The sequel to the first one! (That's just lazy writing) But wait there's more! If your second time wasn't enough, your second, second time will blow you away. The Deadpool 2 Super Duper $@%!#& Cut* gives you even more of everyone's favorite red-spandexed superhero now with 15 minutes of brand-new action and jokes lovingly inserted throughout. That's a whole lotta D in a surprisingly small package! 4K Bonus Features: Audio Commentary by Ryan Reynolds, David Leitch, Rhett Reese and Paul Wernick (Theatrical Version Only) Blu-ray Bonus Features: Gag Reel Deleted/Extended Scenes Until Your Face Hurts: Alt Takes Deadpool's Lips are Sealed: Secrets and Easter Eggs The Most Important X-Force Member Deadpool Family Values: Cast of Characters David Leitch Not Lynch: Directing DP2 Roll with the Punches: Action and Stunts The Deadpool Prison Experiment Chess with Omega Red Swole and Sexy 3-Minute Monologue Audio Commentary by Ryan Reynolds, David Leitch, Rhett Reese and Paul Wernick (Theatrical Version Only) Deadpool's Fun Sack 2 Stills (28 Images)
Both of the hit animated movies in one package. Full of verve and wit, Shrek is a computer-animated adaptation of William Steig's delightfully fractured fairy tale. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy tale creatures (including the now-famous Seven Dwarfs, Pinocchio and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad. A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare but it's the jokes that make Shrek a winner. The PG rating is stretched when Murphy and Myers hit their strides. The mild potty humour is fun enough for the 10-year-old but will never embarrass their parents. Shrek is never as warm and inspired as the Toy Story films, but the realistic computer animation and a rollicking soundtrack keeps the entertainment in fine form. Produced by DreamWorks, the film also takes several delicious stabs at its cross-town rival, Disney. --Doug Thomas In Shrek 2, the newlywed Shrek and Princess Fiona are invited to Fiona's former kingdom, Far Far Away, to have their marriage blessed by Fiona's parents--which Shrek thinks is a bad, bad idea, and he's proved right: the parents are horrified by their daughter's transformation into an ogress, a fairy godmother wants her son Prince Charming to win Fiona, and a feline assassin is hired to get Shrek out of the way. The computer animation is more detailed than ever, but it's the acting that make the comedy work--in addition to the return of Mike Myers, Eddie Murphy, and Cameron Diaz, Shrek 2 features the flexible voices of Julie Andrews, John Cleese and Antonio Banderas, plus Jennifer Saunders as the gleefully wicked fairy godmother. --Bret Fetzer
After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfil his dream of becoming Mayberry's hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the Yakuza, and a pack of sexually aggressive canines, as he journeys around the world.
An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
Whats New Pussycat (Dir. Clive Donner 1965): O'Toole stars as a fashion editor in Paris who is constantly surrounded by beautiful women - a leggy American stripper a blonde daredevil and a neurotic nymphomaniac. The problem is that they all find him irresistable which makes it almost impossible for O'Toole to settle down with his marriage-minded girlfriend. Woody Allen makes his film debut as O'Toole's sex-starved friend who would kill to have such problems! Peter Sellers in a dazzlingly demented performance plays a famed psychotherapist who is crazier than his patients. Combining satire slapstick and good old-fashioned sex appeal Woody Allen's wildly original script pokes fun at everything from Freud to Fellini culminating in one of the most outrageous finales ever filmed! The Party (Dir. Blake Edwards 1968): Hollywood mogul Fred Clutterbuck isn't just giving a party he's giving 'The Party'. Absolutely everyone who's anyone will be there: gorgeous models ravishing starlets powerful producers - even a baby elephant! And by mistaken invitation accident-prone Indian actor Hrundi V. Bakshi (Peter Sellers) will be there too. He wouldn't miss it for the world and if you enjoy side-splitting gags neither should you! Casino Royale (Dir. Val Guest 1967: Things are looking decidedly bleak for British Intelligence in both senses of the term. SMERSH has begun to sabotage global stability no less than 11 agents have been lost and to make matters worse our greatest secret agent 007 is languishing in stately retirement. M - together with the heads of the CIA and KGB - have only one hope: to bring Sir James Bond (David Niven) out of retirement and into the field. Finding himself pitched against an opposition of fiendish intensity - an array of female secret agents armed with explosive grouse; a baccarat-playing illusionist (Orson Welles) and a neurotic megalomaniac (Woody Allen) - Bond launches his brilliant plan... After the Fox (Dir. Vittorio De Sica 1966): Millions of dollars worth of gold bullion is on its way from Cairo to an unknown Italian destination. There is only one criminal mastermind capable of stealing it: Aldo Vanucci (Peter Sellers) also known as ""the Fox."" Aldo devises the perfect plan to seize the gold: Posing as a flamboyant film director he casts an aging egotistical film star (Victor Mature) and his own voluptuous sister (Britt Ekland) in a fake film about a gold theft! But the action really heats up when the boat with the real gold arrives. The World of Henry Orient (Dir. George Roy Hill 1964): Two starry-eyed schoolgirls spy stalk and scheme their way into the life of a concert pianist (Sellers) in this ""wacky piece of inspired lunacy"" (The Hollywood Reporter). With half of New York - including a bevy of befuddled cops and one man-hungry mom - in tow these precocious teens do all they can to keep tabs on their harried hero turning The World Of Henry Orient entirely upside down! Pink Panther (Dir. Blake Edwards 1963): When the famous Pink Panther diamond goes missing the bumbling Inspector Clouseau goes on the trail of notorious jewel thief The Phantom but looks everywhere except in the right place!
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. Joe 3-Movie Collection. Join the Joes for the first two missions, G.I. Joe: The Rise Of Cobra and G.I. Joe: Retaliation, as the elite strike force must race against time to stop Cobra, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in Snake Eyes: G.I. Joe Origins, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.Extras:G.I. Joe Origins - Snake Eyes: All-new Snake Eyes Short Film: Discover the secrets of Snake Eyes' legendary sword5 Deleted ScenesEnter Snake Eyes: Meet the man behind the maskA Deadly Ensemble: Meet the Joes and CobrasArashikage: Inside the elite ninja warrior clanG.I. Joe Retaliation: The True Face of EvilThe Sound of SilenceCommentary by Director Jon M. Chu and Lorenzo di BonaventuraG.I. Joe - The Rise Of Cobra:Commentary by Director Stephen Sommers and Producer Bob Ducsay
Former "Saturday Night Live" star David Spade stars as Joe Dirt, an idiot who works as an oil weller who is on the search for his parents who abandoned him when he was a baby at the grand canyon.
!With his rousingly entertaining directorial debut, SIDNEY POITIER (Guess Who's Coming to Dinner) helped rewrite the history of the western, bringing Black heroes to a genre in which they had always been sorely underrepresented. Combining boisterous buddy comedy with blistering, Black Powerera political fury, Poitier and a marvellously mischievous HARRY BELAFONTE (Carmen Jones) star as a tough and taciturn wagon master and an unscrupulous, pistol-packing preacher, who join forces in order to take on the white bounty hunters threatening a westward-bound caravan of recently freed enslaved people. A superbly crafted revisionist landmark, Buck and the Preacher subverts Hollywood conventions at every turn and reclaims the western genre in the name of Black liberation. Special Features New digital restoration, with uncompressed monaural soundtrack New interview with Mia Mask, author of Black Rodeo: A History of the African American Western Behind-the-scenes footage featuring actor-director Sidney Poitier and actor Harry Belafonte Interviews with Poitier and Belafonte from 1972 episodes of Soul! and The Dick Cavett Show New interview with Gina Belafonte, daughter of Harry Belafonte English subtitles for the deaf and hard of hearing PLUS: An essay by critic Aisha Harris
Michael Crichton's bestselling novel was both a high-tech thriller and source of controversy with its hot-button plot about a man's charge of sexual harassment against a female colleague and former lover. The movie, directed by Barry Levinson, turned these issues into a prurient thriller dressed up in glossy production values, virtual reality computer graphics and steamy sex between Michael Douglas and Demi Moore. Having cornered the market on roles for men whose brains are located south of their waistline, Douglas is well cast as the computer-industry guy who loses a plush promotion to the opportunistic Moore, and he's perfected the expression of paranoid panic. If you don't think about it too much, this is one of those films that can draw you into its manipulative web and really grab your attention. Disclosure is more entertaining than thought provoking (because the filmmakers basically danced around the story's potential controversy), but there's enough star power and visual glitz to make this an enjoyable ride. --Jeff Shannon
Experience pulse-pounding stunts and intense battle sequences with the action-packed G.I. JOE 3-Movie Collection. Join the JOES for the first two missions, G.I. JOE: THE RISE OF COBRA and G.I. JOE: RETALIATION, as the elite strike force must race against time to stop COBRA, a diabolical organisation set on plunging the world into chaos with deadly technology. Then uncover the man behind the mask in SNAKE EYES: G.I. JOE ORIGINS, and take the journey with the iconic hero as he becomes the ultimate warrior in this high-octane, edge-of-your-seat adventure.
The Net, the first of Hollywood's big cyber-thrillers of the mid-1990s, was also the most successful, thanks in large part to the natural appeal of star Sandra Bullock. Still riding high from Speed and While You Were Sleeping, Bullock plays a computer expert victimised by sinister cyber-forces who steal her identity for reasons unknown. It's a clever combination of high-tech paranoia and Hitchcockian references (including Jeremy Northam as a romantic stranger named Devlin, after Cary Grant in Notorious). Film historians may look back someday on films like this--Roger Ebert calls them "hacksploitation"--to see what they reveal about our society's reaction to the increasing role of technology in our lives, just as we now study the fears of Communism and the atom bomb reflected in films of the 1950s. Dennis Miller and Diane Baker co-star. --Jim Emerson, Amazon.com
For a while The Net looked like it was going to be quickly outdated by the technology it showcased. But now we know that anyone can personalise their systems and Internet search engines, so the colourful displays endlessly intercut on Sandra Bullock's screens look perfectly contemporary. As a movie, the concept was already outdated by the time of its 1995 release, however. The plot takes pains to emulate the style and formula of a Hitchcock chase thriller. There's a computer disc "McGuffin" being sought after by conspiratorial baddies; while the lonely hero on the run is eminently sympathetic yet attractively flawed. Bullock, though, was perfectly cast at a point well before her star status took over. Although some of the suspense contrivances may seem simplistically predictable, there's an undeniable fascination in the theme of losing one's identity. Everywhere Bullock turns she's faced with either a bald reflection or mirroring metaphor of how the computer age strips us of individuality. And, indeed, privacy. Sooner or later, the technology will become outdated of course. Until then, be careful how you surf. On the DVD: The Net comes to disc in Dolby 5.1 sound and widescreen 1.85:1. It's hard to choose between the two commentaries included. Both the Writer's and the joint talk from the Director and Producer are crammed with anecdotal reference (with a little overlap). Then there are two documentaries of about 20 minutes each, but here the newest is by far the most interesting. Trailers and filmographies fill out the package. --Paul Tonks
An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
The discovery of a dead female staffer in a White House restroom galvanizes a D.C. homicide cop (Wesley Snipes), but the results aren't hard to predict: the crime implicates the Oval Office, the presidential bureaucracy impedes the investigation, and so on. What isn't so predictable is that the whole thing leads to an improbable climax involving secret tunnels created by Abraham Lincoln. (Snipes's character, by the way, is a Civil War buff.) The creaky mystery feels a little anachronistic from the get-go, with some particularly corny and laughable dialogue. --Tom Keogh
The complete 3rd series of the crime action series starring John Thaw Dennis Waterman and Garfield Morgan. Featuring all 13 episodes from the 1976 season the episodes have been digitally restored from the original materials and presented with a new Dolby 5.1 track. Episode Titles: 1. Selected Target 2. In From The Cold 3. Visiting Fireman 4. Tomorrow Man 5. Taste of Fear 6. Bad Apple 7. May 8. Sweet Smell of Succession 9. Down to You Brother 10. Pay Off 11. Loving Arms 12. Lady Luck 13. On the Run
Jeff and Jane Blue are former FBI and CIA spies on maternity leave and vacationing in New Orleans with their adorable 6-month-old daughter. Despite their desire to enjoy a sabbatical they get drawn into a case against an old nemesis...
Hedonism isn't just for breakfast anymore. Or so learns TV commercial director Paul (Peter Fonda) on his first LSD trip: a mind-blowing passage through surreal images and stroboscopic light shows... Written by Jack Nicholson and directed by Roger Corman 'The Trip' takes you to a whole new world of extreme beauty and sheer terror on a passport the size of a stamp!
Severely shaken after a near-fatal encounter with a serial killer TV newscaster Karen White (Dee Wallace-Stone) takes some much-needed time off. Hoping to conquer her inner demons she heads for the 'Colony' a secluded retreat where her new neighbors are just a tad too eager to make her feel at home. Also there seems to be a bizarre link between her would-be attacker and this supposedly safe haven. And when after nights of being tormented by savage shrieks and unearthly cries Kar
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