The Young Pope Lenny Belardo (Jude Law), aka Pius XIII, is the first American Pope in history. Young and charming, his election might seem the result of a simple and effective media strategy by the College of Cardinals. But, as we know, appearances can be deceptive. Especially in the place and among the people who have chosen the great mystery of God as the guiding light of their existence. That place is the Vatican and those people are the leaders of the Catholic Church. And the most mysterious and contradictory figure of all turns out to be Pius XIII himself. Shrewd and naïve, old-fashioned and very modern, doubtful and resolute, ironic, pedantic, hurt and ruthless. The New Pope Two-time Academy Award ® nominees John Malkovich and Jude Law star in Academy Award® winner Paolo Sorrentino's stunning vision for the world of the modern papacy. Written and directed by internationally celebrated auteur Paolo Sorrentino, with co-writers Umberto Contarello and Stefano Bises, The New Pope marks Sorrentino's second series set in the world of the modern papacy. Pius XIII (Jude Law) is in a coma. After an unpredictable and mysterious time, the Secretary of State Voiello succeeds in the enterprise of having the charming, sophisticated and moderate English aristocrat Sir John Brannox (John Malkovich) placed on the papal throne with the name John Paul III. The new pope seems perfect, but he conceals secrets and a certain fragility. Quickly, he begins to realise that it will not be easy to replace the charismatic Pius XIII who, hanging between life and death, has become a Saint with thousands of faithful followers now idolizing him. Meanwhile, the Church is under attack from several scandals that risk irreversibly devastating the hierarchies of the Church, and the key principles of Christianity upon which they are based. As always, nothing is as it originally seems in the Vatican. Good and evil march arm in arm through this historic institution, right up until the final showdown..
Charlie Bird Parker had been a hero of Clint Eastwood's since childhood and Eastwood having been disappointed in such jazz biopics as ""Young Man With A Horn"" really wanted to make a true jazz fan's movie about the music. He cast Forest Whitaker as Parker the legendary alto sax player and Diane Venora as Chan Parker's wife. The film shows how Parker a genius who changed the face of modern music was hampered and eventually destroyed by his appetite for women food and drugs. Th
There's No Such Thing as Free Cable The manic madness of Jim Carrey strikes again in this totally wired out of control comedy! Slip the cable guy fifty bucks and you'll get the movie channels for free - it's a time honoured urban ritual. But when Steven Kovacs (Matthew Broderick) moves into his new apartment he picks the wrong cable guy - this guy doesn't want fifty bucks; he just wants a friend for life. And he won't take no for an answer.
The Relic is the story of a monster that runs amok in a Chicago museum on the very day the institution is holding a glitzy reception. Naturally, the museum bosses want to go ahead with their public relations even as the creature is decapitating victims. Penelope Ann Miller plays a scientist on the run from the critter (which is at times computer generated and reminiscent of the raptors in Jurassic Park), and Tom Sizemore is a cop looking for his cold-blooded (in every sense) killer. Peter Hyams (Timecop) directs, and as always he excels at managing the plastic action at the cost of real feeling and logic. (Much of the story is pretty laughable.) --Tom Keogh
Romeo & Juliet: Baz Luhrmann's dazzling and unconventional adaptation of William Shakespeare's classic love story is spellbinding. Leonardo DiCaprio and Claire Danes portray Romeo and Juliet the youthful star-crossed lovers of the past. But the setting has been moved from its Elizabethan origins to the futuristic urban backdrop of Verona beach. This brilliant and contemporary retelling of the world's most tragic love affair makes this wildly inventive Romeo & Juliet unforgettable. Moulin Rouge: Christian [Ewan McGregor] a young writer with a magical gift for poetry defies his bourgeois father by moving to the bohemian underworld of Montmartre Paris. He is taken in by the absinthe- soaked artist Toulouse- Lautrec whose party- hard life centres around the Moulin Rouge a world of sex drugs electricity & the shocking Can-Can. Christian falls into a passionate but ultimately doomed love affair with Satine the Sparkling Diamond [Nicole Kidman] the most beautiful courtesan in Paris & star of the Moulin Rouge...
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
Trapped in his mother's Lower East Side apartment sixteen-year-old Finn (Anton Yelchin) wants nothing more than to escape New York and spend the summer in South America studying the Iskanani Indians or Fierce People with the anthropologist father he's never met. But Finn's dreams are shattered when he is arrested in a desperate effort to help his drug-dependent mother Liz (Diane Lane) who scrapes by by working as a masseuse. Determined to get their lives back on track Liz moves the two of them into a guesthouse on the vast country estate of her ex-client the aging aristocratic billionaire Ogden C. Osbourne (Donald Sutherland). In Osbourne's close world of privilege and power Finn and Liz encounter a tribe fiercer and more mysterious than anything they might find in the South American jungle: the super rich. While Liz battles her substance abuse and struggles to win back her son's love and trust Finn falls in love with Osbourne's beautiful granddaughter Maya (Kristin Stewart) befriends her charismatic older brother Bryce (Chris Evans) and even wins the favor of Osbourne himself. But when a shocking act of violence shatters Finn's ascension within the Osbourne clan the golden promises of this lush world quickly sour. And both Finn and Liz caught in a harrowing struggle for their dignity discover that membership always comes at a price...
Titles Comprise: Eragon: You are stronger than you realize. Wiser than you know. What was once your life is now your legend. This fantasy adventure-epic is based on the first chapter of the epic Inheritance Trilogy by author Christopher Paolini. In his homeland of Alagaesia a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realizes he's the one person who can defend his home against an evil king... The Dark Is Rising: The first film adaptation of Susan Cooper's acclaimed The Dark Is Rising Sequence tells the story of Will Stanton a boy whose everyday life is turned upside down when he learns that he is the last of the Old Ones a group of immortal warriors who have dedicated their lives to fighting the forces of the Dark. As he uncovers a series of mysterious clues some dating back to the founding of Britain and others going all the way back to biblical times Will discovers that with the 'Dark' once again rising the future of the world rests in his hands.
Into each generation is born a creature of light and a creature of darkness. 1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms vile plagues drought and pestilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the Heartland of an empire called America. And when it is over man will forever trade away wonder for reason. A sweeping epic that is both chal
The Cuckoo Waltz: Series 2
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in Heat, an intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, Heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
A small town in Cornwall is over run with Zombies controlled by a master of black magic. Can a professor stop the undead onslaught?
Series One A group of less-than-perfect parents reveal the comic and crazy sides of middle-class motherhood as they navigate the trials and traumas of unromanticized parenting, where chaos and hyper-competition reign supreme as they struggle to keep up and stay the course. Series Two A collective sigh of relief can be heard across the Motherland as a new school term dawns. Julia makes a life changing decision about her career; Amanda consciously un-couples and reluctantly joins Liz in the single mothers' club. Kevin takes over from Julia as the resident life-juggling working parent whilst Anne is just hungry. There's a new face joining the scrum at the school gates as the gang wonder if high flyer Meg really does have it all. Series Three The Nation's favourite gang of Mums (and Dad) return to navigate the pitfalls of middle-class parenting and the clash of cliques formed at the school gates
The title Ice Cold in Alex refers to the beer the heroes of this 1958 British World War Two classic plan to drink in Alexandria, once they have escaped from the Germans, negotiated minefields and survived both mechanical failure and the killing heat of the North African sands. The setting is Libya in 1942, at the height of the campaigns featured in The Desert Fox (1951) and The Desert Rats (1953), and a disparate group in a military ambulance--which include a Nazi agent to add tension of one kind and a beautiful nurse to add tension of another--must make an epic journey to safety. Staring John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews the terror and poignancy comes from our certainty that not everyone will survive, such that the suspense sometimes reaches near unbearable levels. Director J Lee-Thomson was clearly inspired by the then recent French masterpiece, The Wages of Fear (1952) and handles both the character drama and set-pieces with great skill. He would go on to make another great war adventure, The Guns of Navarone (1961), also starring Anthony Quayle, who then returned to the desert for the ultimate British war classic, Lawrence of Arabia (1962). --Gary S. Dalkin
If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and thawed 200 years later. Society has become a sterile, Big Brother-controlled dystopia, and Miles joins the underground resistance--joined by a pampered rich woman (Diane Keaton at her bubbliest). Among the most famous gags are Miles' attempt to impersonate a domestic-servant robot; the Orgasmatron, a futuristic home appliance that provides instant pleasure; a McDonald's sign boasting how many trillions the chain has served; and an inflatable suit that provides the means for a quick getaway. The kooky thawing scenes were later blatantly (and admittedly) ripped off by Mike Myers in Austin Powers: International Man of Mystery. --Jim Emerson
The Wicker Man has had an enduring fascination for audiences since its release in 1973, commanding a devotion that most films can only dream of. A unique and bone-fide horror masterpiece, brilliantly scripted by Anthony Shaffer (Sleuth, Frenzy) and featuring an astounding performance by the legendary Christopher Lee. Director Robin Hardy's atmospheric use of location, unsettling imagery and haunting soundtrack gradually builds to one of the most terrifying and iconic climaxes in modern cinema. When a young girl mysteriously disappears, Police Sergeant Howie (Edward Woodward) travels to a remote Scottish island to investigate. But this pastoral community, led by the strange Lord Summerisle (Christopher Lee), is not what it seems as the devoutly religious detective soon uncovers a secret society of wanton lust and pagan blasphemy. Can Howie now stop the cult's ultimate sacrifice before he himself comes face to face with the horror of The Wicker Man? Extras: THE FINAL CUT (2013 version APPROVED BY ROBIN HARDY)BURNT OFFERING: THE CULT OF THE WICKER MAN DOCUMENTARY WRITTEN BY MARK KERMODE WORSHIPPING THE WICKER MAN FAMOUS FANS FEATURETTE THE MUSIC OF THE WICKER MAN FEATURETTE INTERVIEW WITH ROBIN HARDY INTERVIEW WITH CHRISTOPHER LEE & ROBIN HARDY (1979) RESTORATION COMPARISON TRAILER
Writer-director Woody Allen's 1975 comedy finds the familiar Allen persona transposed to 19th-century Russia, as a cowardly serf drafted into the war against Napoleon, when all he'd rather do is write poetry and obsess over his beautiful but pretentious cousin (Diane Keaton). A total disaster as a soldier, Allen's cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, suddenly making him a national hero. After his cousin agrees to marry him, thinking he'll be killed in a duel he miraculously survives, the couple must hatch a ludicrous plot to assassinate Napoleon in order to keep the coward Allen out of yet another war. Allen and Keaton show what a perfect comic team they make in this film, even predating their most celebrated pairing in Annie Hall. Working so well as the most unlikely of comedies, of all things a hilarious parody of Russian literature, Love and Death is a must-see for fans of Woody Allen films. --Robert Lane
From animation legend Bruce Timm comes an all-new DC Universe movie. The fate of the earth hangs in the balance when the Justice League face a powerful new threat the Fatal Five! Superman, Batman and Wonder Woman seek answers as Mano, Persuader and Tharok terrorize Metropolis in search of budding Green Lantern Jessica Cruz. With Cruz's unwilling help, they aim to free remaining Fatal Five members Emerald Empress and Validus and carry out their sinister plan. Meanwhile, the Justice League discover an ally in the peculiar Star Boy, who's brimming with volatile power. Could he be the key to thwarting the Fatal Five? An epic battle against ultimate evil awaits!
From the director of "Airplane" comes the third instalment in the scary spoof franchise.
Wes Craven Presents 3 films in one complete horror boxset. Starring Gerard Butler, Jonny Lee Miller, Rutger Hauer and many more.Dracula 2001:A gang of high-tech thieves, led by Marcus (Omar Epps) and Solina (Jennifer Esposito), break into a vault buried deep in the heart of London hoping to find treasure. Instead, they succeed in reviving an ancient evil--the legendary Count Dracula himself (Gerard Butler), who terrorized England a century earlier until he was stopped by Dr. Abraham Van Helsing. Now, Dracula makes his way to modern New Orleans to track down Mary Heller (Justine Waddell), an innocent young woman haunted by dreams she doesn't understand. Matthew Van Helsing (Christopher Plummer), Dracula's current hunter, must track the Count down with the help of his assistant, Simon (Jonny Lee Miller), but they also have to deal with the vampire's new victims, who soon return from the dead, thirsty for blood. Can Dracula be stopped before he seduces Mary and begins a new reign of terror, or do secrets from his past hold the key to destroying him forever?Dracula II: AscensionAn ancient evil is once again unleashed in the 21st century as fright master Wes Craven presents this terrifying and suspenseful sequel to the big-screen hit Dracula 2001! Dracula II: Ascension is the riveting story of a group of medical students who come across the body of the world's most notorious vampire! When a mysterious stranger appears and offers the students $30 million to harvest the body and steal its blood for auction, it's an offer they can hardly refuse! But as the lure of riches collides with unimaginable terror, the students also find themselves relentlessly pursued by a vampire killer from the Vatican!Dracula III: LegacyMore horror-filled terror in the modern Dracula series presented by Wes Craven, Dracula III: Legacy adds Rutger Hauer (Confessions Of A Dangerous Mind, The Hitcher) to a hot returning cast starring Jason Scott Lee (The Jungle Book), Jason London (Grind, Out Cold) and Roy Scheider (Jaws). The feared Dracula (Hauer) leads vampire hunters Father Uffizi (Lee) and Luke (London) back to eastern Europe and a country plagued by civil war. There they discover powerful local warlords are assisting Dracula by capturing victims and delivering them to feed the vampires residing in Dracula's castle! And to make matters worse, Father Uffizi must face his own temptations as he struggles to overcome the vampire virus within himself! With sizzling stars, a riveting story and stunning special effects, this suspense-filled thriller will satisfy anyone with a taste for terrifying entertainment!
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