This is a documentary about the conflicting attitudes of the opponents of the Vietnam war using archival footage as well as their own film and interviews. A key theme is how the attitudes of American racism and self-righteous militarism helped to create and prolong this bloody conflict. The film also endeavours to give voice to the Vietnamese people themselves as to how the war has affected them and their reasons why they fight the United States and other Western powers while showing
A teenager tackles the mysteries of life, love and public speaking in "Rocket Science", a wry comedy of adolescent angst by Jeffrey Blitz.
Sandra Bullock stars as a homicide detective saddled with a new inexperienced partner, on the trail of two gifted high school students who execute the "perfect" murder.
Series 1: The first episode begins at midnight on the day of the California Presidential Primary. Jack Bauer (Kiefer Sutherland) heads up the government's Counter-Terrorist Unit. He discovers that there's going to be an assassination attempt on Senator Palmer (Dennis Haysbert) an African-American presidential candidate. Bauer faces a battle against the clock to avert disaster. The series follows several characters as they live through a day that none of them will forget. For Kimberly (Elisha Cuthbert) a night on the town takes an unexpected turn. Teri (Leslie Hope) sets out to find Kimberly and encounters more danger than she ever imagined possible. Senator Palmer unaware there's going to be an attempt on his life faces the threat of a long buried scandal resurfacing. Meanwhile Jack with help from his Chief-of-Staff Nina Myers (Sarah Clarke) is charged with the responsibility of stopping the assassination. But who can he trust when it appears a rogue element inside the Agency is in on the hit? And all the time the clock keeps ticking... Series 2: Jack Bauer (Kiefer Sutherland) and the Counter Terrorist Unit (CTU) race to prevent a nuclear bomb being detonated by terrorists in Los Angeles in the second season of 24. Series 3: When the head of a Mexican drug cartel is imprisoned by Jack Bauer (Sutherland) a plot ensues to blackmail the US Government with the threat of a released bio-weapon that will kill millions to ensure his release. With Palmer seeking re-election to a second term will Jack survive this day? Series 4: 18 months after day 3 CTU has a new leader Erin Driscoll a steely government agent who made firing Jack one of her first priorities. After the explosion of a commuter train Jack who is now working for Secretary of Defense James Heller and also is romantically involved with Heller's married daughter Audrey Raines suddenly finds himself heading back to CTU for a meeting with Driscoll. Jack believes that the train explosion is a prelude for bigger things to come...
Hell Drivers sees James Bond (Sean Connery), Doctor Who (William Hartnell), one of the men from UNCLE (David McCallum), the Prisoner (Patrick McGoohan) and a Professional (Gordon Jackson), all supporting Stanley Baker in this hard-as-nails British action picture realistically set in a bleak late-1950s England. Baker plays Tom Yately, an ex-con who takes the only job he can get--truck driving at breakneck speeds for a corrupt manager (Hartnell) and brutal foreman (McGoohan). The constant short runs and competition between the drivers makes for an intense atmosphere which inevitably explodes into violence. Baker's only friend is an Italian ex-POW played sensitively by Herbert Lom, while Peggy Cummings is a remarkably free-spirited heroine for a British film of the time. Baker himself is superb, quietly tough, and broodingly charismatic, McGoohan is compellingly malevolent and Hartnell simply chilling. The film is consistently engrossing and often exciting, even when the plot spirals into melodrama towards the finale. One has to wonder where the police are during all this mayhem, but the fact that the screenplay, by John Kruse and Cy Endfield, received a BAFTA nomination suggests the scenario was at least reasonably realistic. Endfield also directed this, the second of six films he would helm for Baker, the most famous of which would be the all-time classic, Zulu (1964). On the DVD: Hell Drivers is presented in an anamorphically enhanced ratio of 1.77:1. This means a little of the original 1.96:1 VistaVision (70mm) image is cropped at the sides, which is just noticeable in a few shots. The print used is excellent, with only very minor damage, and the mono sound is fine. The disc also includes Look in on Hell Drivers, a 1957 TV programme that offers interviews with Stanley Baker, Cy Endfield and Alfie Bass, as well as comments from genuine truck drivers confirming the realism of the story, and a contemporary 15-minute television interview with Baker, which focuses on Hell Drivers, Sea Fury(1958) (also directed by Cy Endfield) and Violent Playground (1958). The original trailer rounds out an excellent package. --Gary S Dalkin
If the idea of a French, subtitled, gay, soul-searching road film doesn't exactly sound like your cup of tea, think again: Drole de Felix is a film that will transcend any barrier. Felix of the title is a young, gay French Arab who decides to travel south from Normandy to Marseilles in search of the father who abandoned him before he was born. His journey (mainly by hitchhiking but also by slightly less legal means) forms the bulk of the film's storyline, combined with a handful of characters who become brief but important parts of his life. Sami Bouajili carries the film magnificently, switching effortlessly from the lighter, comedic moments (of which there are many, including a surprising amount regarding the character's HIV-positive status) to Felix's search for self. There is a rather unnecessary subplot concerning a witnessed murder, but even it has a moving conclusion. On paper, perhaps, not the most enticing of prospects, Drole de Felix is, in it's own quiet way, a gem. --Phil Udell
Though not quite a classic, director Michael Winner's Scorpio is still an underrated espionage thriller that was well attuned to the political cynicism of its time. Burt Lancaster plays Cross, a CIA operative who dates back to the agency's earliest days as the OSS. Scorpio (Alain Delon) is a protégé of Cross, and one of Cross's best friends in a netherworld where everyone's allegiances, personal and political, are in question. Higher-ups within the intelligence agency decide that Cross knows too much and is better off eliminated; at first, Scorpio refuses the job until the CIA frames him on a phoney narcotics bust and coerces him into the assignment. The two men play a game of global cat-and-mouse as Cross consorts with his Russian counterparts--fellow ageing dinosaurs in a young man's game. Cross's links with the Russians go back to the days of the Spanish Civil War and the time when Cross was given the ironic label of "premature anti-Fascist" by the House Unamerican Activities Committee. The incredibly convoluted plot is rife with double-crosses and reverse double-crosses, in an environment in which nothing is quite as it seems and no one is to be trusted. Winner infuses enough energy and excitement into the film's many action segments to make Scorpio worthy of comparison to John Frankenheimer's best political thrillers. The director also throws in several curveballs, such as the zither music during a meeting in a Vienna café (shades of The Third Man) and the preposterous device of disguising Lancaster as an African-American priest. The best line must be "I want Cross, and I want him burned!" --Jerry Renshaw
Music has been a constant in human history; an intermingling of voice and instrument that endured in largely unchanged form for centuries. Then came recording and music was forever transformed. Featuring more than 150 original interviews with some of the most celebrated artists, producers and music industry pioneers, this eight-part series traces a century of sonic innovation and revolution, exploring the nexus of cutting-edge technology and artistry that has created the soundtrack of our lives. From The Beatles' groundbreaking use of multi-track technology to the synthesized stylings of Stevie Wonder, from disco-era drum machines to the modern art of sampling, Soundbreaking highlights the dynamic tension between the artificial and the natural making us hear the songs we love in a new way, and illuminating the alchemy by which the music we listen to becomes a fundamental part of who we are.
Benjamin Britten's final opera, written between 1971-1973, recorded at Teatro La Fenice in Venice in 2008. Bruno Bartoletti conducts, while there are performances by Marlin Miller, Scott Hendricks, and Alessandro Riga. Tracklist: Act 1 1. Opening 2. My mind beats on (Aschenbach) 3. Who's that? (Aschenbach) 4. Hey there, hey there, you! (Chorus) 5. Ah, Serenissima! (Aschenbach) 6. We are delighted to greet the Signore (Hotel Manager) 7. Poles, I should think (Aschenbach) 8. ...
El Dorado doesn't quite have the scope or ambition of Howard Hawks' greatest Westerns, Red River and Rio Bravo. But this relaxed picture, made near the end of Hawks' marvellous career, still shows the steady, sure hand of a master. Hawks reunites with John Wayne, playing a hired gun mixed up in a range war; Robert Mitchum is Wayne's old pal, now a sheriff in the midst of a hopeless drunken bender. James Caan, in one of his first sizable roles, plays a kid who can't shoot straight and wears a funny hat (every character in the movie makes fun of this hat). As the plot moves along, it begins to resemble Rio Bravo rather closely ("I steal from myself all the time", Hawks was fond of admitting). But in El Dorado the heroes are a bit older, their powers a bit weaker; at the end Wayne must revert to a bit of subterfuge in order to get the drop on the steely gunslinger (ice-cold Christopher George) he needs to put down. As relaxed as the movie is, Hawks and Wayne and company are in good spirits, with plenty of broad humour and easy camaraderie on display. Hawks and Wayne would make just one more film, the disappointing Rio Lobo, before ending their fruitful partnership. --Robert Horton
Danny DeVito's adaptation of the Roald Dahl book for children is mostly just fine, helped along quite a bit by the charming performance of Mara Wilson (Mrs Doubtfire) as the eponymous young Matilda, a brilliant girl neglected by her stupid, self-involved parents (DeVito and Rhea Perlman). Ignored at home, Matilda escapes into a world of reading, exercising her mind so much she develops telekinetic powers. Good thing, too: sent off to a school headed by a cruel principal, Matilda needs all the help she can get. DeVito takes a highly stylized approach that is sometimes reminiscent of Barry Sonnenfeld (director of Get Shorty, a DeVito production), and his judgement is not the best in some matters, such as letting the comic-scary sequences involving the principal go on too long. But much of the film is delightful and funny.--Tom Keogh
With epic battle scenes reminiscent of Tora! Tora! Tora!, Battle of the Pacific is a classic war movie told from both Japanese and American perspectives.
Party At The Palace starts with Queen Guitarist Brian May--who looks more than ever like a haircut with a person growing from beneath it--playing "God Save The Queen" on the roof of Buckingham Palace; seemingly missing the point of his obvious inspiration, Jimi Hendrix's apocalyptic subversion of "The Star-Spangled Banner" at Woodstock. Unbelievably, and theoretically impossibly, it goes downhill from there. It can only be assumed that the bill for the Queen's Jubilee was assembled by an ardent republican. The concert is a motley assortment of has-beens and time-wasters, a curious number of whom felt it proper to celebrate the monarch's 50 years by singing old Motown songs badly. The concert also features an extended plug for Queen's (that's the Band) risible musical We Will Rock You and Lenny Henry shouting. Bewilderingly Party At The Palace is not only redeemed, but made worth owning, by the four-song set by Brian Wilson with his version of "God Only Knows"--accompanied by Andrea Corr-offering a heartbreakingly earnest performance. The concert ends with a pantomime version of "All You Need Is Love". Party At The Palace is the night rock & roll gave up. On the DVD: Party at the Palace is presented in 16:9 format. Songs can be selected by title or by artist. There are subtitles in French, German and Spanish. Proceeds from the sale of the DVD, "after the deduction of costs and expenses in relation to its production and distribution", will be donated to the Queen Elizabeth II Golden Jubilee Trust. --Andrew Muller
New York psychiatrist Sam Foster tries to stop a secretive and unusual young patient he inherited from carrying out a planned suicide.
Computer scientist Hannon Fuller (Armin Mueller-Stahl) finds something extremely important. Knowing that he's marked for assassination, he leaves a message in the virtual reality world he's designed, hoping it will be found by colleague Douglas Hall (Craig Bierko). Hall is a suspect in Fuller's murder and indeed finds a bloody shirt in his house, with no recollection of what he did the night before. Hall plunges headlong into Fuller's world (a re-creation of l937 Los Angeles) to try to unravel the slaying and is soon knee-deep in confusion and trouble. What this film lacks in character depth and plot cohesiveness it makes up for in special effects and high concept. Fans of films like Blade Runner, Dark City, eXistenZ, and even the game Sim City should find this appealing. Of course, there's the question of letting the computers do all the heavy lifting in films while the humans walk through the plot (an all-too-familiar scenario in 1999), but the re-creation of 30s Los Angeles is certainly something to see, pallid script and acting or not. The Thirteenth Floor is a stylish modern-day noir that raises questions about technology vs. reality, all the while wrapped up in a murder-mystery story line. --Jerry Renshaw
All nine films in the science-fiction franchise thus far. In 'Planet of the Apes' (1968) a group of astronauts, led by George Taylor (Charlton Heston), crash-lands on a strange planet where mute humans are treated as slaves by intelligent apes. Taylor is hunted down and captured by horse-riding gorillas and then taken for experimentation by chimpanzee Dr Zira (Kim Hunter). When Zira discovers Taylor's intelligence, she and her fiancé Cornelius (Roddy McDowall) appeal to the governing council on his behalf, but the appeal fails, leaving the astronaut no choice but to go on the run. Fleeing for his freedom, Taylor soon makes a shocking discovery about the provenance of this strange planet. In 'Beneath the Planet of the Apes' (1970) astronaut Brent (James Franciscus) is on a special mission to rescue George Taylor. After travelling to the ape village where he was imprisoned, he meets Dr Zira and learns that Taylor was last seen in the Forbidden Zone. Setting off in pursuit he soon discovers that his colleague has been taken prisoner by an underground society of telepathic mutant humans who worship an atomic warhead. In 'Escape from the Planet of the Apes' (1971) Dr Zira, Cornelius and Dr Milo (Sal Mineo) escape the nuclear devastation of Earth by travelling back in time in Taylor's spaceship, arriving in Los Angeles in the year 1973. They are initially held in captivity in a zoo, where Milo is attacked and killed by a savage gorilla. When Zira and Cornelius prove their intelligence they are released and hailed as celebrities, but some resent the apes' arrival, seeing them as a threat to human supremacy. In 'Conquest of the Planet of the Apes' (1972) the year is now 1991. Caesar (McDowall), the son of Zira and Cornelius, has been sheltered for 18 years by circus owner Armando (Ricardo Montalban). Following a plague which wiped out all cats and dogs, apes have been adopted as pets by humans, but when Caesar sees them being treated as slaves, he leads his fellow simians i
The first Hellfest took place in Syracuse New York in 2000. It was considered as the best Metal Hardcore festival in the USA. Former Furyfest promoter Ben Barbaud decided in 2006 to duplicate the concept and produced the French Hellfest. In just one edition it became one of the most important Metal festivals in Europe. Film director Julien Patrice has managed to give a complete different angle than for an ordinary DVD. Close to the audience and the bands on and off stage 10 cameras give us many angles of what you can get from a live performance. Edited as 26 different video clips with a specific colour conformation on each of them this DVD brings us to light 26 bands. Tracklist: 1. Agnostic Front - All Is Not Forgotten 2. Allegiance - No Dice 3. As I Lay Dying - Distance To Darkness 4. Born From Pain - Rise Or Die 5. Carnival In Coal - Dressed Like Pazuzu 6. Cephalic Carnage - Black Metal Sabbath 7. Cortez - El Vetic 8. Dagoba - The Things Within 9. Danko Jones - Invisible 10. Dead Kennedys - Kill The Poor 11. Drowning - Like A Coiled Serpent 12. Endstand - Remind Me 13. Gadget - The Sentinel 14. Got It Alone - The Silence 15. Happy Face - Le Bon Choix 16. Hatesphere - Only The Strongest 17. Hellmotel - Hang Us Young 18. Knut - Neon Guide 19. Locus - Tony Montana 20. Mad Ball - Heaven Hell 21. Mad Sin - Fuel For Brains 22. Nightmare - Heretic 23. Outburst - Hangover 24. Sonny Red - Beyond The Icon Of Pleasure 25. Taint - He Got Cop Eyes 26. Trepalium - Decease My Life
There's nowhere to turn nowhere to hide no way to stop... A monstrous black sedan roars out of the desert without warning and mercilessly begins to terrorize the residents of a small New Mexico town. Is it a phantom a demon...or even the Devil himself?
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