Donna is about to marry her boyfriend Lance on Christmas Eve but she finds herself transported aboard the Tardis. As the Doctor tries to get Donna to the church on time the alien Empress of Racnoss watches closely from the throne in her spaceship. Somehow Donna is the key to an ancient plot to destroy the Earth. With time running out can the Doctor solve the puzzle defeat the Empress and stop her army of robot Santas?
Doctor Who: The Dalek Collection (Dr. Who)
This is the story of Robert Kenner, a mild mannered postman from Peckham, who, six years ago was struck by a meteor that gave him superpowers. Now he works for the Ministry of Defence as a civil servant, saving the world, filling out one bureaucratic form at a time. He is allowed every Tuesday off, as sanctioned by the UN, and today, the day on which the film is set, is the day he is finally going on a date with June; the woman he has been in love with for some time now. It should all be fine - if a visiting American Senator doesn't start World War Three
Hot on the heels of the acclaimed third series Doctor Who returns for a fourth instalment with a familiar face alongside the Doctor. Award-winning comedienne Catherine Tate returns as the Doctor's new companion revisiting her role as Donna Noble who featured in the 2006 Christmas special The Runaway Bride.
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: International Rescue's very first adventure provides a template for all the rest: in "Trapped in the Sky" an experimental new aircraft becomes the target of an evil Bond-style megalomaniac who wants to get his hands on all the neat pieces of kit operated by the Tracey siblings. The show introduces, in fetishistic detail, the recurring set-pieces: Thunderbird 1 taking off from the roll-back swimming pool, which pod will Thunderbird 2 use this week--the mole or the submarine perhaps?--and so on. Nostalgia fans will be pleased to learn that despite digital remastering the puppet strings are still in evidence, and no amount of high-tech restoration could remove the clunky expository dialogue: Stewardess: "It's the maiden flight of the new atomic-powered Fireflash." Passenger: "Isn't that the new aircraft that flies six times the speed of sound?" Stewardess: "That's right, but don't worry: it's perfectly safe." [Cut to: interior, Fireflash landing gear, a device clearly labelled "Auto-Bomb Detonator Unit"] Sinister bad guy (talking to himself for no readily apparent reason): "Perfect. Enough explosives to smash the Atomic Reactor." In the second episode, "Pit of Peril", an absurdly impractical US Army vehicle falls into the eponymous pit, necessitating use of pod five, the mole. Joy! Lady Penelope indulges in some James-Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker
Hot on the heels of the acclaimed third series Doctor Who returns for a fourth instalment with a familiar face alongside the Doctor. Award-winning comedienne Catherine Tate returns as the Doctor's new companion revisiting her role as Donna Noble who featured in the 2006 Christmas special The Runaway Bride. Martha Jones - who left the Doctor at the end of Series Three to break the unrequited circle of love she felt for him - will also return. Episodes Comprise: Partners In Crime The Fires Of Pompeii Planet Of The Ood
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "End of the Road", "The Uninvited", "Sun Probe" and "Operation Crash Dive".
Hot on the heels of the acclaimed third series Doctor Who returns for a fourth instalment with a familiar face alongside the Doctor. Award-winning comedienne Catherine Tate returns as the Doctor's new companion revisiting her role as Donna Noble who featured in the 2006 Christmas special The Runaway Bride. Martha Jones - who left the Doctor at the end of Series Three to break the unrequited circle of love she felt for him - also returns. Set Comprises: The Sontaran Stratagem: Martha Jones summons the Doctor back to modern-day Earth but an old enemy lies in wait. The Poison Sky: As the Sontarans choke the Earth the Doctor battles to keep both Martha and Donna alive. The Doctor's Daughter: On the planet Messaline in the middle of an endless war the Doctor meets the most important woman of his life. The Unicorn And The Wasp: In 1926 Agatha Christie disappeared for 10 days. Was it amnesia? A nervous breakdown? Or a Giant Alien Wasp..?
Take a trip through time and space to meet creatures and enemies that always came back for more... Doctor Who - The Monster Collection: The Sontarans contains two exciting stories! The Sontarans are a short battle-loving race from the planet Sontar. Bred for war these cloned creatures have produced one of the most powerful armies in the universe. The Time Warrior is four-part adventure from 1973/74 and marks the first appearance of the Sontarans in the series. Jon Pertwee stars as the Third Doctor. The Sontaran Stratagem and The Poison Sky was first shown in 2008 and brought the Sontarans back to the new series to fight the Tenth Doctor played by David Tennant.
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Alias Mr. Hackenbacker", "Lord Parker's 'Oliday", "Ricochet" and "Give or Take a Million". Amazon.com
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "The Duchess Assignment", "Brink of Disaster", "Attack of the Alligators!" and "Martian Invasion". Amazon.com
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Cham Cham", "Security Hazard", "Atlantic Inferno" and "Path of Destruction".
You don't have to be barking to enjoy this DVD - but it certainly helps!In 1998, in a town not far from you, the up and coming comedians of the day got together and wrote an hilarious sketch show for Channel 4. The result was Barking.These comedians further developed these characters and ideas and are now big stars, writing and starring in their own shows and regularly touring nationally.But it all started here for Mackenzie Crook, David Walliams, Omid Djalili, Peter Kay, Dave Lamb, Rhys Thomas, Catherine Tate, Marcus Brigstocke, Matt Lucas and many more.
One Saturday morning little John wakes up to find an invisible something sitting on the end of his bed. The something seems to be gigantic but John can't work out just how big it is. He tries to measure it but the invisible giant won't let him. When John asks this strange new friend his name the letters IVO appear on his mirror so John decides to call him Ivor. The invisible giant plays tricks on John's mum and dad and gets up to lots of mischief especially when John takes Ivor to the park and school!
The Man From MI5: A British spy vanishes while carrying atomic weapon blueprints. Lady Penelope is hot on the scent but is soon in great danger. Cry Wolf: An Australian operative is terrorised by the Hood. When his sons raise the alarm they are ignored by Jeff because the boys have ""cried wolf"" before. Danger At Ocean Deep: After the launch of the ship Ocean Pioneer.fears are raised that its potentially explosive cargo of liquid alsterene may mean impending di
Trapped In The Sky: Criminal mastermind the Hood puts a bomb on a plane. International Rescue must foil the Hood's evil plans and at the same time save Tin-Tin who is on board. Pit Of Peril: The Sidewinder a revolutionary mobile army unit disappears underground during testing. Brains concocts an elaborate and risky scheme to rescue the men on board. The Perils Of Penelope: Professor Borender an important scientist and Lady Penelope are both abducted. T
This epic Western shows how young Texan John Reid became masked avenger The Lone Ranger (Klinton Spilsbury). At 11 years old John and his Native American friend Tonto discover a gang of outlaws have attacked John's home and murdered his parents. Years later as a Texas Ranger he is seriously wounded in a shootout with Cavendish gang. Here Tonto (Michael Horse) discovers his long lost friend and takes him back to his camp to nurse him back to health. Fully recoverd John is joined by Tonto on a campaign for justice and retribution for the Cavendish gang and the legend of the Lone Ranger - and his trusted friend - begins.
The Bear Based on Raymond Briggs' bestselling storybook 'The Bear' is the enchanting and magical tale from the makers of 'The Snowman'. A young girl Tilly visits the zoo with her mum and dad but accidentally drops her best loved toy her teddy into the polar bear's pit. That night Tilly cries herself to sleep only to wake and find a huge polar bear standing over her - he's come to return her precious teddy. Ivor The Invisible One Saturday morning little John wakes up to find an invisible something sitting on the end of his bed. The something seems to be gigantic but John can't work out just how big it is. He tries to measure it but the invisible giant won't let him. When John asks this strange new friend his name the letters IVO appear on his mirror so John decides to call him Ivor. The invisible giant plays tricks on John's mum and dad and gets up to lots of mischief especially when John takes Ivor to the park and school! The Last Polar Bears An eccentric Grandfather and his dog Roo embark on an expedition to the North Pole. Also includes 'Roo Reveals All' which is a behind-the-scenes look at the making of the film.
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