Riding into Payneville easy-going cowboy Melody Jones is mistaken by the townsfolk for notorious gunman Monte Jarrad. The real Jarrad is hiding out wounded on the ranch of childhood sweetheart Cherry. She has the idea of sending Jones off to decoy the pursuing posse but once he's met Cherry Jones has other plans...
There can be few better ways reminding oneself of the key elements in late 1990s left-of-centre Hollywood than watching Feeling Minnesota. The film attempts to draw together most of the main themes from the post-Pulp Fiction world into one whole. The story--young lovers Freddie and Jjacks (sic) on the run from a criminal past--is pure True Romance, with an attempt to throw in a little Cohen brothers' style weirdness. It's not a bad film--how can any film that opens with a Johnny Cash tune not have some degree of style to it?--just one that misses that certain spark. The casting of Diaz and Reeves is hopelessly mismatched, the former's delightfully light touch during the film's many funny moments merely serving to heighten Reeves' clod hopping. He is slightly better when playing opposite brother and husband to Freddie Sam (Vincent D'Onofrio), but is unavoidably the film's weak link. It can't be denied that by pushing all the relevant buttons, Feeling Minnesota manages to provide a couple of hours of reasonably engrossing entertainment but, like the Bob Dylan version of "Ring of Fire" that closes the film, the originals are still the best. On the DVD: The de rigeur credible rock soundtrack is given extra sparkle by the DVD's audio quality, but the extras available are slight. The "making-of" featurette offers little more than one of those infuriating extended adverts that are passed off as film documentaries, while the cast interview section is presented in a series of a few second answers to a succession of uninspiring questions. --Phil Udell
Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans. Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans.
Episodes 12 to 20 of Jupiter Moon first broadcast on BSB's Galaxy Channel in 1990.... The spaceship Ilea is paralysed captured within a cloud of matter that seems able to think and to foil all the ship's efforts to escape. Worse still the Ilea's H2 extractor plant is able to supply oxygen for only a few more days and the magnetic shield is giving way. While the students and crew work desperately to create a defence space-criminal Alex Hartmann (Jason Durr) makes a tempting off
Jupiter Moon is about the perils of life on the very frontier of human existence. It is about the loves passions and ambitions of young people growing up in an alien and dangerous environment many millions of miles away from Earth.... It is the year 2050 and mankind has established a space city on Jupiter's moon. In orbit around the moon is the spaceship Ilea home of Columbus College University Of Space.
Two American mafiosi take refuge in the Glasgow cafe owned by their cousin but find their relative isn't the tough guy they'd expected.
Russell Tovey stars as the lovable George battling with his double identity as a mild-mannered and geeky hospital porter who for one night a month is transformed into a flesh-hungry predatory werewolf. Aidan Turner plays the good-looking and laid-back Mitchell who in contrast to George has the gift of the gab and an easy confidence with the ladies. But he is also a blood-sucking vampire struggling with going cold-turkey from the blood he craves. Completing the flat-share trio is Annie played by Lenora Crichlow a talkative ghost lacking in self-confidence and desperate for company. Annie is still pining after her fianc whom she was due to marry before the fatal accident that left her with her ghostly affliction - and who happens to be the landlord of their flat. Follow the trio as they do their best to live their lives as normally as possible despite their strange and dark secrets. But with unwelcome intruders into their world rumblings about an impending revolution from the vampire underworld and constant threats of exposure - on top of the usual issues faced by young people surrounding love work and mates - the only thing they may be able to rely on in their heightened world is each other.
An utterly engrossing story of rampaging neo-Nazi skinheads that may well be one of the most disturbing films. It's intoxicating violence and willingness to suspend moral judgement on its hypnotic characters make the film complex. Emotionally powerful and never afraid to portray the ugly destructive face of ignorance and prejudice 'Romper Stomper' excites disturbs and boldly challenges the viewer. Winner of 3 Australian Institute Awards including Best Actor (Russell Crowe) f
The heroes move to Wales to continue their quest to live like normal human beings but the net is closing in on Mitchell Annie is trapped in purgatory and George and Nina battle domestic challenges.
Earth vs. The Spider can't really make up its mind whether it's an homage to the B-movie horror genre (the title, but nothing else, has been lifted from the 1958 drive-in "classic"), a too-ironic-for-its-own-good spoof, or an uncomplicated but genuine monster flick. It passes as any of the above, so take your pick. The plot is hardly demanding: nerd's pal is murdered, nerd vows revenge, nerd injects himself with bug juice which turns him into a spider-like monstrosity, offs some bad guys then gets shot dead. Despite its lack of content, the movie's merciful brevity (one hour 26 minutes, roughly what all movies used to be) means that the pace is fast and that there's no room for padding (or real sub-plots, for that matter). The special effects are good and used surprisingly sparingly, which is a nice touch, and the brief coda is sarcastically witty. There's also what seems at first to be a nod in the direction of Toho's multi-monster epics, but those two giant furry caterpillars are in fact Theresa Russell's eyebrows. On the DVD: Earth vs. The Spider on disc is presented in 1.77:1 ratio. Extras include filmographies and a very brief "making of". The preliminary sketches of the creature in the photo gallery are well worth seeing. --Roger Thomas
Kirk Douglas and Anthony Quinn headline this suspenseful western which follows U.S. Marshal Matt Morgan (Douglas) on the trail of his wife's killer. Adding a dark twist to the tale-the suspect's father is Morgan's long-time friend, cattle baron Craig Beldon (Quinn). Morgan is determined to capture the killer and take him away by the 9:00 train, against all odds. Directed by John Sturges (Gunfight at the O.K. Corral), one of the greatest filmmakers of the Western genre.
New York, 1929: a war rages between two rival gangsters, Fat Sam and Dandy Dan in Alan Parker's much-loved kiddie mob flick.
One tower block. Fifteen tenants. One sniper. With career-defining performances from Sheridan Smith, Jack O'Connell, Russell Tovey, Kano and Ralph Brown, this fantastically gripping British thriller is a movie not to be missed. Special Features: Interviews with Cast and Crew
One man stands alone against the fury of mob justice. Threats. Fists. Bullets. Fire. By one means or another riled-up folks at Stone Junction are going to have their way. They're dead set on inflicting their brutal vigilante justice on the accused killer held in the town's jailhouse. But there's an immovable object in their path. His name is Johnny Reno. Dana Andrews (Laura The Best Years of Our Lives) portrays Reno a U.S. Marshal armed with his gun and the unflinching cour
The Thing (1982): Horror-meister John Carpenter teams Kurt Russell's outstanding performance with incredible visuals to build this chilling version of the classic The Thing. In the winter of 1982 a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100 000 years. Soon unfrozen the shape-shifting alien wreaks havoc creates terror and becomes one of them... John Carpenter's Vampires (1998): In the blood-chilling tradition of Halloween and Village Of The Damned comes John Carpenter's unique vision of the ultimate killing machines vampires. Forget everything you've ever heard about vampires warns Jack Crow (James Woods) the leader of Team Crow a relentless group of mercenary vampire slayers. When master Vampire Valek (Thomas Ian Griffith) decimates Jack's entire team Crow and the sole team survivor Montoya (Daniel Baldwin) set out in pursuit. Breaking all the rules Crow and Montoya take one of Valek's victims hostage. The beautiful prostitute (Sheryl Lee) is their sole psychic link to Valek and through her senses they will track down the leader of the undead. As Valek nears the climax of his 600 year search for the Berziers cross Jack and the new Team Crow do everything humanly possible to prevent him from possessing the only thing that can grant him and all vampires the omnipotent power to walk in the daylight... Village Of The Damned (1995): From the master of suspense John Carpenter comes a chilling new version of the sci-fi classic. Something is terribly wrong in the tiny village of Midwich. After an unseen force invades a quiet coastal town 10 women mysteriously find themselves pregnant. Local physician Dr. Alan Chaffee (Reeve) and government scientist Dr. Susan Verner (Alley) join forces when the women simultaneously give birth...and the reign of terror begins. In what the New York Times calls one scarifying trip the people of Midwich must try to find a way to stop the children in the Village Of The Damned.
Grapes Of Wrath (1940): John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen) a neighbor now nearly mad with grief tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the pre
"Extraordinary Measures", starring Harrison Ford and Brendan Fraser is inspired by a Wall Street Journal article recounting one man's remarkable efforts to save his children from a life threatening disease.
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
Mad Max: On a remote stretch of deserted highway a band of violent bikers has taken over attacking anyone unlucky enough to cross their savage path. Racing up and down the seemingly endless miles of asphalt the crazed outlaws blaze through small towns plowing into vehicles and pedestrians alike with reckless abandon. Bringing a sense of law to this lawlessness are the mobile police force led by Max and Goose who are as fast and mean as their adversaries and are willing to
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