Set Comprises: Great Expectations: One of the great translations of literature into film David Lean brings Dickens' masterpiece to robust on-screen life. Pip Magwitch Miss Havisham and Estella populate Lean's magnificent miniature beautifully photographed by Guy Green and designed by John Bryan. The October Man: He was Suspect Number One...while the real killer stalked the streets. Morning Departure: While hunting German shipping the Royal Navy submarine Trojan accidentally strikes an electronically-operated mine - and the race begins to save the lives of the crew of the stricken vessel. Rocked by a tremendous explosion the Trojan plunges to the sea bed. As time - and air - starts to run out the captain gathers together the survivors. A lucky few can escape immediately through emergency hatches - but the others will have to remain trapped in the dying submarine and hope that rescuers will arrive before it is too late. Those left behind must battle with terrifying fear and claustrophobia in the stricken disintegrating hulk far beneath the sea while rescuers begin a last-ditch attempt to raise the submarine to the surface. The rescue is difficult and fraught with danger at the best of times - but a storm of unprecedented ferocity is brewing which threatens to end all hope of rescue. This nail-biting and suspenseful thriller boasts a truly distinguished cast including John Mills Richard Attenborough and Nigel Patrick. Waterloo Road: As World War Two rages Jim Colter (John Mills) finds himself called up to serve in the army - but he's soon to find himself at war on two fronts. While he's away his lovely wife Tillie (Joy Shelton) attracts the amorous attention of Ted Purvis (Stewart Granger) a vicious local spiv and self-acclaimed ladies man. When Jim's sister writes informing him of what is happening Jim decides that the Nazis can wait and that an even more insidious enemy needs to be dealt with first. He breaks out of camp goes AWOL and sets off to find his wife. With the military hot on his tail Jim must make his way through war torn London to settle things once and for all. In Which We Serve: The story of the Royal Navy destroyer HMS Torrin and those that serve in her. In the Battle of Crete she is dive-bombed while streaming at thirty knots and goes down fighting. We see through the memories of her survivors the ordeals achievements and gallantry of HMS Torrin from her commissioning until she sinks in her last battle.
Based on an idea by Roberto Saviano, from his international best-selling book, Gomorrah' and the film of the same name, directed by Matteo Garrone, comes an event-series from Italy focused on the fierce Neapolitan crime organisation, the Camorra. Set in the suburbs of Naples, focusing on organized crime and the relationships between gangsters, drug dealers, and ordinary people, Gomorrah depicts street-level crime and its hierarchical organization from the pavement, all the way up to regional government offices. The Savastano clan, led by the Godfather, Pietro (Fortunato Cerlino) and his loyal wife, Lady Imma (Maria Pia Calzone) reign over Naples with the assistance of his obedient and self-confident right-hand man, Ciro The Immortal' (Marco D'Amore), who must teach their only son Gennaro - the heir to the Savastano gilded throne, the brutal and bloody ways of their clan. As Gennaro transforms into, and beyond, what Ciro and Pietro could have ever wished for him to become, power struggles ensue, and the balance of power shifts back and forth with devastating consequences for all involved. As the era of the Savastano clan looks to be crumbling, Ciro and Gennaro's fates will intertwine as they spread their criminal links beyond their homeland, encountering new illicit ways to trade in drugs and thrive on the spoils, despite both of them being all but destroyed in the process.
A young woman named France (Mireille Perrier) returns to Cameroon to visit the former colonial outpost she grew up in during the last days of French rule. Upon arrival, she recalls her childhood in Mindif. The only child of a sole white family, the Dalens, France forms a strong connection with their 'houseboy' Protée (Isaach de Bankolé). A quiet and observant child but still too innocent to fully understand the simmering sexual and racial tensions in the adults around her, France finds her idyl shattered when a plane full of strangers makes an emergency landing nearby. Claire Denis' quasi-autobiographical exploration of the colonial power struggle in Cameroon is the first in a series of her films exploring French colonialism and racism in West Africa. A Palme D'Or nominee, Chocolat is a remarkably assured directorial debut featuring all the tension, subtlety and sophistication that characterise Claire Denis' films, brought to life in a dazzling new 4K restoration.Product FeaturesExtras: Extras Restored in 4K and presented in High Definition Rerelease trailer Other extras TBC
Henry Horatio Hobson (Academy Award -Winner Charles Laughton) is the owner of a well-established boot shop in nineteenth century Salford Lancashire and the father of three daughters. The oldest Maggie (Brenda De Banzie) shoulders both home and business responsibilities while Hobson whiles the time away at the local pub. The younger sisters are both being courted by neighbours but Hobson refuses to give the couples settlements. Maggie becomes tired of his oafish behaviour and decides to take matters into her hands by seeking a husband. Much to the hilarity and consternation of her father aged spinster Maggie sets her sights on shy Will Mossop (John Mills) Hobson's master boot-maker. Mossop is at first stunned by the suggestion but eventually agrees to Maggie's authoritative persuasion and together they set up a rival boot shop. A timeless masterpiece that marked a temporary return to David Lean's period adaptations of Dickens (Great Expectations Oliver Twist). The film went on to win multiple awards. This film has been digitally restored to its former glory. Special Features: New and exclusive interviews with Prunella Scales and screenwriter Norman Spencer
An all-singing, all-dancing version of Jules Verne's classic novel finds eccentric inventor Phileas Fogg set out on a frantic, heart-pounding round-the-world race.
A young girl tries to cope with her mother's suicide in her own way in this chiller - but things soon turn nasty.
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate film-making, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. Along with Hitchcock's other films from the mid-1950s to 1960 (including Vertigo, Rear Window, and Psycho), The Man Who Knew Too Much is the work of a master in his prime. --Tom Keogh, Amazon.com
The era of the Savastano clan, who once undisputedly reigned over north Naples, seems to be coming to an end. What lies ahead now is the largest ever power vacuum in the history of the Camorra a coalition of crime families in and around the urban backstreets of Naples. The king, Don Pietro Savastano (Fortunato Cerlino), has abdicated, only to be replaced by his son Genny Savastano (Salvatore Esposito) at least momentarily. Although still having loyal soldiers, the Savastano s see themselves opposed by their once loyal right-hand man Ciro the Immortal Di Marzio (Marco D Amore), who is not the only one working on ending their bloody reign. The sinister drug baron, Conte, is back in town building alliances and there are two new contenders for the throne of north Naples. The only certainty about the future nothing is certain. Gomorrah is based on the international bestselling book by Roberto Saviano who exposed the Camorra mafia syndicate based in and around Naples, and has been living under police protection for eight years.
Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963). On the DVD: Alexander the Great is presented anamorphically enhanced at 2.35:1, although the picture is still obviously cropped at either side of the screen throughout. The print is very variable, in places quite grainy and soft with some serious flickering blotchiness, but otherwise it has strong colours, detail and contrast. The sound is primitive stereo. The only extra is the theatrical trailer, effectively presented in anamorphic 2.35:1. --Gary S. Dalkin
One of Italian cinema's most celebrated and prolific filmmakers, Sergio Martino worked across a range of genres, but is arguably best known for his giallo thrillers. This collection brings together three of his finest. In The Case of the Scorpion's Tail, recently widowed Lisa Baumer is summoned to Athens to collect her husband's generous life insurance policy, but soon discovers others are willing to kill to get their hands on it. In the Edgar Allan Poe-inspired Your Vice is a Locked Room and Only I Have the Key, abrasive drunk Oliviero amuses himself by holding drunken orgies and abusing his long-suffering wife but when a series of grisly murders shakes the local community, Oliviero finds himself in the frame. Finally, The Suspicious Death of a Minor combines giallo and crime thriller tropes as undercover cop Paolo pursues the Milanese criminal outfit responsible for the brutal murder of an underage prostitute, but finds himself up against a killer-for-hire who's bumping off witnesses before they have a chance to talk. Featuring sensational casts of genre stalwarts, including Edwige Fenech, George Hilton, Anita Strindberg and Luigi Pistilli, with scripts by giallo master Ernesto Gastaldi and sensuous scores by maestro Bruno Nicolai, this is an essential collection for any Italian cult cinema fan. Special Features: Three films from Sergio Martino: The Case of the Scorpion's Tail, Your Vice is a Locked Room and Only I Have the Key, and The Suspicious Death of a Minor, restored in 2K from the original camera negative High Definition Blu-ray (1080p) presentation for all films Original uncompressed mono Italian and English audio tracks Optional English subtitles for Italian audio and English subtitles for the deaf and hard of hearing for English audio Newly commissioned artwork by Marc Schoenbach THE CASE OF THE SCORPION'S TAIL: Audio commentary with writer Ernesto Gastaldi, moderated by filmmaker Federico Caddeo (in Italian with English subtitles) Under the Sign of the Scorpion an interview with star George Hilton The Scorpion Tales an interview with director Sergio Martino Jet Set Giallo an analysis Sergio Martino's films by Mikel J. Koven, author of La Dolce Morte: Vernacular Cinema and the Italian Giallo Film The Case of the Screenwriter Auteur a video essay by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY: Through the Keyhole an interview with director Sergio Martino Unveiling the Vice making-of retrospective featuring interviews with Martino, star Edwige Fenech and screenwriter Ernesto Gastaldi Dolls of Flesh and Blood: The Gialli of Sergio Martino a visual essay by Michael Mackenzie exploring the director's unique contributions to the giallo genre The Strange Vices of Ms. Fenech film historian Justin Harries on the Your Vice actress' prolific career Eli Roth on Your Vice and the genius of Martino Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin THE SUSPICIOUS DEATH OF A MINOR: Audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films Violent Milan an interview with co-writer/director Sergio Martino Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon
An FBI deep-woods tracker captures a trained assassin who has made a sport of hunting humans.
This is the award winning Brazilian tale of a poor black kid who, as narrator, tells of life in the dangerous 'City of God' housing project in Rio de Janeiro.
In the racially turbulent UK of the early 70s, a group of black musicians came together in South London with a common love of rhythms and a message of peace. Cymande with the dove as their symbol combined jazz, funk, soul and Caribbean grooves to form a unique sound. Despite success in the United States, they faced indifference in their native Britain, becoming disillusioned and disbanding in 1975. But the music lived on, as new generations of artists imbibed and reworked their pioneering sounds in fresh ways. From Soul II Soul to De La Soul, MC Solaar to The Fugees, the Dove had spread Cymande's message far and wide, prompting their return after forty years. This is their story. Product Features Presented in High Definition Trailer **FIRST PRESSING ONLY** Illustrated booklet featuring new writing on the film and full credits
Please note this is a region 2 Blu-ray and will require a region 2 or region Free Blu-ray Player in order to play For the first time ever of blu-ray! Go back to the beginning to experience the epic saga of Avatar: The Legend of Aang. From the discovery of Avatar Aang in the frozen iceberg to the mastery of all four elements, from the battle at Ba Sing Se to the final showdown with the Fire Nation, your destiny awaits as you relive all the powerful bending that will blow you away, once more! Alternate Title: Avatar: The Last AirbenderLanguage: EnglishDubbed: French, SpanishNumber of discs: 9
The third instalment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Big Wednesday), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. --Tom Keogh
An epic tale of crime and obsession and two men on opposite sides of the law. When Al Pacino and Robert De Niro square off Heat sizzles. Written and Directed by Michael Mann Heat includes dazzling set pieces and a bank heist that USA Today's Mike Clark calls the greatest action scene of recent times. It also offers the most impressive collection of actors in one movie this year (Newsweek). Val Kilmer Jon Voight Tom Sizemore and Ashley Judd are among the memorable supporting players in this tale of a brilliant LA cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Heat goes way beyond the expectations of the cops-and-criminals genre - and into the realm of movie masterpieces.
A gleeful gloriously wicked blend of action hilarity and luminous panoramic photography 800 Bullets is cult auteur Alex De La Iglesia's hyper-stylized tribute to the classic spaghetti westerns. Young Carlos (Luis Castro) upon discovering his grandfather was an infamous stuntman on the Almeria-sets where hundreds of epic westerns were filmed including those Sergio Leone and Clint Eastwood embarks on a journey that will change his life forever. With his mother's (acting legend Carmen Maura) credit card in his pocket and her on his tail he sets his sights on Texas-Hollywood where he discovers a band of outsiders still brawling battling and chasing their dreams of stardom amidst the arid dust of the scorching Spanish desert. Calamity hilarity and death defying feats of stupidity and bravery are never far away in this acclaimed action comedy from one of modern cinema's unsung masters.
Director Richard Brooks' marvellous ode to friendship, loyalty and disillusionment The Professionals may not have the stylistic bravado or fatalistic doom of Sam Peckinpah's more famous The Wild Bunch, but Brooks' storytelling is simple and steady and just as insightful. The difference is that Brooks is a lot more optimistic. Lee Marvin and Burt Lancaster are buddies who have drifted into oblivion after fighting together in the Mexican Revolution. Marvin, the principled loyalist and munitions expert, lost his wife and his heart. Lancaster, the dynamite expert and unprincipled adventurer, keeps losing his pants. They team up with wrangler Robert Ryan and archer Woody Strode to rescue the beguiling Claudia Cardinale, who has been kidnapped by their old revolutionary buddie Jack Palance. So it's back into bloody Mexico they go on a "mission of mercy" for railroad tycoon Ralph Bellamy, who's paying handsomely for the return of his wife. But nothing is what it seems in this exciting, existential adventure, which was beautifully shot by Conrad Hall. Sarcastic quips, philosophical musings and heart-rending reversals underlie Brooks' humanistic sentiments. These are tired, world-weary men who somehow find the strength and the will to pull together for the sake of love and commitment. Through it all, Brooks seems to be lamenting a decline in professionalism much deeper than his story. He's decrying Hollywood and the society at large, anticipating Peckinpah's later strategy. --Bill Desowitz
Camp Rock 2
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