Richard Burton (Absolution) and Elizabeth Taylor (Secret Ceremony) star in The Taming of the Shrew, a vibrant and bawdy adaptation of Shakespeare's immortal romantic comedy from director Franco Zeffirelli (Romeo and Juliet). Nobleman Baptista (Michael Hordern, Girl Stroke Boy) seeks husbands for his two daughters. Bianca (Natasha Pyne, The Devil-Ship Pirates) has no trouble attracting suitors, but the headstrong and acerbic Kate (Taylor) drives men away... until the nobleman Petruchio (Burton) is inspired by a sizeable dowry to take on the challenge. This lavish production's all-star cast is rounded out by Cyril Cusack (Gideon's Day), Michael York (Cabaret), Alan Webb (The Third Secret), and Victor Spinetti (A Hard Day's Night), and features a lush soundtrack by the great Nino Rota (The Godfather, 8½). INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025) Matthew Sweet on The Taming of the Shrew' (2025): the broadcaster and writer examines the background behind the film's production Royal Film Performance screening (1967): newsreel footage capturing an audience of special guests, including Princess Margaret and a who's who of British cinema greats French premiere (1967): newsreel footage of Elizabeth Taylor and Richard Burton attending the film's Paris premiere Original theatrical trailer Teaser trailer Image gallery: promotional and publicity material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Bethan Roberts, a contemporary on-set report by John Francis Taylor, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
Based on the classic comic French novel, adapted for television by the acclaimed comedy writing team of Ray Galton and Alan Simpson (Hancock/Steptoe & Son); welcome to the small French village of Clochemerle. Nestled in the Beaujolais region of France, this happy little enclave has avoided all hints of modernity, producing fi ne wine in an atmosphere of timeless calm and culture... until now. Now, in the autumn of 1922, the mayor wants to build a new public edifice, something that will draw a...
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
ALL 37 PRODUCTIONS FROM THE BBC TELEVISION SHAKESPEARE SERIES William Shakespeare's repute spans the world the beauty of his language, his profound insight into human nature and the complexity and integrity of his characters, confirming him as the greatest ever playwright. These BBC adaptations, renowned for their loyalty to the text, utilise the best theatrical and television talent to bring the full glory of his plays to the small screen. In 1978, the BBC set itself the task of filming all of William Shakespeare's plays for television. The series beginning with Romeo and Juliet and concluding, nearly seven years later, with Titus Andronicus featured adaptations of all 36 First Folio plays, plus Pericles, Prince of Tyre. Ranging from traditional interpretations to adventurous, stylised approaches and featuring such great actors as John Gielgud, Jane Lapotaire, Claire Bloom, Derek Jacobi, Anthony Hopkins, Prunella Scales, Patrick Stewart, Helen Mirren and John Cleese the resulting productions form a magnificent and unique collection of the Shakespeare canon. THE SHAKESPEARE COLLECTION Titles arranged in alphabetical order ALL'S WELL THAT ENDS WELL ANTONY AND CLEOPATRA AS YOU LIKE IT THE COMEDY OF ERRORS CORIOLANUS CYMBELINE HAMLET HENRY IV PART I HENRY IV PART II HENRY V HENRY VI PART I HENRY VI PART II HENRY VI PART III HENRY VIII JULIUS CAESAR KING LEAR THE LIFE AND DEATH OF KING JOHN LOVE'S LABOUR'S LOST MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE THE MERRY WIVES OF WINDSOR A MIDSUMMER NIGHT'S DREAM MUCH ADO ABOUT NOTHING OTHELLO PERICLES, PRINCE OF TYRE RICHARD II RICHARD III ROMEO AND JULIET THE TAMING OF THE SHREW THE TEMPEST TIMON OF ATHENS TITUS ANDRONICUS TROILUS AND CRESSIDA TWELFTH NIGHT THE TWO GENTLEMEN OF VERONA THE WINTER'S TALE
In a holocaustic future world, perpetually at war, where failure to conform is the ultimate crime, Winston Smith (John Hurt) rewrites history books and finds himself dreaming of escape from the all-seeing eyes of the Authorities. He embarks on a passionate (and illegal) affair with a young woman (Suzanna Hamilton) but they are soon caught and Smith undergoes a nightmarish brainwashing at the hands of the chief inquisitor O'Brien (Richard Burton).
Black comedies don't come much blacker than cult favourite, Harold and Maude (1972), and they don't come much funnier either. It seems that director Hal Ashby was the perfect choice to mine a load of eccentricity from the original Colin Higgins script, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to "reach out" and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal--she's a lot more fun than the girls his mother desperately tries to match him up with- -and together they make Harold and Maude one of the sweetest and most unconventional love stories ever made. Much of the early humour arises from Harold' s outrageous suicide fantasies, played out as a kind of twisted parlour game to mortify his mother, who has grown immune to her strange son's antics. Gradually, however, the film's clever humour shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won't appeal to all tastes (it was a box-office flop when first released), but if you're on its quirky wavelength, it might just strike you as one of the funniest films you've ever seen. --Jeff Shannon, Amazon.com
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
James Mason is Johnny McQueen, the idealistic leader of an illegal organisation in Northern Ireland. Shot during an armed raid he is badly wounded. Stumbling through the back streets of Belfast his friends, enemies and the police begin to close in as he tries to find a place to hide...Outstandingly directed by the Oscar-winning Carol Reed, Odd Man Out stars James Mason as a terrorist on the run in post-war Belfast. Giving what is undeniably his finest performance, Mason gets exemplary support from both Robert Newton, a crazed artist who desires to paint the death in McQueen's eyes, and Kathleen Ryan as the woman who loves him more than life itself. This High Definition digital restoration showcases the film's stark and beautiful imagery, ably complemented by the its exceptional score, which continually drives the story forward to its shocking conclusion.
In Nazi-occupied Crete British officers Fermor (Bogarde) and Moss (Oxley) aided by local patriots are assigned the job of kidnapping German commander-in-chief Kreipe (Goring). The operation if successful will be an incredible propaganda coup for the Allies; while the abduction goes smoothly the resultant chase across the rocky Cretan landscape proves anything but...
Oscar nominee Richard Burton is a burnt-out British agent who refuses to ""come in from the cold"" to take a desk job-but instead launches into the most dangerous assignment of his career stalking East German agent Oskar Werner. John Le Carre's best-selling novel provides the basis for this breathtaking thriller of espionage intrigue crosses and double crosses. First-rate performances from the entire cast are matched by a tension-packed and brilliantly plotted screenplay with masterful direction from Martin Ritt.
Daniel Day-Lewis won a much-deserved Oscar for My Left Foot, with a wily and passionate performance as Irish artist and writer Christy Brown, whose cerebral palsy kept him confined to a wheelchair. Filmmaker Jim Sheridan (In the Name of the Father) adapts Brown's own autobiography for this spirited piece, focusing on the, sometimes difficult, fellow's formative years in his large family and in love with sundry women. Day-Lewis is inspired, and Brenda Fricker (also a recipient of an Oscar for her part in this movie) is almost luminous as Christy's dedicated mother. So, too, are Ray McAnally as the hero's stormy father, and Hugh O'Conor (The Young Poisoner's Handbook) as the child Christy. All in all, this is a complete pleasure for viewers. --Tom Keogh , Amazon.com
In this dramatic adaptation by Jack Pulman (I, Claudius) of the classic Henry James novel, a damaged golden bowl reflects the truth in a hidden relationship and redirects the lives of all the characters into whose hands it has been placed. A young American in Europe, Maggie is devoted to her father, the rich and cultured Adam Verver. Introduced to the charismatic Italian Prince Amerigo by her trusted friend Fanny Assingham, she soon falls in love and a suitable marriage of affection and convenience takes place. When Amerigo runs into a former mistress, the attractive Charlotte Stant, he cannot help but rekindle their friendship and introduce her to his wife. Maggie, in turn, sees a suitable companion for her father, and so a second marriage that draws upon the Verver fortune takes place. All coexist, some knowingly, some blindly, until a hidden crack in a golden bowl exposes the truth and sets in motion an irreversible chain of events. Special Features: Cast Filmographies Henry James Biography Picture Gallery Subtitles
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Sinister and with a touch of the macabre, Tales of the Unexpected holds, at its heart, a core of black humour that makes each story both compelling and surprising, with a twist in each tale that delighted audiences throughout the country. Although Roald Dahl is best known for his children's books, his most famous and sinister adult creation was Tales of the Unexpected. Adapting works from Dahl himself, Patricia Highsmith, Ruth Rendell and a host of other celebrated writers, this highly acclaimed series ran for an impressive nine years from its first transmission on ITV in 1979. Its iconic title sequence and haunting theme tune (from prolific TV composer Ron Grainer) ensured that Tales of the Unexpected was memorable viewing. The series attracted an astonishing array of guest stars: Oscar winners Sir John Gielgud and José Ferrer, Ian Holm, Joan Collins, Sir John Mills, Peter Bowles, Derek Jacobi, Sian Phillips, Denholm Elliott, Zoe Wanamaker, Joss Ackland and Brian Blessed are just a few of the names to feature in its illustrious cast. Sometimes gory, but always surprising, the stories all have a twist to entertain and often shock the viewer. This set contains every episode of Tales of the Unexpected, originally transmitted between 1979 and 1988.
Richard Johnson and Claire Bloom, multi-award-winning stars of The Haunting, headline this powerful romantic drama set against the backdrop of a smallpox epidemic in the city of Bath. One of BAFTA-winning director Val Guest's most memorable films, 80,000 Suspects is presented here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. Dr Steven Monks suspects smallpox when he is asked to examine a patient with unusual symptoms. The diagnosis is quickly confirmed and the authorities mobilise to try to contain the outbreak, with Monks working tirelessly to prevent an epidemic. With his marriage on the verge of collapse, however, this personal crisis threatens to overshadow his vital work as the deadly disease moves ever closer to those he loves...
British drama about a speedway racer starring Dirk Bogarde. Bill Fox (Bogarde) is a factory worker in 1930s England who quits his job to become a motorbike rider. Success goes to his head and he leaves his wife (Sandra Dorne) for socialite Pat (Renee Asherson) but when tragedy strikes on the track he returns to his wife and joins a union to fight for riders' rights.
Winston Smith (Hurt) endures a squalid existence in totalitarian Oceania under the constant surveillance of Big Brother. But his life takes a horrifying turn when he begins a forbidden love affair and commits the crime of independent thought. Sent to the chillingly labelled ""Ministry of Love"" he is placed at the mercy of O'Brien (Burton) a coolly treacherous leader determined to control his thoughts and crush his soul...
There have been a number of notable cinematic versions of King Lear and Peter Brook's depiction of Shakespeare's epic tragedy is no exception. The majesticl Paul Scofield tackles the role of Lear with such aplomb that it is clear to see why many of his contemporaries consider him to be the finest Shakespearian actor to emerge from the RSC (Royal Shakespeare Company).
The 1967 Franco Zeffirelli film of The Taming of the Shrew had all the ingredients to make it a high point in Shakespearian cinema. In Richard Burton and Elizabeth Taylor it starred the most bankable couple in Hollywood history as the sparring leads in the Bard's quick-firing comic battle of the sexes; and in Zeffirelli, it had a director with a Shakespearian pedigree second to none. But the reality is that this is Burton's picture all the way. His Petruchio is a weighty performance of such intelligence that the whole film is thrown off-kilter whenever he is on screen and the other performers just can't keep up. Apart from Michael Hordern's wonderfully distracted Baptista, Burton is the only actor in total, effortless command of the language. Taylor's bosomy glamour and fiery spirit are ample compensations for her occasionally murderous treatment of Katharina's verse. Whether or not she is really tamed by the end is another matter: those legendary violet eyes suggest otherwise. Ultimately it's a rich, bawdy and colourful romp, with Burton at the peak of his powers. The DVD includes the theatrical trailer, a "making-of" featurette and filmographies. --Piers Ford
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