A brilliant, bizarre 1973 comedy-horror, Theatre of Blood pitches somewhere between a Hammer horror and the Ealing comedy Kind Hearts and Coronets. Vincent Price stars as the hammy, self-important and thoroughly psychotic Edward Lionheart, a veteran thespian who refuses to play anything other than Shakespeare. Piqued by a circle of critics, whom he feels were disrespectful in their notices and denied him his rightful Best Actor of the Year Award, he decides to murder them one by one in parodies of some of Shakespeare's grislier scenes. He's aided by his daughter Edwina (played by Diana Rigg, often in fake moustache and male drag) and a ghoulish company of dosshouse zombies. Some of the murders are quite extraordinarily gruesome, despite their camp, comedic overtones. Arthur Lowe's henpecked critic has his head sawn off while asleep (in a parody of Cymbeline) and Robert Morley's plumply effete dandy is force-fed a pie made from his beloved poodles, choking him to death (cf Titus Andronicus). Jack Hawkins and Michael Horden also meet unpleasant ends. Theatre of Blood is a genuine and underrated oddity in the annals of British cinema and especially uncomfortable for those who happen to be in the reviewing trade. On the DVD: Theatre of Blood on disc is not a triumph of digital enhancement, with sound blemishes unamended and hazy, faded visuals in places. The only extra is the original trailer. --David Stubbs
A big-budget, mega-event epic motion picture that revolves around an abrupt climate change that has cataclysmic consequences for the planet.
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humour, The Right Stuff chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching Sputnik, the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicised (and sanitised) accomplishments of the Mercury astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. --Jim Emerson
Paris 1792. Each day scores of the French nobility feed the guillotine. They are trapped in the capital: there is no escape. But rumours whisper of a league of young English gentlemen of unparalleled daring who risk their lives to spirit aristocrats across the Channel. They leave no trace behind them except a note from the ""Scarlett Pimpernel"" (Anthony Andrews). The ruthless spy master Chauvelin (Ian McKellen) is determined to stop the rescuers by fair means or foul - and desperately outnumbered the Scarlet Pimpernel and his men must use all their wits to evade capture and stay alive. With a dazzling all-British cast this glorious production of Baroness Orczy's classic adventure novel is one of the largest single television productions ever made - winning critical acclaim on its release and wowing generations of viewers for over two decades. Nominated for three Academy awards and winner of an Emmy award for Outstanding Costume Design.
The world's wildest boy - Dennis The Menace - and his fellow stars from The Beano comic are in sparkling cartoon animation action on this programme. As well as Dennis's dogs those toothy terrors Gnasher and Gnipper you can also enjoy the mischeif of Minnie The Minx classroom chaos with The Bash Street Kids way-out western fun from those greedy Three Bears high speed hilarity from Billy Whizz plus a little girl who's big trouble - Ivy The Terrible.
Director Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the US president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding heartbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff Shannon, Amazon.com
In 1974, Tobe Hooper changed the face of horror with his landmark ï¬lm The Texas Chain Saw Massacre. Though the hulking Leatherface left an indelible mark upon the cinematic landscape, it wouldn't be until 1986 that the buzz came back in The Texas Chainsaw Massacre 2! Relocating the cannibalistic Sawyers to a cavernous labyrinth beneath an amusement park, Hooper's deliciously demented sequel sees local DJ Stretch running afoul of them when she gets mixed up in the brutal slaying of two youngsters. Meanwhile, Lieutenant Lefty Enright is hell-bent on avenging the murder of his nephew Franklin, who perished in the original massacre. Whichever way you skin it, Leatherface's second cinematic outing is an uncompromisingly delirious vision from one of the masters of horror. 2-DISC LIMITED EDITION CONTENTS ¢ Limited edition packaging featuring original and newly commissioned artwork by Ilan Sheady and Dare Creative ¢ Booklet featuring new writing by Johnny Mains, Anna Bogutskaya, Guy Adams and Neil Mitchell ¢ Double-sided fold-out poster ¢ Texas Battle Land theme park postcard ¢ Chili cook-off recipe card ¢ Three double-sided collector's postcards DISC 1 (4K ULTRA HD BLU-RAY) THE FILM ¢ 4K restoration from the original negative ¢ 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) ¢ Original lossless stereo 2.0 audio ¢ Optional English subtitles for the deaf and hard of hearing ¢ Commentary with director Tobe Hooper ¢ Commentary with stars Bill Moseley, Caroline Williams and special effects legend Tom Savini ¢ Commentary with cinematographer Richard Kooris, production designer Cary White, script supervisor Laura Kooris and property master Michael Sullivan DISC 2 (BLU-RAY) BONUS FEATURES ¢ Are We Not Both the Living Dead?, new visual essay by Scout Tafoya ¢ You've Got Good Taste: Cannibal Camp and Perverse Parody, new visual essay by Miranda Corcoran ¢ Stretch Lives!, interview with Caroline Williams ¢ Serving Tom, interview with makeup effects artist Gabe Bartalos ¢ Texas Blood Bath, interview with makeup effects artist Barton Mixon ¢ Remember the Alamo, interview with actor Kirk Sisco ¢ Die Yuppie Scum, interview with actor Barry Kinyon ¢ Extended interviews with Tobe Hooper and co-producer Cynthia Hargrave, from Electric Boogaloo: The Wild, Untold Story of Cannon Films ¢ It Runs in the Family, (plus outtakes!) on the ï¬lm's genesis, making and enduring appeal ¢ House of Pain, interview with makeup effects artists Mixon, Bartalos, Gino Crognale and John Vulich ¢ Yuppie Meat, interview with actors Chris Douridas and Barry Kinyon ¢ Cutting Moments, interview with editor Alain Jakubowicz ¢ Behind the Mask and Cutting Moments with Bob Elmore, two interviews with Leatherface's performer ¢ Horror's Hallowed Grounds, featurette exploring the ï¬lm's locations ¢ Still Feelin' the Buzz, interview with horror expert Stephen Thrower ¢ Behind-the-scenes ¢ Alternate opening credits ¢ Deleted scenes ¢ Trailers and TV spots ¢ Still gallery
Drug smuggling. Racketeering. Loan sharking. Welcome to Hollywood! Golden Globe winner John Travolta leads an all-star cast in the hysterical comedy that insists it doesn't take much to make it in the movies...just a background with the Mob.Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants in town. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglers and the angry mobster who won't leave him alone!
Where nothing is as it seems. Michael Williams (Cage) isn't just down on his luck. He's down to his last five dollars. Desperate for a fast buck and a soft bed he's heading for Red Rock and into the worst nightmare he's ever dreamed of. One man (Walsh) wants his wife (Flynn Boyle) murdered. His wife will pay double for revenge. A psychotic contract killer (Hopper) wants to finish his job. And Michael Williams just wants to get way out of town with his life intact...
Speed: Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will expl
Beyond being Jess Franco's masterpiece, Vampyros Lesbos is a highpoint of the lesbian vampire film genre. Like Daughters of Darkness, The Vampire Lovers, and the New Wave vampire film, The Hunger, Vampyros features an extremely hot vampire, Countess Nadina Carody (Soledad Miranda), who dances at strip clubs in her spare time. In a brutally sexy opening scene, Miranda hypnotically seduces audience member Linda Westinghouse (Ewa Strömberg), calling her to her castle in Anatolia, on business from which Westinghouse never returns. Linda's boyfriend, Omar (Andrés Monales), eventually finds Linda institutionalized, cared for by one Dr. Seward. The characters in Vampyros Lesbos are foils for the cast of Bram Stoker's Dracula, in radical opposition to the traditional, clichéd horror film stereotypes. Psychedelic moments, like when Linda is seduced by the Queen of the Night, recall the grainy, erotic scenes of Jean Rollin's Requiem Pour Un Vampire, and Le Frisson Des Vampires. To dwell on the convoluted plot is clearly missing the point. With arguably the best horror movie soundtrack every released, Vampyros Lesbos revels in the sultry aspects of vampirism, resulting in long, romantic sequences of nude women playing in ocean waves, lying on chaise lounges, and making out in bed. Franco's other films, like She Killed in Ecstasy and Venus in Furs, serve as sequels, so see this first. In fact, see this film period. --Trinie Dalton
The famous Arabian sailor encounters Eris the Greek goddess of Chaos, and Proteus, the shapeshifting sea god in this new aquatic adventure.
Just prior to his career breakthrough M*A*S*H, Robert Altman made this memorably unsettling psychological thriller, which originally premiered at the Canned Film Festival. Frances Austen, a young, wealthy spinster, invites a mute teenager into her apartment after finding him freezing in the park next to where sh lives. Despite her best efforts, their lack of communication only increases her sense of loneliness, as her possessiveness spirals into frightening new realms. A remarkable central performance by Sandy Dennis anchors this fascinating, haunting tale, anticipation Altman's subsequent studies of female psychological breakdown, Images and 3 Women. Shot by Laszlo Kovacs (Easy Rider, Five Easy Pieces) with Altman's trademark long lenses and drifting zooms, as well as intriguing experimentation with sound, That Cold Day in the Park is a long-neglected gem from an American master. The masters of cinema series is proud to present its UK home video premiere in a new Dual-Format edition.
After starring in the now-legendary Dollars trilogy of spaghetti Westerns for Italian director Sergio Leone, Clint Eastwood became a box-office star and imported the style of those classic shoot-em-ups for this 1967 Western directed by Ted Post, with whom Eastwood had worked during their days on the television series Rawhide. Eastwood plays an innocent rancher who is mistaken for a cattle rustler and sentenced to hang by an angry mob. When he is saved from the noose by a passing lawman, he embarks on a renegade campaign of vengeance against the men who attempted to lynch him. Hang 'Em High offers a number of memorable moments and stylistic flourishes, and features a superb supporting cast of Western veterans, including Ben Johnson, Ed Begley, Pat Hingle, Dennis Hopper, Bruce Dern, LQ Jones, and the "Skipper" himself, Alan Hale Jr Made just three years before Dirty Harry, the film marked a turning point for Eastwood, who would soon move into a prolific period of contemporary thrillers. --Jeff Shannon, Amazon.com
Sherlock Holmes ever abetted by the trusty Watson investigates a series of deaths at a castle with each foretold by the delivery of orange pips to the victims...
In his writing and directorial debut, Julian Schnabel's film Basquiat depicts the life of graffiti artist Jean-Michel Basquiat, aka SAMO, and the turbulent period from the late 1970s to 1988, as his life was catapulted into fame and notoriety. As Jean-Michel's work gained favourable attention from New York's elite art community, he went from a street punk living in a cardboard box to the first black artist to succeed in the all-white dominated art world. Tony Award-winning actor Jeffrey Wright does a brilliant job portraying a man tortured by self-doubt and thoughts of suicide, struggling to survive and be acknowledged as an artist. The film's use of dream-like imagery and rhythmic pace tells the story from the perspective of Jean-Michel's eyes as he manages to "float" through relationships and gallery showings,until his impending death in 1988 from a heroin overdose. Brimming with talent, the film also stars David Bowie as pop-artist Andy Warhol, Michael Wincott as poet Rene Ricard and many others, including Gary Oldman, Benicio del Toro, Dennis Hopper and Courtney Love. --Michele Goodson
Adapted from the internationally praised and bestselling novel, One Day charts an extraordinary relationship. After one day together in 1988, Emma Morley (Anne Hathaway) and Dexter Mayhew (Jim Sturgess) begin a friendship that will last a lifetime.
This terrific Walter Hill Western follows the careers of the James and Younger brothers--and uses the nifty idea of casting actual clans of acting siblings in the roles. Thus, the James brothers are played by James and Stacy Keach; the Youngers by David, Keith, and Robert Carradine; the Millers by Randy and Dennis Quaid; and the Fords by Christopher and Nicholas Guest. Hill, working with an evocative Ry Cooder score, creates a film that is at once breathtakingly exciting and elegiac in its treatment of these post-Civil War outlaws. The Keaches in particular bring a surprising dignity to the roles of Frank and Jesse James, while David Carradine is a hoot as Cole Younger--and the Quaids mimic real life (as it was for them then) in their battles as the Miller brothers. Bloody, to be sure, but also bloody good. --Marshall Fine
Stakeout (Dir. John Badham 1987): While on an FBI stakeout detective Chris Lecce (Richard Dreyfuss) falls hard for Maria (Madeleine Stowe) the woman he's supposed to be watching. Soon he's inside her home enjoying a torrid love affair while his young partner Bill Reimers (Emilio Estevez) waits across the street looking through his binoculars and fuming. But the woman's ex-boyfriend (Aidan Quinn) a crazed escaped convict who is the real object of the stakeout is on his
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