The timeless 1952 version of Oscar Wilde's comedy of errors in a Special Collectors' Edition.
When three outlaws stumble across a dying woman and her baby they vow to escort the infant to New Jerusalem across the white-hot desert...
In My Favorite Brunette we witness Bob Hope's own unique brand of film comedy as he teams up with the great screen beauty Dorothy Lamour (who later co-starred with him in many of the classic Road To... movies along with Bing Crosby). Co-starring Peter Lorre and Lon Chaney Jr. Hope romps through this yarn playing a bumbling photographer turned private eye and finds himself involved with a spy caper the mob and a dangerous brunette.
Sarah is a blind girl who has returned to her home, a country manor in which all of the occupants are dead. She unknowingly sleeps overnight, among a houseful of corpses, arising the next morning to quietly creep out of bed, in order not to awaken the other members of the household.
A fantastic box set featuring a quartet of beauties from Ealing Studios. Includes: 1. Whisky Galore (Dir. Alexander Mackendrick 1949) 2. Champagne Charlie (Dir. Alberto Cavalcanti 1944) 3. The Maggie (Dir. Alexander Mackendrick 1954) 4. It Always Rains on Sunday (Dir. Robert Hamer 1947)
The Greatest Show On Earth is a dazzling spectacle of life behind the scenes with Ringling Brothers - Barnum and Bailey Circus the best three-ring circus in the land. The great showman Cecil B. DeMille produced and directed this splashy colourful look at life under the big top. Charlton Heston stars as Brad Braden the beloved circus manager who runs a tight ship with integrity and a big heart. In an effort to bring in enough money to guarantee a full tour Brad hires the Great Sebastian (Cornel Wilde) a daredevil trapeze star to replace his girlfriend Holly (Betty Hutton) a beautiful and talented trapeze artist who had been promised the coveted centre-ring spot. Sebastian a suave ladies' man instantly takes a liking to Holly despite their jealous rivalry. Holly and Sebastian carry on their feud high in the air with an audience watching performing a dangerous show of one-upmanship. While the two duel in the air sparks fly on the ground and Brad is too busy running the grand show to notice. This gutsy star-studded spectacle was produced in cooperation with Ringling Brothers - Barnum and Bailey circus and filmed in a pseudo-documentary style with frequent cuts from the full-scale grandiose circus acts and larger-than-life costumes by the legendary Edith Head to real footage of the daily life on the road for the full-scale travelling operation. Jimmy Stewart co-stars in a gem of a role as Buttons the clown who is hiding from a mysterious past. This cavalcade of jaw-dropping visual splendour complete with lions elephants and an action-packed train wreck of a finale is DeMille at his grandiose best. Look for many small guest appearances from circus stars and celebrities including Bing Crosby and Bob Hope.
New remastered collector's edition including extraordinary collectables. Orson Welles' masterwork (number 1 in the American Film Institute's list of Best American Movies) dazzles anew in a superb 75th-anniversary high-definition digital transfer. It's grand entertainment, sharply acted (starting many of Welles' Mercury Players on the road to thriving film careers) and directed with inspired visual flair. Chronicling the stormy life of an influential publishing tycoon, this Best Original Screenplay Academy Award winner (1941) is rooted in themes of power, corruption, vanity the American Dream lost in the mystery of a dying man's last word: Rosebud. Special Features: - Commentary by Peter Bogdanovich - Commentary by Roger Ebert - Opening: World Premiere of Citizen Kane [1941 Newsreel] - Interview with Ruth Warrick - Interview with Robert Wise - Production Stills Gallery (62 cnt.) - Still Photography Commentary by Roger Ebert - Gallery of rare photos, Alternate Ad Campaigns, Studio correspondence, call sheets and other memorabilia - Theatrical Trailer Collectables: - 5 x one sheet/Lobby card reproductions - 48-page book with photos, storyboards and behind the scenes information - 20-page 1941 souvenir programme reproduction - 10 x production memos and correspondence
One screen legend pays homage to another in Man of a Thousand Faces, an enthralling biopic which sees Oscar-winning tough guy James Cagney give a multifaceted portrayal of silent cinema legend Lon Chaney. In early horror classics such as The Hunchback of Notre Dame and The Phantom of The Opera, Lon Chaney captivated audiences with his vivid personifications of grotesque and afflicted characters. His extraordinary make-up skills, and miraculous ability to completely transform into grisly yet sympathetic and tragic monsters, garnered him international acclaim and the famous moniker of this film's title. Yet, despite his talent and success, Chaney led a life plagued by hardship and heartache. This insightful film-portrait traces the trajectory of the actors's career: from impoverished vaudeville clown to Hollywood stardom, whilst also capturing the drama that surrounded his private life. The film is presented here for the first time in dazzling High Definition, with a selection of revealing extras. Special Edition Contents: Brand new restoration from the original negative by Arrow Films High Definition Blu-ray (1080p) presentation Uncompressed Mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing New audio commentary by film scholar Tim Lucas The Man Behind a Thousand Faces, a newly filmed look at Lon Chaney and his legacy by the critic Kim Newman Image gallery Original trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys FIRST PRESSING ONLY: Fully Illustrated booklet with a newly commisioned essay by Vic Pratt of the BFI
This Hitchcock thriller is mainly famous for its climax, which finds the villain (Norman Lloyd) hanging by his sleeve from the torch on the Statue of Liberty as the seam begins to unravel. Otherwise, it's not one of the director's great pictures, though it's still worth a look. Set during the initial stages of World War II, the story concerns a ring of Nazi fifth columnists who plot to weaken American military defences by blowing up a munitions factory, a dam and a battleship. In an early example of Hitchcock's celebrated "wrong man" theme, the hero Barry Kane (Robert Cummings) gets falsely accused of sabotage and becomes a fugitive, hunted from coast to coast. Eventually, he hooks up with the heroine Pat Martin (Priscilla Lane), a super-patriot who takes some convincing of his innocence and plans to turn him in--until the inevitable chemical reaction occurs. It's a highly episodic tale that may put you in mind of Hitchcock's previous The 39 Steps (1935) and his later North by Northwest (1959).The miscellaneous incidents (a shoot-out at a cinema, a bizarre encounter with the freaks in a circus troupe) are often exciting in themselves. The trouble is they just sort of lie there like so-many scattered marbles, never building into a coherent and satisfying whole. The bland dialogue supplied by novice screenwriter Peter Viertel doesn't help matters much. Neither does the casting of the two stars, square, wholesome types, entirely lacking in the perversity and eccentricity one associates with the Hitchcock universe. (It's tedious to hear Lane endlessly mouthing off about the American way, while Cummings must be counted one of the dullest leading men in Hollywood history.) Still, this half-hearted effort by the pot-bellied master of suspense would probably make the reputation of a dozen lesser directors. --Peter Matthews
Hope and Crosby play George Cochran and Harold Gridley American vaudevillains on the run from some angry fathers in Australia. To avoid a dual shotgun wedding George and Harold end up on the island of Bali and sign on as deep sea divers for Prince Arok - and become smitten with the princess Lalah.
To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Director Norman Z. McLeod went on to direct Hope in four more features -- Alias Jesse James Casanova's Big Night My Favorite Spy and The Paleface. McLeod had a remarkable career behind the cameras working with such Hollywood greats as Danny Kaye (The Secret Life Of Walter Mitty) W.C. Fields (It's A Gift) and Cary Grant (Topper). Writer Edmund Beloin supplied the stories for both My Favorite Spy and The Lemon Drop Kid. His collaborator Jack Rose penned My Favorite Brunette The Great Lover Sorrowful Jones and The Seven Little Foys. This film also features musical guests The Wiere Brothers and The Andrew Sisters.
A series of now-legendary stage comedies from the 1920s and '30s the Aldwych Farces broke theatre box-office records and made the transition to celluloid with a run of hit films – making stars of Tom Walls Ralph Lynn and Robertson Hare. Most were penned by leading comic playwright Ben Travers and peopled by a regular cast of silly-ass aristocrats battleaxe wives and put-upon husbands; nimble wordplay and finely crafted buffoonery were their hallmarks and the public loved them. Though only ten adaptations were made on film the influence of these enduringly popular films was great and can be seen in some of the key British comedies from the first half of the 20th century. This ongoing range will include not only the Aldwych Farces themselves but those films that they influenced. They are presented here as brand-new transfers from original film elements in their original aspect ratio. A CUP OF KINDNESS (1934) A tale of two feuding families whose offspring cause uproar when they announce their marital plans. Black and White / 76 mins / 1.33:1 / Mono / English DIRTY WORK (1933) Two assistants at a high-class jeweller's devise a cunning plan to attempt to catch a gang of jewel thieves. Black and White / 69 mins / 1.33:1 / Mono / English
Digitally remastered from original film elements. In May 1941, RKO Pictures released a controversial film by a 25-year-old first-time director. That premiere of Orson Welles' Citizen Kane was to have a profound and lasting effect on the art of modern motion pictures. Through its unique jigsaw puzzle storyline, inventive cinematography, brilliant ensemble acting and direction by Welles, the story of Charles Foster Kane is a fascinating portrait of American's love of power and materialism and the corruption it sometimes fosters. Like all great films, Citizen Kane is a memorable fusion of cinematic art and marvellous entertainment, winning an Oscar for Best Writing, Original Screenplay in 1942. Special Features: Anatomy of a Classic - A 50 minute feature presented by Barry Norman Audio Commentary by Film Historian Ken Barnes The Original Film Budget Welles Off-Screen (The original 1938 radio broadcast of The War of the Worlds and Welles' 1945 commerical recording of Oscar Wilde's The Happy Prince) Blu-ray Exclusive - The Restorarion of Citizen Kane
Mandy Garland was born deaf and has been mute for all of her life. Her parents believe she is able to speak if she can only be taught and enroll her with a special teacher.
Few actresses have dominated the camera as powerfully as Dorothy Dandridge in Carmen Jones. Her polished beauty plays in irresistible contrast to her title character's leonine sexuality and fluid emotions; a man can't decide from moment to moment if he wants to save her from doom, build her a castle, or never let her out of bed. Of course, that's the problem with the boys in this semi-experimental adaptation of Bizet's opera, Carmen. Straight-arrow Joe (a strapping Harry Belafonte), an obedient corporal on a southern military base during World War II, is all set to go to flight school and marry his hometown sweetie, Cindy Lou (Olga James), when his troublemaking sergeant orders him to accompany Carmen to a civilian court. In short order, Joe is swept up in Carmen's carnal anarchy and her craving for release from lousy options in life. An impulsive act of violence ensures that Joe's future is gone forever, putting Carmen in the difficult position of destroying their relationship to save him. Oscar Hammerstein II took Bizet's music in 1943 and rewrote the book and lyrics. The result is largely a smashing success with a few missteps (the bullfighter in Bizet's piece becomes a heavyweight boxer here, which breaks up a certain grace in the story) and a couple of perfect stretches (the long prelude to Carmen and Joe's first embrace, set on Carmen's hoodoo-ish home turf). Despite the fact that both Dandridge and Belafonte were singers, their vocal performances were dubbed by LeVern Hutcherson and Marilyn Horne. (Yes, it is a little disconcerting to hear another voice coming out of the more familiar Belafonte's mouth.) Otto Preminger directed with his usual eye on economy of action and production, as the numerous musical numbers tend to be shot in lengthy, single, carefully choreographed takes. The result can be a little visually static at times, but the passion behind the singing pulls everything through.--Tom Keogh
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? After being arrested for assaulting a football referee desperate train driver Bill (Arthur Askey) raids the railwaymen's holiday fund to cover his ''55 fine. He knows he's going to be discovered though leaving him no choice but to get the money back by hook or by crook! His last chance is to run a book on the United v City football derby. If that wasn't tense enough Bill's son is also making his debut for United. It looks like it's going to be a day to remember - do you dare look?
A series of now-legendary stage comedies from the 1920s and '30s the Aldwych Farces broke theatre box-office records and made the transition to celluloid with a run of hit films – making stars of Tom Walls Ralph Lynn and Robertson Hare. Most were penned by leading comic playwright Ben Travers and peopled by a regular cast of silly-ass aristocrats battleaxe wives and put-upon husbands; nimble wordplay and finely crafted buffoonery were their hallmarks and the public loved them. Though only ten adaptations were made on film the influence of these enduringly popular films was great and can be seen in some of the key British comedies from the first half of the 20th century. This ongoing range will include not only the Aldwych Farces themselves but those films that they influenced. They are presented here as brand-new transfers from original film elements in their original aspect ratio. A CUCKOO IN THE NEST (1933) A newlywed husband is compelled through circumstances to spend the night sharing a room with an also-married lady friend. Black and White / 83 mins / 1.33:1 / Mono / English. TURKEY TIME (1933) When two gentlemen try their best to be chivalrous they find themselves caught on the sticky end of a series of unfortunate misunderstandings. Black and White / 69 mins / 1.33:1 / Mono / English.
Live At Carnegie Hall Tracklisting / Performer 1. Overture 2. 'The Beauty That Drives A Man Mad'- Robert Morse and Tony Roberts 3. Welcome - Tony Roberts Robert Morse & Julie Andrews 4. Monologue - Julie Andrews 5. 'Nowadays/Hot Honey Rag' - Karen Ziemba & Bebe Neuwirth 6. 'Bewitched Bothered and Bewildered' - Marin Mazzie 7. 'Man Of La Mancha' - Linda Eder 8. 'Look For The Silver Lining/Tomorrow' - Andrea McArdle 9. 'And I'm Telling You I'm Not Going' - Jennifer Ho
Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
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