Linda Shirley and Bella are relaxing in the South African sunshine after fleeing to Rio De Janeiro using part of the proceeds from the robbery. Dolly their leader has already returned to London. The dark days of planning rehearsing and executing a dangerous raid seem far behind. Their criminal coup has made them rich beyond their wildest dreams. All the ties with the past have been severed. Life's a dream... until one man turns it into a nightmare!
Like a roller coaster ready to fly off its rails, Van Helsing rockets to maximum velocity and never slows down. Having earned blockbuster clout with The Mummy and The Mummy Returns, writer-director Stephen Sommers once again plunders Universal's monster vault and pulls out all the stops for this mammoth $148-million action-adventure-horror-comedy, which opens (sans credits) with a terrific black-and-white prologue that pays homage to the Universal horror classics that inspired it. The plot pits legendary vampire hunter Van Helsing (Hugh Jackman) against Dracula (the deliciously campy Richard Roxburgh), his deadly blood-sucking brides, and the Wolfman (Will Kemp) in a two-hour parade of outstanding special effects (980 in all) that turn Sommers' juvenile plot into a triple-overtime bonus for CGI animators. In alliance with a Transylvanian princess (Kate Beckinsale) and the Frankenstein monster (Shuler Hensley), Van Helsing must prevent Dracula from hatching his bat-winged progeny, and there's so much good-humored action that you're guaranteed to be thrilled and exhausted by the time the 10-minute end-credits roll. It's loud, obnoxious, filled with revisionist horror folklore, and aimed at addicted gamers and eight-year-olds, but this colossal monster mash (including Mr. Hyde, just for kicks) will never, ever bore you. A sequel is virtually guaranteed. --Jeff Shannon
Larry David has it all - money security famous friends a nurturing wife a devoted agent a new oceanfront home. So why is he still so intent on making a mess out of his life? Just because you've made it doesn't mean you've got it made. Curb Your Enthusiasm folks - it's the HBO comedy series starring Larry David... as Larry David!
K2 is a thrilling action adventure about two men Taylor Brooks (Michael Biehn) and Harold Jamieson (Matt Craven) attempting to conquer the most feared mountain in the world. Their quest takes them from America to the sheer peaks of Alaska where they encounter and join a group preparing for the mammoth expedition. Then on to the mighty Karakoram mountain range in Northern Pakistan where K2 ""The Savage Mountain"" awaits. One by one the mountaineers are faced with setbacks and disast
Theres no getting around it: there was simply no better summer blockbuster in 2007 than the astonishing The Bourne Ultimatum. Its a film that defies expectations in many ways. Firstly, its a third entry in a trilogy that by some distance in the best in an already-compelling franchise. Secondly, whenThe Bourne Ultimatum kickstarts with a ferocious energy and pace, you sit there and rightly expect it not to keep the momentum going. But it does. And does it astonishingly well. Just witness the breathless sequence through Waterloo Station, convince yourself that the film has peaked then, then go and watch them top it later on in the movie. The film itself has many trump cards, not least its leading man. Matt Damon fits the character of reluctant lead Jason Bourne perfectly, but the trick is to give him some excellent supporting players to work against. Thus, The Bourne Ultimatum also stars the excellent pair of David Straitharn and a returning Joan Allen, along with Albert Finney, Paddy Considine and Julia Stiles too. But the hidden hero of The Bourne Ultimatum is director Paul Greengrass. Arguably one of the most interesting and talented directors working today (he was rightly Oscar-nominated for his haunting United 93), Greengrass has fashioned a genuinely thrilling action thriller, that bursts with an energy and relentlessness that you simply have no right to expect. That he also managed to wrap up the story Jason Bournes quest for his identity in the midst of it is all the more astonishing. A terrific end to an already-impressive trilogy, theres little else ot say about The Bourne Ultimatum, which is simply a near flawless piece of blockbuster entertainment. Put simply: dont miss this movie. --Simon Brew
The King Of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927 working with the biggest budget in the history of Hollywood DeMille spun the life and Passion of Christ into one of the highest-grossing films of all time. Featuring text drawn directly from the Bible a cast of thousands and a cinematic bag of tricks that could belong to none other than Hollywood's greatest showman The King Of Kings is at once spectacular and deeply reverent-part Gospel part Technicolor epic.
From a fact-based screenplay by David Leland (Wish You Were Here) and directed by master film-maker Alan Clarke (Rita Sue and Bob Too) Made In Britain is one of the most memorable feature-length TV dramas of the 1980s. Trevor is a teenage Skinhead caught smashing the windows of a Pakistani owned shop he is sent to an assessment centre by social worker Harry (Eric Richard - The Bill) where it is discovered he is highly articulate and intelligent. But when he escapes steals cars and goes bersek can Harry still save him?
""Trust me I know what I'm doing!"" In 1986 an unsuspecting TV nation met a new kind of comedy hero who made Rambo look like Pee Wee Herman. David Rasche starred as the trigger-happy lawman whose hatred of criminal scum and yogurt eatin' creeps was matched only by his love of excessive force and a .44 Magnum. Over the next two seasons this hilariously deranged lampoon of 'Dirty Harry' and plenty of other targets became one of the most notorious series in television history and launch
WONDER WHEEL tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), an emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny's rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty's long-estranged daughter, who is now hiding out from gangsters at her father's apartment. Poetically photographed by Vittorio Storaro, WONDER WHEEL is a powerful dramatic tale of passion, violence, and betrayal that plays out against the picturesque tableau of 1950s Coney Island.
Thunderbirds Are Go followed the remarkable success of the Thunderbirds television series, bringing the three-dimensional puppet animation adventures of International Rescue to the big screen. Set in the 21st century, there is no attempt to explain the background story: as in the TV show International Rescue is a private family organisation who use hi-tech craft to rescue anyone in peril. Here it is the first manned flight to Mars which is in danger, as International Rescue foils a sabotage attempt at the launch, then race to avert disaster when the spaceship returns to earth. What could have made a 50-minute TV episode is expanded to feature length with Martian "rock monsters" and a surreal dream-sequence involving Alan Tracy, Lady Penelope and "Cliff Richard Jnr" & the Shadows, with a new song performed by the real Cliff and the Shadows. In the cinemas this was competing against another British children's TV SF spin-off, the equally colourful Daleks' Invasion Earth 2150AD, and would be followed by Thunderbird 6 (1968). Yet apart from more complex model work, a bigger orchestra and even bigger explosions, on TV this plays like a widescreen double-length episode. On the DVD: The mono sound is powerful, with Barry Gray's stirring music suffering intermittent distortion. Presented in anamorphic widescreen the picture is very good, with strong colours and only minimal grain, though the print does show occasional damage. Unfortunately the original extremely wide 2.74:1 Techniscope image is cropped to more conventional 2.35:1, to the extent that the careful compositions are noticeably damaged, which director David Lane refers to in his joint commentary with producer Sylvia Anderson (who also played Lady Penelope). 35 years after the event their commentary is packed with details of the filming process and full of information about the many problems of and solutions to making an animated feature. Both Anderson fans and budding animators will find this a real education. The original, rather battered, trailer is included, as are galleries of behind the scenes photos, promotional artwork and posters. Altogether it's rather FABulous. --Gary S Dalkin
Tough two-fisted truck driver Lincoln Hawk (Stallone) is a survivor: a man who holds his own against the biggest and brawniest arm-wrestlers in the country. But when his estranged wife (Susan Blakely) dies leaving his 12-year-old son in the custody of his wealthy father-in-law (Robert Loggia) Hawk's muscles are useless against a powerhouse of money and lawyers. Now to prove he can be a responsible father Hawk must build a new life that he can share with his son but his only chanc
An American family moves into a spooky manor house located within a wooded area in the English countryside. Before long they start to see some odd things like mirrors that don't reflect and the ghost of a blindfolded girl. The new tenants learn that 30 years ago a teenage girl who bears an uncanny resemblance to their daughter Jan disappeared nearby. Soon the supernatural presence starts contacting both sisters.
Two Raymond Briggs' animated classics, The Snowman and Father Christmas are here sensibly paired for maximum yuletide delight. Based on Briggs's classic children's book and crafted in a coloured-pencils-on-paper look, like fluffy, hand-drawn illustrations, The Snowman is a gentle fable of friendship and the power of imagination. It's the story of a small boy whose lovingly constructed snowman comes to life and takes him flying over the white-blanketed landscapes, in a beautiful rotoscoped (traced) sequence based on live-action flying footage. Part of the charm of the film is the gentle, everyday quality of its fantasy adventures: the snowman is invited in to try on clothes and play with the Christmas decorations, then plays host to the boy at a party in the woods, at which his snowy relatives do country dances. --David Chute In Father Christmas, an irreverent Santa breaks from tradition in many ways. He has no Mrs, owns only four reindeer and decides to convert his sleigh into an airborne motor home for a pre-Christmas holiday. He finds France too snooty, Scotland too cold and Las Vegas just right. Tanned and rested, he returns to the North Pole in time to sort through the mail, pack up the toys and hit the skies. He also narrates his own story (splendidly voiced by Los Angeles stage actor William Dennis Hunt), but fans of the 1973 book will find the animated version far less cranky than the original. Although the book was aimed at children between the ages of 4-8, this may have a wider appeal, depending on how you feel about the children seeing Santa gambling at the casino tables, dreaming of bikini-clad babes and suffering a bout of diarrhoea. --Kimberly Heinrichs
When the child Arthur's father is murdered, Vortigern (Jude Law), Arthur's uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy whether he likes it or not.
Five criminals find themselves parachuting, with their ill-gotten goods into an abandoned cemetery. But this bone-yard is guarded by some nasty scarecrows, and they aren't made of straw ..
Sheila Sabatini is the senior surgeon at the Gillies Hospital. With a sharp tongue and considerable wit her collegaues hide behind their surgical masks in fear of volatile outburst. Follow all the trials and tribulations down at the Gillies Hospital in series one of Surgical Spirit.
The directorial debut of Wes Craven, the man behind such horror favorites as A Nightmare on Elm Street, The Hills Have Eyes and Scream, The Last House on the Left justly retains its reputation as one of the most harrowing cinematic experiences of all time, nearly half a century on from its original release. On the eve of her 17th birthday, Mari and friend Phyllis set off from her family home to the big city to attend a concert by shock-rockers Bloodlust. Attempting to pick up some marijuana on the way, the pair run afoul of a group of vicious crooks, headed up by the sadistic and depraved Krug (David Hess). Gagged and bound, the young women are bundled into a car trunk and driven to the woods, where the gang subject them to a terrifying ordeal of sexual humiliation, torture and murder. Unleashed on an unsuspecting public in 1972, The Last House on the Left shocked audiences with its graphic and unflinching portrayal of interpersonal violence, paving the way for a whole host of cheap imitators looking to capitalie on its success. It is Wes Craven's original alone, however, that remains one of the true watershed moments in horror (and indeed, film) history. SPECIAL EDITION CONTENTS High Definition Blu-rayTM (1080p) presentation of the Unrated Version Original Uncompressed Mono Audio Optional English subtitles for the deaf and hard of hearing Isolated score remastered from the original 17.5 magnetic tracks Audio commentary with Bill Ackerman and Amanda Reyes Archival audio commentary with writer/director Wes Craven and producer Sean S. Cunningham Archival audio commentary with stars David Hess, Marc Sheffler and Fred Lincoln Archival introduction to the film by Wes Craven Still Standing: The Legacy of The Last House on the Left archival interview with Wes Craven Celluloid Crime of the Century archival documentary featuring interviews with Wes Craven, Sean S. Cunningham, actors David Hess, Fred Lincoln, Jeramie Rain, Marc Sheffler and Martin Kove Scoring Last House archival interview with actor/composer David Hess It's Only a Movie: The Making of The Last House on the Left archival featurette Forbidden Footage the cast and crew discuss the film's most controversial sequences Junior's Story interview with actor Marc Sheffler Blood and Guts interview with makeup artist Anne Paul The Road Leads to Terror featurette revisiting the film's original shooting locations Deleted Scene: Mari Dying at the Lake Extended Outtakes and Dailies, transferred in HD Trailers, TV Spot & Radio Spots Image Galleries Reversible sleeve featuring original and newly commissioned artwork by Paul Shippers
Falling in love can drive you crazy... Samantha suffers from many complex phobias. When her shrink is taken away Samantha grabs the oppurtunity to impersonate her doctor and hopefully win over the man of her dreams...
Bouldercam and a host of new spycams are on their most exciting mission yet. Carried by elephants they film India's most charismatic big cat deep inside the Indian jungle uncovering the hidden wildlife that shares the tiger's realm. This revealing programme follows the different stages of a tiger's life from playful cubs to learning adolescents and ultimately to young hunting adults. It also provides a unique insight into how the relationship with the other jungle animals changes as they mature including sloth bears - a rarely filmed bear with a unique character - famous for carrying its comical babies on its back and leopards - the tiger's major competitor.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy