Will love defeat an eternal evil? The world's most wanted master thief Lupin the Third is dead! Despite a coroner's report Interpol Inspector Zenigata is skeptical and discovers that Lupin is actually alive and well and stealing! But who had set up Lupin's death and why? For now questions are set aside as Lupin Jigen and Goemon immediately embark to Egypt to pilfer a stone artifact from a pyramid with Zenigata in hot pursuit. Fujiko lured by the promise of eternal youth and beauty by the sinister and enigmatic scientist known as Mamo doublecrosses Lupin and steals the stone. Her betrayal causes a rift between Lupin and his cohorts causing the trio to split up but eventually leads Lupin to Mamo's hideaway where he discovers the madman's dark secret and a fiendish scheme that threatens the entire planet! Now it's up to Lupin to stop the insane Mamo-before he can complete his 10 000 year-old plans of world domination.
Jet-black comedy surrounding a group of student liberals who invite controversial guests to weekly dinner parties succumbing to the temptation of murdering rightwing pundits with poisoned Merlot for their repulsive political beliefs in the belief that they're creating a better and safer world for everyone...
Episodes Comprise: 1. Treehouse Of Horror VII 2. You Only Move Twice 3. The Homer They Fall 4. Burns Baby Burns 5. Bart After Dark 6. A Milhouse Divided 7. Lisa's Date With Density 8. Hurricane Neddy 9. The Mysterious Voyage Of Our Homer (aka El Viaje Misterioso de Nuestro Homer) 10. The Springfield Files 11. The Twisted World Of Marge Simpson 12. Mountain Of Madness 13. Simpsoncalifragilisticexpiala-D'oh-cious 14. The Itchy & Scratchy & Poochie Show 15. Homer's Phobia 16. Brother From Another Series 17. My Sister My Sitter 18. Homer vs The 18th Amendment 19. Grade School Confidential 20. The Canine Mutiny 21. The Old Man And The Lisa 22. In Marge We Trust 23. Homer's Enemy 24. Simpsons Spin-off Showcase 25. The Secret War Of Lisa Simpson
It's Christmas Eve. A down-on-his-luck janitor is cleaning cubicles in an office block. Unfortunately for this forlorn floor-sweeper he becomes trapped in the washroom the very second a zombie outbreak occurs. Will he be able to hit the emergency alarm with severed fingers and a catapult bra? Has he met his Waterloo? Will he just go potty? Or will he simply remain...Stalled? Consistently hilarious brilliantly executed cleverly constructed and visually imaginative director Christian James' remarkable comedy horror is The Evil Dead meets Phone Booth in a toilet.
XV Beyond The Tryline takes you behind the scenes to understand what the sport of Rugby means to everyone who touches the game. With the backdrop and access point of the Rugby World Cup, it's a unique look at the big sport that's built around a big family of characters; from player, coach, referee, fan, groundsman, physio, parent, and even a Prince. What is it about the sport that unites us? What is it about the sport that drives such passion? With captivating and rare insight from the likes of Prince Harry, Jonny Wilkinson, Dan Carter and Eddie Jones, XV Beyond The Tryline is your ticket inside the everyday integrity, incredible brotherhood and values behind the greatest team sport in the world. Bonus Features: EXTENDED INTERVIEW WITH PRINCE HARRY EXTENDED INTERVIEW WITH JONNY WILKINSON EXTENDED INTERVIEW WITH EDDIE JONES EXTENDED INTERVIEW WITH SEAN FITZPATRICK EXTENDED INTERVIEW WITH JOEL STRANSKY EXTENDED INTERVIEW WITH ZINZAN BROOKE EXTENDED INTERVIEW WITH RWC 2015 ORGANISERS EXTENDED INTERVIEW WITH...RWC TV BROADCAST DIRECTOR
When two strangers stumble into international intrigue in the middle of a Los Angeles night anything can happen... and it does in this zany comedy directed by John Landis! Ed Okin is an insomniac with a cheating wife and a dull job. His chance for excitement looks hopeless until a mysterious blonde named Diana drops onto the bonnet of his car. She is being pursued by a gang of Iranian gunmen and despite Ed's reluctance he gets involved and Diana leads him on a murderous chase where
Legendary film director John Huston creates one of his most cerebral films that will stay with the viewer for a long time. Set in the American Deep South during the post-war era, Wise Blood stars Brad Dourif as Hazel Motes, an unhinged and aimless war-veteran, who decides to become a Bible-thumping preacher for a quasi-religious cult called The Church Without Christ'. Linking up with a fraudulent hustler from hellfire-and-brimstone preaching circuit - who pretends to be blind for the assembled believers - Motes is put under pressure by the fraudster to blind himself for real so that he can truly see the light'. A dark satire on religious movements that, beautifully acted by Dourif, Huston and William Hickey
Big Cook and Little Cook whip up a selection of christmas treats for children! As ever there'll be the usual mix of cooking singing dancing and fun!
The Bushwood Country Club snobs are at it again and this time the slobs are really out to shake 'em up! Jackie Mason arrives as a blue collar millionaire to smack some fresh divots out of sham and pretension in this zany sequel to the comedy favourite....
Released in 1968, Charly is a period-piece from the summer of love when "natural" was nirvana, the air hummed with the mantra "Everybody's beautiful", and all ills stemmed from institutional monoliths such as Science, Government, Education, and Religion. It is adapted from Daniel Keyes' novel Flowers for Algernon and its hero, Charly (Cliff Robertson), is 30 years old and mentally handicapped. His innocent sweetness makes him superior to most able-minded folk, whether they're the bigoted dolts he sweeps floors for or the ambitious scientists who see him as the human equivalent of Algernon, a mouse they've surgically (but impermanently) smartened up. Naturally, post-op Charly, sporting a genius IQ, "sees things as they are". Trotted out as the neurosurgeons' poster boy, he stands up to the "learned" audience--shot as faceless, inhuman interrogators. He's every 60s flower child, berating his "elders" for blighting their brave new world. The one reward Charly derives from his higher IQ is sex. In a lengthy montage resembling a retro TV commercial, he and his teacher (Claire Bloom, a madonna with an eternal Mona Lisa smile) romp through Edenic gardens, their embraces hallowed by sunlight glinting through leaves, moonlight glinting on water, and sappy Ravi Shankar music (stylistic clichés also include embarrassing outbreaks of split screens and multiple small screens within the frame, notably when rebellious Charly turns biker). Robertson's performance is well-meaning but mawkishly sentimental. Still, in the penultimate moments when Charly begins to slide back into mental illness, the actor achieves a genuine tragic gravity, and he became a surprise Oscar winner for his pains. --Kathleen Murphy, Amazon.com
The foundation stone of the Troma label's trash-movie empire, The Toxic Avenger introduces the character of nerdy janitor Melvin, who suffers heaps of abuse from local bad-guys and is stuffed into a vat of toxic waste while dressed in a ballerina outfit. He emerges mutated into a Swamp Thing/Hulk-style monster hero who romps around the blighted township of Tromaville, New Jersey, offing the grotesque villains in nastily gruesome ways and mooning over his blind true love. The Troma style is unique, and perhaps predates the anything-gross-for-a-laugh approach of the Farrelly Brothers by a good 10 years, but it sometimes wavers between the good-natured gags and genuinely unpleasant plot images that somewhat spoil the tone. Entry-level filmmaking, but with surprisingly professional head-squashing effects and a degree of enthusiasm that breaks down most resistance. Several sequels have ensued, including The Toxic Avenger Part III: The Last Temptation of Toxie. -- Kim Newman
Available on DVD for the first time! Let the insanity begin. A young psychiatric intern unearths secrets about the mental health facility in which he works. He finds his own sanity begins to unravel as the line between truth and fiction becomes harder to distinguish.
The ever so popular Twilight Zone comes to the big screen with this 1983 movie with four segments each directed by a different director, Joe Dante (The Burbs’, Gremlins), Steven Spielberg (Jaws, Schindler’s List), George Miller (Mad Max, Happy Feet) and John Landis (The Blues Brothers, An American Werewolf in London). Each popular director directed their own version of classic stories from Rod Serling’s original tv series. In ‘Time Out’ by John Landis, a man must experience life through the eyes of a select group of ethnicities as punishment for his racial remarks he has made in his life. In ‘Kick the Can’ by Steven Spielberg, a new resident to a retirement home convinces the other residents to play a game of Kick the Can with him. Unaware that this will literally take them back to their younger days they reluctantly agree. In ‘It’s a Good Life’ by Joe Dante, a woman gives a boy a ride home after she accidently runs over her bike with her car. She soon discovers that the boy has an incredible skill to control things with his brain power. In ‘Nightmare at 20,000 Feet’ by George Miller, a man slowly starts to go insane as he sees a gremlin on the wing of the plane that no one else can see.
Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could "slime" people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Black. --Tom Keogh, Amazon.com
Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
From executive producer James Cameron (Avatar) comes a thrilling underwater adventure based on true events. Master cave diver Frank McGuire and his team have been exploring the least accessible, uncharted and dangerous underwater labyrinth on Earth. When a tropical storm cuts off their only escape route, they must find an exit to make it out alive. In Earth's inner sanctum, make just one mistake and no one will know you were ever there. Special Features: Deleted Scenes Feature Commentary Sanctum: The Real Story Nullarbor Dreaming
David Rudkin's supernatural story was one of the most ambitious television series of its time.A futuristic fantasy with a powerful mythical charge, it featured a top class cast, a setting that ranged from a North Sea ferry to a twin-sunned alien planet and spine-chilling moments that bear a homage to the great Alfred Hitchcock. Gideon Harlax, a successful young novelist of the paranormal and the supernatural, has found some exciting new material: a pagan statue stolen from a Danish museum has.
An irresistible melange of showbiz and politics, The Rat Pack is a sprawling HBO TV movie about the late-50s axis between Frank Sinatra's cool-talking cronies and the White House-bound Kennedy clan. Ray Liotta, William L Petersen and Joe Mantegna manage to give real performances as opposed to impersonations as Frankie, JFK and Dean Martin, and there's a stand-out turn from Don Cheadle as Sammy Davis Jr, who fantasises a blazing, gunslinging rendition of "I've Got You Under My Skin" as delivered to the cross-burning Nazi pickets outside his hotel campaigning against his marriage to a white Swedish starlet. Naturally the story goes over a lot of familiar ground (Marilyn Monroe, and so on,) but the Hollywood-Vegas angle, with the obvious criminal tie-ins, lends it a freshness. Angus McFadyen remains typecast as real-life actors, following up his Orson Welles (Cradle Will Rock) and Richard Burton (Liz, the Elizabeth Taylor biopic) by doing a squirming, but funny take on Peter Lawford, caught between the White House and Sinatra's vast, demanding ego. Its general style is somewhere between a Scorsese gangland epic and made-for-TV muckraking biopic and a lot of material from Shawn Levy's fine book Rat Pack Confidential is worked into the weave. On the DVD: The Rat Pack is a no-frills disc presented in a good-looking 16:9 anamorphic transfer, though as it's a TV movie this means trimming the top and the bottom of the image. --Kim Newman
Woody Allen's Celebrity--a portrait of the celebrity life as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the ex-couple, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. Branagh tries his hand at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. Davis runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, Leonardo DiCaprio and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation. His failure in the role, however, isn't entirely his fault, as it's another in a long line of unlikable male protagonists which Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. Far more enjoyable misadventures with Branagh include Charlise Theron in the film's best performance as a libidinous supermodel with a penchant for Echinacea; a stunning Famke Janssen as a successful book editor; and Winona Ryder, acting like an adult for the first time, as an aspiring actress. But they all manage to slip through Branagh's fingers by the end of the film. --Mark Englehart, Amazon.com
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