Reese Witherspoon (Legally Blonde, Big Little lies) stars as Alice Kinney in Home Again a modern and heartwarming romantic comedy. Recently separated from her husband (Michael Sheen, Passengers), Alice decides to start over and move back to Los Angeles with her two young daughters as she struggles to get a new career off the ground. On a night out celebrating her 40th Birthday, life takes an unexpected turn when Alice meets three young, charismatic filmmakers looking for their big Hollywood break and decides to let them stay temporarily. As Alice develops an exciting new romance an unconventional family dynamic emerges, until everything suddenly changes when her ex-husband turns up and Alice is forced to make some big decisions...
Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
Richard Burton (Absolution) and Elizabeth Taylor (Secret Ceremony) star in The Taming of the Shrew, a vibrant and bawdy adaptation of Shakespeare's immortal romantic comedy from director Franco Zeffirelli (Romeo and Juliet). Nobleman Baptista (Michael Hordern, Girl Stroke Boy) seeks husbands for his two daughters. Bianca (Natasha Pyne, The Devil-Ship Pirates) has no trouble attracting suitors, but the headstrong and acerbic Kate (Taylor) drives men away... until the nobleman Petruchio (Burton) is inspired by a sizeable dowry to take on the challenge. This lavish production's all-star cast is rounded out by Cyril Cusack (Gideon's Day), Michael York (Cabaret), Alan Webb (The Third Secret), and Victor Spinetti (A Hard Day's Night), and features a lush soundtrack by the great Nino Rota (The Godfather, 8½). INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025) Matthew Sweet on The Taming of the Shrew' (2025): the broadcaster and writer examines the background behind the film's production Royal Film Performance screening (1967): newsreel footage capturing an audience of special guests, including Princess Margaret and a who's who of British cinema greats French premiere (1967): newsreel footage of Elizabeth Taylor and Richard Burton attending the film's Paris premiere Original theatrical trailer Teaser trailer Image gallery: promotional and publicity material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Bethan Roberts, a contemporary on-set report by John Francis Taylor, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
Based on the classic comic French novel, adapted for television by the acclaimed comedy writing team of Ray Galton and Alan Simpson (Hancock/Steptoe & Son); welcome to the small French village of Clochemerle. Nestled in the Beaujolais region of France, this happy little enclave has avoided all hints of modernity, producing fi ne wine in an atmosphere of timeless calm and culture... until now. Now, in the autumn of 1922, the mayor wants to build a new public edifice, something that will draw a...
Rupert Everett and Colin Firth star in this adaptation of the classic Oscar Wilde play as two men in 1890s London who happily bend the truth in order to escape the dullness of their lives.
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
ALL 37 PRODUCTIONS FROM THE BBC TELEVISION SHAKESPEARE SERIES William Shakespeare's repute spans the world the beauty of his language, his profound insight into human nature and the complexity and integrity of his characters, confirming him as the greatest ever playwright. These BBC adaptations, renowned for their loyalty to the text, utilise the best theatrical and television talent to bring the full glory of his plays to the small screen. In 1978, the BBC set itself the task of filming all of William Shakespeare's plays for television. The series beginning with Romeo and Juliet and concluding, nearly seven years later, with Titus Andronicus featured adaptations of all 36 First Folio plays, plus Pericles, Prince of Tyre. Ranging from traditional interpretations to adventurous, stylised approaches and featuring such great actors as John Gielgud, Jane Lapotaire, Claire Bloom, Derek Jacobi, Anthony Hopkins, Prunella Scales, Patrick Stewart, Helen Mirren and John Cleese the resulting productions form a magnificent and unique collection of the Shakespeare canon. THE SHAKESPEARE COLLECTION Titles arranged in alphabetical order ALL'S WELL THAT ENDS WELL ANTONY AND CLEOPATRA AS YOU LIKE IT THE COMEDY OF ERRORS CORIOLANUS CYMBELINE HAMLET HENRY IV PART I HENRY IV PART II HENRY V HENRY VI PART I HENRY VI PART II HENRY VI PART III HENRY VIII JULIUS CAESAR KING LEAR THE LIFE AND DEATH OF KING JOHN LOVE'S LABOUR'S LOST MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE THE MERRY WIVES OF WINDSOR A MIDSUMMER NIGHT'S DREAM MUCH ADO ABOUT NOTHING OTHELLO PERICLES, PRINCE OF TYRE RICHARD II RICHARD III ROMEO AND JULIET THE TAMING OF THE SHREW THE TEMPEST TIMON OF ATHENS TITUS ANDRONICUS TROILUS AND CRESSIDA TWELFTH NIGHT THE TWO GENTLEMEN OF VERONA THE WINTER'S TALE
A music teacher inspires his unruly young charges in this runaway French hit.
In a holocaustic future world, perpetually at war, where failure to conform is the ultimate crime, Winston Smith (John Hurt) rewrites history books and finds himself dreaming of escape from the all-seeing eyes of the Authorities. He embarks on a passionate (and illegal) affair with a young woman (Suzanna Hamilton) but they are soon caught and Smith undergoes a nightmarish brainwashing at the hands of the chief inquisitor O'Brien (Richard Burton).
Black comedies don't come much blacker than cult favourite, Harold and Maude (1972), and they don't come much funnier either. It seems that director Hal Ashby was the perfect choice to mine a load of eccentricity from the original Colin Higgins script, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to "reach out" and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal--she's a lot more fun than the girls his mother desperately tries to match him up with- -and together they make Harold and Maude one of the sweetest and most unconventional love stories ever made. Much of the early humour arises from Harold' s outrageous suicide fantasies, played out as a kind of twisted parlour game to mortify his mother, who has grown immune to her strange son's antics. Gradually, however, the film's clever humour shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won't appeal to all tastes (it was a box-office flop when first released), but if you're on its quirky wavelength, it might just strike you as one of the funniest films you've ever seen. --Jeff Shannon, Amazon.com
The Guardians: The Complete Series Box Set (4 Discs)
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
James Mason is Johnny McQueen, the idealistic leader of an illegal organisation in Northern Ireland. Shot during an armed raid he is badly wounded. Stumbling through the back streets of Belfast his friends, enemies and the police begin to close in as he tries to find a place to hide...Outstandingly directed by the Oscar-winning Carol Reed, Odd Man Out stars James Mason as a terrorist on the run in post-war Belfast. Giving what is undeniably his finest performance, Mason gets exemplary support from both Robert Newton, a crazed artist who desires to paint the death in McQueen's eyes, and Kathleen Ryan as the woman who loves him more than life itself. This High Definition digital restoration showcases the film's stark and beautiful imagery, ably complemented by the its exceptional score, which continually drives the story forward to its shocking conclusion.
Porky's: This hilarious raunchy comedy hit takes an unblushing look at teenage adolescence in the 1950's. It follows the comic misadventures of six high schoolers whose most fervent wish is to find some sexual satisfaction at Porky's a notorious honky-tonk strip joint. When they're ripped off and thrown out by the owner they plot a revengeful scheme that is truly unforgettable. Porky's II-The Next Day: Proving they haven't matured a bit since the original Porky's much of the
In Nazi-occupied Crete British officers Fermor (Bogarde) and Moss (Oxley) aided by local patriots are assigned the job of kidnapping German commander-in-chief Kreipe (Goring). The operation if successful will be an incredible propaganda coup for the Allies; while the abduction goes smoothly the resultant chase across the rocky Cretan landscape proves anything but...
Oscar nominee Richard Burton is a burnt-out British agent who refuses to ""come in from the cold"" to take a desk job-but instead launches into the most dangerous assignment of his career stalking East German agent Oskar Werner. John Le Carre's best-selling novel provides the basis for this breathtaking thriller of espionage intrigue crosses and double crosses. First-rate performances from the entire cast are matched by a tension-packed and brilliantly plotted screenplay with masterful direction from Martin Ritt.
Keep an eye out for the funniest movie about growing up ever made! This hilarious raunchy comedy hit that spawned two sequels takes an unblushing look at teenage adolescence in the 1950's. It follows the comic misadventures of six high schoolers whose most fervent wish is to find some sexual satisfaction at Porky's a notorious honky-tonk strip joint. When they're ripped off and thrown out by the owner they plot a revengeful scheme that is truly unforgettable!
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor's partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club's scullery After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexuallycharged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge's astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Dupont's trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director's signature mix of great acting, amazing imagery and astonishing camera movements. Special Features Remastered by the BFI National Archive and presented in High Definition Talk of the Town (2021): an in-depth interview with film critic, author and filmmaker Jasper Sharp on the life and career of Anna May Wong Piccadilly: A Video Essay (2021): a newly recorded video essay by BFI curator and silent film expert Bryony Dixon Cosmopolitan London (1924, 10 mins) Neil Brand on composing for Piccadilly (2004, 20 mins): the composer discusses his score for the film Prologue from the sound version of the film (5 mins) Newly commissioned sleeve art by David Downton **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film by BFI curator Bryony Dixon and an essay on the score by Neil Brand
Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
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