Tom Cruise stars in this visually stunning fantasy adventure in which pure good and evil battle to the death amidst spectacular surroundings. Set in a timeless mythical forest inhabited by fairies goblins unicorns and mortals. The fantastic story has Jack (Cruise) a forest dweller and chosen by fate to undertake a heroic quest. He must save beautiful Princess Lili (Mia Sara) and defeat the demonic Lord of Darkness (Tim Curry) or the world will be plunged into a never-ending ice age. Co-starring Billy Barty and Alice Playten and directed by Ridley Scott famed for his remarkable settings and unparalleled imagery the incredibly realised fable is the stuff movie legends are made of.
Based on the true story of the last woman ever executed in Britain Ruth Ellis starts down the road of romantic self-destruction when she meets and starts a love affair with wealthy gentlemen David Blakely who felt it was impossible to uphold the relationship with the single mother due to the pressure of his upper-class peers.
Comprises the Hammer House of Mystery and Suspense volumes : Czech Mate The Sweet Scent Of Death A Distant Scream The Late Nancy Irving In Possession and Black Carrion.
Professor Gus Egan and his team of scientists are exploring the depths of Scotland's mysterious Loch Ness to prove his theory that it was once a prehistoric breeding ground for ancient marine reptiles. Suddenly a fault-line ruptures deep below the surface of the Loch and Gus disappears in an underwater earthquake. Unbeknownst to the team the rupture has reopened a passageway to the depths of the North Sea and given new life to the most fabled creature ever known to man - the legendary Loch Ness monster.
When a chance encounter reunites a long lost daughter Maggie Holloway and her stepmother Nuala both parties are thrilled at the prospect of catching up on years spent apart. However joy turns to devastation when Nuala is found murdered only days before moving to a nearby retirement home...
Drums pound, the music bursts into life with a cry of "Stingray!... Stingray!" Who can resist? Stingray (1964) was the show Gerry Anderson made just before he really hit the big time with Thunderbirds (1965). He produced 39 episodes of the 21st century adventures of Troy Tempest, tall, dark and handsome (his voice based on James Garner's) captain of the titular submarine. Troy's mission: to protect the seas on behalf of WASP (World Aquanaut Security Patrol). With complex underwater model and puppet effects, this was ground-breaking television, especially as it was the first UK series to be made in colour, even though for years it was only seen in black and white. Special effects director Derek Meddings later graduated to the James Bond films, while Moneypenny herself (actress Lois Maxwell) voiced Atlanta Shore. Here, just as in the Bond films, she played second fiddle in our hero's affections, the mute Marina becoming Stingray's sex-goddess. The end credits even featured a song in her honour, "Aqua Maria", which became an international hit. As for the bad guys, half-man, half-fish Titan and his Terror Fish wage a dastardly war against humanity and the peaceful underwater citizens of Pacifica. Four decades on, the models and underwater sequences still impress and Stingray remains eccentric cult family entertainment. On the DVD: There are seven episodes on the first DVD volume, including the pilot episode, "Stingray", in which a Titan Terror Fish sinks a WASP submarine, leading to Troy and sidekick Phones falling into the hands of the evil Titan. This action-packed beginning introduces all the major characters and gadgets, setting the scene for the adventures to come. "Plant of Doom" sees Titan outraged that Troy has rescued his beautiful slave Marina. After consulting an undersea god he hatches a revenge plot using a deadly air-consuming flower. In "Sea of Oil" Atlanta is kidnapped by an underwater race who plant a bomb on Stingray, while in "Hostages of the Deep" Marina is threatened with death by swordfish blade. --Gary S Dalkin
Tamara Jenkins' semi-autobiographical story follows a lower-middle-class teenager (Lyonne) and her neurotic family in 1976 Tinseltown...
Academy Award-winning director Barry Levinson yet again returns to Baltimore for inspiration with the semi-autobiographical Liberty Heights. Set in 1954, it tells the story of two young Jewish boys and their experiences of growing up in an America trying to come to terms with a changing society. The film focuses both on the sweet and innocent (the relationship between younger brother Ben and sole black student Sylvia) and the darker, more vicious side of a nation in flux. The evils of racism form a backdrop to all the intertwining plot lines--not only white against black but also widespread anti-Semitism. The young, largely unknown cast are all excellent--especially Adrien Brody and Ben Foster as the brothers and Rebecka Johnston as the quietly knowing Sylvia. Taking its cue from the great teen movies of the past, the film buzzes with the vitality of youth and of a generation on the verge of a new dawn (music plays a huge part), placing the political problems of the age in the context of adolescence to great effect. This is not Levinson's most high-profile work but certainly one of his best. On the DVD: The music of the period features heavily in the movie and dominates much of the action, so much so that it is possible to watch Liberty Heights with a music-only soundtrack. The film moves effortlessly between light and shade, both metaphorically and physically. Fair attempts have been made to provide an interesting set of extras: a gallery of interviews with the cast and director, deleted scenes and a very brief on-set documentary. --Phil Udell
Susan Clarkson sets off on an adventure she hadn't bargained for when she joins a yacht to cruise from San Diego bound for Vancouver. When a storm hits the engine cuts out so the crew abandon the vessel. Hurt hungry and adrift matters worsen....
A modern group of seductive vampires are using the best source for fresh victims: the internet. While Van Helsing's descendent tracks them a young journalist is getting more than she bargained for from her story.
The feature film The X-Files: I Want to Believe is a satisfying if unspectacular installment in the X-Files series, taking place an unspecified time after the show's nine-year television run. Former agent Dana Scully (Gillian Anderson) is now a doctor, while Fox Mulder (David Duchovny) is being hunted by his former agency and living in seclusion. He and Scully are summoned back by a case involving a missing agent and a former priest (Billy Connolly) who claims to be able to see clues to the agent's whereabouts psychically, though his initial search turns up only a severed limb. Don't expect the usual cast of characters; the FBI has completely turned over (except for the George W. Bush portrait), and the only reason Scully and Mulder are back is because agent Dakota Whitney (Amanda Peet) remembers his success on similar cases involving the inexplicable. Don't expect the same rogues' gallery either; unlike the previous X-Files feature film, which was inextricably linked to the series' convoluted mythology arc (and served as a bridge between the fifth and sixth seasons), I Want to Believe is a stand-alone piece that makes use of the series' roots in horror/sci-fi and moody Vancouver, B.C., locales. Also unlike the previous film, which was almost self-consciously shot for the big screen, this film is on a smaller scale, like a double-length episode of the series. But it's still a good reminder of the creepy vibe that hooked fans for years. And the relationship between Mulder and Scully? It seems to have resumed pretty much where it left off, at least when you take into account the long period of separation. But stick around for the end-credit sequence to take in all the possibilities for the future. --David Horiuchi, Amazon.com
'Taggart' is the longest running police drama on TV. Thanks to its explosive storylines and tough-talking Glasgow detective Jim Taggart (Mark McManus) it has become a national institution with these next six feature length editions averaging nearly thirteen million viewers. Set Comprises: Evil Eye: A gypsy is found murdered in her caravan and Taggart and Jardine suspect a connection with a London jewel raid in which a young policeman was murdered. Rogues' Gallery: A body is found in a car that has just been put through a car crusher: Taggart and Jardine investigate a case that seems to link the world of drug pushers with the world of art and artists. Violent Delights: A sixth former Philip Dempster has a crush on his French Teacher the beautiful Francoise Campbell. When spying on her through his telescope he sees what looks like a murder take place in her bedroom. Taggart investigates the death of a young undertaker in a blazing car. Fatal Inheritance: When the verdict of ""Not Proven"" is returned in a murder trial Taggart decides to stay at the scene of the crime - a fashionable health farm. When another murder occurs there Taggart gets involved though officially he is not on the case. Death Benefits: Julia Fraser wife of a police sergeant is brutally murdered whilst he is on duty. During a search of their house a list of names is found. It appears that the people on the list are rapidly meeting with a series of accidents - and yet there is no connection between them except that they are on the list. Taggart is facing a race against time to find the connection. Gingerbread: The murder of his father sets Simon Barrow on a journey which moves from fairy-tale to nightmare. Taggart Jardine and Reid discover the bitter behind the sweet.
Angels In The Outfield: Roger who has lost his mother is living separated from his father. As he and his friend J.P. are two of the biggest fans of the Los Angeles baseball team he has got only two dreams: Living together with a real family and LA winning the championship. As he is praying for these two things to happen some angels show up in order to help him - but he is the only one to see them and believe in them. Fortunately the coach of the baseball team sees his abiliti
Smile? In 1966, the legendary abandoned Beach Boys' album and "teenage symphony to God" left its visionary, Brian Wilson, with the devil to pay. Disc One of this double DVD set offers David Leaf's glorious documentary "Beautiful Dreamer", interviewing all those involved with the project's development (save, bizarrely, any of the surviving Beach Boys, least of all Smile's most trenchant naysayer Mike Love) and charting Brian Wilson's ascendancy to the cusp of creative immortality and subsequent crash-and-burn to a bedridden, burnt-out recluse. In the South Pole-style "production race" with The Beatles for popular music's brave new frontier (a contest more self-justificatingly important to Wilson than to Lennon/McCartney) it was to be The Beatles who planted the flag and Wilson who perished in the snow; Smile was to be Brian Wilson's nemesis. The albums' eventual completion and re-recording (hats off to Brian Wilson's musical sidekicks The Wondermints) in 2003 was the happiest and unlikeliest conclusion to pop music's most fascinating and infuriating chapter. The entire live performance of Smile in Los Angeles - beautifully filmed on Disc 2 - is a fitting happy ending. The work - especially the waxing and waning chorales of the "Child Is Father Of The Man" section - is a marvel; beautiful, bold, coherent and deft enough to leave the myth - the great "what if?" of 20th Century music history - intact. --Kevin Maidment
Phone Booth A single phone call can change a man's life...or possibly end it. Stu Shepard is a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom. The Siege When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony Hub Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Speed Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
Writer/director Richard Day (Girls Will Be Girls) pokes gleeful fun at McCarthy-era Red-baiting and the hypocrisy of the celluloid closet . Hunky screen idol Guy Stone (played with crackling comic timing by Matt Letscher) is the dreamboat of every woman in America and the secret lover of every hot stud in Hollywood. A rock-solid manly man without the slightest little wiggle in his walk Guy is the top choice for the lead in Ben Hur. But when a few homo-criminating photos pop
High Lonesome (1995) is a made-for-TV movie, otherwise known as A Father for Charlie. It's set in the American South in the Depression and tells of the friendship between Walter, a black sharecropper (Louis Gossett Jr) and Charlie, a small white boy. Though the film's motives are honourable in its attempt at dealing with white racism, the story is implausible in its assumptions (would a black man have been allowed to foster a white boy at that time?) and deeply sentimental, not least in the last-minute conversion of the virulently racist local sheriff. On the DVD: The quality of the sound and image is adequate, but there are no extras apart from trailers. --Ed Buscombe
Two more cases for Holmes and Watson to solve. The Crooked Man: A scandal is threatening the honour of the Army and suddenly Colonel James Barclay is found dead. His wife Nancy is immediately suspected of murder but who is the strange crooked man who holds the key to the mystery? The Speckled Band: Julia Stoner's enigmatic dying words have haunted her younger sister for the last two years. In desperation she asks for the help of Holmes and Watson who discover an undetectable murder weapon in Julia's remote country house which has no place in the English countryside.
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