David Lane refers to in his joint commentary with producer Sylvia Anderson (who also played Lady Penelope). 35 years after the event their commentary is packed with details of the filming process and full of information about the many problems of and solutions to making an animated feature. Both Anderson fans and budding animators will find this a real education. The original, rather battered, trailer is included, as are galleries of behind the scenes photos, promotional artwork and posters. Altogether it's rather FABulous. --Gary S Dalkin
Legendary comic filmmakers Sandy Bates (Allen) is tired of being funny. Teetering on the brink of a nervous breakdown Bates attends a weekend retrospective of his films only to confront the meaning of his work the memories of his great love Dorrie (Charlotte Rampling) and the merits of settling down with new girlfriends Isobel (Marie-Christine Barrault). Plagued by hallucinations alien visitations and the bloodless studio executives trying to re-cut his bleak new film Bates struggles to find a reason to go on living. But when he falls prey to a gun-wielding fanatic his zany brush with death reveals that there is value to his own existence and that often the best reason to go on living is life itself.
Reversal of Fortune focuses on one of the most intriguing criminal trials of the 1980s, that of Claus von Bülow, who was accused of sending his rich wife Sunny into a permanent coma with an overdose of insulin. Director Barbet Schroeder, working from Nicholas Kazan's evocative, darkly humorous script, turns the story into both a look at the lives of rich folks with too much time on their hands and a whodunit, as lawyer Alan Dershowitz (Ron Silver) prepares to defend von Bülow (Jeremy Irons) in court. Irons won an Oscar for his spooky, knowing performance, which hints at depths of degeneracy without ever putting a dent in a veneer of bored elegance. The contrast between the hard-charging Dershowitz and his eager-beaver Harvard law students and the eternally languid von Bülow adds unexpected humour. --Marshall Fine
The Whos of Whoville love Christmas, but in the far corners of the town lives the Grinch a creature intent on ruining it. The Grinch hates Christmas and does all he can to disrupt Whoville's festivities until a young girl Cindy Lou Who shows him how magic Christmas can be.
The Unholy, based on James Herbert's best-selling book Shrine, follows a young hearing-impaired girl who is visited by the Virgin Mary and can suddenly hear, speak, and heal the sick. As people from near and far flock to witness her miracles, a disgraced journalist (Jeffrey Dean Morgan) hoping to revive his career visits a small New England town to investigate. As terrifying events begin to happen all around him, he starts questioning if these miracles are the works of the Virgin Mary or something much more sinister.
I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage...
Jim Carrey is up to all his old tricks (and some nifty new ones) in The Grinch Who Stole Christmas, a live-action film of Dr Seuss's holiday classic. Under a thick carpet of green-dyed yak fur and wonderfully expressive Rick Baker makeup, he commands the title role with equal parts madness, mayhem, pathos and improvisational genius, channelling Grinchness through his own screen persona so smoothly that fans of both Carrey and Dr Seuss will be thoroughly satisfied. Adding to the fun is a perfectly pitched back-story sequence (accompanied by Anthony Hopkins's narration) that explains how the Grinch came to hate Christmas, with a heart "two sizes too small". Ron Howard proves a fine choice for the director's chair with a keen balance of comedy, sentiment and light-hearted Seussian whimsy. Production designer Michael Corenblith gloriously realises the wackiness of Whoville architecture, and his rendition of the Grinch's Mt Crumpit lair is a marvel of cartoonish, subterranean grime. Then there's Cindy Lou Who (Taylor Momsen), the thoughtful imp who rallies her village to recapture the pure spirit of Christmas and melts the gift-stealing Grinch's cold, cold heart. You've even got a dog (the Grinch's good-natured mongrel, Max) who's been perfectly cast, so what's not to like about this dazzling yuletide movie? The production gets a bit overwhelmed by its own ambition, and the citizens of Whoville (including Jeffrey Tambor, Christine Baranski, Molly Shannon and Bill Irwin) pale in comparison to Carrey's inspired lunacy, but who cares? If a film can unleash Jim Carrey at his finest, revamp the Grinch story and still pay tribute to the legacy of Dr Seuss, you can bet it qualifies as rousing entertainment. (Ages five and older.) --Jeff Shannon, Amazon.com.On the DVD: You'd be hard pushed to cram any more special features on to this disc: as well as four deleted scenes, there's over an hour of behind the scenes featurettes. From a documentary about the stunts, the Oscar-winning make-up and how the team visually translated Dr Suess' festive tale to the screen, to a segment on the visual effects and CGI, allowing you to follow the filmmaker's process from beginning to end. And just when you think you have filled up on Grinchy extras there's another menu with the cinema trailer, "Wholiday" recipes, statistics about the film, cast and crew biographies, a trailer for the PlayStation game and the Faith Hill music video "Where are you Christmas". In a bid not to exclude the kids in this DVD bonanza, the Grinch's canine chum takes you through "Max's Playhouse" including interactive games and music, Dress the Grinch, a read-along story and a rhyming game. The candy-cane colours of the Christmas-obsessed town of Whoville shine brightly in anamorphic widescreen; the Dolby 5.1 Soundtrack will fill your house with festive cheer; and the intelligent commentary from Ron Howard give you some great behind the scenes info. --Kristen Bowditch
A fantastically stylish comedy/drama featuring "Amelie" star Audrey Tautou and Gad Elmaleh as two warring con-artists who find themselves drawn to each other despite their strange games.
A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the Director's Cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes". Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill-will towards Salieri when she discovers him at her husband's deathbed: he has insulted and degraded her after she came to him for help. We also see deeper into the reasons why Mozart has no pupils: not only has Salieri poisoned the Emperor's mind against him, but the only promisingly lucrative teaching job he can find ends disastrously when he realises that the master of the house just wants music to quiet his barking dogs. In a humiliating coda to that episode, a drunk and desperate Wolfgang returns later to beg for money only to be coldly rejected. The structure of the picture is otherwise unaltered. On the DVD: Amadeus--The Director's Cut finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc (the original single-disc DVD release was that crime against the format, a "flipper"). Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerised by the movie to do much more than offer the odd anecdote. Disc 2 contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner and all the main actors, taking in the scriptwriting, choice of music, casting and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
Harris just wants to hook up and have one night stands. All in good fun though, he finds his hook ups on a dating app. He spends his days working, playing video games, and swiping left and right for his next victim. All is well in the world of Harris until he swiped and matched with Riley. Unlike his other conquest riley won't go away so quietly like all the other girls. Slowly everything in Harris's life begins to fall apart.
Misery (Dir. Rob Reiner 1990): When author Paul Sheldon suffers a car accident in a blizzard he thanks his lucky stars that nurse Annie Wilkes was on hand. That is until he discovers that she's his number one fan and has no intention of ever letting him go... The Dark Half (Dir. George A. Romero 1993): Masters of horror Stephen King and George A. Romero have created a gripping creepy frightening film that thrills shocks and works us over! Featuring an intelligent screenplay and first-rate cast including Oscar winner Timothy Hutton The Dark Half will keep you captivated to the chilling end. Horror writer Thad Beaumont (Hutton) hopes to distance himself from his murder novels and from George Stark the pseudonym he has used to author them. To achieve this he cooks up a murder of his own: a publicity stunt that should lay Stark to rest forever. But when the people around him are found gruesomely slain - and his own fingerprints dot the crime scenes - Beaumont is dumbfounded until he learns that Stark has taken on a life of his own and begun a gruesome quest for vengeance... Carrie (Dir. Brian De Palma 1976): Based on the novel by Stephen King with a screenplay by Lawrence D. Cohen Carrie is the story of a young girl with telekinesis who has the power to move objects by the force of her mind. The school wallflower and the brunt of her classmates' jokes Carrie's revenge is the focus of this tense and stylish horror film. This is the film that made Sissy Spacek a star and featured John Travolta and Amy Irving in their first important screen roles. Carrie established director Brian DePalma as a new creative force in motion pictures.
California's San Fernando Valley, 1973. Gary Valentine (Cooper Hoffman) is a precocious high schooler and child star who meets - and is immediately besotted with - Alana (Alana Haim), a twenty-something photographer's assistant trying desperately to find herself. The two of them form an unlikely bond, and soon begin running around the Valley together taking part in Gary's many haphazard schemes.
Hitch a ride with three of Hollywood's most acclaimed actresses in this rollicking road movie that's full of warmth tears and humorous zingers (The New York Observer). Starring Academy Award Winners Jessica Lange and Kathy Bates and Academy Award Nominee Joan Allen Bonneville is a charming gem of a film that celebrates fun friendship and the detours of life that makes us who we are. Recently widowed Arvilla (Lange) is at a crossroads. Her stepdaughter Francine (Christine Baranski) has threatened to sell Arvilla's Idaho home unless Arvilla brings her late husband's ashes to California where they'll be interred for eternity beside his first wife. Arvilla's friends Margene (Bates) and Carol (Allen) convince Arvilla to deliver the ashes. But when Arvilla convinces them to go with her in her husband's '66 Bonneville the stage is set for an unforgettable journey filled with hitchhikers truckers breathtaking vistas Vegas jackpots and a powerful final showdown.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy