The first three volumes of Knight Rider - including the pilot - on this fantastic triple disc boxed set. Volume 1: 1. Pilot (Feature length): Police Officer Michael Long is shot and left for dead. A metal plate in his head from a previous injury deflects the bullet. Dying millionaire Wilton Knight provides Michael with a new name a new face and a new car. In return Michael must help the Foundation for Law and Government bring criminals to justice - criminals who operate beyond the reach of the law. 2. Chariots of Gold: Bonnie is accepted into an elite society for brilliant thinkers only to be brainwashed into helping K.I.T.T. commit a crime. 3. Good Day at White Rock: While taking a few days holiday at White Rock Michael Knight and K.I.T.T. find themselves involved in a full-blown war with a gang of vicious bikers who are terrorising the town. Volume 2: 1. Knight Racer: Someone tries to kill Michael after he qualifies to drive for an independent racing team plagued by a series of accidents. 2.Sky Knight: Bonnie's plane is hijacked and the passengers are held hostage by an ex-intelligence agent who wants money and political prisoners set free. 3. Knight Sting: Bonnie poses as a jetsetter to gain access to a foreign embassy planning to ship a canister of deadly bacteria out of the country. Volume 3: 1.Knight Of The Rising Sun: Michael and K.I.T.T. come to the aid of Nick O'Brien a friend of Devon's who is being forced out of business by a powerful Japanese businessman. 2. Slammin' Sammy's Stunt Show Spectacular: Michael is asked to stand in for a stunt show owner who is injured during a plot to put him out of business. Micheal and K.I.T.T. perform some death-defying stunts but are soon the subject of the saboteurs' attentions. 3. Just My Bill: Michael and K.I.T.T. have to protect a maverick politician when she becomes the subject of several assassination attempts after opposing the Kern River Bill.
Season 2: Unfortunately, Rachel's brave intention to announce her feelings is scuppered in the season opener "T.O.W. Ross' New Girlfriend". It doesn't matter how great her hair looks (a real-life accident when a friend cut it with a razor), or how many sneaky tricks she tries to separate them. Ultimately it takes a peculiar doppelganger to lure the new girl away in "T.O.W. Russ" (Schwimmer credited as "Snaro"). The Friends couldn't be happier to have the angst and tension relieved, and "T.O.W. Ross and Rachel ... You Know" is unsurprisingly an all-time fan favourite. This was straightforward compared to the other side of Ross' love life in "T.O.W. the Lesbian Wedding" though. Initiating another will-they/won't-they subplot was the introduction of Richard (Tom Selleck) as a new flame for Monica. Highlights for the other characters all centred on the Emmy-winning two-part "T.O. W. After the Super Bowl" with a stunning cameo list including Brooke Shields, Chris Isaak, Dan Castellaneta (Homer from The Simpsons), Jean-Claude Van Damme and Julia Roberts (whom Perry subsequently dated a short while). Another great highlight was Chandler and Joey's ineptitude in "T.O.W the Baby on the Bus", which also featured Chrissie Hynde giving Phoebe's "Smelly Cat" its best ever rendition on guitar. To leave viewers hanging, the year ended with Rachel in understandable uncertainty over "T.O.W. Barry and Mindy's Wedding" (her ex-fiancé and ex-best friend). --Paul Tonks
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours.Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Each disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
France 1796: in the new Republic poverty is rife and crimes harshly punished. Jean Valjean is sentenced to five years at the gallery for stealing a loaf of bread. There the Inspector of Guards Javert takes an intense loathing to him - and every rebellion on Jean's part is met with strict punishment and a longer sentence. Jean eventually escapes. Five years later he is living a respectable life as a Mayor when fate intervenes and brings him face to face with his old enemy Javert. Victor Hugo's enduring classic is lavishly recreated and performed by an outstanding cast.
A Deadly Seduction. If a sexy stranger whispered ""let's go!"" to you in an airport bar could you resist? David Hasselhoff (Baywatch) is an international businessman who gives in to temptation and has a secret passionate encounter with a woman he doesn't know. Back at the bar he learns that she is the wife of a jewelry dealer (Gregg Henry) he met on the plane. He's quickly drawn into their weird world of danger thrills and games and ultimately finds himself accused of a brutal murder. As thrilling and erotic as it is out of control Hasselhoff gives a performance unlike anything you have seen before!
Elvis Costello is joined by fellow legends such as Elton John The Police and James Taylor in this music-driven series. New York's Apollo Theatre and 30 Rockefeller Plaza play host to the icons as they cover favorite songs and chat about their craft. This release includes 13 episodes.
Despite rave reviews as one of the most stylish and intelligent detective pictures in a number of years, this 1995 adaptation of Walter Mosley's novel never found a mass audience. Too bad, because Carl Franklin's film is nearly perfect in every way, from its rich, shadowy look to its depiction of life in post-World War II black America (LA-style) to the acting of Denzel Washington, Don Cheadle and others. Washington plays Easy Rawlins, an aircraft factory worker who is laid off only to find his true calling: as a private eye, albeit an unlicensed one. Hired to find a missing woman, he becomes entangled in a complex but satisfying case involving sex, corruption, racism and, of course, money. Devil In A Blue Dress is top-notch from top to bottom--and Cheadle is dangerously funny as Easy's best friend, a killer named Mouse. --Marshall Fine, Amazon.com
For the life of him real estate agent Bob Carter (John Ritter) can't figure out why three of his listings are such a tough sell. Sure the homes have blood-soaked histories. True the owners are all dead or insane. But these are top-notch houses in turnkey condition ready to move in! However today Bob has a sure thing; a newlywed couple in search of the tract home of their dreams. The couple are delighted by what they see...until Bob tells them the fates of the previous owners. T
This box set contains the following four titles: Fifteen And Pregnant: At 14 Tina's a happy care free kid. By the time she's 15 she's pregnant and faces life as a lonely single parent. A searing true story of teen parenthood. Baby Snatcher: A woman desperate to have a child hatches a sinister plan to steal someone else's baby. David's Mother: An outspoken single mother's life is dominated by her brain damaged son. No One Could Protect Her: Jessica is raped and almost killed in her own home by an intruder... and he's coming back. But this time she will be waiting for him.
From executive producers Hart Hanson Barry Josephson and Stephen Nathan comes the fifth exciting season of Bones a darkly amusing procedural with humor heart and character inspired by real-life forensic anthropologist and novelist Kathy Reichs. As Season Five begins Booth and Brennan contend with the emotional fallout resulting from the sea-change in their relationship brought about by events at the end of last season: Brennan's request to have Booth father her child as well as the strange profound - almost psychic - link they shared during Booth's coma which left both of them wondering what thoughts and emotions the other is experiencing. While Booth endeavors to come to grips with these unleashed emotions Brennan insists the two of them focus their attention and energy on their main job: catching murderers that no one else can catch.
Performances of La Traviata stand or fall to an unusual extent on their principal soprano; the first thing that needs saying about this Glyndebourne performance is that Marie McLaughlin has all of the attributes needed for a role that is fundamentally a virtuoso one, no matter how emotionally involving it is as well. The point about Violetta is that she is, with absolute authenticity, all of the things she becomes in the course of the opera--the febrile socialite and yearning love of Act One, the quiet domesticated woman of Act Two who sacrifices her love for Alfredo to precisely the family values he has talked her into espousing, the dying penitent of Act Three. Walter McNeil is an impressive poetic Alfredo in whose successful courtship we can believe. He is also unusually good in Act Two, Scene Two where for once his public humiliation of Violetta is actually painful, which makes his repentance at her deathbed far more moving. Brent Ellis is solidly powerful as his father Germont--the duet in which he talks Violetta into renouncing his son and comes to value what he is destroying is one of the high points here, as it should be. Bernard Haitink conducts impressively. On the DVD: As (unfortunately) usual with Arthaus Musik, the DVD contains no extra features worth mentioning past the usual subtitles in German, English and French, relegating discussion of the opera's stormy history to the booklet. --Roz Kaveney
Surprisingly light-hearted and witty, Paul Rudnick's Jeffrey (based on his off-Broadway play) was one of the first films to tackle the AIDS crisis without patting itself on the back or offering everything up in a sobering movie-of-the-week scenario. The titular Jeffrey (Steven Weber) is a happy-go-lucky gay man who suddenly comes face to face with the fact that AIDS has turned sex into something "radioactive". Paranoid in the extreme, he vows to become celibate--at just about the same time that hunky Steve (The Pretender's Michael T. Weiss) saunters into his life, eyes twinkling and hormones raging. The only problem is that Steve, for all his muscles and charm, is HIV-positive, thus setting Jeffrey's deepest fears into motion. When it was written in 1995, Jeffrey struck a nerve in mining the fear that a number of gay men felt during the height of the AIDS crisis. Even just a few years later, though, Jeffrey's paranoia (what, he's never heard of condoms?) seems dated, and his behaviour more self-damaging than self-aware--basically, he needs a slap upside the head as opposed to therapy. Still, Rudnick (who went on to pen the more mainstream In and Out) is never one to pass up a witty one-liner or an opportunity to poke fun at anyone, and Jeffrey now stands as a hilarious, sometimes poignant portrait of gay single life and the perils of dating in a paranoid time. Weber's Jeffrey is simultaneously open to the possibilities of life and fearful to embrace them, and Weiss is, well... gorgeous and funny and sexy beyond belief. Still, it's Patrick Stewart, as Jeffrey's interior decorator best friend, who effortlessly steals the film with his cutting wit; in his mouth, Rudnick's lines are priceless gems. With a host of amazing cameos, including Sigourney Weaver as a conceited New Age maven, Kathy Najimy as her sad-sack follower, Christine Baranski as a high-society hostess for a roundup-themed charity dinner, and a top-form Nathan Lane as a gay priest who seems to have discovered the meaning of life--literally. --Mark Englehart, Amazon.com
Casual hook ups are totally commonplace in the gay community, these days- but sometimes they don t turn out the way we hope, and sometimes, just once in a blue moon, they become something else entirely, something far more sinister. When sexy young Josef arrives at John s apartment for a date, their prickly energy slowly gives way to an unusual and genuine chemistry. But after Josef takes a pill with unclear effects, the night takes a shocking turn, and he is plunged into a surreal interrogation of just who and what he is.
Dublin. An enigmatic, leather-clad figure weaves its way through traffic on a powerful motorbike. This is Michael Lynch (KEVIN SPACEY): family man, liar, criminal mastermind and our hero.
Ensemble drama from acclaimed director Robert Altman centered around a group of ballet dancers, with a focus on one young dancer (Neve Campbell) who's poised to become a principal performer.
It's Harry's third year at Hogwarts School of Witchcraft and Wizardry and Harry Ron and Hermoine now teenagers return for their third year at Hogwarts where they are forced to face escaped prisoner Sirius Black who poses a great threat to Harry. Harry and his friends spend their third year learning how to handle Divination. They also visit the wizarding village of Hogsmeade and the Shrieking Shack which is considered the most haunted building in Britain. In addition to these new experiences Harry must overcome the threats of the soul-sucking Dementors outsmart a dangerous werewolf and finally deal with the truth about Sirius Black and his relationship to Harry and his parents. With his best friends Harry masters advanced magic crosses the barriers of time and changes the course of more than one life. This wonderful spellbinder soars with laughs and the kind of breathless surprise only found in a Harry Potter adventure.....
Performance art with Matthew Barney as the entered apprentice racing to the top of the Guggenheim Museum.
The Last Hunter is the ultimate exploitation war movie containing some of the most horrific action scenes ever filmed. Army Captain Henry Morris (David Warbeck) is sent on a covert mission to destroy a Viet Cong radio station. He must venture through the deadly jungles to accomplish his goal. Accompanying him are a small commando detachment and a war journalist (Tisa 'Zombie Flesh Eaters' Farrow). Together they head through the jungle killing and killing. They encounter decompos
Time does odd things to some films. In 1966, Morgan--A Suitable Case for Treatment was hailed as a touching black comedy about the destruction of a free spirit by an uncaring bourgeois world. Playwright David Mercer's screenplay is full of his standard obsessions of the time--Trotskyism and RD Laing's perception of the mad as truly sane--and Karel Reisz's direction effectively balances Morgan's failing real-world life with a fantasy life of gorillas, King Kong and sinister partisans emerging from a crisply photographed Battersea Power Station. David Warner's Morgan is far more like his student rebel Hamlet of the same year than the B-Movie villains for which he has been more famous for ever since; it is a sentimentalised performance, but only because of the deep sentimentality of the film. A cast that includes Robert Stephens, Irene Handl and Bernard Bresslaw give us some effective social satire and low comedy. The trouble is that Morgan's pursuit and near-rape of his ex-wife, and his trashing of her society wedding, now look more like the behaviour of a stalker than an act of bohemian rebellion; it is significant that the film treats Vanessa Redgrave as a treacherous bimbo with nothing much to do except smile wistfully. Morgan may have been one of the trendiest films of its Swinging London epoch but it has not aged well. On the DVD: the DVD is presented with Dolby Digital sound that makes the most of John Danworth's jazz score in a 2:1 full frame visual aspect. The clean print makes the most of the mono photography. --Roz Kaveney
Fliss and Chris are a young happily-married couple whose whizz-kid friend Gavin moves in after splitting with his wife.
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