Fans of Steve Irwin's television show will already know what to expect from The Crocodile Hunter: Collision Course. By the time of this, his first feature film, the Australian nature programme presenter had become a worldwide cult figure, thanks to his natural charm, good-natured wit and, most importantly, what appears to be his utter disregard for his own safety when facing some of the most dangerous wild animals on the planet. Simply put, he does things that are utterly mad, but manages to do so while appearing supremely competent. Steve Irwin is a dude. The makers of Collision Course obviously knew this, as their attitude towards the film is "if it ain't broke, don't fix it". There's a rudimentary plot that involves a renegade crocodile, a lost Top Secret American satellite and some CIA agents on a retrieval mission in the Australian Outback, but these are just a backdrop filled by forgettable characters. The real stars are, quite rightly, Steve Irwin, his wife Terri and their long-suffering dog Sui (who probably dreams of Frisbees and warm beds on those constant boat trips through the swamps of Australia). The entire film is done in the same format as the TV series, with Steve speaking directly to the camera as he handles everything from "the most poisonous snake in the world" (which, of course, he grabs by the tail), a bird-eating spider (he pokes it with a stick to show off its fangs) and overzealous "poachers" (in one of the film's funniest scenes). Plus, of course, an enormous crocodile which he wrestles underwater (fans of old Tarzan films take note!), grapples on land and lassos from a boat. Best of all, because it's Steve Irwin, you know these animals aren't props or special effects--that huge snake is real (and really angry), as is that spider crawling on his wife and that crocodile chewing on his oar. People looking for plot and substance would be better off avoiding The Crocodile Hunter. But fans of the Irwins (no matter what their age) will find this an entertaining and amusing way to spend a couple of hours. On the DVD: The Crocodile Hunter disc has six short featurettes that take viewers behind the scenes, providing insights into how those numerous wild (and dangerous) animals were made to appear cooperative on screen. There's also an interactive commentary track providing extra trivia titbits, as well as a fairly pointless photo gallery of still images. --Robert Burrow
War drama where a bunch of British prisoners of war attempt to escape from a Nazi prison camp by tunnelling under a vaulting horse.
It was an event that every fan had waited a decade for: the first Star Trek movie. But after its cinema release in 1979 Star Trek: The Motion Picture was quickly dubbed "The Slow-Motion Picture". In the opinion of general audiences, fans and critics alike, the snail-like pace of the film was a crippling flaw. It bothered one person even more, though: but Robert Wise finally got to scratch that itch when preparing this Director's Edition. In an unprecedented display of confidence from a movie studio, Wise has been allowed to re-edit the film and commission new visual effects sequences that were planned but unrealised for the original release. The result is frankly mind-boggling. Finally we are now able to see how Vulcan was supposed to amaze and alienate us, how integral the B-crew's role was to the mission, and just how spectacular the V'ger ship was imagined to be. Is the pace problem addressed? Undoubtedly it is. Scenes are trimmed and a new "busier" effects soundtrack helps considerably. Does it look better? Definitely. The shades of beige and puce have never seemed more crisply defined. Does it sound better? Jerry Goldsmith's music score (arguably one of the best ever written) is as majestically represented as the Enterprise herself. On the DVD: Star Trek: The Motion Picture two-disc set has oodles of extra features, including a complete library of all scenes deleted from both the original and new versions. The picture quality varies throughout, but it's worth putting up with for the (Wise-ly) excised material such as the unfinished effects work. An audio commentary from Wise, special effects director John Dykstra, composer Jerry Goldsmith and Commander Decker himself (Stephen Collins) provides an appraisal for movie aficionados more than Trek fans: the latter will be far more interested in a text commentary from Trek author and scholar Mike Okuda, who points out endless amounts of in-trivia. Better even than all these are three new documentaries that chronicle the film's history from then to now. Each is brightly put together (they don't drag), informative without being overly technical, and exude a pride without bragging. --Paul Tonks
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
In the first season of The X Files, creator Chris Carter was uncertain of the series' future, so each of the episodes is a self-contained suspense story; they do not delve deep into the ongoing X Files mythology or turn to self-parody and humour as do episodes in later seasons. Yet, these episodes display the elements for which the show would become famous: the cinematic production values and top-notch special effects, the stark lighting of the Vancouver sets, the atmospheric halo of Mark Snow's score, and the clever plots dealing with subjects ranging from the occult, religion, and monsters to urban legends, conspiracy theories and science fiction. Most importantly, Season 1 introduces FBI agents Dana Scully (Gillian Anderson) and Fox "Spooky" Mulder (David Duchovny), two of the most attractive government officials around. Scully is the serious-minded medical scientist assigned to join Mulder on the X Files, a division of the FBI dealing with the paranormal. Mulder is the intuitive thinker with a dry wit, a passionate believer in the existence of paranormal phenomena and one of the few characters on television smart enough to figure out who the bad guy is before the audience does. Their muddled relationship, a deep friendship laced with sexual tension, provides the human heart in a world where the bizarre and horrible lurk in everyday society. The materials on the bonus disc provide some interesting trivia and background, but it is the 24 episodes themselves that make this seven-disc boxed set a true find. Those unfamiliar with The X Files often view all the fuss with the same scepticism with which Scully first regards her new partner's ideas. But just as she comes to realise the uncanny accuracy of Mulder's outlandish theories, newcomers to The X Files who sample a few episodes in this boxed set will likely find themselves riveted to their television late into the night. And undoubtedly, the shadows and creaking noises in the house that evening will seem more menacing than usual. --Eugene Wei
The complete series 1 and 2 of this chilling paranormal drama. Featuring an all star cast this chilling psychological series enters the world of the dead to answer questions about the living. Robert Bridge (Andrew Lincoln) is a psychology lecturer grieving the loss of his young son Josh who was killed in a car accident four years earlier. A specialist in the study of psychic mediums Robert is invited to an evening of clairvoyance where he meets Alison Mundy (Lesley Sharp) - a far cry from the fraudulent psychics he is used to. Ever since she was a child Alison has seen spirits and after a near death experience they have taken over her life. Now driven by a compulsion to help those around her Alison seeks to resolve relationships torn apart by death. Episode Listing - Series 1: 1. More Than Meets The Eye 2. Lower Than Bones 3. Daniel One & Two 4. Misdirection 5. Sleeping With The Dead 6. The 7:59 Club Series 2: 1. Roadside Bouquets 2. Ratman 3. Lullaby 4. Your Hand In Mine 5. Mirrorball 6. Mind The Bugs Don't Bite 7. Things Forgotten 8. A Name Written In Water
A grief counselor working with a group of plane-crash survivors finds herself at the root of a mystery when her clients begin to disappear.
The latest World War II action epic from the makers of Spitfire Over Berlin and Lancaster Skies. When their airfield comes under direct attack, a handful of heroic spitfire pilots fight to the last man in the skies over Britain, against overwhelming odds. A young pilot, fresh out of training, is called to join a flight while they wait for the call to scramble. Throughout a single day, he witnesses the skies of southern England filled with deadly dog fights, and after every exhausting battle the men return to their dispersal hut, only to find another of their number missing. Unwilling to surrender, the pilot and his comrades unite to take to the skies once more, determined to defend not only the airfield, but their entire country. Product Features Behind The Scenes Official Trailer
A Medieval Knight resurrects to fulfill his vow and bestow a blood-thirst vengeance upon the kindred spirits of those who betrayed him long ago. In the course of one night, identities will be revealed, destinies met, and a poetic justice of the macabre maniacally served.The stage is set for retribution as an eclectic group is lured to a secluded European castle under the guise of a promised fantasy getaway weekend. And as they read from an obscure storybook, a nefarious tale of avarice is reenacted for their entertainment. However, they are unaware that they are the cursed and have been gathered for their own personal and befitting executions.Modern day vengeance steeped in a medieval tale of avarice, this one of a kind Indy film is an edgy whirlwind of gripping horror, drama, action, mystery and suspense...interlaced with just the right amount of (disturbing) dark humor.
British films about sex are fairly rare, and mostly embarrassing: from the painfully anxious (Brief Encounter) to the hopelessly naff (the Carry On films). What a treat then is Rita, Sue and Bob Too, Alan Clarke's filming of a stage play by young Andrea Dunbar. It's an unsentimental, gleefully lewd comedy about shagging. Tagged for its cinema release in 1987 as "Thatcher's Britain with its knickers down", it even provoked a minor moral hullabaloo in the newspapers. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two giggly Bradford lasses stuck on a ramshackle housing estate. They keep themselves in fags by occasional baby-sitting for nouveau riche couple Bob (George Costigan) and Michelle (Lesley Sharp). Bob fancies himself rotten, but Michelle has ruled that sex is off the menu. So one night, driving Rita and Sue home, Bob detours to the Yorkshire moors and offers the girls a little something extra in his front seat. Rita and Sue decide to grab it while they can. Alan Clarke's cult following is founded on his bleak, brilliant films about violent young men (Scum, The Firm, Made in Britain). But Rita, Sue is a tribute to Clarkey's ribald sense of humour. It even sports a cameo from novelty pop-act Black Lace, performing their non-hit "Gang-Bang". Teenage debutantes Holmes and Finneran are terrific--just watch them dancing lustily around Bob's red leather sofa to Bananarama. In support, Clarke wisely cast skilled northern comedians like Patti Nicholls and Willie Ross, as Sue's foul-mouthed mum and dad. Amid the laughs, Clarke as usual doesn't stint from showing us the harsh, unlovely side of life. He shot the film on location at Bradford's Buttershaw estate, where Andrea Dunbar grew up and where, tragically, she died of a brain haemorrhage only a few years after the film's release. --Richard Kelly
John Carroll Lynch's directorial debut featuring Harry Dean Stanton (Cool Hand Luke; Alien; Paris, Texas; Repo Man) in one of his last starring roles. Lucky follows the spiritual journey of Harry Dean Stanton's character Lucky', a cantankerous, self-reliant 90 year old atheist, and the quirky characters that inhabit the Arizona town where he lives. Having out-lived and out-smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self-exploration, leading towards that which is so often unattainable: enlightenment. Released in the US just days after Stanton's death at age 91, Lucky, is at once a love letter to the life and career of Harry Dean Stanton as well as a meditation on mortality, loneliness, spirituality, and human connection. Eureka Entertainment are proud to present Lucky on Blu-ray and DVD, as well as the acclaimed 2012 documentary, Harry Dean Stanton: Partly Fiction.
At the heart of Henry VIII stands a towering performance by Ray Winstone, who literally grows into the role, impressively doubling in size and ageing 40 years over the course of two feature-length episodes. Focusing on Henry's relationships with his six wives, this lavish mini-series also makes a good job of explaining the complex court intrigues of the period, detailing Henry's split with Rome and the political crisis following the creation of the Church of England. Winstone initially seems to play the King as little more than a London gangster, but he gradually unfolds a complex, brutal, manipulative, romantic, dedicated and driven man with great skill. In a role which harks back to Lady Jane (1986), Helena Bonham Carter makes an intelligent and sardonic Anne Boleyn, her bold performance contrasting strongly with Geneviève Bujold in Anne of the Thousand Days (1969). Emily Blunt impresses as the sexpot Katherine Howard, and Emilia Fox is compelling as Henry's greatest love, Jane Seymour. There's fine support from an all-star cast, including Sean Bean, Charles Dance and David Suchet. The production is unflinching, with burnings, torture, marital violence and executions graphically portrayed. If there's a weakness it lies in too-modern dialogue and an uncertain visual style, with noticeable borrowings from John Boorman's Excalibur and Ridley Scott's Gladiator, as well as setting Shakespeare in Love-style elegance against the ugly colours and graininess of reality TV. Ultimately Henry VIII plays most like a prequel to Elizabeth (1999)--right down to using the same piece of Elgar to underscore the finale--and has most of the same faults and virtues as that Oscar-winning film. --Gary S Dalkin
In this adaptation of the incredibly popular graphic novel Batman learns of Damian the violent misguided son he never knew he had...who was secretly raised by the League of Assassins.
The Walton' nearly 10-year run grew out of the popular, 1971 made-for-TV movie The Homecoming, which was derived from a Depression-era, rustic setting ("Walton's Mountain"), and characters based on Earl Hamner Jr.'s autobiographical novel Spencer's Mountain--itself the source for a very nice 1963 feature film starring Henry Fonda and Maureen O'Hara. That's a lot of entertainment sprouting from Hamner's prose. But something about his seminal story of family values, rugged independence, and big dreams amidst a hardscrabble existence captured the hearts of American audiences, many of whom personally recalled severe economic adversity in the 1930s. The Waltons: The Complete First Season collects those initial episodes from the series building on the strengths of the Homecoming pilot, which introduced the extended Walton clan led by a strong-willed mill owner, John (Andrew Duggan), and his equally resolute wife, Olivia (Patricia Neal). The Waltons recast those key roles (as well as a few others) with Ralph Waite and Michael Learned (yup, a female), but Richard Thomas carried over as oldest child John-Boy Walton, an aspiring writer whose cusp-of-manhood view informs the series. Will Geer (Seconds) replaced Edgar Bergen as Grandpa Walton, Ellen Corby remained as Grandma, and John and Olivia's large brood (seven kids in all) were filled out by largely unknown, young actors. The episodes, still delightful and touching, strong on production values and unusually tight and polished for primetime drama, tended to focus on creator Hamner's pet themes of self-sacrifice and heroic effort when the going got tough. Year 1 highlights include "The Carnival", in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton after the clergyman makes a fool of himself with moonshine. That's Hamner himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine state. --Tom Keogh
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. British television crime drama Broadchurch was created and written by Chris Chibnall and produced by Kudos Television and Film, Shine America, and Imaginary Friends. The series focuses on the death of an 11-year-old boy and the impact which grief, mutual suspicion, and media attention have on the town. Series 2 of Broadchurch returns to centre around how the community of Broadchurch rebuilds itself after the events of series one. Tennant, Colman, and most of the cast of series one return for series two. New series two cast members include Marianne Jean-Baptiste, James D'Arcy, Eve Myles, Charlotte Rampling, Meera Syal, andPhoebe Waller-Bridge.
All 22 episodes from the fifth season of the American TV drama that delves into the lives of the stars who live in the capital of country music. In this season, the news of Juliette (Hayden Panettiere)'s plane crash shocks everyone while Rayna (Connie Britton) receives a stunning offer after Highway 65 runs into financial problems. The episodes are: 'The Wayfaring Stranger', 'Back in Baby's Arms', 'Let's Put It Back Together Again', 'Leap of Faith', 'Love Hurts', 'A Little Bit Stronger', 'Hurricane', 'Stand Beside Me', 'If Tomorrow Never Comes', 'I'll Fly Away', 'Fire and Rain', 'Back in the Saddle Again', ''Til I Can Make It On My Own', '(Now and Then There's) a Fool Such As I', 'A Change Would Do You Good', 'Not Ready to Make Nice', 'Ghost in the House', 'The Night Before (Life Goes On)', 'You Can't Lose Me', 'Speed Trap Town', 'Farther On' and 'Reasons to Quit'.
From BAFTA-winning writer Lynda La Plante comes one of the most innovative and long-running crime series on television. Chief Superintendent Mike Walker (David Hayman) is an old-school detective with a dubious past working with the career-driven DCI Roisin Connor (Victoria Smurfit). Together they take you on an incredible often shocking journey from crime scene to courtroom and beyond. Rules Of The Game: Heathrow Airport a steaming hot summer's day a suitcase abandoned in the middle of the long stay car park. But it's not the usual sort of suspect package - inside is the naked body of dead girl. The involvement of an influential Ukrainian millionaire doesn't make the case any easier. Kill The King: When a friend of DCS Mike Walker paediatric surgeon Professor Jonathan Carlisle is found dead DCI Roisin Connor uncovers conflicts stirred by a recent operation that resulted in the death of a young girl. There's more than one suspect and the question is what tips the balance from anger to murder? Conviction: On an East London estate Terry Dyer returns from prison to uncover the truth behind a murder he claims he didn't commit. Buried secrets of terrible events are unearthed as DCI Roisin Connor heads up the team in this explosive tale of injustice revenge and how the best intentions can go tragically wrong. The Box: DCS Walker returns home to Glasgow as he investigates the case of a missing woman married to Kevin Reid a man with dark ties to his brother Ronnie. When the woman is discovered dead the police are convinced the brothers must be involved. Can the truth be uncovered before it is taken to the grave?
Paul Hogan's hilarious endearing performance made 'Crocodile Dundee' the biggest box-office comedy smash of 1986! Michael J. 'Crocodile' Dundee (Hogan) is a free-spirited Australian who hunts crocodiles with his bare hands stares down giant water buffaloes and drinks mere mortals under the table. But he's about to face the ultimate torture test - a trip to New York City. Beautiful and tenacious reporter Sue Charlton (Linda Kozlowski) gets more than just a story as the ""wonder fr
Now firmly established as the top-rated US drama, by its third year CSI: Crime Scene Investigation is a show positively glowing with confidence. Even when individual cases seem either too contrived or too easily resolved, the indefatigable night shift at the Las Vegas PD crime lab always look the part, solving conundrums and discovering microscopic damning evidence while, apparently, never shedding their own loose hair or skin cells all over the supposedly quarantined crime scenes. In reality, Catherine Willows' flowing blonde locks would contaminate any evidence she collected, but in the world of CSI only the bad guys leave body parts behind--the CSIs themselves are so good they're positively pristine. The first 12 episodes of season 3 on this three-disc set present more deliciously bizarre situations for the problem-solving sleuths: cannibalism, snuff movies, dwarfs, death while drag racing, bodies falling from the sky, and various dismemberments all tax the team's acumen. These are all double or multiple-case episodes, though in a characteristic trick of the writing sometimes apparently unrelated murders turn out to be connected (or vice versa, as in "Blood Lust", where a road accident victim is not what he seems, and the death of the driver at the hands of an angry mob is made all the more tragic.) The mix of genuine forensic science with the glossiest Jerry Bruckheimer production values, plus the virtues of a good ensemble cast headed by William Peterson's modern-day Sherlock Holmes, remains as compelling as ever. --Mark Walker
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