Series 1Ricky Gervais and Stephen Merchant send their friend Karl Pilkington around the world... under the pretence of visiting the Seven Wonders. However, along the way the 'Little Englander' must endure camel rides, jungle treks, tribal customs and local oddballs while dining on toads and testicles... and searching for a decent lavatory. Series 2This time we see Karl set out on the ultimate bucket list. Karl is dispatched to far-flung corners of the world to complete a definitive list of things to do before you die in an attempt to prove whether they really are what they're cracked up to be. Series 3In this final series, Ricky Gervais has persuaded Karl to embark on an epic journey following in the footsteps of the famous explorer Marco Polo, but this time he'll have a little company... Ricky is sending Warwick Davis to join Karl on his 5000 mile journey from Venice to China.
I might jump an open drawbridge Or Tarzan from a vine.'Cause I'm the unknown stuntman that makes Eastwood look so fine. Lee Majors stars as The Fall Guy Colt Seavers a stunt man moonlighting as a bounty hunter who uses Hollywood stunt tactics to capture criminals.
The BFI presents three more classic kids' films from the much loved Children’s Film Foundation. Cult favourite Sammy's Super T-Shirt (1978) - arguably the most sought after gem in the CFF library – finally comes to DVD, accompanied by two other classics from the collection. Sammy dreams of becoming a super athlete, despite his puny build. When his lucky training t-shirt is thrown into a scientist's lab it becomes imbued with 'super strength' power. When Sammy manages to recover the t-shirt he uses his new-found strength to out-run baddies and bullies alike. Soapbox Derby (1957), sees a young Michael Crawford scrapping with a rival South London gang in Battersea, while The Sky-Bike (1967) stars Liam Redmond as an eccentric inventor trying to achieve more than just speed. Special Features: Illustrated booklet
A Cinderella story from the mean streets of Kingston, Jamaica, the alternately comic and gritty Dancehall Queen is an intriguingly dark crowd pleaser. Marcia (Audrey Reid) is a single mom and street vendor barely scraping by even with a financial assist from the seemingly avuncular Larry (Carl Davis), a gun-toting strongman with a twisted desire for Marcia's teenage daughter. Complicating things is Priest (Paul Campbell), a murderous hood who killed Marcia's friend and now is terrorizing the defenseless woman. Facing three big problems--Larry, Priest, and a lack of money---Marcia arrives at an inspired solution: develop an alter ego, a dancing celebrity called the Mystery Lady who can compete in a cash-prize contest and pit both of the men against one another. Which is exactly what she does, and it's great fun watching Marcia instigate her complicated plan with a little help from sympathetic friends. Colorful, rowdy, funny, and dangerous, Dancehall Queen is a clever and ceaselessy energetic movie steeped in Kingston street life and the desire to keep body and soul together at home. Reid is a delight as the everyday figure who transforms into an icon in the evenings, and the dance scenes are amazingly bawdy. --Tom Keogh
Expelled from yet another private school for his blossoming, illegal entrepreneurial activities, wealthy teenager Charlie Bartlett tries his tricks at a regular High School.
Mrs Taggart (Bette Davis) a wealthy tyrannical and manipulative matriarch holds a social gathering to celebrate her wedding anniversary even though her husband has been dead for years. She demands the presence of her three sons: a timid cross-dresser a stressed father of five and a secretly engaged youngster. But the party is just an excuse for Mrs. Taggart to maintain her mercilessly firm grip over her offsprings lives. Made by Britains Hammer Studios this deliciously nasty
An absolute classic comedy with big name stars and lots of cool cars. Based on a true race event, Burt Reynolds leads an all star cast in this ultimate quest to win The Cannonball Run. A bunch of people in souped-up cars, some disguised, vie for the title of 'Winner' and they will do anything to get it. Never before has such an amazing array of talent been assembled for one film. We are treated to the combined acting prowess of Roger Moore, Farrah Fawcett, Dom Deluise, Dean Martin, Sammy Davis Jnr, Jackie Chan, Peter Fonda, Bianca Jagger and the one and only Burt Reynolds. Bonus Extras: Newly restored and remastered HD master. New bonus features to be announced Theatrical Trailer Still Gallery TV spots Plus much more.
DI Chandler (Rupert Penry-Jones) DS Miles (Phil Davis) and unpaid historical advisor Edward Buchan (Steve Pemberton) have yet to make a conviction in Whitechapel 'the birthplace of the serial killer'. This season sees the pressure become greater - and this time highly personal. The team are confronted by dark twisted gothic murders that reach right into their fears and superstitions... someone is killing suspected witches; flayed bodies suggest the murderer is more interested in the victims' skin than in their death; and the sewers of Whitechapel threaten with an additional layer of horror. In Whitechapel history isn't dead it's deadly...
In this thrilling sequel to Disney's Escape To Witch Mountain automobiles mysteriously fly and humans float in thin air as sinister masterminds Christopher Lee and Bette Davis unleash a diabolical plan. The entire city of Los Angeles teeters on the brink of nuclear disaster when the greedy criminals manipulate a young boy's supernatural powers for their own devious gain. But the youth's sister and a streetwise band of truants join forces in a desperate attempt to save the city from destruction.
With a well-established framework of back-story and an increasing list of adversaries, the third series of Stargate SG-1 was the place where casual viewers began to fall away. Unless you were taking notes it was becoming ever harder to stay on top of the Goa'uld history and their constant scheming. Fortunately by now a solid fanbase had appeared worldwide--with clubs, conventions and Web sites galore--so the ratings didn't slip even while ancient gods kept appearing and reappearing. Daniel Jackson could always be trusted to illuminate any relevant myth or legend (or find them in five minutes on the internet), while Carter's memory download from last year supplied the necessary ties with the rebellious Tok'ra. Away from the story arc the show's all-important stand-alone tales gave some thorny old subjects a new SF spin, including organised religion, the use of children in the passing on of knowledge, and leading an alternative life. O'Neill's sarcastic wit went into overdrive this year and Teal'c could be relied upon for a sneer or fish-out-of-water joke. Further comic relief came from Sam "Flash Gordon" Jones and Dom DeLuise, but perhaps the funniest thing of all was the wig Carter would apparently be wearing in an alternate universe. --Paul Tonks
When a mass hysteria of unknown origin causes parents in a quiet suburban town to turn violently on their own children, Carly Ryan (Anne Winters) and brother Josh (Zackary Arthur) have to fight to survive a vicious onslaught from the very people who brought them into this world (Nicolas Cage and Selma Blair). From the director of Crank, and featuring one hell of a cast, including Nicolas Cage (Face Off, Con Air), Selma Blair (Hellboy, Cruel Intentions) and Lance Henriksen (The Terminator, Aliens), Mom and Dad is one of the great jet-black comedies about suburbia (Variety) that sees Cage play one of the most viciously berserk characters of his career!
Big Jake is not one of the Duke's classics, but it's a diverting picture nonetheless. Everyone seems to think that Jacob McCandles is six-feet under ("I thought you was dead" is a running line throughout), so some bad men kidnap his grandson. They want a piece of the family fortune and will kill to get it. Patrick Wayne, the Duke's own son, plays one of Big Jake's kids, and together they start out after the boy's abductors. Richard Boone makes a worthy adversary to Jake's larger-than-life figure, and the final confrontation between the two contains some great gritted-teeth dialogue. Maureen O'Hara is barely in the feature, sharing the same fate as Bobby Vinton as the boy's father, who seems to be onscreen just to get shot. --Keith Simanton
Based on the best-selling novel by Jack Higgins. Weary of violence and on the run from his past Martin Fallon (Mickey Rourke) an ex-IRA assassin tries to leave the killing behind him. A mob leader coerces him into killing one last time for a promise of freedom. The priest who accidentally witnesses the slaying is forced to keep quiet when he confesses to him but the mob leader orders the assassin to murder the priest and the three lives intersect for one moment when the only commandment is... Kill or be killed.
Join the legendary Master of Suspense, Alfred Hitchcock, in all 268 original episodes from all 7 seasons of the complete series of Alfred Hitchcock Presents, the Emmy® Award-winning murder-mystery series that, in the words of Hitchcock himself, brought murder back into the home-where it belongs. In over 111 hours of the most captivating, intriguing suspenseful television ever aired.
Based on the incredible life story of the Godfather of Soul, the film will give a fearless look inside the music, moves and moods of James Brown.
Tis the Season to celebrate with your favourite pups! Paw Patrol is on a roll even through the ice and snow in these 7 wintry missions including a double length adventure to save Christmas from a ski- lift rescue tracking down a snow monster- no job is too big no pup is to small. Plus see how Rubble first joined the team by helping out in a snowy situation
It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations. But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim Newman
John Mills stars as Alfred Polly recently sacked from his job he inherits money from his father thus enabling him to take a bike tour of the country. He falls in love but it all goes wrong so Alfred ends up marrying his cousin Miriam. They set up a draper's shop in a small town. Miriam sours they face bankruptcy and boredom and Mr Polly comes to hate his life. In utter despair he decides to commit suicide but even this goes wrong and he is forced to take to the road again.
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