No fairy tale this! In 1976, producer/director/cinematographer/editor Russ Meyer delivered his penultimate feature film co-written by Beyond the Valley of the Dolls screenwriter and Pulitzer Prize winner Roger Ebert hailed as jaw-droppingly perverse (Entertainment Weekly), Meyer at his most outrageous (Images Journal) and definitely not to be confused with the Pixar cartoon (The Spinning Image).Welcome to a sex-blasted burg in Northern California where sodomized Führers, ravenous piranha, sapphic ecstasy, murder mystery, Shakespearean appropriation and the remarkable Raven De La Croix collide, with Kitten Natividad in her RM Productions debut as The Greek Chorus of it all. Janet Wood (The Centrefold Girls) co-stars in one of Russ Meyer's best films (We Are Movie Geeks), now scanned in 4K from the original negative by Severin Films with new and archival Special Features curated in association with The Russ Meyer Trust.UHD:Audio Commentary by Film Historian Elizabeth PurchellBLU-RAY:Audio Commentary by Film Historian Elizabeth PurchellNo Fairy Tale... This! Interview With Actress Raven De La CroixRadio Spot
1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Latino heartthrob Gael Garcia Bernal stars as the young Che Guevara in this road movie with a difference.
The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments, 20,000 Leagues Under the Sea. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas
THE HITMAN'S BODYGUARD is an action comedy about the world's top protection agent (Ryan Reynolds) and his new client: a notorious hitman (Samuel L Jackson). They've been on opposite ends of a bullet for years but now must come together for 24 hours to get from England to The Hague. The only thing standing in their way is the murderous dictator (Gary Oldman) who uses his power to create trouble for the pair at every stop along their way.
To revenge his wifes murder, Adam Chaplin sacrifices his soul to a demon, for the strength to kill her assassins
K-19 The Widowmaker (Dir. Kathryn Bigelow 2002): Harrison Ford and Liam Neeson star in a thrilling action-drama inspired by the true story of a Soviet submarine crew trying to save its vessel from a nuclear meltdown - and avert global war. Witness (Dir. Peter Weir 1985): When a young Amish woman (McGillis) and her son (Haas) are caught up in the murder of an undercover narcotics agent their unlikely savior proves to be the worldly and cynical Philadelphia detective J
This enjoyable thriller, written and directed by Phil Alden Robinson (the screenwriter of Field of Dreams), follows a raggedy group of corporate security experts who get in over their heads when they accept an assignment poaching some hot hardware for the National Security Agency. Robert Redford plays the group's guru, an ageing techno-anarchist who has been hiding from the feds since the early 1970s; his companionable gang of freaks includes Dan Aykroyd, David Strathairn, Mary McDonnell, the late River Phoenix, and Sidney Poitier, as a veteran CIA operative turned "sneaker." The technological black box that everybody is after, an array of computer chips that can decode any encrypted message, isn't a very plausible invention, but it's a serviceable McGuffin, and the megalomania of the master plotter played by Ben Kingsley has more resonance than most. Modest inferences can be drawn about the very latest high-tech threats to civil liberties. --David Chute, Amazon.com
Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epic inspired by the 1932 classic of the same title. Casino (Dir. Martin Scorsese 1995): Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... Carlito's Way (Dir. Brian De Palma 1993): Al Pacino is an ex-druglord fighting to escape his violent treacherous past in his crime-action tour de force from acclaimed director Brian DePalma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn) former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy low-life nightclub he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance promising he's changed for good. But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately however his most dangerous enemy is himself. Despite good intentions Carlito's misguided loyalties and an outmoded code of honour will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go.
A military drama starring Robert De Niro and Cuba Gooding Jr that tells the true story of Carl Bashear who combated racism to become the US Navy's first African-American deep-sea diver.
THE HITMAN'S BODYGUARD is an action comedy about the world's top protection agent (Ryan Reynolds) and his new client: a notorious hitman (Samuel L Jackson). They've been on opposite ends of a bullet for years but now must come together for 24 hours to get from England to The Hague. The only thing standing in their way is the murderous dictator (Gary Oldman) who uses his power to create trouble for the pair at every stop along their way.
With his eighth and most personal film, ALFONSO CUARÃN (Children of Men) recreated the early-1970s Mexico City of his childhood, narrating a tumultuous period in the life of a middle-class family through the experiences of Cleo (YALITZA APARICIO, in a revelatory screen debut), the indigenous domestic worker who keeps the household running. Charged with the care of four small children abandoned by their father, Cleo tends to the family even as her own life is shaken by personal and political upheavals. Written, directed, shot, and coedited by Cuarón, Roma is a labour of love with few parallels in the history of cinema, deploying monumental black and white cinematography, an immersive soundtrack, and a mixture of professional and nonprofessional performances to shape its author's memories into a world of enveloping texture, and to pay tribute to the woman who nurtured him. Features 4K digital master, supervised by director Alfonso Cuarón, with Dolby Atmos soundtrack on the Blu-ray Road to Roma, a new documentary about the making of the film, featuring behind-the-scenes footage and an interview with Cuarón Snapshots from the Set, a new documentary featuring actors Yalitza Aparicio and Marina de Tavira, producers Gabriela RodrÃguez and Nicolás Celis, production designer Eugenio Caballero, casting director Luis Rosales, executive producer David Linde, and others New documentaries about the film's sound and postproduction processes, featuring Cuarón; Sergio Diaz, Skip Lievsay, and Craig Henighan from the postproduction sound team; editor Adam Gough; postproduction supervisor Carlos Morales; and finishing artist Steven J. Scott New documentary about the film's ambitious theatrical campaign and social impact in Mexico, featuring Celis and RodrÃguez Nothing at Stake, a new video essay by filmmaker :: kogonada Trailers Alternate French subtitles and Spanish SDH for the film PLUS: Essays by novelist Valeria Luiselli and historian Enrique Krauze, along with (Blu-ray only) writing by author Aurelio Asiain Córdova and production-design images with notes by Caballero
To commemorate Bette's 100th birthday here are six films from her heyday: In This Our Life (Dir. John Huston) (1942): A young woman Stanley (Bette Davis) dumps her fiance Craig (George Brent) and runs off with her sister's husband Peter (Dennis Morgan). They marry settle in Baltimore and Stanley ultimately drives Peter to drink and suicide. Stanley returns home to Richmond only to learn that her sister and old flame have fallen in love and plan to marry. The jealous and selfish Stanley attempts to win back Craig's affections but her true character is revealed when she attempts to pin a hit and run accident on the young black clerk who works in Craig's law office. The Old Maid (Dir. Edmund Goulding) (1939): This is the sad story of Charlotte (Bette Davis) a woman whose circumstances force her to give up her illegitimate child and pose as the childs old maid aunt thereby facing a lifetime of maternal sacrifice. Miriam Hopkins provides effective counterbalance with her portrayal of Charlottes effusive cousin who raises the little girl. All This And Heaven Too (Dir. Anatole Litvak) (1940): A first-rate drama about a 19th century nobleman who falls in love with his childrens' governess and murders his wife The Great Lie (Dir. Edmund Goulding) (1941): After a newlywed's husband apparently dies in a plane crash she discovers that her rival for his affections is now pregnant with his child. Watch On The Rhine (Dir. Herman Shumlin and Hal Mohr) (1943): Set during WW2. An anti-Nazi leader escapes with his wife to America only to find himself being pursued and blackmailed by Nazi agents. Deception (Dir. Irving Rapper) (1946): Based on Louis Verneuils 1928 play Jealousy the film tells the story of pianist Christine Radcliffe separated from her great love cellist Karel Novak by World War II. Unexpectedly reunited with him Christine desperately strives to hide her wartime dalliance as the mistress of a wealthy sadistic composer (Rains) with devastating results. All films come with the extra content 'Warner Night At The Movies' - a special selection of extras that recreate the movie going experience of the time with newsreel footage featurettes and contemporary cartoons and trailers
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualise the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon
A twenty-three-year-old mother of two discovers she has only two months left to live and sets out to live them right.
John Carpenter blends horror and sci-fi in this action adventure set on Mars in the year 2176 as Martian police battle supernatural forces unleashed by a deep mining facility. Extras High Definition remaster 5.1 surround sound track Alternative stereo audio Audio commentary with director John Carpenter and actor Natasha Henstridge The Guardian Interview with John Carpenter - Part Two, 1984-1994 (1994, 41 mins): the director discusses his career with Nigel Floyd at the National Film Theatre, London Video Diary: Red Desert Nights - Making Ghosts of Mars' (2001, 17 mins): location documentary exploring various aspects of the production Scoring Ghosts of Mars' (2001, 6 mins): behind-the-scenes footage of John Carpenter, Steve Vai, Buckethead and members of Anthrax during the recording sessions for the film's score Special Effects Deconstruction (2001, 7 mins): documentary montage looking at the art and design of the film Concept Art Gallery: illustrator John Eaves' original production designs Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing
On the evening before she moves in with her boyfriend, a French woman finds herself in a traffic jam on a Paris street and when a calm and self-assured stranger appears, she opens her car door to a man who will change her life.
Wag the Dog (1997) is a rarity: an intelligent, sophisticated and very funny film about American politics. Just before an election the President--in an uncanny anticipation of real life--gets sexually involved with a young woman, leaving spin-doctor Robert De Niro to think of something quick. He enlists Hollywood producer Dustin Hoffman to help him concoct a war against Albania to take the public's mind off the President's peccadilloes. Both stars are in top form, with Hoffman particularly funny as the larger than life producer. Scripted by David Mamet (House of Games, Glengarry Glen Ross) and directed by Barry Levinson, (whose previous comedies include Good Morning, Vietnam with Robin Williams and Tin Men with Danny De Vito) Wag the Dog manages to make you laugh even while you're thinking about how true the insights are, and how politics is getting more like the media every day. On the DVD: The so-called platinum DVD is packed with features. There is a series of production shots, assembled in no particular order, some showing the director watching filming on his monitor. There are interview clips with Hoffman, De Niro, Anne Heche, William H Macy and Barry Levinson talking about the film, plus scrolled filmographies. There's an audio commentary on the whole film by Levinson and Hoffman, occasionally rambling but with some interesting insights. In another feature, Macy talks at some length about David Mamet. There are extensive scroll-down production notes giving useful information (such as the film's budget), and finally a 50-minute documentary in which producer Jane Rosenthal talks about the relationship between the film and real-life politics. Her comments are supplemented by such luminaries as writer Budd Schulberg, director John Frankenheimer, newscaster Tom Brokaw and Dee Dee Myers, former White House press secretary. The Dolby Digital soundtrack is good quality, as is the image in 16:9 ratio. --Ed Buscombe
Directed by William Friedkin this cult classic stars William Petersen as Chance the risk-seeking maverick Secret Service agent and Willem Dafoe as the slick and stylish yet truly psychopathic Rick Masters. Chance's partner Jack who is near to retirement is close to completing a case against Rick Masters a ruthless ex-con and expert counterfeiter who has been selling millions worth of almost undetectable fake currency to support his weird fetishes. Unfortunately Jack gets a l
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