What might have been a one-note family comedy becomes something more thanks to the comic brilliance of co-stars Nathan Lane and Lee Evans, as well as the distinctive, dark-fable look given the film by a little-known director named Gore Verbinksi (could he be the next Tim Burton?). Lane and Evans play idiotic brothers who inherit a house and all but destroy it in pursuit of one small, pesky mouse. The guys are always the butt of the sight gags--most of which are very funny--but their considerable powers as slapstick artists are also at play. The climactic scene at an auction was the funniest scene in any American movie in 1997, the year of Mouse Hunt's release. --Tom Keogh
One's a surfer. The other's a high diver. When these two sisters team up to find a new love for their newly single Dad it's a fun-loving eye-catching California adventure gone wild. Mary-Kate and Ashley star in this fabulously funny love-struck comedy filled with crazy schemes and cool surprises. Determined to find their Dad Max a new love the girls paint a personals ad on a giant billboard in the heart of Hollywood. After a few disastrous dates Max finally meets Brooke and it's love at first sight. There's just one hitch her unruly skateboarding son is the girls' arch rival. Now with the girls plotting every action-packed step of the way they've got to find out if love really does conquer all. Full of outrageous events mixed-up matches and lots of laughs Billboard Dad tops the charts as Mary-Kate and Ashley's coolest mischieve-making adventure ever.
Into each generation is born a creature of light and a creature of darkness. 1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms vile plagues drought and pestilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the Heartland of an empire called America. And when it is over man will forever trade away wonder for reason. A sweeping epic that is both chal
A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
A far-fetched combination of psychological thriller and over-the-top horror movie, The Day the World Ended is a brash, rather ham-fisted piece of work. With Nastassja Kinski leading the cast, the odds were never on this being an example of great cinema, but Terence Gross's film is exceptionally ridiculous in parts.The director manages to pull a range of clichés out of the bag, from the Lynchian small-town American weirdos to the handy thunder storm during moments of high drama. The premise of a lonely, gifted child hiding a dark secret has been explored before but never quite to such a bizarre extent--the events involved here leading to a gory, tasteless finale. Kinski sleepwalks her way through her role with little conviction, matched by Randy Quaid's caricature villain. Much is made of the special effects skills of Stan Winston (Jurassic Park, Terminator 2), but without any degree of budget, his efforts are merely terrifyingly ordinary. On the DVD: one thing becomes clear from the DVD version of the film--despite the overwhelming evidence to the contrary, the makers of The Day the World Ended consider it a fine example of the genre. The audio commentary from producers Winston and Shane Mahan is especially self-reverential, even going so far at one point as to praise the film's great character acting. A hectic visual style and suitably monstrous sound effects it may have (all admittedly enhanced by the digital format), but great character acting it does not. Likewise, there is an in-depth feature on the rather shoddy special effects. The last thing anybody wanted, the earnest voiceover tells us, was for the monster to look like some guy in a rubber suit. --Phil Udell
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