Let's be honest: this should be titled Wretched Excess' Frankenstein. Swooping, wild, bloody, and energetic, this is bad moviemaking from the best, which makes it all the more loveable. Kenneth Branagh plays Victor Frankenstein, a man so obsessed with conquering death that he decides to create life. What he gets, after a protoplasmic mud wrestle, is a Mean Streets monster (Robert De Niro) that isn't particularly happy to be back from the dead or thrilled about all the stitches. Helena Bonham Carter may, at several points in this film, actually be channelling Ramtha. The supporting cast couldn't be peopled with better performers (Tom Hulce, John Cleese, Ian Holm) but they all look like they're ringside at some Ultimate Fighting competition. A must for any midnight movie collector for the shock factor alone. A hoot. --Keith Simanton
In order to save an orphanage from closure, a cook dons a masks and moonlights as a luchador.
While director Norman Jewisons Moonstruck is a romantic cornerstone, this 1994 film is often overlooked. Its a sweet valentine about a young woman, aptly named Faith (Marisa Tomei, never cuter), who chases an unknown man to Europe because the name "Damon Bradley" was once spelled on a Ouija board as her true love. With her sister-in-law (Bonnie Hunt, whose own marriage seems to be falling apart), she travels the streets of Rome looking for Damon Bradley. And lo and behold, she literally runs into a man claiming to be Damon. Is this meant to be? Faith certainly thinks so. Robert Downey Jr. (also never cuter) plays Damon in a role that showcases his charms. He shows his quick wit in handing Faiths advances and his absolute devotion to her when the winds change. Despite the cuteness factor, this is a movie to fall in love with. Jewison and Sven Nykvist (Ingmar Bergmans cameraman) present a sun-kissed Italy so beautiful, you might be tempted to hop on a plane immediately after viewing the movie. --Doug Thomas
Robert De Niro, Sharon Stone and Joe Pesci star in director Martin Scorsese's riveting look at how blind ambition, white-hot passion and 24-carat greed toppled an empire. Las Vegas, 1973, is the setting for this fact-based story about the Mob's multimillion-dollar casino operation, where fortunes and lives were made and lost with a roll of the dice. Disc 1 / 4k Ultra HD Movie For The Ultimate Movie Watching Experience, This Disc Features: 4X Sharper Picture Than Hd Hdr (High Dynamic Range) For Brilliant Brights And Deepest Darks Immersive Audio For A Multi-Dimensional Sound Experience Moments With Martin Scorsese, Sharon Stone, Nicholas Pileggi And More! Disc 2 / Blu-Ray Movie⢠+ Bonus Features Moments With Martin Scorsese, Sharon Stone, Nicholas Pileggi And More! Deleted Scenes Vegas And The Mob History Alive: True Crime Authors: Casino With Nicholas Pileggi
A low-level mafioso battles with his guilty conscience as he tries to save his misfit friend from the same world of crime that he was born into. Product Features Dual format edition including both UHD and Blu-ray with main feature and bonus features on both discs New 4K restoration supervised and approved by Director Martin Scorsese and Collaborator Thelma Schoonmaker UHD presented in Dolby Vision HDR Restored original mono audio New audio commentary by Demetrios Matheou (author of BFI Classics Mean Streets) and David Thompson (Co-Editor of Scorsese on Scorsese) Scene specific audio commentary with Martin Scorsese and Actor Amy Robinson Keep Moving Forward: a new interview with Producer Jonathan T Taplin Saints and Sinners: Dr Catherine Wheatley on Mean Streets 2011 Film at Lincoln Center screening introduction, interview and Q&A with Martin Scorsese Mardik: Baghdad to Hollywood feature-length documentary Archive featurette: Back on the Block Archive featurette: Home Movies Trailer
Gear up for explosive action and mind-blowing adventure when Hydra's ancient origins and ultimate agenda are revealed in the epic, game-changing third season of Marvel's Agents of S.H.I.E.L.D. The survival of mankind hangs in the balance as Director Phil Coulson and his Agents battle an otherworldly evil. Devastated by the apparent loss of Jemma Simmons, Leo Fitz risks everything to rescue her. Agent May rejoins the teamonly to discover a terrible truth about her ex-husband, Dr. Andrew Garner. Meanwhile, after the release of Terrigen, the U.S. government creates the ATCU (Advanced Threat Containment Unit) to monitor emerging Inhumans. But the program is actually a smoke screen for the sinister machinations of Hydra's leader Gideon Malick, who joins forces with treacherous ex-S.H.I.E.L.D. agent Grant Ward. The resulting carnage spurs Coulson to exact a revenge that will ultimately backfire, unleashing apocalyptic consequences in the form of a terrifying alien entity known as Hive. To help combat this threat, Agent Daisy Johnson organizes a small band of Inhuman Secret Warriors, not knowing that she will soon meet her match and once again be forced to make a heartbreaking sacrifice. Experience all 22 thrilling episodes plus captivating bonus features with this must-own boxed set: Marvel's Agents of S.H.I.E.L.D. The Complete Third Season.
Strategy expert Sam (De Niro), mastermind Vincent (Reno), computer expert Gregor (Skarsgård), weapons specialist Spence (Bean) and driver Larry (Sudduth) form an international team of ex-secret agents hired by the mysterious Deirdre (McElhone) to attack a motorcade and steal a suitcase. The men know nothing about the contents of the suitcase, the identity of Deirdre's backers, or the organization from which the suitcase is to be stolen. In Deirdre's team, where no one knows each other's true motives, there are only two things that are certain: no one wants to miss out on the money that the lucrative job brings in, and everyone is willing to kill for it 2-Disc version incl. the feature on 4k-UHD + bonus features on Blu-Ray. Audio Commentary by Director John Frankenheimer. Blu-Ray Bonus Disc: In the cutting room, Natascha McElhone Natascha McElhone: The Work of an Actress, Composing the Music, Risky Driving Manoeuvres, Filming in the Fast Lane, Through the Lens, Interviews in Venice, Alternative Ending
In the opening scenes of Central Station, colourful crowds of Brazilians stream into and out of a Rio de Janeiro train, pushing through doors and windows. You're immediately pulled into the brutal vitality of a nation in motion, setting the tone for a picturesque road movie that charts Brazil's renaissance in a little boy's search for his father and an old woman's emotional reawakening. When we first meet Dora (Fernanda Montenegro), this frozen-hearted, sour-faced woman is the epitome of immobility: day after day, she sits in the train station selling her letter-writing skills to all comers, but often doesn't bother to mail these precious messages. When a woman who's paid Dora to write a pleading note to her son's long-missing dad gets run over by a bus, the child, Josue (Vinicius de Oliveira), is up for grabs. (The summary execution of a thieving street kid--seen in longshot--underscores the seriousness of this waif's plight.) After an abortive attempt to sell Josue for a new TV, the aspiring couch potato finds herself reluctantly propelled into an occasionally Fellini-esque odyssey through the hinterlands of Brazil's sertäo, where Dora and her sidekick find unexpected faith and family. Former documentary filmmaker Walter Salles (Foreign Land) mixes magic with realism in his appreciation of striking faces and places, but Central Station is primarily fuelled by the tough/tender performances of Montenegro, Brazil's Judi Dench, and de Oliveira, an airport shoeshine boy Salles cast over 1,500 other hopefuls. (Montenegro was nominated for a Best Actress Oscar, and Central Station was in the running for Best Foreign Language Film.) No cloyingly cute child-star, de Oliveira plays Josue as a bracingly idiosyncratic brat. And watching Dora's face and soul slowly, unwillingly unclench as she gets back in motion--and emotion--is potent pleasure, even if Salles' trip does dead-end in soap opera as his Brazilian pilgrim's progress winds down. --Kathleen Murphy, Amazon.com
British intelligence officer Richard Burton poses as a high-ranking Nazi who leads a ragtag group of POWs on an impossible mission in this exciting World War II desert adventure. Based on the real life battle of Tobruk this action-crammed drama has Burton and his 'army' battling Nazi Panzer Divisions destroying fuel dumps and making a suicidal assault on Rommel's infamous gun emplacement that has the potential to destroy the British fleet...
The Deer Hunter is an astonishing powerful and vivid epic about three men steelworkers from Pennsylvania whose lives are changed irrevocably in the tragic devastation of the Vietnam war. When Michael Steven and Nick are captured by the Vietcong they are forced to play Russian Roulette by their brutal captors who make bets on their survival. The experience of capture leaves them with terrible physical and spiritual wounds and when Michael returns to Saigon to fulfil an old vow to one of his friends he makes an unexpected horrific discovery. Director Michael Cimino's The Deer Hunter won no less than 5 Oscars in 1978 for Best Picture Best Director Best Supporting Actor Best Editing and Best Sound.
Strap on your pantaloons and prepare to travel with Jim Hawkins and Blind Pew to one of the most famous fictional islands in history, Treasure Island. Walt Disney's 1950 adaptation of Robert Louis Stevenson's swashbuckling masterpiece has held up extremely well, with action and characterisations that feel freshly minted (although it's unlikely that the Mouse of today would sanction the high level of booze flowing throughout the picture). Great fun, with nary a wasted frame and, in the character of Robert Newton's much-imitated Long John, one of cinema's most boisterously crowd-pleasing villains ever. (Proving that you can't keep a good--er, bad man down, Newton would return with director Byron Haskins for the enjoyable sequel, Long John Silver.) Watching this classic is like having a flashback to some perfect Technicolor childhood. --Andrew Wright
One night at a house party, Parisian marketing professional Esther (Marina de Van) hurts her leg on some industrial supplies. Alone when it happens, she doesn't even realise she has been hurt: the lack of pain fascinates her. While her life starts to take shape - an exciting promotion at work and new plans with boyfriend Vincent (Laurent Lucas) - Esther becomes obsessed with thoughts of self-mutilation. A nuanced body horror filled with eye-catching and innovative set pieces, writer-director Marina de Van's landmark debut feature formed part of the New French Extremity movement and would go on to influence the likes of Julia Ducournau (Raw, Titane) and Coralie Fargeat (The Substance).LIMITED EDITION BLU-RAY SPECIAL FEATURESNew 4K restoration from the original camera negative4K UHD and Blu-ray presentation of the featureOriginal 5.1 DTS-HD master audioAudio commentary by Marina de Van (2004)New interview with Marina de Van (2025)New interview with cinematographer Pierre Barougier (2025)New interview with acting coach Marc Adjadj (2025)New interview with critic Manuela Lazic (2025)New visual essay by Valeria Villegas Lindvall (2025)Two short student films by Marina de Van: Bien sous tous rapports (1996) and Retention (1997)TrailerStills galleryNewly improved English subtitle translationReversible sleeve featuring original and newly commissioned artwork by Time TomorrowLimited edition booklet featuring new writing by Savina Petrovka and archival writing by Marina de VanLimited edition of 1000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Remember Me is an unforgettable story about the power of love, the strength of family, and the importance of living passionately and treasuring every day of one's life.
Hammer's To the Devil a Daughter was the last film made by the once great studio. Clearly ailing, Hammer again adapted a novel by Dennis Wheatley, the author behind one of their greatest successes, The Devil Rides Out (1967). Unfortunately for the studio, films such as Rosemary's Baby (1968) and The Exorcist (1973) had, in the intervening decade, radically changed horror cinema. With American star Richard Widmark echoing Gregory Peck's role in the far more polished The Omen (1976), the film seemed, rather than setting the pace as Hammer once had, to be very much jumping on the 1970's occult band-wagon. Christopher Lee is the satanic ex-communicated priest whose coven plan to incarnate the ancient demon Ashteroth, while a supernaturally beautiful Nastassja Kinski demonstrates the same willingness to disrobe as in Cat People (1982). Even so, this lacklustre, misogynistic film couldn't compete with Carrie and Suspiria (both also 1976) and Hammer thereafter concentrated on TV productions. Surprisingly, director Peter Sykes' next film, Jesus (1979), as well as being the most seen and internationally distributed film ever (with an audience of over two billion by 2000), is also the most faithful portrayal of Christ yet committed to celluloid. --Gary S. Dalkin
Mid-August Lunch
A love story with strings attached! Recently released from a mental institution Ricky (Banderas) sets in motion his grand plan. Hunting down the porn star with whom he once had sex Ricky tries to convince her to be his wife. However when she's somewhat reluctant to say the least to take up his offer of marriage he vows to tie her down to endear himself to her...
It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
Twelve year old Owen is not only suffering from Hodgkinson's disease but is also plagued by nightmares. All this is made bearable by his special friend the enigmatic Mr. Rice (David Bowie) but when he disappears Owen is devastated. However Mr. Rice has left Owen a bizarre legacy: a letter written in code a treasure map and a series of clues about the 'Potion of Life'... As Owen embarks on an amazing treasure hunt each clue will lead him a little closer to his destiny and reveal a little more about the reclusive Mr. Rice. Owen is about to discover that great men can come in small packages and there is much to learn if one has the courage to embrace life's challenges: even one as daring as Mr. Rice's secret...
Master filmmaker Martin Scorcese brings heart-pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned, vicious psychopath Max Cady (OSCAR Winner Robert De Niro) emerges with a single-minded mission: to seek revenge on his attorney Sam Bowden (Nick Nolte). Cady becomes a terrifying presence as he menacingly circles Bowden's increasingly unstable family. Realising he is legally powerless to protect his beautiful wife Leigh (OSCAR Winner Jessica Lange) and his troubled teenage daughter Danielle (Juliette Lewis), Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment. BONUS FEATURES: The Making of Cape Fear / Deleted Scenes / Behind the Scenes on the Fourth of July Parade / On the set of the houseboat / Photograph montages / Matte Paintings / Opening Credits / Theatrical trailer
A mafia boss and his family are relocated to a sleepy town in France under the Witness Protection Program after breaking the sacred code and snitching on the his crew.
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